Big Band Bossa Nova

~ Release by Quincy Jones (see all versions of this release, 10 available)

Tracklist

1▼CD
#TitleRatingLength
1Soul Bossa Nova
recording engineer:
Phil Ramone (on 1962-09-13)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (on 1962-09-13)
drums (drum set):
Rudy Collins (drums) (on 1962-09-13)
flute:
Rahsaan Roland Kirk (on 1962-09-13)
piano:
Lalo Schifrin (pianist & composer) (on 1962-09-13)
tenor saxophone:
Paul Gonsalves (on 1962-09-13)
trumpet:
Clark Terry (American swing trumpeter) (on 1962-09-13)
conductor:
Quincy Jones (on 1962-09-13)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recording of:
Soul Bossa Nova (on 1962-09-13)
composer:
Quincy Jones
42:48
2Boogie Stop Shuffle (issued as Boogie Bossa Nova)
recording engineer:
Phil Ramone (from 1962-08 until 1962-09) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-09-04)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (from 1962-08 until 1962-09)
drums (drum set):
Rudy Collins (drums) (from 1962-08 until 1962-09)
piano:
Lalo Schifrin (pianist & composer) (from 1962-08 until 1962-09)
tenor saxophone:
Paul Gonsalves (from 1962-08 until 1962-09)
trumpet:
Clark Terry (American swing trumpeter) (from 1962-08 until 1962-09)
conductor:
Quincy Jones (from 1962-08 until 1962-09)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1962-08 until 1962-09)
cover recording of:
Boogie Stop Shuffle (from 1962-08 until 1962-09)
composer:
Charles Mingus
2:45
3Desafinado
recording engineer:
Phil Ramone (from 1962-08 until 1962-09) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-09-08)
producer:
Quincy Jones
bass:
Chris White (jazz bassist) (from 1962-08 until 1962-09)
drums (drum set):
Rudy Collins (drums) (from 1962-08 until 1962-09)
piano:
Lalo Schifrin (pianist & composer) (from 1962-08 until 1962-09)
tenor saxophone:
Paul Gonsalves (from 1962-08 until 1962-09)
trumpet:
Clark Terry (American swing trumpeter) (from 1962-08 until 1962-09)
conductor:
Quincy Jones (from 1962-08 until 1962-09)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1962-08 until 1962-09)
cover recording of:
Desafinado (from 1962-08 until 1962-09)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
instrumental recording of:
Desafinado (from 1962-08 until 1962-09)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
instrumental cover recording of:
Desafinado
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
2:57
4Manha de carnaval (Morning of the Carnival)
recording engineer:
Phil Ramone (on 1962-09-04)
producer:
Quincy Jones
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1962-09-04)
double bass:
Chris White (jazz bassist) (on 1962-09-04)
drums (drum set):
Rudy Collins (drums) (on 1962-09-04)
piano:
Lalo Schifrin (pianist & composer) (on 1962-09-04)
tenor saxophone:
Paul Gonsalves (on 1962-09-04)
trumpet:
Clark Terry (American swing trumpeter) (on 1962-09-04)
conductor:
Quincy Jones (on 1962-09-04)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
instrumental cover recording of:
Manhã de Carnaval (on 1962-09-04)
lyricist:
Antônio Maria
composer:
Luiz Bonfá
publisher:
Belinda (Jhb.) (Pty.) Ltd
2:58
5Se e tarde me pardoa (Forgive Me If I’m Late)
recording engineer:
Phil Ramone (from 1962-08 until 1962-09) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-09-13)
producer:
Quincy Jones
bass:
Chris White (jazz bassist) (from 1962-08 until 1962-09)
drums (drum set):
Rudy Collins (drums) (from 1962-08 until 1962-09)
piano:
Lalo Schifrin (pianist & composer) (from 1962-08 until 1962-09)
tenor saxophone:
Paul Gonsalves (from 1962-08 until 1962-09)
trumpet:
Clark Terry (American swing trumpeter) (from 1962-08 until 1962-09)
conductor:
Quincy Jones (from 1962-08 until 1962-09)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1962-08 until 1962-09)
cover recording of:
Se é tarde me perdoa (from 1962-08 until 1962-09)
writer:
Ronaldo Bôscoli and Carlos Lyra
recording of:
Se é tarde me perdoa (from 1962-08 until 1962-09)
writer:
Ronaldo Bôscoli and Carlos Lyra
instrumental cover recording of:
Se é tarde me perdoa
writer:
Ronaldo Bôscoli and Carlos Lyra
4:25
6On the Street Where You Live
recording engineer:
Phil Ramone (on 1962-09-07)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (on 1962-09-07)
drums (drum set):
Rudy Collins (drums) (on 1962-09-07)
piano:
