Work From Home with Ella Fitzgerald

~ Veröffentlichung von Ella Fitzgerald (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1Dream a Little Dream of Me (single version)
Sologesang:
Louis Armstrong
vocals:
Louis Armstrong (am 1950-08-25) und Ella Fitzgerald (American jazz singer) (am 1950-08-25)
Orchester:
Sy Oliver and His Orchestra (am 1950-08-25)
conductor:
Sy Oliver (am 1950-08-25)
cover recording of:
Dream a Little Dream of Me (am 1950-08-25)
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
53:04
2This Can’t Be Love
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Bud Shank (am 1956-08-21) und Maurice Stein (American jazz saxophonist) (am 1956-08-21)
baritone saxophone:
Chuck Gentry (am 1956-08-21)
Bass:
Joe Mondragon (am 1956-08-21)
Bassposaune:
George Roberts (american bass trombone) (am 1956-08-21)
Gitarre:
Barney Kessel (am 1956-08-21)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-21)
Posaune:
Milt Bernhart (am 1956-08-21), Joe Howard (american trombone player) (am 1956-08-21) und Lloyd Ulyate (am 1956-08-21)
Schlagzeug:
Alvin Stoller (am 1956-08-21)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-08-21) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-21)
Trompete:
Pete Candoli (am 1956-08-21), Maynard Ferguson (am 1956-08-21), Conrad Gozzo (am 1956-08-21) und Ray Linn (am 1956-08-21)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-21)
conductor:
Buddy Bregman (am 1956-08-21)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-21)
cover recording of:
This Can’t Be Love (am 1956-08-21)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Warner/Chappell (Warner/Chappell Music, Inc.)
2:54
3Too Darn Hot
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-07) und Bud Shank (am 1956-02-07)
baritone saxophone:
Chuck Gentry (am 1956-02-07)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-07)
Gitarre:
Barney Kessel (am 1956-02-07)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-07)
Kontrabass:
Joe Mondragon (am 1956-02-07)
Posaune:
Milt Bernhart (am 1956-02-07), Joe Howard (american trombone player) (am 1956-02-07) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-07)
Schlagzeug:
Alvin Stoller (am 1956-02-07)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-07) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-07)
Trompete:
Pete Candoli (am 1956-02-07), Harry “Sweets” Edison (am 1956-02-07), Maynard Ferguson (am 1956-02-07) und Conrad Gozzo (am 1956-02-07)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-07)
conductor:
Buddy Bregman (am 1956-02-07)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-07)
cover recording of:
Too Darn Hot (from Kiss Me, Kate) (am 1956-02-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co. und T.B. Harms Co.
Teil von:
Kiss Me, Kate (musical)
3.653:50
4You Make Me Feel So Young
cover recording of:
You Make Me Feel So Young
Texter:
Mack Gordon
Komponist(in):
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Version von:
E bi eit barn med deg
2:22
5Cheek to Cheek
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-08-16)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1956-08-16)
Kontrabass:
Ray Brown (jazz bassist) (am 1956-08-16)
Schlagzeug:
Buddy Rich (am 1956-08-16)
Trompete:
Louis Armstrong (am 1956-08-16)
vocals:
Louis Armstrong (am 1956-08-16) und Ella Fitzgerald (American jazz singer) (am 1956-08-16)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-16)
cover recording of:
Cheek to Cheek (from “Top Hat”) (am 1956-08-16)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
4.155:55
6Let’s Fall in Love
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1960)
conductor:
Billy May (in 1960)
Interpret(in):
Billy May & His Orchestra (in 1960)
arranger:
Billy May
cover recording of:
Let’s Fall in Love (in 1960)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Francis, Day & Hunter Ltd.
24:02
7Nice Work If You Can Get It
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1959)
conductor:
Nelson Riddle (in 1959)
Interpret(in):
Nelson Riddle and His Orchestra (in 1959)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1959-01 bis 1959-03)
cover recording of:
Nice Work If You Can Get It (in 1959)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
3:35
8Day in Day Out
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1964)
conductor:
Nelson Riddle (in 1964)
Interpret(in):
Nelson Riddle and His Orchestra (in 1964)
arranger:
Nelson Riddle
cover recording of:
Day In, Day Out (in 1964)
Texter:
Johnny Mercer (in 1939)
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
2:50
9Guys and Dolls
cover recording of:
Guys and Dolls
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp.
