Sabbath Prayer

~ Release by Cannonball Adderley (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Barefoot Sunday Blues
recorded in:
New York, New York, United States (on 1959-04-12)
alto saxophone:
Cannonball Adderley (on 1959-04-12)
double bass:
Paul Chambers (US jazz bassist) (on 1959-04-12)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-12)
piano:
Wynton Kelly (on 1959-04-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002), Count Records (in 2013) and Swanley (in 2014)
recording of:
Barefoot Sunday Blues
composer:
Cannonball Adderley
7:03
2Serenata
recorded in:
New York, New York, United States (on 1959-04-12)
alto saxophone:
Cannonball Adderley (on 1959-04-12)
double bass:
Paul Chambers (US jazz bassist) (on 1959-04-12)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-12)
piano:
Wynton Kelly (on 1959-04-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002) and Swanley (in 2014)
instrumental recording of:
Serenata (english vocals) (on 1959-04-12)
lyricist:
Mitchell Parish (in 1950)
composer:
Leroy Anderson (on 1947-02-12)
is based on:
Serenata (original instrumental)
4:16
3If This Isn’t Love
recorded in:
New York, New York, United States (on 1959-04-12)
alto saxophone:
Cannonball Adderley (on 1959-04-12)
double bass:
Paul Chambers (US jazz bassist) (on 1959-04-12)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-12)
piano:
Wynton Kelly (on 1959-04-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002), Count Records (in 2013) and Swanley (in 2014)
instrumental recording of:
If This Isn’t Love (from “Finian’s Rainbow”) (on 1959-04-12)
lyricist:
Yip Harburg
composer:
Burton Lane
part of:
Finian’s Rainbow (1947 Broadway musical)
5:32
4I Guess I’ll Hang My Tears Out to Dry
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002), Count Records (in 2013) and Swanley (in 2014)
instrumental recording of:
Guess I’ll Hang My Tears Out to Dry (on 1959-04-12)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell & Co., Inc. (USA) and Chappell Music (UK)
5:35
5I Remember You
recorded in:
New York, New York, United States (on 1959-05-12)
alto saxophone:
Cannonball Adderley (on 1959-05-12)
double bass:
Percy Heath (on 1959-05-12)
drums (drum set):
Albert “Tootie” Heath (on 1959-05-12)
piano:
Wynton Kelly (on 1959-05-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002), Count Records (in 2013) and Swanley (in 2014)
instrumental recording of:
I Remember You (on 1959-05-12)
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Paramount Music Corporation and Sony/ATV Music Publishing Australia Pty Ltd.
6:55
6I’ve Told Ev’ry Little Star
recorded in:
New York, New York, United States (on 1959-04-12)
alto saxophone:
Cannonball Adderley (on 1959-04-12)
double bass:
Paul Chambers (US jazz bassist) (on 1959-04-12)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-12)
piano:
Wynton Kelly (on 1959-04-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002), Count Records (in 2013) and Swanley (in 2014)
instrumental recording of:
I’ve Told Ev’ry Little Star (on 1959-04-12)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
part of:
Music in the Air
3:39
7Poor Butterfly
recorded in:
New York, New York, United States (on 1959-05-12)
alto saxophone:
Cannonball Adderley (on 1959-05-12)
double bass:
Percy Heath (on 1959-05-12)
drums (drum set):
Albert “Tootie” Heath (on 1959-05-12)
piano:
Wynton Kelly (on 1959-05-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002) and Swanley (in 2014)
instrumental recording of:
Poor Butterfly (on 1959-05-12)
lyricist:
John L. Golden (in 1916)
composer:
John Raymond Hubbell (composer, co-founder of ASCAP) (in 1916)
publisher:
Harms, Inc.