Lalo Schifrin (pianist & composer) (on 1962-09-07)
tenor saxophone:
Paul Gonsalves (on 1962-09-07)
trumpet:
Clark Terry (American swing trumpeter) (on 1962-09-07)
conductor:
Quincy Jones (on 1962-09-07)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
instrumental cover recording of:
On the Street Where You Live (My Fair Lady) (on 1962-09-07)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
2:36
7Samba de una nota so (One Note Samba)
recording engineer:
Phil Ramone (from 1962-08 until 1962-09) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-09-04)
producer:
Quincy Jones
bass:
Chris White (jazz bassist) (from 1962-08 until 1962-09)
drums (drum set):
Rudy Collins (drums) (from 1962-08 until 1962-09)
piano:
Lalo Schifrin (pianist & composer) (from 1962-08 until 1962-09)
tenor saxophone:
Paul Gonsalves (from 1962-08 until 1962-09)
trumpet:
Clark Terry (American swing trumpeter) (from 1962-08 until 1962-09)
conductor:
Quincy Jones (from 1962-08 until 1962-09)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1962-08 until 1962-09)
cover recording of:
Samba de uma nota só (from 1962-08 until 1962-09)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated) and 大洋音楽 (Taiyō Music)
instrumental recording of:
Samba de uma nota só (from 1962-08 until 1962-09)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated) and 大洋音楽 (Taiyō Music)
instrumental cover recording of:
Samba de uma nota só
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated) and 大洋音楽 (Taiyō Music)
2:05
8Lalo Bossa Nova
recording engineer:
Phil Ramone (from 1962-08 until 1962-09) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-09-07)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (from 1962-08 until 1962-09)
drums (drum set):
Rudy Collins (drums) (from 1962-08 until 1962-09)
piano:
Lalo Schifrin (pianist & composer) (from 1962-08 until 1962-09)
tenor saxophone:
Paul Gonsalves (from 1962-08 until 1962-09)
trumpet:
Clark Terry (American swing trumpeter) (from 1962-08 until 1962-09)
conductor:
Quincy Jones (from 1962-08 until 1962-09)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1962-08 until 1962-09)
recording of:
Lalo's Bossa Nova (from 1962-08 until 1962-09)
composer:
Lalo Schifrin (pianist & composer)
instrumental cover recording of:
Lalo's Bossa Nova
composer:
Lalo Schifrin (pianist & composer)
3:13
9Serenata
recording engineer:
Phil Ramone (from 1962-08 until 1962-09) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-09-07)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (from 1962-08 until 1962-09)
drums (drum set):
Rudy Collins (drums) (from 1962-08 until 1962-09)
piano:
Lalo Schifrin (pianist & composer) (from 1962-08 until 1962-09)
tenor saxophone:
Paul Gonsalves (from 1962-08 until 1962-09)
trumpet:
Clark Terry (American swing trumpeter) (from 1962-08 until 1962-09)
conductor:
Quincy Jones (from 1962-08 until 1962-09)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1962-08 until 1962-09)
cover recording of:
Serenata (original instrumental) (from 1962-08 until 1962-09)
composer:
Leroy Anderson (until 1947-02-12)
instrumental cover recording of:
Serenata (english vocals)
lyricist:
Mitchell Parish (in 1950)
composer:
Leroy Anderson (on 1947-02-12)
is based on:
Serenata (original instrumental)
3:22
10Chega de saudade (No More Blues)
recording engineer:
Phil Ramone (on 1962-09-08)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (on 1962-09-08)
drums (drum set):
Rudy Collins (drums) (on 1962-09-08)
flute:
Rahsaan Roland Kirk (on 1962-09-08)
piano:
Lalo Schifrin (pianist & composer) (on 1962-09-08)
tenor saxophone:
Paul Gonsalves (on 1962-09-08)
trumpet:
Clark Terry (American swing trumpeter) (on 1962-09-08)
conductor:
Quincy Jones (on 1962-09-08)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
instrumental cover recording of:
Chega de saudade (on 1962-09-08)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
publisher:
Bendig Music and Hollis Music, Inc.
5:39
11A Taste of Honey
recording engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-09-13)
producer:
Quincy Jones
conductor:
Quincy Jones
instruments arranger:
Quincy Jones
cover recording of:
A Taste of Honey
lyricist:
Ric Marlow (in 1960)
composer:
Bobby Scott (vocals, piano, US musician & producer) (in 1960)
publisher:
Ambassador Music Ltd. and Songfest Music Corp.
2:57