For Ellington

~ Veröffentlichung von The Modern Jazz Quartet (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

imprint has a different logo that includes arrows in both directions: http://www.discogs.com/viewimages?release=2547798 — this is probably the precursor to EastWest Records America.
label code is LC 121 (Atlantic's)

Anmerkung zuletzt geändert am 2015-01-21 13:05 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1For Ellington
recording engineer:
Mike Moran (American engineer, associated with RCA) (von 1988-02-01 bis 1988-02-03)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1988-02)
Kontrabass [bass]:
Percy Heath (in 1988-02)
Schlagzeug:
Connie Kay (in 1988-02)
Vibraphon:
Milt Jackson
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (von 1988-02-01 bis 1988-02-03)
recording of:
For Ellington (in 1988-02)
Komponist(in):
John Lewis (pianist, member of Modern Jazz Quartet)
8:13
2Jack the Bear
recording engineer:
Mike Moran (American engineer, associated with RCA) (von 1988-02-01 bis 1988-02-03)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1988-02)
Kontrabass [bass]:
Percy Heath (in 1988-02)
Schlagzeug:
Connie Kay (in 1988-02)
Vibraphon:
Milt Jackson (in 1988-02)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (von 1988-02-01 bis 1988-02-03)
recording of:
Jack the Bear (in 1988-02)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
5:08
3Prelude to a Kiss
recording engineer:
Mike Moran (American engineer, associated with RCA) (von 1988-02-01 bis 1988-02-03)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1988-02)
Kontrabass [bass]:
Percy Heath (in 1988-02)
Schlagzeug:
Connie Kay (in 1988-02)
Vibraphon:
Milt Jackson
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (von 1988-02-01 bis 1988-02-03)
instrumental recording of:
Prelude to a Kiss (in 1988-02)
Texter:
Irving Gordon (US songwriter) (in 1938) und Irving Mills (in 1938)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. und Lafleur Music Ltd.
5:01
4It Don't Mean a Thing
recording engineer:
Mike Moran (American engineer, associated with RCA) (von 1988-02-01 bis 1988-02-03)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet)
Kontrabass [bass]:
Percy Heath (in 1988-02)
Schlagzeug:
Connie Kay
Vibraphon:
Milt Jackson
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (von 1988-02-01 bis 1988-02-03)
instrumental recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (in 1988-02)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
5:48
5Ko-Ko
recording engineer:
Mike Moran (American engineer, associated with RCA) (von 1988-02-01 bis 1988-02-03)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1988-02)
Kontrabass [bass]:
Percy Heath (in 1988-02)
Schlagzeug:
Connie Kay (in 1988-02)
Vibraphon:
Milt Jackson (in 1988-02)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (von 1988-02-01 bis 1988-02-03)
recording of:
Ko-Ko (in 1988-02)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
5:46
6Maestro E.K.E.
recording engineer:
Mike Moran (American engineer, associated with RCA) (von 1988-02-01 bis 1988-02-03)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1988-02)
Kontrabass [bass]:
Percy Heath (in 1988-02)
Schlagzeug:
Connie Kay (in 1988-02)
Vibraphon:
Milt Jackson (in 1988-02)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (von 1988-02-01 bis 1988-02-03)
5:43
7Sepia Panorama
recording engineer:
Mike Moran (American engineer, associated with RCA) (von 1988-02-01 bis 1988-02-03)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1988-02)
Kontrabass [bass]:
Percy Heath (in 1988-02)
Schlagzeug:
Connie Kay (in 1988-02)
Vibraphon:
Milt Jackson (in 1988-02)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (von 1988-02-01 bis 1988-02-03)
recording of:
Sepia Panorama (in 1988-02)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
5:30
8Rockin' in Rhythm
recording engineer:
Mike Moran (American engineer, associated with RCA) (von 1988-02-01 bis 1988-02-03)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1988-02)
Kontrabass [bass]:
Percy Heath (in 1988-02)
Schlagzeug:
Connie Kay (in 1988-02)
Vibraphon:
Milt Jackson (in 1988-02)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (von 1988-02-01 bis 1988-02-03)
recording of:
Rockin’ in Rhythm (in 1988-02)
Komponist(in):
Harry Carney, Duke Ellington (US composer, pianist & jazz bandleader) und Irving Mills
basiert auf:
Kinda Dukish
6:37
9Come Sunday
recording engineer:
Mike Moran (American engineer, associated with RCA) (von 1988-02-01 bis 1988-02-03)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1988-02)
Kontrabass [bass]:
Percy Heath (in 1988-02)
Schlagzeug:
Connie Kay (in 1988-02)
Vibraphon:
Milt Jackson (in 1988-02)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (von 1988-02-01 bis 1988-02-03)
recording of:
Come Sunday (1958 revision with lyrics) (in 1988-02)
Texter und Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Version von:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
Teil von:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
4:11

Nennungen

Veröffentlichung

art direction:Bob Defrin (US art director & graphic designer)
liner notes:Leonard Feather
Discogs:https://www.discogs.com/release/2547798 [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/489193 [Info]
Wikidata:Q5466706 [Info]