Teil von:
Guys and Dolls (Broadway musical)
Teil von:
Guys and Dolls (1955 musical film)
2:44
10They Can’t Take That Away From Me
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-08-16)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1956-08-16)
Kontrabass:
Ray Brown (jazz bassist) (am 1956-08-16)
Schlagzeug:
Buddy Rich (am 1956-08-16)
Trompete:
Louis Armstrong (am 1956-08-16)
vocals:
Louis Armstrong (am 1956-08-16) und Ella Fitzgerald (American jazz singer) (am 1956-08-16)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-16)
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (am 1956-08-16)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
4.654:38
11Manhattan (stereo version)
Techniker(in):
Val Valentin (am 1956-08-29)
Produzent(in):
Norman Granz
baritone saxophone, Bassklarinette und Fagott:
Chuck Gentry (am 1956-08-29)
Bass:
Joe Mondragon (von 1956-08-21 bis 1956-08-31)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-29)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-29) und Edgar Lustgarten (am 1956-08-29)
Englischhorn [English horn] und Oboe:
Arnold Koblentz (Oboe player) (am 1956-08-29)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-29), Bud Shank (am 1956-08-29) und Willie Schwartz (am 1956-08-29)
Gitarre:
Barney Kessel (am 1956-08-29)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-29)
Perkussion:
Milt Holland (am 1956-08-29)
Schlagzeug:
Alvin Stoller (am 1956-08-29)
Waldhorn:
Vince DeRosa (am 1956-08-29)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-29)
conductor:
Buddy Bregman (am 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (am 1956-08-29)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-29)
cover recording of:
Manhattan (am 1956-08-29)
Texter:
Lorenz Hart (in 1925)
Komponist(in):
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company und Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:50
12I Get a Kick Out of You
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (am 1956-02-09)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-09)
Kontrabass:
Joe Mondragon (am 1956-02-09)
Schlagzeug:
Alvin Stoller (am 1956-02-09)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-09)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-09)
cover recording of:
I Get a Kick Out of You (am 1956-02-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
3.654:02
13Blue Skies
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-03-18)
Techniker(in):
Val Valentin (am 1958-03-18)
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1958-03-18)
conductor:
Paul Weston (am 1958-03-18)
Interpret(in):
Paul Weston and His Orchestra (am 1958-03-18)
arranger:
Paul Weston (in 1958)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-03-18)
cover recording of:
Blue Skies (am 1958-03-18)
Texter und Komponist(in):
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
53:44
14Taking a Chance on Love (1962 album version)
vocals:
Ella Fitzgerald (American jazz singer) (am 1962-01-31)
conductor:
Bill Doggett (am 1962-01-31)
arranger:
Bill Doggett
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1962-01-31)
cover recording of:
Taking a Chance on Love (am 1962-01-31)
Texter:
Ted Fetter und John Latouche
Komponist(in):
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. und Taking a Chance on Love Music Company
Teil von:
Cabin in the Sky
2:37
15Mean to Me
cover recording of:
Mean to Me
Texter:
Roy Turk
Komponist(in):
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. und Pencil Mark Music (ASCAP)
2:57
16Duke’s Place
recording of:
Duke’s Place
Texter:
Bill Katz, Ruth Roberts und Bob Thiele (producer & songwriter)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Version von:
“C” Jam Blues
4:11
17Close Your Eyes
cover recording of:
Close Your Eyes
Texter und Komponist(in):
Bernice Petkere (in 1933)
publisher:
Bernice Petkere Music Company, CBS Miller Catalog, Inc. und Sherman, Clay & Co. (in 1933)
2:57
18If I Were a Bell (long version)
cover recording of:
If I Were a Bell (Guys and Dolls)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
Guys and Dolls (Broadway musical)
Teil von:
Guys and Dolls (1955 musical film)
2:35
19Time After Time
cover recording of:
Time After Time
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Chappell/Morris Ltd. und Sands Music Corp.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
3:29
20Can’t We Be Friends?
cover recording of:
Can’t We Be Friends?
Texter:
Paul James (Lyricist, aka James Warburg)
Komponist(in):
Kay Swift
publisher:
Warner Bros. Music Corp.
