Angel of the Morning: The Best of Nina Simone

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1To Be Young, Gifted and Black
Techniker(in):
Ray Hall (engineer) (von 1969-08-25 bis 1969-08-26)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1969)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (von 1969-08-25 bis 1969-08-26)
recording of:
To Be Young, Gifted and Black (von 1969-08-25 bis 1969-08-26)
Texter:
Weldon Irvine
Komponist(in):
Nina Simone
32:50
2I Loves You Porgy
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1968-04-07)
Produzent(in):
Joe René
E-Bass:
Gene Taylor (US jazz bassist) (am 1968-04-07)
E-Gitarre:
Rudy Stevenson (am 1968-04-07)
Klavier und Sologesang:
Nina Simone (am 1968-04-07)
Orgel:
Sam Waymon (am 1968-04-07)
Schlagzeug:
Buck Clarke (am 1968-04-07)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
Westbury Music Fair in Westbury, New York, Vereinigte Staaten (am 1968-04-07)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (am 1968-04-07)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
3:38
3In the Morning
recording engineer:
Edwin Begley (sound engineer in RCA Victor) (am 1968-05-13)
Produzent(in):
Joe René
Bass:
Gene Taylor (US jazz bassist) (am 1968-05-13)
E-Gitarre:
Rudy Stevenson (am 1968-05-13)
Klavier:
Nina Simone (am 1968-05-13)
Orgel:
Sam Waymon (am 1968-05-13)
Schlagzeug:
Buck Clarke (am 1968-05-13)
vocals:
Nina Simone (am 1968-05-13)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-05-13)
cover recording of:
In the Morning (aka “Morning of My Life”) (am 1968-05-13)
Texter und Komponist(in):
Barry Gibb (in 1965)
publisher:
Bramsdene Music Corporation, Campbell Connelly, Campbell Connelly & Co. Ltd., Careers–BMG Music Publishing, Inc., Connelly Musikverlag, Gibb Brothers Music, Norman Whiteley Ltd., Penjane Music (Australia) Pty. Limited und Plymouth Music Co., Inc.
12:43
4I Think It’s Going to Rain Today
recording engineer:
Ray Hall (engineer)
Klavier:
Nina Simone (am 1968-09-16)
vocals:
Nina Simone (am 1968-09-16)
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-09-16)
cover recording of:
I Think It’s Going to Rain Today (am 1968-09-16)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music Corp., Warner/Chappell North America und Unichappell Music, Inc. (in 1966)
übersetzte Version von:
Ik denk dat niemand mij morgen mist
3.653:21
5Angel of the Morning
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1971-02-17)
Produzent(in):
Nat Shapiro und Harold Wheeler
conductor:
Harold Wheeler
arranger:
Nina Simone und Harold Wheeler
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1971-02-17)
cover recording of:
Angel of the Morning
Texter und Komponist(in):
Chip Taylor (US singer/songwriter)
publisher:
April Music, EMI Blackwood, EMI Songs Ltd. und Unichappell Music
3.353:34
6Go to Hell
cover recording of:
Go to Hell (am 1967-06-21)
Verfasser(in):
Morris Bailey (Philadelphia-based composer, producer, saxophonist)
32:50
7I Wish I Knew How It Would Feel to Be Free
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
Mix:
Mark Hartry
vocals:
Nina Simone
conductor:
Sammy Lowe (trumpeter, arranger and conductor)
arranger:
Sammy Lowe (trumpeter, arranger and conductor)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-06-15)
Teil von:
CBC Music: 10 Songs That Have Changed the World
cover recording of:
I Wish I Knew How It Would Feel to Be Free (am 1967-06-15)
Verfasser(in):
Billy Taylor (jazz/bop pianist) und Richard Lamb
publisher:
Duane Music Inc. und Westminster Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
43:11
8Suzanne
Bass:
Gene A Perla
Gitarre:
Al Schackman
Klavier und Sologesang:
Nina Simone
Orgel:
Weldon Irvine
Schlagzeug:
Don Alias
Hintergrundgesang:
Jennies Durham und Doris Willingham
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1969-01-08)
cover recording of:
Suzanne (English original song by Leonard Cohen) (am 1969-01-08)
Texter:
Leonard Cohen (Canadian singer‐songwriter and poet) (in 1966)
Komponist(in):
