Tracklist

1CD
#TitleArtistRatingLength
1L’elisir d’amore: Act I. Prelude
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Preludio (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:56
2L’elisir d’amore: Act I, Scene 1. "Bel conforto al mietitore"
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Coro d’Introduzione “Bel conforto al mietitore” (Giannetta, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:09
3L’elisir d’amore: Act I, Scene 1. "Quanto è bella, quanto è cara!"
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. “Quanto è bella, quanto è cara” (Nemorino, Giannetta, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti3:21
4L’elisir d’amore: Act I, Scene 1. "Benedette queste carte!"
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Scena e Cavatina “Benedette queste carte!” … “Della crudele Isotta” (Adina, Giannetta, Nemorino, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti5:04
5L’elisir d’amore: Act I, Scene 2. "Come Paride vezzoso"
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Cavatina “Come Paride vezzoso” (Belcore, Adina, Giannetta, Nemorino, Coro) (Cavatina) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti4:29
6L’elisir d’amore: Act I, Scene 2. "Or se m'ami, come io t'amo"
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. “Or se m’ami, com’io t’amo” (Belcore) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti5:38
7L’elisir d’amore: Act I, Scene 3. "Una parola, o Adina"
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Scena e duetto “Una parola, o Adina” (Nemorino, Adina) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti9:22
8L’elisir d’amore: Act I, Scene 4. "Che vuol dire cotesta suonata?"
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Coro “Che vuol dire cotesta suonata” (Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti1:53
9L’elisir d’amore: Act I, Scene 5. "Udite, udite, o rustici"
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Cavatina “Udite, udite, o rustici” … “Così chiaro è come il sole” (Dulcamara, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti8:01
10L’elisir d’amore: Act I, Scene 6. "Ardir! Ha forse il cielo mandato"
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Recitativo “Ardir! Ha forse il cielo mandato” (Nemorino, Dulcamara) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti0:48
11L’elisir d’amore: Act I, Scene 6. "Voglio dire, lo stupendo elisir"
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Duetto “Voglio dire, lo stupendo elisir” … “Obbligato, ah! Sì obbligato!” (Nemorino, Dulcamara) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti7:40
12L’elisir d’amore Act I, Scene 7. "Caro elisir! sei mio!"
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Recitativo “Caro elisir! sei mio!” (Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti1:24
13L’elisir d’amore: Act I, Scene 8. "Chi è mai quel matto?"
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals:
Fernando Pavarotti (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
partial recording of:
L’elisir d’amore: Atto I. Scena e duetto “Lallarallara…Esulti pur la barbara” (Nemorino, Adina) (from 1970-01 until 1970-06)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:24
14L’elisir d’amore: Act I, Scene 8. "Esulti pur la barbara"
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Scena e duetto “Lallarallara…Esulti pur la barbara” (Nemorino, Adina) (from 1970-01 until 1970-06)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti5:48
15L’elisir d’amore: Act I, Scene 9. "Tran tran tran tran... In guerra ed in amor"
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Terzetto “Tran, tran, tran...In guerra ed in amor” (Belcore, Adina, Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti3:35
16L’elisir d’amore: Act I, Scene 10. "Signor sargente"
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Scena e quartetto “Signor sargente, di voi richiede la vostra gente” (Giannetta, Belcore, Nemorino, Adina, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:56
2CD