Anita O'Day Sings the Winners

~ Release by Anita O’Day (see all versions of this release, 3 available)

Tracklist

1CD
#TitleRatingLength
1Take the "A" Train
recorded in:
Los Angeles, California, United States (on 1958-04-03)
producer:
Norman Granz
alto saxophone:
Med Flory
baritone saxophone:
Bill Perkins (jazz saxophonist)
bass:
Buddy Clark (US jazz bassist)
drums (drum set):
Mel Lewis (American jazz drummer)
flute:
Herbie Mann
piano:
Jimmy Rowles
tenor saxophone:
Herbie Mann and Bill Perkins (jazz saxophonist)
trombone:
Pete Carpenter, Bob Fitzpatrick, Dick Nash and Dave Wells (US jazz trombonist, trumpeter & bass trumpeter)
trumpet:
Frank Beach (trombone, trumpet), Buddy Childers (American jazz trumpeter & composer), Dick Collins (trumpet) and Jack Sheldon
tuba:
John Kitzmiller
vocals:
Anita O’Day (on 1958-04-03)
arranger:
Marty Paich
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-04-03)
cover recording of:
Take the “A” Train (version with lyrics by Sherrill) (on 1958-04-03)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
2:53
2Tenderly
recorded in:
Los Angeles, California, United States (on 1958-04-03)
producer:
Norman Granz
alto saxophone:
Med Flory
baritone saxophone:
Bill Perkins (jazz saxophonist)
bass:
Buddy Clark (US jazz bassist)
drums (drum set):
Mel Lewis (American jazz drummer)
flute:
Herbie Mann
piano:
Jimmy Rowles
tenor saxophone:
Herbie Mann and Bill Perkins (jazz saxophonist)
trombone:
Pete Carpenter, Bob Fitzpatrick, Dick Nash and Dave Wells (US jazz trombonist, trumpeter & bass trumpeter)
trumpet:
Frank Beach (trombone, trumpet), Buddy Childers (American jazz trumpeter & composer), Dick Collins (trumpet) and Jack Sheldon
tuba:
John Kitzmiller
vocals:
Anita O’Day (on 1958-04-03)
arranger:
Marty Paich
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-04-03)
recording of:
Tenderly (on 1958-04-03)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
2:41
3Interlude (A Night in Tunisia)
recorded in:
Los Angeles, California, United States (on 1958-04-03)
producer:
Norman Granz
alto saxophone:
Med Flory
baritone saxophone:
Bill Perkins (jazz saxophonist)
bass:
Buddy Clark (US jazz bassist)
drums (drum set):
Mel Lewis (American jazz drummer)
flute:
Herbie Mann
piano:
Jimmy Rowles
tenor saxophone:
Herbie Mann and Bill Perkins (jazz saxophonist)
trombone:
Pete Carpenter, Bob Fitzpatrick, Dick Nash and Dave Wells (US jazz trombonist, trumpeter & bass trumpeter)
trumpet:
Frank Beach (trombone, trumpet), Buddy Childers (American jazz trumpeter & composer), Dick Collins (trumpet) and Jack Sheldon
tuba:
John Kitzmiller
vocals:
Anita O’Day (on 1958-04-03)
arranger:
Marty Paich
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-04-03)
2:37
4Four
recorded in:
Los Angeles, California, United States (on 1958-04-03)
producer:
Norman Granz
alto saxophone:
Med Flory
baritone saxophone:
Bill Perkins (jazz saxophonist)
bass:
Buddy Clark (US jazz bassist)
drums (drum set):
Mel Lewis (American jazz drummer)
flute:
Herbie Mann
piano:
Jimmy Rowles
tenor saxophone:
Herbie Mann and Bill Perkins (jazz saxophonist)
trombone:
Pete Carpenter, Bob Fitzpatrick, Dick Nash and Dave Wells (US jazz trombonist, trumpeter & bass trumpeter)
trumpet:
Frank Beach (trombone, trumpet), Buddy Childers (American jazz trumpeter & composer), Dick Collins (trumpet) and Jack Sheldon
tuba:
John Kitzmiller
vocals:
Anita O’Day (on 1958-04-03)
arranger:
Marty Paich
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-04-03)
2:52
5Early Autumn
recorded in:
Los Angeles, California, United States (on 1958-04-03)
