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1Lawdy Miss Clawdy
registrazione cover di:
Lawdy Miss Clawdy (il 1956-02-03)
paroliere e compositore:
Lloyd Price (US R&B/soul singer) (nel 1952-03)
editore:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC e Venice Music
2:08
2Shake, Rattle and Roll2:37
3I Want You, I Need You, I Love You
tecnico:
Bob Ferris (engineer)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-04-14)
batteria :
D.J. Fontana (il 1956-04-14)
chitarra :
Chet Atkins (il 1956-04-14) e Scotty Moore (American guitarist and recording engineer) (il 1956-04-14)
pianoforte :
Marvin Hughes (il 1956-04-14)
voce:
Brock Speer (il 1956-04-14), Ben Speer (il 1956-04-14), Lena Brock "Mom" Speer (il 1956-04-14) e Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-04-14)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-04-14)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrata presso:
RCA Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1956-04-14)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 25)
registrazione di:
I Want You, I Need You, I Love You (il 1956-04-14)
autore:
Ira Kosloff e Maurice Mysels
editore:
Carlin Music Corporation, Cherry Lane Music Publishing, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music e Williamson Music Company
3.652:40
4Hound Dog
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-07-02)
batteria :
D.J. Fontana (il 1956-07-02)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-07-02) e Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-07-02)
voce:
The Jordanaires (southern gospel group) (il 1956-07-02)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
esecutore aggiunto:
The Jordanaires (southern gospel group)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956, nel 1972), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-07-02)
registrazione cover di:
Hound Dog (il 1956-07-02)
paroliere:
Jerry Leiber (il 1952-08-12)
compositore:
Mike Stoller (il 1952-08-12)
precedentemente attribuito a:
Johnny Otis
editore:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company e Williamson Music, Inc.
3.652:16
5Don’t Be Cruel
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-07-02)
batteria :
D.J. Fontana (il 1956-07-02)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-07-02) e Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-07-02)
voce:
The Jordanaires (southern gospel group) (il 1956-07-02)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-07-02)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 11) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 197)
registrazione di:
Don’t Be Cruel (il 1956-07-02)
autore:
Otis Blackwell (American pianist, singer and songwriter) e Elvis Presley (“The King of Rock and Roll”)
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music, Inc. e Williamson Music Company
3.82:02
6Any Way You Want Me
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-07-02)
batteria :
D.J. Fontana (il 1956-07-02)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-07-02) e Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-07-02)
voce:
The Jordanaires (southern gospel group) (il 1956-07-02)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-07-02)
registrazione di:
Any Way You Want Me (il 1956-07-02)
autore:
Cliff Owens e Aaron Schroeder (1950s~1960s US songwriter)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Rachel’s Own Music e Ross Jungnickel, Inc.
2:13
7We’re Gonna Move
registrazione cover di:
We’re Gonna Move (il 1956-08-24)
autore:
Vera Matson e Elvis Presley (“The King of Rock and Roll”)
editore:
Elvis Presley Music Inc., R&H Music e Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1973)
2:30
8Love Me Tender
banjo :
Luther "Red" Roundtree (dal 1956-08-24 al 1956-09-04)
basso :
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (dal 1956-08-24 al 1956-09-04)
batteria :
Richard Cornell (Percussion) (dal 1956-08-24 al 1956-09-04)
chitarra :
Vito Mumolo (Session Musician (Guitar)) (dal 1956-08-24 al 1956-09-04)
fisarmonica :
Carl Fortina (dal 1956-08-24 al 1956-09-04) e Dominic Frontiere (dal 1956-08-24 al 1956-09-04)
voce:
Jon Dodson (dal 1956-08-24 al 1956-09-04, il 1956-09-01), Charles Prescott (dal 1956-08-24 al 1956-09-04, il 1956-09-01) e Rad Robinson (dal 1956-08-24 al 1956-09-04, il 1956-09-01)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-09-01)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
20th Century Fox Music Stage 1 in Los Angeles, California, Stati Uniti (il 1956-08-24, il 1956-09-04)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 437)
registrazione di:
Love Me Tender (dal 1956-08-24 al 1956-09-04)
paroliere:
Ken Darby (nel 1956)
autore aggiunto:
Vera Matson (nel 1956) e Elvis Presley (“The King of Rock and Roll”) (nel 1956)
compositore:
George R. Poulton (nel 1861)
editore:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company e Elvis Presley Music (dal 1956 a oggi)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Aura Lea
3.552:41
9Poor Boy
registrazione di:
Poor Boy (for copyright reasons, originally credited to Vera Matson and Elvis Presley) (il 1956-08-24)
paroliere e compositore:
Ken Darby
editore:
Elvis Presley Music, Elvis Presley Music Inc. e R&H Music
registrazione di:
Poor Boy (for copyright reasons, originally credited to Vera Matson and Elvis Presley) (dal 1956-08-24 al 1956-09-05)