3:23
21No Strings (I’m Fancy Free)
Techniker(in):
Val Valentin (am 1958-03-14)
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1958)
vocals:
Ella Fitzgerald (American jazz singer) (am 1958-03-14)
conductor:
Paul Weston (in 1958)
Interpret(in):
Paul Weston and His Orchestra (in 1958)
arranger:
Paul Weston (in 1958)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-03-14)
cover recording of:
No Strings (I’m Fancy Free) (from “Top Hat”) (am 1958-03-14)
Texter und Komponist(in):
Irving Berlin (in 1935)
Teil von:
Top Hat (1935 film)
recording of:
No Strings (I’m Fancy Free) (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
Teil von:
Top Hat (1935 film)
3:04
22All of Me
cover recording of:
All of Me
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
3:22
23Let’s Call the Whole Thing Off
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-07-23)
Gitarre:
Herb Ellis (jazz guitarist) (in 1957, am 1957-07-23)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957, am 1957-07-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-07-23)
Schlagzeug:
Louie Bellson (in 1957, am 1957-07-23)
Trompete:
Louis Armstrong (in 1957, am 1957-07-23)
vocals:
Louis Armstrong (in 1957, am 1957-07-23) und Ella Fitzgerald (American jazz singer) (in 1957, am 1957-07-23)
Interpret(in):
Ella Fitzgerald (American jazz singer)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-07-23)
cover recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (am 1957-07-23)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
übersetzte Version von:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
Teil von:
Shall We Dance (1937 film soundtrack)
3.654:12
24Tea for Two
cover recording of:
Tea for Two (No, No, Nanette)
Texter:
Irving Caesar
Komponist(in):
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
No, No, Nanette
3:15
25A Foggy Day
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-01-05)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1959-01-05)
Bass:
Joe Comfort (am 1959-01-05)
Bassposaune:
Karl DeKarske (am 1959-01-05)
Bratsche / Viola:
Alvin Dinkin (am 1959-01-05), Paul Robyn (am 1959-01-05) und Barbara Simmons (viola) (am 1959-01-05)
Cello:
Elizabeth Greenschpoon (am 1959-01-05), George Neikrug (cellist) (am 1959-01-05) und Kurt Reher (cellist) (am 1959-01-05)
Geige / Violine:
Israel Baker (American violinist) (am 1959-01-05), Victor Bay (am 1959-01-05), Alex Beller (am 1959-01-05), Walter Edelstein (am 1959-01-05), James Getzoff (American concertmaster and violinist) (am 1959-01-05), Ben Gill (am 1959-01-05), Murray Kellner (am 1959-01-05), Nathan Ross (am 1959-01-05), Marshall Sosson (am 1959-01-05) und Gerald Vinci (American violinist and strings conductor) (am 1959-01-05)
Gitarre:
Herb Ellis (jazz guitarist) (am 1959-01-05)
Harfe:
Katherina Julyie (am 1959-01-05)
Holzblasinstrumente:
Buddy Collette (am 1959-01-05), Harry Klee (am 1959-01-05), Joe Koch (am 1959-01-05) und Champ Webb (am 1959-01-05)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1959-01-05)
Perkussion:
Frank Flynn (am 1959-01-05)
Posaune:
Milt Bernhart (am 1959-01-05), Richard Noel (trombonist) (am 1959-01-05) und Tommy Pederson (am 1959-01-05)
Schlagzeug:
Alvin Stoller (am 1959-01-05)
Trompete:
Don Fagerquist (am 1959-01-05), Manny Klein (am 1959-01-05), Dale McMickle (am 1959-01-05) und Shorty Sherock (am 1959-01-05)
Waldhorn:
Vince Darosa (am 1959-01-05)
vocals:
Ella Fitzgerald (American jazz singer) (am 1959-01-05)
conductor:
Nelson Riddle (am 1959-01-05)
Interpret(in):
Nelson Riddle and His Orchestra (am 1959-01-05)
arranger:
Nelson Riddle
cover recording of:
A Foggy Day (in London Town) (am 1959-01-05)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
3:32
26All of You
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-09)
Gitarre:
Barney Kessel (am 1956-02-09)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-09)
Kontrabass:
Joe Mondragon (am 1956-02-09)
Posaune:
Milt Bernhart (am 1956-02-09), Joe Howard (american trombone player) (am 1956-02-09) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-09)
Schlagzeug:
Alvin Stoller (am 1956-02-09)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-09)
conductor:
Buddy Bregman (am 1956-02-09)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-09)
cover recording of:
All of You (Silk Stockings musical) (am 1956-02-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Chappell Music (UK)
Teil von:
Silk Stockings (1957 musical film)
31:43
27The Lady Is a Tramp (stereo version)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Bud Shank (am 1956-08-21) und Maurice Stein (American jazz saxophonist) (am 1956-08-21)
baritone saxophone:
Chuck Gentry (am 1956-08-21)
Bass:
Joe Mondragon (am 1956-08-21)
Bassposaune:
George Roberts (american bass trombone) (am 1956-08-21)