5:11
8Winetone
recorded in:
New York, New York, United States (on 1961-05-11)
alto saxophone:
Cannonball Adderley (on 1961-05-11)
cornet:
Nat Adderley (on 1961-05-11)
double bass:
Sam Jones (US jazz bassist) (on 1961-05-11)
drums (drum set):
Louis Hayes (on 1961-05-11)
piano:
Wynton Kelly (on 1961-05-11)
vibraphone:
Victor Feldman (jazz musician) (on 1961-05-11)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1987), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2012) and Swanley (in 2014)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1961-05-11)
recording of:
Winetone (on 1961-05-11)
composer:
Victor Feldman (jazz musician)
6:57
9Arriving Soon
recorded in:
New York, New York, United States (on 1961-05-11)
alto saxophone:
Cannonball Adderley (on 1961-05-11)
cornet:
Nat Adderley (on 1961-05-11)
double bass:
Sam Jones (US jazz bassist) (on 1961-05-11)
drums (drum set):
Louis Hayes (on 1961-05-11)
piano:
Victor Feldman (jazz musician) (on 1961-05-11)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1987) and Swanley (in 2014)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1961-05-11)
recording of:
Arriving Soon (on 1961-05-11)
writer:
Eddi Vinson
8:12
10Well, You Needn’t
recorded in:
New York, New York, United States (on 1961-05-11)
alto saxophone:
Cannonball Adderley (on 1961-05-11)
cornet:
Nat Adderley (on 1961-05-11)
double bass:
Sam Jones (US jazz bassist) (on 1961-05-11)
drums (drum set):
Louis Hayes (on 1961-05-11)
piano:
Wynton Kelly (on 1961-05-11)
vibraphone:
Victor Feldman (jazz musician) (on 1961-05-11)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1987) and Swanley (in 2014)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1961-05-11)
recording of:
Well, You Needn’t (on 1961-06-11)
composer:
Thelonious Monk
publisher:
Regent Music (BMI)
part of:
The Real Book (compilation of jazz standards, volume I)
6:28
11Star Eyes
recorded in:
New York, New York, United States (on 1961-05-11)
alto saxophone:
Cannonball Adderley (on 1961-05-11)
cornet:
Nat Adderley (on 1961-05-11)
double bass:
Sam Jones (US jazz bassist) (on 1961-05-11)
drums (drum set):
Louis Hayes (on 1961-05-11)
piano:
Wynton Kelly (on 1961-05-11)
vibraphone:
Victor Feldman (jazz musician) (on 1961-05-11)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1987) and Swanley (in 2014)
recording of:
Star Eyes
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
part of:
I Dood It (1943)
7:07
12Lisa
recorded in:
New York, New York, United States (on 1961-05-11)
alto saxophone:
Cannonball Adderley (on 1961-05-11)
cornet:
Nat Adderley (on 1961-05-11)
double bass:
Sam Jones (US jazz bassist) (on 1961-05-11)
drums (drum set):
Louis Hayes (on 1961-05-11)
piano:
Victor Feldman (jazz musician) (on 1961-05-11)
phonographic copyright (℗) by:
Swanley (in 2014)
recording of:
Lisa
composer:
Victor Feldman (jazz musician) and Torrie Zito
6:41
13O.P.
alto saxophone:
Cannonball Adderley (on 1961-05-11)
cornet:
Nat Adderley (on 1961-05-11)
double bass:
Sam Jones (US jazz bassist) (on 1961-05-11)
drums (drum set):
Louis Hayes (on 1961-05-11)
piano:
Victor Feldman (jazz musician) (on 1961-05-11)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1987) and Swanley (in 2014)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1961-05-11)
5:12
14New Delhi
recorded in:
New York, New York, United States (on 1961-05-11)
alto saxophone:
Cannonball Adderley (on 1961-05-11)
cornet:
Nat Adderley (on 1961-05-11)
double bass:
Sam Jones (US jazz bassist) (on 1961-05-11)
drums (drum set):
Louis Hayes (on 1961-05-11)
piano:
Wynton Kelly (on 1961-05-11)
vibraphone:
Victor Feldman (jazz musician) (on 1961-05-11)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1987) and Swanley (in 2014)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1961-05-11)
recording of:
New Delhi (on 1961-05-11)
writer:
Victor Feldman (jazz musician)
6:55
15Sewing Machine
recorded in:
New York, New York, United States (on 1964-10-19, on 1964-10-21)
alto saxophone:
Cannonball Adderley (from 1964-10-19 until 1964-10-21)
cornet:
Nat Adderley (from 1964-10-19 until 1964-10-21)
double bass:
Sam Jones (US jazz bassist) (from 1964-10-19 until 1964-10-21)
drums (drum set):
Louis Hayes (from 1964-10-19 until 1964-10-21)
flute and tenor saxophone:
Charles Lloyd (US jazz saxophonist) (from 1964-10-19 until 1964-10-21)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1964-10-19 until 1964-10-21)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2003) and Swanley (in 2014)