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Ardmore & Beechwood Music Ltd., Project 7 Music, Sony/ATV Music Publishing LLC (1995–2020), Stranger Music Inc. und Writers Workshop Ltd.
35:13
9Backlash Blues
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
recording of:
Backlash Blues (am 1967-01-05)
Texter:
Langston Hughes
Komponist(in):
Nina Simone
publisher:
Filmtrax-Mogul (publisher; do NOT use as release label) und Rolls Royce Music (publisher; do NOT use as release label)
42:29
10Cherish
cover recording of:
Cherish
Texter und Komponist(in):
Terry Kirkman
publisher:
Beechwood Music Corp., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
23:22
11Revolution, Parts 1 & 2
Kompilation von:
Revolution, Part 1 von Nina Simone und Revolution, Part 2 von Nina Simone
recording of:
Revolution (Nina Simone song)
Verfasser(in):
Weldon Irvine und Nina Simone
basiert auf:
Revolution (Beatles song)
5:05
12Just Like Tom Thumb’s Blues
recording engineer:
Ray Hall (engineer) und Mike Moran (American engineer, associated with RCA)
Bass [Fender bass]:
Gene A Perla
Gitarre:
Al Schackman und Stuart Scharf
Klavier und Sologesang:
Nina Simone
Perkussion und Schlagzeug:
Charles D. Alias
Hintergrundgesang:
Virdia Crawford und Doris Willingham
conductor:
Nina Simone
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1969-01-08)
cover recording of:
Just Like Tom Thumb’s Blues (am 1969-01-08)
Texter und Komponist(in):
Bob Dylan (von 1965-06 bis 1965-07)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1965 bis 1993) und Special Rider Music (vom 1993 bis heute)
2.354:49
13Sunday in Savannah
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1968-04-07)
Produzent(in):
Joe René
Klavier und Sologesang:
Nina Simone (am 1968-04-07)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
Westbury Music Fair in Westbury, New York, Vereinigte Staaten (am 1968-04-07)
Bearbeitung von:
Sunday in Savannah (live, 1968‐04‐07: Westbury Music Fair, Long Island, NY, USA) von Nina Simone
live cover recording of:
Sunday in Savannah (am 1968-04-07)
Texter und Komponist(in):
Hugh M. MacKay
publisher:
Irving Music (BMI)
Teil von:
Martin Luther King Suite
3:17
14I Get Along Without You Very Well (Except Sometimes)
recording engineer:
Ray Hall (engineer)
Klavier:
Nina Simone (am 1968-09-16)
vocals:
Nina Simone (am 1968-09-16)
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-09-16)
cover recording of:
I Get Along Without You Very Well (am 1968-09-16)
Texter:
Jane Brown Thompson
Komponist(in):
Hoagy Carmichael (in 1939)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Songs of Peer, Ltd. (ASCAP) und Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
2.754:54
15Everyone’s Gone to the Moon
recording engineer:
Ray Hall (engineer)
Klavier:
Nina Simone (am 1968-09-16)
vocals:
Nina Simone (am 1968-09-16)
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-09-16)
cover recording of:
Everyone’s Gone to the Moon (am 1968-09-16)
Texter und Komponist(in):
Jonathan King (in 1965)
53:06
16Gin House Blues
cover recording of:
Gin House Blues
Komponist(in):
Fletcher Henderson (in 1925) und Henry Troy (in 1925)
publisher:
Carlin Music Corp
3:11
17Blues for Mama
recording engineer:
Mickey Crofford (am 1966-12-22) und Ray Hall (engineer) (am 1966-12-22)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1966-12-22)
recording of:
Blues for Mama (am 1966-12-22)
Verfasser(in):
Abbey Lincoln und Nina Simone
publisher:
Ninandy Music (publisher; do NOT use as release label)
3.53:58
18Here Comes the Sun
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1971-02-17)
Produzent(in):
Nat Shapiro und Harold Wheeler
Sologesang:
Nina Simone
conductor:
Harold Wheeler
arranger:
Nina Simone und Harold Wheeler
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1971-02-17)
Bearbeitung von:
Here Comes the Sun von Nina Simone
cover recording of:
Here Comes the Sun
Texter und Komponist(in):
George Harrison (The Beatles)
publisher:
Harrisongs Ltd. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Teil von:
Reprise
4.353:36
2▶CD

Nennungen

Veröffentlichung

ASIN:UK: B001Q8WLNE [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/1549989 [Info]