Gitarre:
Barney Kessel (am 1956-08-21)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-21)
Posaune:
Milt Bernhart (am 1956-08-21), Joe Howard (american trombone player) (am 1956-08-21) und Lloyd Ulyate (am 1956-08-21)
Schlagzeug:
Alvin Stoller (am 1956-08-21)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-08-21) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-21)
Trompete:
Pete Candoli (am 1956-08-21), Maynard Ferguson (am 1956-08-21), Conrad Gozzo (am 1956-08-21) und Ray Linn (am 1956-08-21)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-21)
conductor:
Buddy Bregman (am 1956-08-21)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-21)
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (am 1956-08-21)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
4.653:24
28Somebody Loves Me
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-01-07)
Produzent(in):
Norman Granz
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-01-07)
cover recording of:
Somebody Loves Me (am 1959-01-07)
Texter:
Buddy DeSylva und Ballard MacDonald
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) und Stephen Ballentine Music Publishing Co.
Teil von:
Broadway Rhythm (film)
2:36
29This Year’s Kisses
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-06-22)
Produzent(in):
Norman Granz
Gitarre:
Herb Ellis (jazz guitarist) (von 1961-06-22 bis 1961-06-23)
Klavier:
Lou Levy (von 1961-06-22 bis 1961-06-23)
Kontrabass:
Joe Mondragon (von 1961-06-22 bis 1961-06-23)
Schlagzeug:
Gus Johnson (drums) (von 1961-06-22 bis 1961-06-23)
Sologesang:
Ella Fitzgerald (American jazz singer) (von 1961-06-22 bis 1961-06-23)
vocals:
Ella Fitzgerald (American jazz singer)
cover recording of:
This Year’s Kisses (von 1961-06-22 bis 1961-06-23)
Texter und Komponist(in):
Irving Berlin
2:18
30A Fine Romance
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1963)
conductor:
Nelson Riddle (in 1963)
Interpret(in):
Nelson Riddle and His Orchestra (in 1963)
arranger:
Nelson Riddle
cover recording of:
A Fine Romance (from “Swing Time”) (in 1963)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
23:35
31Hooray for Love
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1960)
conductor:
Billy May (in 1960)
Interpret(in):
Billy May & His Orchestra (in 1960)
arranger:
Billy May
cover recording of:
Hooray for Love (in 1960)
Texter:
Leo Robin (US composer, lyricist & songwriter) (in 1948)
Komponist(in):
Harold Arlen (in 1948)
2:42
32Drop Me Off in Harlem
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (von 1957-06-25 bis 1957-06-27)
Trompete:
William “Cat” Anderson (von 1957-06-25 bis 1957-06-27), Willie Cook (US jazz trumpeter) (von 1957-06-25 bis 1957-06-27), Dizzy Gillespie (von 1957-06-25 bis 1957-06-27) und Clark Terry (American swing trumpeter) (von 1957-06-25 bis 1957-06-27)
Trompete und Geige / Violine:
Ray Nance (von 1957-06-25 bis 1957-06-27)
Sologesang:
Ella Fitzgerald (American jazz singer) (von 1957-06-25 bis 1957-06-27)
Interpret(in):
Duke Ellington and His Orchestra (von 1957-06-25 bis 1957-06-27)
cover recording of:
Drop Me Off in Harlem (von 1957-06-25 bis 1957-06-27)
Texter:
Nick Kenny (in 1933)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1933)
3:51
33You Turned the Tables on Me
cover recording of:
You Turned the Tables on Me
Texter:
Sidney Mitchell
Komponist(in):
Louis Alter
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label) (in 1936)
2:33
34I Could Write a Book (stereo version)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-30)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-30)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-30) und Edgar Lustgarten (am 1956-08-30)
Englischhorn [English horn] und Oboe:
Bob Cooper (US jazz saxophonist) (am 1956-08-30)
Flügelhorn:
Vince DeRosa (am 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-30)
Gitarre:
Barney Kessel (am 1956-08-30)
Harfe:
Corky Hale (am 1956-08-30)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-30)
Schlagzeug:
Alvin Stoller (am 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-30)
conductor:
Buddy Bregman (am 1956-08-30)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-30)
cover recording of:
I Could Write a Book (am 1956-08-30)
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
Pal Joey
43:40
35Between the Devil and the Deep Blue Sea
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1961-01-16)
conductor:
Billy May (am 1961-01-16)
Interpret(in):
Billy May & His Orchestra (am 1961-01-16)
arranger:
Billy May
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1961-01-16)
cover recording of:
Between the Devil and the Deep Blue Sea (am 1961-01-16)
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
publisher:
Mills Music, S.A. Music Co. und Ted Koehler Music Co.