paroliere e compositore:
Ken Darby
editore:
Elvis Presley Music, Elvis Presley Music Inc. e R&H Music
32:13
10Let Me
banjo :
Luther "Red" Roundtree (dal 1956-08-24 al 1956-09-04)
basso :
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (dal 1956-08-24 al 1956-09-04)
batteria :
Richard Cornell (Percussion) (dal 1956-08-24 al 1956-09-04)
chitarra :
Vito Mumolo (Session Musician (Guitar)) (dal 1956-08-24 al 1956-09-04)
fisarmonica :
Carl Fortina (dal 1956-08-24 al 1956-09-04) e Dominic Frontiere (dal 1956-08-24 al 1956-09-04)
voce:
Jon Dodson (dal 1956-08-24 al 1956-09-04), Charles Prescott (dal 1956-08-24 al 1956-09-04) e Rad Robinson (dal 1956-08-24 al 1956-09-04)
registrata presso:
20th Century Fox Music Stage 1 in Los Angeles, California, Stati Uniti (il 1956-08-24, il 1956-09-04)
registrazione di:
Let Me (dal 1956-08-24 al 1956-09-04)
autore:
Vera Matson e Elvis Presley (“The King of Rock and Roll”)
editore:
Elvis Presley Music Inc. e R&H Music
42:08
11Playing for Keeps
registrazione cover di:
Playing for Keeps (il 1956-09-01)
paroliere e compositore:
Stan Kesler (US session musician, composer and producer)
2:50
12Love Me
tecnico:
Thorne Nogar
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-09-01, dal 1956-09-01 al 1956-09-03)
batteria :
D.J. Fontana (il 1956-09-01, dal 1956-09-01 al 1956-09-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-09-01, dal 1956-09-01 al 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (il 1956-09-01, dal 1956-09-01 al 1956-09-03)
pianoforte :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-09-01, dal 1956-09-01 al 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (dal 1956-09-01 al 1956-09-03)
voce:
The Jordanaires (southern gospel group) (dal 1956-09-01 al 1956-09-03)
voce aggiuntiva:
The Jordanaires (southern gospel group) (il 1956-09-01)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-09-01)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-09-01, dal 1956-09-01 al 1956-09-03)
registrazione cover di:
Love Me (dal 1956-09-01 al 1956-09-03)
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) e Sony/ATV Songs LLC
registrazione di:
Love Me, Love Me
autore:
George Richey e Glenn Sutton (US songwriter and producer)
42:43
13Paralyzed
registrazione di:
Paralyzed (il 1956-09-02)
compositore:
Otis Blackwell (American pianist, singer and songwriter) e Elvis Presley (“The King of Rock and Roll”)
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music e Williamson Music Company
2:23
14How Do You Think I Feel
registrazione cover di:
How Do You Think I Feel (il 1956-09-01)
compositore:
Webb Pierce e Wiley Walker
2:10
15How’s the World Treating You
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1956-09-01 al 1956-09-03)
batteria :
D.J. Fontana (dal 1956-09-01 al 1956-09-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1956-09-01 al 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (dal 1956-09-01 al 1956-09-03)
pianoforte :
Elvis Presley (“The King of Rock and Roll”) (dal 1956-09-01 al 1956-09-03) e Gordon Stoker (US pianist, tenor vocalist and music publisher) (dal 1956-09-01 al 1956-09-03)
voce:
The Jordanaires (southern gospel group) (dal 1956-09-01 al 1956-09-03)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (dal 1956-09-01 al 1956-09-03)
registrazione cover di:
How’s the World Treating You (il 1956-09-01)
compositore:
Chet Atkins e Boudleaux Bryant
editore:
Acuff-Rose Publications, Inc. (BMI)
2.52:23
16When My Blue Moon Turns to Gold Again
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-09-02)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 21)
registrazione cover di:
When My Blue Moon Turns to Gold Again (il 1956-09-02)
autore:
Gene Sullivan (nel 1940) e Wiley Walker (nel 1940)
editore:
APRS (American Performing Rights Society, Inc.(BMI)) e Peer International Corporation (BMI) (il 1941-12-03)
3.352:20
17Long Tall Sally
registrazione cover di:
Long Tall Sally (il 1956-09-02)
autore:
Enotris Johnson (il 1955-11-29), Richard Wayne Penniman (il 1955-11-29) e Robert Alexander Blackwell (il 1955-11-29)
editore:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music e Venice Music
1:51
18Old Shep
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1956-09-01 al 1956-09-03)
batteria :
D.J. Fontana (dal 1956-09-01 al 1956-09-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1956-09-01 al 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (dal 1956-09-01 al 1956-09-03)
pianoforte :
Elvis Presley (“The King of Rock and Roll”) (dal 1956-09-01 al 1956-09-03) e Gordon Stoker (US pianist, tenor vocalist and music publisher) (dal 1956-09-01 al 1956-09-03)
voce:
The Jordanaires (southern gospel group) (dal 1956-09-01 al 1956-09-03)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (dal 1956-09-01 al 1956-09-03)
registrazione cover di:
Old Shep (dal 1956-09-01 al 1956-09-03)
editore:
Clyde Julian Foley (US country music musician) (il 1935-06-24)
paroliere:
Willis Arthur (lyricist)
compositore:
Clyde Julian Foley (US country music musician)
editore:
Westpar Music
34:10
19Too Much2:31
20Anyplace Is Paradise
registrazione di:
Anyplace Is Paradise (il 1956-09-02)
paroliere e compositore:
Joe Thomas (US songwriter and Jazz saxophonist)
editore:
Elvis Presley Music e Elvis Presley Music Inc.