producer:
Norman Granz
alto saxophone:
Med Flory
baritone saxophone:
Bill Perkins (jazz saxophonist)
bass:
Buddy Clark (US jazz bassist)
drums (drum set):
Mel Lewis (American jazz drummer)
flute:
Herbie Mann
piano:
Jimmy Rowles
tenor saxophone:
Herbie Mann and Bill Perkins (jazz saxophonist)
trombone:
Pete Carpenter, Bob Fitzpatrick, Dick Nash and Dave Wells (US jazz trombonist, trumpeter & bass trumpeter)
trumpet:
Frank Beach (trombone, trumpet), Buddy Childers (American jazz trumpeter & composer), Dick Collins (trumpet) and Jack Sheldon
tuba:
John Kitzmiller
vocals:
Anita O’Day (on 1958-04-03)
arranger:
Marty Paich
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-04-03)
recording of:
Early Autumn (on 1958-04-03)
lyricist:
Johnny Mercer (in 1949)
composer:
Ralph Burns (in 1949) and Woody Herman (in 1949)
3:11
6Four Brothers
recorded in:
Los Angeles, California, United States (on 1958-04-03)
producer:
Norman Granz
alto saxophone:
Med Flory
baritone saxophone:
Bill Perkins (jazz saxophonist)
bass:
Buddy Clark (US jazz bassist)
drums (drum set):
Mel Lewis (American jazz drummer)
flute:
Herbie Mann
piano:
Jimmy Rowles
tenor saxophone:
Herbie Mann and Bill Perkins (jazz saxophonist)
trombone:
Pete Carpenter, Bob Fitzpatrick, Dick Nash and Dave Wells (US jazz trombonist, trumpeter & bass trumpeter)
trumpet:
Frank Beach (trombone, trumpet), Buddy Childers (American jazz trumpeter & composer), Dick Collins (trumpet) and Jack Sheldon
tuba:
John Kitzmiller
vocals:
Anita O’Day (on 1958-04-03)
arranger:
Marty Paich
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-04-03)
recording of:
Four Brothers
composer:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (in 1947)
2:27
7Sing, Sing, Sing (With a Swing)
recorded in:
Los Angeles, California, United States (on 1958-04-02)
producer:
Norman Granz
alto saxophone:
Benny Carter and Ronnie Lang
baritone saxophone:
Ronnie Lang
bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Tony Rizzi
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
tenor saxophone:
Buddy Collette and Irving “Babe” Russin
trombone:
Jim Amlotte, Bob Enevoldsen, Kent Larsen, Archie LeCoque and Ken Shroyer (trombonist)
trumpet:
Bill Catalano, Jules Chaikin, Phil Gilbert, Lee Katzman and Sam Noto
vocals:
Anita O’Day (on 1958-04-02)
arranger:
Russ Garcia
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-04-02)
recording of:
Sing, Sing, Sing (With a Swing)
lyricist and composer:
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (ended) and EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
3:34
8My Funny Valentine
recorded in:
Los Angeles, California, United States (on 1958-04-02)
producer:
Norman Granz
alto saxophone:
Benny Carter and Ronnie Lang
baritone saxophone:
Ronnie Lang
bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Tony Rizzi
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
tenor saxophone:
Buddy Collette and Irving “Babe” Russin
trombone:
Jim Amlotte, Bob Enevoldsen, Kent Larsen, Archie LeCoque and Ken Shroyer (trombonist)
trumpet:
Bill Catalano, Jules Chaikin, Phil Gilbert, Lee Katzman and Sam Noto
vocals:
Anita O’Day (on 1958-04-02)
arranger:
Russ Garcia
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-04-02)
recording of:
My Funny Valentine (from “Babes in Arms”) (on 1958-04-02)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
3:37
9Frenesi
recorded in:
Los Angeles, California, United States (on 1958-04-02)
producer:
Norman Granz
alto saxophone:
Benny Carter and Ronnie Lang
baritone saxophone:
Ronnie Lang
bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Tony Rizzi
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
tenor saxophone:
Buddy Collette and Irving “Babe” Russin
trombone:
Jim Amlotte, Bob Enevoldsen, Kent Larsen, Archie LeCoque and Ken Shroyer (trombonist)
trumpet:
Bill Catalano, Jules Chaikin, Phil Gilbert, Lee Katzman and Sam Noto
vocals:
Anita O’Day (on 1958-04-02)
arranger:
Russ Garcia
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-04-02)
recording of:
Frenesi
composer:
Alberto Domínguez
translator:
Leonard Whitcup
translated version of:
Frenesí
3:05
10Body and Soul
recorded in:
Los Angeles, California, United States (on 1958-04-02)
producer:
Norman Granz
alto saxophone:
Benny Carter and Ronnie Lang
baritone saxophone:
Ronnie Lang
bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Tony Rizzi
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
tenor saxophone:
Buddy Collette and Irving “Babe” Russin
trombone:
Jim Amlotte, Bob Enevoldsen, Kent Larsen, Archie LeCoque and Ken Shroyer (trombonist)
trumpet:
Bill Catalano, Jules Chaikin, Phil Gilbert, Lee Katzman and Sam Noto
vocals:
Anita O’Day (on 1958-04-02)
arranger:
Russ Garcia
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-04-02)
recording of:
Body and Soul (on 1958-04-02)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:24
11What's Your Story, Morning Glory
recorded in:
Los Angeles, California, United States (on 1958-04-02)
producer:
Norman Granz
alto saxophone:
Benny Carter and Ronnie Lang
baritone saxophone:
Ronnie Lang
bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Tony Rizzi
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
tenor saxophone:
Buddy Collette and Irving “Babe” Russin
trombone:
Jim Amlotte, Bob Enevoldsen, Kent Larsen, Archie LeCoque and Ken Shroyer (trombonist)
trumpet:
Bill Catalano, Jules Chaikin, Phil Gilbert, Lee Katzman and Sam Noto
vocals:
Anita O’Day (on 1958-04-02)
arranger:
Russ Garcia
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-04-02)
recording of:
What's Your Story, Morning Glory?
lyricist:
Jack Lawrence (US songwriter)
composer:
Mary Lou Williams (American jazz pianist and composer)
publisher:
Advanced Music corp.
3:51
12Peanut Vendor
recorded in:
Los Angeles, California, United States (on 1958-04-02)
producer:
Norman Granz
alto saxophone:
Benny Carter and Ronnie Lang
baritone saxophone:
Ronnie Lang
bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Tony Rizzi
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
tenor saxophone:
Buddy Collette and Irving “Babe” Russin
trombone:
Jim Amlotte, Bob Enevoldsen, Kent Larsen, Archie LeCoque and Ken Shroyer (trombonist)
trumpet:
Bill Catalano, Jules Chaikin, Phil Gilbert, Lee Katzman and Sam Noto
vocals:
Anita O’Day (on 1958-04-02)
arranger:
Russ Garcia
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-04-02)
recording of:
The Peanut Vendor
lyricist:
L. Wolfe Gilbert and Marion Sunshine
composer:
Moisés Simons
translated version of:
El manisero
2:43
13Whisper Not
recording of:
Whisper Not (adaptation w/ lyrics by Leonard Feather) (in 1962-10)
lyricist:
Leonard Feather (in 1962)
composer:
Benny Golson (American jazz saxophonist and composer) (in 1956)
version of:
Whisper Not (original instrumental composition)
2:58
14Blue Champagne
2:37
15Stompin' at the Savoy
recording of:
Stompin’ at the Savoy
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3:21
16Hershey Bar
2:08
17Don't Be That Way
recording of:
Don’t Be That Way
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
2:35
18Peel Me a Grape
3:07
19Star Eyes
2:51