2:22
36Just One of Those Things
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-07) und Bud Shank (am 1956-02-07)
baritone saxophone:
Chuck Gentry (am 1956-02-07)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-07)
Gitarre:
Barney Kessel (am 1956-02-07)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-07)
Kontrabass:
Joe Mondragon (am 1956-02-07)
Posaune:
Milt Bernhart (am 1956-02-07), Joe Howard (american trombone player) (am 1956-02-07) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-07)
Schlagzeug:
Alvin Stoller (am 1956-02-07)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-07) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-07)
Trompete:
Pete Candoli (am 1956-02-07), Harry “Sweets” Edison (am 1956-02-07), Maynard Ferguson (am 1956-02-07) und Conrad Gozzo (am 1956-02-07)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-07)
conductor:
Buddy Bregman (am 1956-02-07)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-07)
cover recording of:
Just One of Those Things (am 1956-02-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
23:33
37In a Mellow Tone
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-17)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-10-17)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-10-17)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-10-17)
Schlagzeug:
Alvin Stoller (am 1957-10-17)
Tenorsaxophon:
Ben Webster (am 1957-10-17)
vocals:
Ella Fitzgerald (American jazz singer) (am 1957-10-17)
cover recording of:
In a Mellow Tone (am 1957-10-17)
Texter:
Milt Gabler (in 1939)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
35:12
38’S Wonderful
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-07-16)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Ronnie Lang (am 1959-07-16)
baritone saxophone:
Chuck Gentry (am 1959-07-16)
Bass:
Joe Comfort (am 1959-07-16)
Bassposaune:
George Roberts (american bass trombone) (am 1959-07-16)
Bratsche / Viola:
Alvin Dinkin (am 1959-07-16), Lou Kievman (violist) (am 1959-07-16), Ralph Lane (viola) (am 1959-07-16) und Barbara Simons (am 1959-07-16)
Cello:
Armand Kaproff (am 1959-07-16), Edgar Lustgarten (am 1959-07-16) und Kurt Reher (cellist) (am 1959-07-16)
Geige / Violine:
Victor Bay (am 1959-07-16), Alex Beller (am 1959-07-16), Ben Gill (am 1959-07-16), Jacques Gasselin (am 1959-07-16), Joseph Livoti (violinist) (am 1959-07-16), Dan Lube (am 1959-07-16), Misha Russell (am 1959-07-16), Paul Shure (am 1959-07-16), Marshall Sosson (am 1959-07-16) und Gerald Vinci (American violinist and strings conductor) (am 1959-07-16)
Gitarre:
Herb Ellis (jazz guitarist) (am 1959-07-16)
Holzblasinstrumente:
Buddy Collette (am 1959-07-16), Harry Klee (am 1959-07-16) und Champ Webb (am 1959-07-16)
Klavier:
Lou Levy (am 1959-07-16)
Perkussion:
Frank Flynn (am 1959-07-16)
Posaune:
James Priddy (am 1959-07-16), Richard Noel (trombonist) (am 1959-07-16) und Tommy Pederson (am 1959-07-16)
Schlagzeug:
Alvin Stoller (am 1959-07-16)
Trompete:
Pete Candoli (am 1959-07-16), Cappy Lewis (am 1959-07-16), Dale McMickle (am 1959-07-16) und Shorty Sherock (am 1959-07-16)
Tuba:
Red Callender (am 1959-07-16)
vocals:
Ella Fitzgerald (American jazz singer) (am 1959-07-16)
conductor:
Nelson Riddle (am 1959-07-16)
Interpret(in):
Nelson Riddle and His Orchestra (am 1959-07-16)
arranger:
Nelson Riddle
cover recording of:
’S Wonderful (am 1959-07-16)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
cover recording of:
It’s Wonderful
Texter:
Mitchell Parish (in 1937)
Komponist(in):
Stuff Smith (jazz violinist) (in 1937)
3:30
39Isn’t It Romantic? (stereo version)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-31)
Bassklarinette und Fagott:
Chuck Gentry (am 1956-08-31)
Englischhorn [English horn]:
Bob Cooper (US jazz saxophonist) (am 1956-08-31)
flute:
Jule Kinzler (am 1956-08-31)
Gitarre:
Barney Kessel (am 1956-08-31)
Klarinette:
Abe Most (am 1956-08-31)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-31)
