The Best of the 80’s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Medium
Nr.TitelKünstlerBewertungLänge
1Too Shy
Schlagzeug-Programmierung:
Jez Strode
Techniker(in):
Colin Thurston
Produzent(in):
Nick Rhodes und Colin Thurston
Bassgitarre:
Nick Beggs
E-Bow [e bow] und Gitarre:
Steve Askew
Synthesizer:
Stuart Croxford Neale
Sologesang:
Limahl
zusätzlich vocals:
Nick Beggs und Stuart Croxford Neale
arranger:
Kajagoogoo
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982, in 1983)
Musikvideos:
Too Shy von Kajagoogoo
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 9) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 27)
recording of:
Too Shy
Texter:
Nick Beggs und Christopher Hamill
Komponist(in):
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale und Jez Strode
publisher:
EMI Songs und Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.553:44
2Geno
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
Geno
Verfasser(in):
Al Archer und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:28
3True
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Interpret(in):
Spandau Ballet
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1983) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
Musikvideos:
True von Spandau Ballet
recording of:
True
Texter und Komponist(in):
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. und Reformation Publishing Inc.
Spandau Ballet3.655:31
4Golden Brown
Koproduzent(in):
Steve Churchyard
Produzent(in):
Steve Churchyard und The Stranglers
Mix:
Tony Visconti
Interpret(in):
The Stranglers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers4.43:28
5Respectable
Produzent(in):
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mark McGuire (UK producer/engineer) und Stock Aitken Waterman
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only) (in 1987), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987) und The Supreme Record Company Ltd. (in 1987)
Musikvideos:
Respectable von Mel & Kim (Appleby sisters)
recording of:
Respectable
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music, All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Musik GmbH, Matt Aitken Publishing, MCA Gilbey, Mike Stock Publishing Limited, Mushroom Music (Mushroom label’s publishing company), Sony/ATV Music Publishing (UK) Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Mel & Kim2.53:21
6Ghost Town
Techniker(in):
John A. Rivers
Posaune:
Rico Rodriguez (Jamaican trombonist)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 217)
recording of:
Ghost Town
Texter und Komponist(in):
Jerry Dammers
publisher:
BMG Rights Management (UK) Limited (not for release label use! see annotation)
The Specials3.953:41
7Road to Nowhere
Bearbeitung von:
Road to Nowhere von Talking Heads
recording of:
Road to Nowhere
Texter und Komponist(in):
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. und Warner Bros. Music Corp.
Talking Heads44:03
8Fantastic Day
Produzent(in):
Bob Sargeant
recording of:
Fantastic Day
Texter und Komponist(in):
Nick Heyward
Haircut One Hundred2.53:14
9Everybody’s Gotta Learn Sometime
phonographisches Urheberrecht (℗) von:
Action Replay Records (in 1990)
recording of:
Everybody’s Got to Learn Sometime
Texter und Komponist(in):
James Warren (English singer and guitarist)
publisher:
Warner Chappell Music Ltd. (1996–2019), Heath Music Ltd. (publisher) (in 1980) und Warner Bros. Ltd. (publisher) (in 1980)
The Korgis4.054:09
10Running Up That Hill
assistierende(r) Techniker(in):
Pearse Dunne
Techniker(in):
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench und Nigel Walker (UK producer/engineer/guitarist)
Produzent(in):
Kate Bush
Mix:
Brian Tench
Balalaika:
Paddy Bush
Bass:
Del Palmer
Gitarre:
Alan Murphy (UK session guitarist)
Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel)
vocals:
Kate Bush
phonographisches Urheberrecht (℗) von:
EMI America Records (holding – file NO releases here!) (in 1985), EMI Korea (in 1985), EMI Records (not for release label use!) (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (in 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 2006), Noble and Brite (in 2011) und Noble & Brite Ltd (in 2018)
aufgenommen bei:
Wickham Farm Home Studio in Welling, Bexley (London Borough of Bexley), London (Greater London), England, Vereinigtes Königreich
engineered at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
Musikvideos:
Running Up That Hill (music video) von Kate Bush
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 7), Billboard Year-End Hot 100 singles of 2022 (Nummer: 23), Billboard Hot 100: 2026-01-17 (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 60), BILLIONS CLUB und Indie 88: Top 500 Indie Rock Songs (Nummer: 279)
recording of:
Running Up That Hill
Texter und Komponist(in):
Kate Bush
publisher:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Kate Bush3.955:00
1119
Produzent(in):
Paul Hardcastle
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985)
Musikvideos:
19 (music video) von Paul Hardcastle
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 73)
recording of:
19
Texter:
Bill Couturié, Paul Hardcastle und Jonas McCord
Komponist(in):
Paul Hardcastle
publisher:
Oval Music und Virgin Music (Publishing) Ltd.