2:26
21Ready Teddy1:56
22First in Line
registrazione di:
First in Line (il 1956-09-03)
compositore:
Aaron Schroeder (1950s~1960s US songwriter) e Ben Weisman
editore:
Rachel’s Own Music e Ross Jungnickel, Inc.
3:22
23Rip It Up1:53
24I Believe2:05
25Tell Me Why
registrazione cover di:
Tell Me Why (il 1957-01-12)
paroliere e compositore:
Titus Turner
editore:
Cheerio Corp.
2:05
26Got a Lot O’ Livin’ to Do
registrazione di:
Got a Lot o’ Livin’ to Do (il 1957-01-12)
autore:
Aaron Schroeder (1950s~1960s US songwriter) e Ben Weisman
editore:
Gladys Music Inc., Minder Music Ltd. e Rachel’s Own Music
registrazione cover di:
Got a Lot o’ Livin’ to Do
autore:
Aaron Schroeder (1950s~1960s US songwriter) e Ben Weisman
editore:
Gladys Music Inc., Minder Music Ltd. e Rachel’s Own Music
2.52:31
27All Shook Up
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1957-01-12 al 1957-01-13)
batteria :
D.J. Fontana (dal 1957-01-12 al 1957-01-13)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1957-01-12 al 1957-01-13) e Elvis Presley (“The King of Rock and Roll”) (dal 1957-01-12 al 1957-01-13)
pianoforte :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (dal 1957-01-12 al 1957-01-13)
voce:
Elvis Presley (“The King of Rock and Roll”) e The Jordanaires (southern gospel group) (dal 1957-01-12 al 1957-01-13)
voce principale:
Elvis Presley (“The King of Rock and Roll”)
remixer:
Dennis Ferrante
esecutore aggiunto:
The Jordanaires (southern gospel group)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1957), BMG Music (nel 1957) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (dal 1957-01-12 al 1957-01-13) e Bloch Arena in Honolulu, Hawaii, Stati Uniti (il 1961-03-25)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 18) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 353)
registrazione cover di:
All Shook Up (il 1957-01-12)
autore:
Otis Blackwell (American pianist, singer and songwriter) e Elvis Presley (“The King of Rock and Roll”)
editore:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) e Shalimar Music Corp.
3.651:56
28Mean Woman Blues
registrazione cover di:
Mean Woman Blues (il 1957-01-13)
paroliere e compositore:
Claude Demetrius
editore:
Carlin Music Corporation, Gladys Music, Gladys Music Inc. e Williamson Music Company
2:15
29(There’ll Be) Peace in the Valley (for Me)
tecnico:
Thorne Nogar
produttore:
Steve Sholes
batteria :
D.J. Fontana (il 1957-01-13)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (il 1957-01-13)
contrabbasso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1957-01-13)
pianoforte :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1957-01-13)
voce:
The Jordanaires (southern gospel group) (il 1957-01-13)
voce di accompagnamento:
The Jordanaires (southern gospel group) (il 1957-01-13)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1957-01-13)
registrata presso:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1957-01-13)
registrazione cover di:
There’ll Be Peace in the Valley for Me (il 1957-01-13)
editore:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”) (il 1939-01-25)
paroliere e compositore:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
editore:
Carlin Music Corp., Rightsong Music, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
33:21
3CD
4CD
5CD: Rare and Rockin’

Accreditamenti

Pubblicazione

fabbricata a:Germania
stampata a:Germania
direzione artistica e design:Norman Moore (art director and designer)
note di libretto:Peter Guralnick
tecnico:Dick Baxter (Mastering engineer at BMG / RCA Studios, New York)
produttore:Ernst Mikael Jorgensen
Roger Semon
distribuito da:BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:BMG Music (nel 1992)
Discogs:https://www.discogs.com/release/2017422 [info]
ASIN:UK: B000026FC5 [info]