Oboe:
Arnold Koblentz (Oboe player) (am 1956-08-31)
Schlagzeug:
Alvin Stoller (am 1956-08-31)
Waldhorn:
Vince DeRosa (am 1956-08-31)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-31)
conductor:
Buddy Bregman (am 1956-08-31)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-31)
cover recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”) (am 1956-08-31)
Texter:
Lorenz Hart (in 1932)
Komponist(in):
Richard Rodgers (composer) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Sony/ATV Harmony
3:03
40Come Rain or Come Shine
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1960)
Orchester:
Billy May & His Orchestra (in 1960)
conductor:
Billy May (in 1960)
arranger:
Billy May
cover recording of:
Come Rain or Come Shine (in 1960)
Texter:
Johnny Mercer (in 1946)
Komponist(in):
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. und Warner/Chappell Music Scandinavia AB
3:25
41You Couldn’t Be Cuter
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1963)
conductor:
Nelson Riddle (in 1963)
Interpret(in):
Nelson Riddle and His Orchestra (in 1963)
arranger:
Nelson Riddle
cover recording of:
You Couldn't Be Cuter (in 1963)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1938)
Komponist(in):
Jerome Kern (in 1938)
3:17
42I Was Doing All Right
cover recording of:
I Was Doing All Right
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1938)
Teil von:
The Goldwyn Follies
3:29
43Satin Doll (1956 version)
cover recording of:
Satin Doll
Texter:
Johnny Mercer (in 1953)
Komponist(in):
Billy Strayhorn (in 1953)
zusätzliche(r) Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) und WB Music Corp. (1929–2019)
3:28
44Jersey Bounce
cover recording of:
Jersey Bounce
Texter:
Robert B. Wright
Komponist(in):
Tiny Bradshaw, Edward Johnson (US songwriter) und Bobby Plater
3:35
45On the Sunny Side of the Street
cover recording of:
On the Sunny Side of the Street
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
3:03
46I’ve Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
2:43
47I Won’t Dance
cover recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
Texter:
Jimmy McHugh (songwriter) und Dorothy Fields (American librettist and lyricist) (in 1935)
Komponist(in):
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
basiert auf:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
4:45
48A‐Tisket, A‐Tasket
recording of:
A‐Tisket, A‐Tasket
Texter:
[traditional] (special purpose artist), Ella Fitzgerald (American jazz singer) und Van Alexander (aka Al Feldman)
Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 13188)
1:53
49Let Yourself Go
cover recording of:
Let Yourself Go (from “Follow the Fleet”)
Texter und Komponist(in):
Irving Berlin (in 1936)
2:20
50Love You Madly
cover recording of:
Love You Madly
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
4:42
51Satin Doll
cover recording of:
Satin Doll
Texter:
Johnny Mercer (in 1953)
Komponist(in):
Billy Strayhorn (in 1953)
zusätzliche(r) Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) und WB Music Corp. (1929–2019)
3:15
52My One and Only
cover recording of:
My One and Only (from “Funny Face”)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
2:36
53The Song Is Ended
cover recording of:
The Song Is Ended (but the Melody Lingers On)
Texter:
Irving Berlin
Komponist(in):
Irving Berlin (in 1927)
publisher:
Irving Berlin Music Corp. und Williamson Music Company
2:26
54You Do Something to Me
cover recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Fifty Million Frenchmen
2:23
55Love Is Here to Stay
cover recording of:
Love Is Here to Stay
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
4:00
56Sweet and Slow
cover recording of:
Sweet and Slow
Texter und Komponist(in):
Fats Waller
Verfasser(in):
Al Dubin und Harry Warren (US composer and lyricist)
3:17
57Too Marvelous for Words
cover recording of:
Too Marvelous for Words
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:30
58Who Cares?