3:34
16Sabbath Prayer
recorded in:
New York, New York, United States (on 1964-10-19, on 1964-10-21)
alto saxophone:
Cannonball Adderley (from 1964-10-19 until 1964-10-21)
cornet:
Nat Adderley (from 1964-10-19 until 1964-10-21)
double bass:
Sam Jones (US jazz bassist) (from 1964-10-19 until 1964-10-21)
drums (drum set):
Louis Hayes (from 1964-10-19 until 1964-10-21)
flute and tenor saxophone:
Charles Lloyd (US jazz saxophonist) (from 1964-10-19 until 1964-10-21)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1964-10-19 until 1964-10-21)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2003) and Swanley (in 2014)
3:19
17Fiddler on the Roof
recorded in:
New York, New York, United States (on 1964-10-19, on 1964-10-21)
alto saxophone:
Cannonball Adderley (from 1964-10-19 until 1964-10-21)
cornet:
Nat Adderley (from 1964-10-19 until 1964-10-21)
double bass:
Sam Jones (US jazz bassist) (from 1964-10-19 until 1964-10-21)
drums (drum set):
Louis Hayes (from 1964-10-19 until 1964-10-21)
flute and tenor saxophone:
Charles Lloyd (US jazz saxophonist) (from 1964-10-19 until 1964-10-21)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1964-10-19 until 1964-10-21)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1991), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2003) and Swanley (in 2014)
7:22
18To Life
recorded in:
New York, New York, United States (on 1964-10-19, on 1964-10-21)
alto saxophone:
Cannonball Adderley (from 1964-10-19 until 1964-10-21)
cornet:
Nat Adderley (from 1964-10-19 until 1964-10-21)
double bass:
Sam Jones (US jazz bassist) (from 1964-10-19 until 1964-10-21)
drums (drum set):
Louis Hayes (from 1964-10-19 until 1964-10-21)
flute and tenor saxophone:
Charles Lloyd (US jazz saxophonist) (from 1964-10-19 until 1964-10-21)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1964-10-19 until 1964-10-21)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2003) and Swanley (in 2014)
5:07
19Chavalah
recorded in:
New York, New York, United States (on 1964-10-19, on 1964-10-21)
alto saxophone:
Cannonball Adderley (from 1964-10-19 until 1964-10-21)
cornet:
Nat Adderley (from 1964-10-19 until 1964-10-21)
double bass:
Sam Jones (US jazz bassist) (from 1964-10-19 until 1964-10-21)
drums (drum set):
Louis Hayes (from 1964-10-19 until 1964-10-21)
flute and tenor saxophone:
Charles Lloyd (US jazz saxophonist) (from 1964-10-19 until 1964-10-21)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1964-10-19 until 1964-10-21)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2003) and Swanley (in 2014)
2:57
20Now I Have Everything
recorded in:
New York, New York, United States (on 1964-10-19, on 1964-10-21)
alto saxophone:
Cannonball Adderley (from 1964-10-19 until 1964-10-21)
cornet:
Nat Adderley (from 1964-10-19 until 1964-10-21)
double bass:
Sam Jones (US jazz bassist) (from 1964-10-19 until 1964-10-21)
drums (drum set):
Louis Hayes (from 1964-10-19 until 1964-10-21)
flute and tenor saxophone:
Charles Lloyd (US jazz saxophonist) (from 1964-10-19 until 1964-10-21)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1964-10-19 until 1964-10-21)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2003) and Swanley (in 2014)
4:10
21Matchmaker
recorded in:
New York, New York, United States (on 1964-10-19, on 1964-10-21)
alto saxophone:
Cannonball Adderley (from 1964-10-19 until 1964-10-21)
cornet:
Nat Adderley (from 1964-10-19 until 1964-10-21)
double bass:
Sam Jones (US jazz bassist) (from 1964-10-19 until 1964-10-21)
drums (drum set):
Louis Hayes (from 1964-10-19 until 1964-10-21)
flute and tenor saxophone:
Charles Lloyd (US jazz saxophonist) (from 1964-10-19 until 1964-10-21)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1964-10-19 until 1964-10-21)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2003) and Swanley (in 2014)
5:33
22Do You Love Me
recorded in:
New York, New York, United States (on 1964-10-19, on 1964-10-21)
alto saxophone:
Cannonball Adderley (from 1964-10-19 until 1964-10-21)
cornet:
Nat Adderley (from 1964-10-19 until 1964-10-21)
double bass:
Sam Jones (US jazz bassist) (from 1964-10-19 until 1964-10-21)
drums (drum set):
Louis Hayes (from 1964-10-19 until 1964-10-21)
flute and tenor saxophone:
Charles Lloyd (US jazz saxophonist) (from 1964-10-19 until 1964-10-21)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1964-10-19 until 1964-10-21)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2003) and Swanley (in 2014)
5:02

Credits