Essential

~ Pubblicazione di Tracy Huang (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Elenco tracce

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#TitoloValutazioneDurata
1There’s a Kind of Hush
registrazione cover di:
There’s a Kind of Hush
paroliere e compositore:
Les Reed e Geoff Stephens
editore:
Donna Music Ltd. (publisher), Glenwood Music Corp., Peermusic (UK) Limited, Songs of Peer, Ltd. (ASCAP), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
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2Mississippi
diritti fonografici (℗) detenuti da:
EMI (Singapore) Pte. Ltd. (EMI (Singapore) Private Limited) (nel 1977)
registrazione cover di:
Mississippi
paroliere e compositore:
Werner Theunissen
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
?:??
3Fernando
diritti fonografici (℗) detenuti da:
EMI (Singapore) Pte. Ltd. (EMI (Singapore) Private Limited) (nel 1977)
registrazione cover di:
Fernando (English version)
autore:
Stig Anderson (Stikkan), Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Polar Music AB (conclusa), Bocu Music Ltd., Union Songs Music, EMI Waterford Music (dal 1976 a oggi), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (dal 1976 a oggi) e Universal/Union Songs Musikförlag AB (dal 1976 a oggi)
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4Feelings
registrazione cover di:
Feelings
paroliere:
Morris Albert
compositore:
Louis Gasté
editore:
Bucks Music Ltd, Fermata International Melodies, Inc., Peter Maurice Music Co. Ltd. e United Artists (publisher)
versione di:
Pour toi
?:??
5Sometimes When We Touch
diritti fonografici (℗) detenuti da:
EMI (Singapore) Pte. Ltd. (EMI (Singapore) Private Limited) (nel 1978)
registrazione cover di:
Sometimes When We Touch
paroliere:
Dan Hill (Canadian singer/songwriter)
compositore:
Barry Mann
editore:
Anthem Entertainment A (work publisher), Dyad Music Ltd., Mann and Weil Songs, Inc., McCauley Music Ltd., Ole Media Management LP II, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e フジパシフィックミュージック (Fujipacific Music, Inc.)
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6Sailing
registrazione cover di:
I Don’t Want to Talk About It
paroliere e compositore:
Danny Whitten
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Crazy Horse Music e Rondor Music
registrazione cover di:
Sailing
paroliere e compositore:
Christopher Cross (US singer‐songwriter)
editore:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher), Universal Music Corp. (USA, affiliated with ASCAP) e Universal Music–MGB Songs
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
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7Hopelessly Devoted to You
registrazione cover di:
Hopelessly Devoted to You (Grease, 1978 film)
paroliere e compositore:
John Farrar
parte di:
The 51st Academy Award for Best Original Song (numero: 2)
parte di:
Grease (1978 film)
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8I Don’t Like to Sleep Alone
diritti fonografici (℗) detenuti da:
EMI (Singapore) Pte. Ltd. (EMI (Singapore) Private Limited) (nel 1977)
registrazione cover di:
I Don’t Like to Sleep Alone
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
?:??
9Here, There and Everywhere
diritti fonografici (℗) detenuti da:
EMI (Singapore) Pte. Ltd. (EMI (Singapore) Private Limited) (nel 1977)
registrazione cover di:
Here, There and Everywhere
scritta a:
Weybridge, Surrey, England, Regno Unito (nel 1966-06)
autore:
John Lennon (The Beatles) (nel 1966-06) e Paul McCartney (The Beatles) (nel 1966-06)
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs e Sony/ATV Music Publishing LLC (1995–2020)
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10Love Me Tender
registrazione cover di:
Love Me Tender
paroliere:
Ken Darby (nel 1956)
autore aggiunto:
Vera Matson (nel 1956) e Elvis Presley (“The King of Rock and Roll”) (nel 1956)
compositore:
George R. Poulton (nel 1861)
editore:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company e Elvis Presley Music (dal 1956 a oggi)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Aura Lea
?:??
11Woman in Love
registrazione cover di:
Woman in Love (Life is a moment in space... When the dream is gone)
autore:
Barry Gibb e Robin Gibb
editore:
BMG Music, Crompton Songs, Gibb Brothers Music, R.S.O. Publishing Ltd. e Warner Chappell (Warner/Chappell Music, Inc.)
sub-editore:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
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12This Girl Has Turned Into a Woman
diritti fonografici (℗) detenuti da:
EMI (Singapore) Pte. Ltd. (EMI (Singapore) Private Limited) (nel 1977)
registrazione cover di:
This Girl (Has Turned Into a Woman)
paroliere:
Mary MacGregor e Peter Yarrow
compositore:
Peter Yarrow
editore:
Silver Dawn Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 大洋音楽 (Taiyō Music)
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13Sad Eyes
registrazione cover di:
Sad Eyes
paroliere e compositore:
Robert John (US singer‐songwriter)
editore:
BMG Music Publishing, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co., Chappell & Co., Inc. (USA), Six Continents Music Publishing Inc., Unichappell Music, Unichappell Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
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14End of the World
registrazione cover di:
The End of the World
paroliere:
Sylvia Dee (American lyricist)
compositore:
Arthur Kent
editore:
Music Sales Corporation (American copyright holder in both popular and classical music) e Summit Music Corp, (ASCAP-affiliated)
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
?:??
15I Love How You Love Me
registrazione cover di:
I Love How You Love Me
autore:
Larry Kolber e Barry Mann
editore:
Robert Mellin Ltd. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
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16It Doesn’t Matter Anymore
diritti fonografici (℗) detenuti da:
EMI (Singapore) Pte. Ltd. (EMI (Singapore) Private Limited) (nel 1977)
registrazione cover di:
It Doesn’t Matter Anymore
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) e Robert Mellin Ltd.
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