cover recording of:
Who Cares? (Of Thee I Sing)
Texter:
Ira Gershwin (in 1931)
Komponist(in):
George Gershwin (composer) (in 1931)
publisher:
New World Music (new age music) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Of Thee I Sing: Act II
3:09
59Let’s Fall in Love
cover recording of:
Let’s Fall in Love
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Francis, Day & Hunter Ltd.
3:04
60I’ve Got the World on a String
cover recording of:
I’ve Got the World on a String
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
4:50
61I’m Putting All My Eggs in One Basket
cover recording of:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”)
Texter und Komponist(in):
Irving Berlin (in 1936)
3:01
62The Blue Room (stereo version)
cover recording of:
Blue Room
Texter:
Lorenz Hart (in 1926)
Komponist(in):
Richard Rodgers (composer) (in 1926)
2:32
63This Time the Dream’s on Me
cover recording of:
This Time the Dream’s on Me
Texter:
Johnny Mercer (in 1941)
Komponist(in):
Harold Arlen (in 1941)
2:57
64Don’t Get Around Much Anymore
cover recording of:
Don’t Get Around Much Anymore
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. und Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Never No Lament
5:02
65East of the Sun (West of the Moon)
cover recording of:
East of the Sun (and West of the Moon)
Texter und Komponist(in):
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. und Chappell & Co.
3:46
66Whisper Not
cover recording of:
Whisper Not (original instrumental composition)
Komponist(in):
Benny Golson (American jazz saxophonist and composer) (in 1956)
3:04
67Swingin’ Shepherd Blues (alternate take)
recording of:
Swingin’ Shepherd Blues
Komponist(in):
Moe Koffman (Canadian jazz flautist and saxophonist)
2:39
68He Loves and She Loves
cover recording of:
He Loves and She Loves
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
2:46
69Little White Lies
cover recording of:
Little White Lies
Texter und Komponist(in):
Walter Donaldson
publisher:
Donaldson Publishing Co., Larry Spier Music LLC und Tobago Music Co.
2:32
70Bli‐Blip
cover recording of:
Bli-Blip
Texter:
Sid Kuller
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
3:04
71Gone With the Wind
cover recording of:
Gone With the Wind
Texter:
Herb Magidson
Komponist(in):
Herb Magidson und Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
3:01
72Soon
cover recording of:
Soon
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co Ltd. und New World Music Corp. (in 1929)
Teil von:
My One and Only (1983 Broadway musical)
Teil von:
Strike up the Band (1927 Gershwin musical)
2:20
73The One I Love Belongs to Somebody Else
cover recording of:
The One I Love (Belongs to Somebody Else)
Texter:
Gus Kahn
Komponist(in):
Isham Jones
publisher:
Bantam Music Publishing Co., Gilbert Keyes Music Company, Gus Kahn Music Co., The Songwriters Guild, WB Music Corp. (1929–2019) und Milton Weil Music Co. (am 1924-01-07)
2:15
74Gotta Be This or That
cover recording of:
Gotta Be This or That
Texter und Komponist(in):
Sunny Skylar
3:07
75Ev’rything I’ve Got
cover recording of:
Ev’rything I’ve Got
Texter:
Lorenz Hart (in 1942)
Komponist(in):
Richard Rodgers (composer) (in 1942)
publisher:
Chappell & Co., Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:21
76I’ve Got Your Number
cover recording of:
I’ve Got Your Number
Verfasser(in):
Cy Coleman und Carolyn Leigh
Teil von:
Little Me
3:16
77They All Laughed
cover recording of:
They All Laughed (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) und Gershwin Publishing Corp (in 1937)
Teil von:
Shall We Dance (1937 film soundtrack)
3:05
78It’s Only a Paper Moon
cover recording of:
It’s Only a Paper Moon
Texter:
E.Y. Harburg (in 1933) und Billy Rose (lyricist and Broadway producer) (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. und Warner Bros. Music (publisher; do NOT use as release label)
3:35
79You’re an Old Smoothie
cover recording of:
You’re an Old Smoothie
Texter:
Buddy DeSylva
Komponist(in):
Nacio Herb Brown (US songwriter) und George A. Whiting (popular songwriter)
2:46
80How’s Chances?