Paul Hardcastle3.63:38
12I Don’t Wanna Dance
recording of:
I Don’t Wanna Dance
Texter und Komponist(in):
Eddy Grant
Eddy Grant33:40
13Pump Up the Jam
Produzent(in):
Jo Bogaert (Belgian producer)
vocals:
Ya Kid K (Belgian‐Congolese singer Manuela Kamosi)
Interpret(in):
Felly (Felly Kilingi, “frontwoman” for Technotronic in the early ’90s)
phonographisches Urheberrecht (℗) von:
ARS Productions Benelux (in 1989)
recording of:
Pump Up the Jam
Texter:
Manuela Kamosi (Belgian‐Congolese singer Manuela Kamosi)
Komponist(in):
Patrick de Meyer (Belgian electronic music producer) und Thomas de Quincey (Belgian producer Jo Bogaert [Technotronic])
basiert auf:
Technotronic
Technotronic3.653:35
14I’m So Excited
Produzent(in):
Richard Perry (producer)
Bassgitarre:
Nathan East
Gitarre:
George Doering und Lee Ritenour
Keyboard [keyboards] und Synthesizer:
Michael Boddicker und Greg Phillinganes
Klavier:
William D. “Smitty” Smith (organist/keyboardist)
Schlagzeug:
John “JR” Robinson (session drummer)
Hintergrundgesang:
June Pointer und Ruth Pointer
Sologesang:
Anita Pointer
phonographisches Urheberrecht (℗) von:
BMG Music (in 1982)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 5) (Nummer: 6) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 258)
recording of:
I’m So Excited
Verfasser(in):
Anita Pointer, June Pointer, Ruth Pointer und Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
publisher:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. und SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-publisher:
Fujipacific Music Inc. SBK Division (bis 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Pointer Sisters4.83:49
15If You’re Looking for a Way OutOdyssey34:30
16Somebody Else’s Guy
recording of:
Somebody Else’s Guy
Verfasser(in):
Annette E. Brown und Jocelyn Brown
publisher:
Jocelyn Brown's Music, SM Publishing (UK) Limited (Sony Music, 2009–2020), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Jocelyn Brown3:51
17Last Night a DJ Saved My Life
Koproduzent(in):
Mike Cleveland (80's dance) und Reggie Thompson (engineer and producer)
phonographisches Urheberrecht (℗) von:
Phenix, Inc. (company related to the label Sound Of New York.) (vom 1983 bis heute)
recording of:
Last Night a D.J. Saved My Life
Texter und Komponist(in):
Mike Cleveland (80's dance)
publisher:
Windswept Pacific Music Ltd.
Indeep34:15
18Big Fun
recording of:
Big Fun
The Gap Band4:02
19I Found Lovin’
recording of:
I Found Lovin’
Verfasser(in):
Johnny Flippin und Michael Walker (lead singer of The Fatback Band)
basiert auf:
If You Want to Party (I Found Lovin’) (All Saints)
Fatback Band4.54:03
20Move Closer
Produzent(in):
Yves Dessca und Pascal Rivaton
phonographisches Urheberrecht (℗) von:
OVC Ltd., Dessca Entertainment Company (in 1984) und Capricorn (imprint used by Carrère after 1989) (in 1985)
recording of:
Move Closer
Texter und Komponist(in):
Phyllis Nelson (American singer)
publisher:
IQ Music Ltd.
Phyllis Nelson34:07