cover recording of:
How’s Chances?
Texter und Komponist(in):
Irving Berlin (in 1933)
2:49
81Don’t Fence Me In
cover recording of:
Don’t Fence Me In
Texter:
Robert Fletcher (US poet) (in 1934) und Cole Porter (composer) (in 1934)
Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner Bros., Inc. (not for release label use!)
3:21
82Makin’ Whoopee
cover recording of:
Makin’ Whoopee!
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
Übersetzer:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. und WB Music Corp. (1929–2019)
3:46
83What Am I Here For?
cover recording of:
What Am I Here For
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
5:36
84Knock Me a Kiss
cover recording of:
Knock Me a Kiss
Texter:
Andy Razaf
Komponist(in):
Mike Jackson (American jazz pianist and composer, 1888-1945)
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
4:09
85Don’t Be That Way
cover recording of:
Don’t Be That Way
Texter:
Mitchell Parish
Komponist(in):
Benny Goodman (clarinetist and bandleader) und Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation und The Songwriters Guild
Teil von:
New York, New York (1977 musical film soundtrack)
3:47
86I’m Old Fashioned
cover recording of:
I’m Old Fashioned (from “You Were Never Lovelier”)
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Jerome Kern (in 1942)
publisher:
T.B. Harms Co., The Johnny Mercer Foundation und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:30
87Out of This World
cover recording of:
Out of This World
Texter:
Johnny Mercer (in 1945)
Komponist(in):
Harold Arlen (in 1945)
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
2:45
88Top Hat, White Tie, and Tails
cover recording of:
Top Hat, White Tie and Tails (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
Teil von:
Top Hat (1935 film)
2:36
89My Kinda Love
cover recording of:
My Kinda Love
Texter:
Jo Trent
Komponist(in):
Louis Alter
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
3:42
90I Won’t Dance
cover recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
Texter:
Jimmy McHugh (songwriter) und Dorothy Fields (American librettist and lyricist) (in 1935)
Komponist(in):
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
basiert auf:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:33
91Easy to Love
cover recording of:
Easy to Love
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
3:26
92Take the “A” Train
cover recording of:
Take the “A” Train (version with lyrics by Sherrill)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Take the “A” Train (original instrumental version)
6:42
93Almost Like Being in Love
cover recording of:
Almost Like Being in Love (from “Brigadoon”)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
Brigadoon (complete musical)
3:02
94As Long as I Live (1963 version)
cover recording of:
As Long as I Live
Texter:
Ted Koehler (in 1934)
Komponist(in):
Harold Arlen (in 1934)
publisher:
Arko Music Corp.
2:51
95A Beautiful Friendship
recording of:
A Beautiful Friendship
Texter:
Stanley Styne
Komponist(in):
Donald Kahn
2:36
96That Certain Feeling
cover recording of:
That Certain Feeling
Texter:
Ira Gershwin (in 1925)
Komponist(in):
George Gershwin (composer) (in 1925)
Teil von:
Tip-Toes
3:02
97Volare
2:40
98Rough Ridin’ (1962 version)
recording of:
Rough Ridin'
Verfasser(in):
Ella Fitzgerald (American jazz singer), Hank Jones (piano) und William J. Tennyson, Jr.
2:50
99Just A‐Sittin’ and A‐Rockin’
cover recording of:
Just A‐Sittin’ and A‐Rockin’
Texter:
Lee Gaines (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941) und Billy Strayhorn (in 1941)
3:33
100Love Me or Leave Me
cover recording of:
Love Me or Leave Me
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
2:50
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Teil von:Work From Home (Reihenfolge: 12)