The Essential Recordings 1925 - 1940

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD: Heebie Jeebies
2▶CD: West End Blues
3▼CD: Sweethearts on Parade
Nr.TitelBewertungLänge
1Knockin' a Jug
recording of:
Knockin’ a Jug (am 1929-03-05)
Komponist(in):
Louis Armstrong und Eddie Condon
3:27
2I Can't Give You Anything but Love
cover recording of:
I Can’t Give You Anything but Love, Baby (am 1929-03-05)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3:35
3How Do You Do It That Way
3:21
4Ain't Misbehavin'
recorded in:
New York, New York, Vereinigte Staaten (am 1929-07-19)
alto saxophone:
Bert Curry (am 1929-07-19) und Crawford Wethington (am 1929-07-19)
Banjo:
Mancy "Peck" Carr (am 1929-07-19)
Geige / Violine:
Carroll Dickerson (am 1929-07-19)
Klavier:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (am 1929-07-19)
Posaune:
Fred Robinson (American trombonist) (am 1929-07-19)
Schlagzeug:
Zutty Singleton (am 1929-07-19)
Tenorsaxophon:
Jimmy Strong (am 1929-07-19)
Trompete:
Louis Armstrong (am 1929-07-19) und Homer Hobson (am 1929-07-19)
Tuba:
Pete Briggs (am 1929-07-19)
vocals:
Louis Armstrong (am 1929-07-19)
conductor:
Carroll Dickerson (am 1929-07-19)
recording of:
Ain’t Misbehavin’ (am 1929-07-19)
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
4.853:25
5(What Did I Do to Be So) Black and Blue
alto saxophone:
Bert Curry (am 1929-07-22) und Crawford Wethington (am 1929-07-22)
Banjo:
Mancy "Peck" Carr (am 1929-07-22)
Celesta [celeste]:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (am 1929-07-22)
Geige / Violine:
Carroll Dickerson (am 1929-07-22)
Posaune:
Fred Robinson (American trombonist) (am 1929-07-22)
Schlagzeug:
Zutty Singleton (am 1929-07-22)
Tenorsaxophon:
Jimmy Strong (am 1929-07-22)
Trompete:
Louis Armstrong (am 1929-07-22) und Homer Hobson (am 1929-07-22)
Tuba:
Pete Briggs (am 1929-07-22)
vocals:
Louis Armstrong (am 1929-07-22)
conductor:
Carroll Dickerson (am 1929-07-22)
recording of:
Black and Blue (am 1929-07-22)
Texter:
Harry Brooks (jazz pianist & songwriter) und Andy Razaf
Komponist(in):
Fats Waller
publisher:
Memory Lane Music Ltd. und Redwood Music Ltd. (Carlin)
3:10
6That Rhythm Man
alto saxophone:
Bert Curry (am 1929-07-22) und Crawford Wethington (am 1929-07-22)
Banjo:
Mancy "Peck" Carr (am 1929-07-22)
Geige / Violine:
Carroll Dickerson (am 1929-07-22)
Klarinette:
Jimmy Strong (am 1929-07-22)
Klavier:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (am 1929-07-22)
Posaune:
Fred Robinson (American trombonist) (am 1929-07-22)
Schlagzeug:
Zutty Singleton (am 1929-07-22)
Trompete:
Louis Armstrong (am 1929-07-22) und Homer Hobson (am 1929-07-22)
Tuba:
Pete Briggs (am 1929-07-22)
vocals:
Louis Armstrong (am 1929-07-22)
Orchester:
Louis Armstrong and His Orchestra (in 1929)
conductor:
Carroll Dickerson (am 1929-07-22)
recording of:
That Rhythm Man (am 1929-07-22)
Verfasser(in):
Harry Brooks (jazz pianist & songwriter), Andy Razaf und Thomas Waller (Fats Waller)
3:11
7I Ain't Got Nobody
recorded in:
New York, New York, Vereinigte Staaten (am 1929-12-10)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1929-12-10) und Albert Nicholas (am 1929-12-10)
Gitarre:
Will Johnson (jazz musician) (am 1929-12-10)
Klavier:
Luis Russell (am 1929-12-10)
Kontrabass:
George "Pops" Foster (am 1929-12-10)
Posaune:
J.C. Higginbotham (am 1929-12-10)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1929-12-10)
Tenorsaxophon:
Teddy Hill (am 1929-12-10)
Trompete:
Henry “Red” Allen (jazz musician) (am 1929-12-10), Louis Armstrong (am 1929-12-10) und Otis Johnson (trumpet) (am 1929-12-10)
vocals:
Louis Armstrong (am 1929-12-10)
Orchester:
Louis Armstrong and His Orchestra (in 1929)
recording of:
I Ain’t Got Nobody (am 1929-12-10)
Texter:
Roger Graham
Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
2:46
8Dallas Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1929-12-10)
Gitarre:
Will Johnson (jazz musician) (am 1929-12-10)
Klarinette:
Teddy Hill (am 1929-12-10), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1929-12-10) und Albert Nicholas (am 1929-12-10)
Klavier:
Luis Russell (am 1929-12-10)
Kontrabass:
George "Pops" Foster (am 1929-12-10)
Posaune:
J.C. Higginbotham (am 1929-12-10)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1929-12-10)
Trompete:
Henry “Red” Allen (jazz musician) (am 1929-12-10), Louis Armstrong (am 1929-12-10) und Otis Johnson (trumpet) (am 1929-12-10)
vocals:
Louis Armstrong (am 1929-12-10)
recording of:
Dallas Blues (am 1929-12-10)
Texter und Komponist(in):
Lloyd Garrett und Hart Wand
3:17
9St. Louis Blues
recording of:
St. Louis Blues (am 1929-12-13)
Texter und Komponist(in):
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
3:03
10Rockin' Chair
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song) (am 1929-12-13)
Texter:
Hoagy Carmichael
Komponist(in):
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
3:24
11Bessie Couldn't Help It
recorded in:
New York, New York, Vereinigte Staaten (am 1930-02-01)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1930-02-01) und William Thornton Blue (American jazz reed player) (am 1930-02-01)
Gitarre:
Will Johnson (jazz musician) (am 1930-02-01)
Klavier:
Luis Russell (am 1930-02-01)
Kontrabass:
George "Pops" Foster (am 1930-02-01)
Posaune:
J.C. Higginbotham (am 1930-02-01)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1930-02-01)
Tenorsaxophon:
Teddy Hill (am 1930-02-01)
Trompete:
Henry “Red” Allen (jazz musician) (am 1930-02-01), Louis Armstrong (am 1930-02-01) und Otis Johnson (trumpet) (am 1930-02-01)
vocals:
Louis Armstrong (am 1930-02-01)
Orchester:
Louis Armstrong and His Orchestra (in 1930)
recording of:
Bessie Couldn’t Help It (am 1930-02-01)
Verfasser(in):
Charles A. Bayha, Jacques Richmond (songwriter) und Byron Warner (active in the 1960's)
3:24
12Dear Old Southland
Orchester:
Louis Armstrong and His Orchestra (am 1930-04-05)
recording of:
Dear Old Southland (jazz standard) (am 1930-04-05)
Texter:
Henry Creamer (Lyricist) (in 1921)
Komponist(in):
Turner Layton (in 1921)
publisher:
Mills Music
3:20
13My Sweet
recorded in:
New York, New York, Vereinigte Staaten (am 1930-04-05)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-04-05) und Ted McCord (am 1930-04-05)
Gitarre:
Bernard Addison (am 1930-04-05)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-04-05) und Buck Washington (am 1930-04-05)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-04-05)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-04-05)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-04-05)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-04-05) und Louis Armstrong (am 1930-04-05)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-04-05)
Vibraphon:
Unknown, probably Joe Turner ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1930-04-05)
vocals:
Louis Armstrong (am 1930-04-05)
recording of:
My Sweet (am 1930-04-05)
Texter:
Stuart Gorrell
Komponist(in):
Hoagy Carmichael
3:23
14I Can't Believe, That You're in Love With Me
recorded in:
New York, New York, Vereinigte Staaten (am 1930-04-05)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-04-05) und Ted McCord (am 1930-04-05)
Gitarre:
Bernard Addison (am 1930-04-05)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-04-05)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-04-05)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-04-05)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-04-05)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-04-05) und Louis Armstrong (am 1930-04-05)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-04-05)
vocals:
Louis Armstrong (am 1930-04-05)
recording of:
I Can’t Believe That You’re in Love With Me (am 1930-04-05)
Texter:
Clarence Gaskill
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
3:11
15Dinah
recorded in:
New York, New York, Vereinigte Staaten (am 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-05-04) und Ted McCord (am 1930-05-04)
Gitarre:
Bernard Addison (am 1930-05-04)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-05-04)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-05-04)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-05-04)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-05-04)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-05-04) und Louis Armstrong (am 1930-05-04)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-05-04)
vocals:
Louis Armstrong (am 1930-05-04)
recording of:
Dinah (am 1930-05-04)
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) und Morley Music Corp.
Teil von:
The Girl’s Suite
3:20
16I'm a Ding Dong Daddy
recording of:
I'm a Ding Dong Daddy (am 1930-07-21)
Verfasser(in):
Phil Baxter (US songwriter, singer and band leader)
3:09
17I'm in the Market for You
recording of:
I’m in the Market for You (am 1930-07-21)
Texter:
Joseph McCarthy (lyricist, 1885–1943)
Komponist(in):
James F. Hanley
3:15
18I'm Confessin' (That I Love You)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-08-19)
alto saxophone:
Leon Herriford (am 1930-08-19) und Willie Stark (am 1930-08-19)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-08-19)
Posaune:
Lawrence Brown (jazz trombonist) (am 1930-08-19)
Schlagzeug:
Lionel Hampton (am 1930-08-19)
Steel-Gitarre:
Ceele Burke (am 1930-08-19)
Tenorsaxophon:
William Franz (am 1930-08-19)
Trompete:
Louis Armstrong (am 1930-08-19) und Leon Elkins (am 1930-08-19)
Tuba:
Reggie Jones (am 1930-08-19)
recording of:
I’m Confessin’ (That I Love You) (am 1930-08-19)
Texter:
Al J. Neiburg (lyricist) (in 1930)
Komponist(in):
Doc Daugherty (in 1930) und Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
Version von:
Lookin’ for Another Sweetie
3:24
19If I Could Be With You One Hour Tonight
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-08-19)
alto saxophone:
Leon Herriford (am 1930-08-19) und Willie Stark (am 1930-08-19)
Banjo:
Ceele Burke (am 1930-08-19)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-08-19)
Posaune:
Lawrence Brown (jazz trombonist) (am 1930-08-19)
Schlagzeug:
Lionel Hampton (am 1930-08-19)
Tenorsaxophon:
William Franz (am 1930-08-19)
Trompete:
Louis Armstrong (am 1930-08-19) und Leon Elkins (am 1930-08-19)
Tuba:
Reggie Jones (am 1930-08-19)
recording of:
If I Could Be With You (One Hour Tonight) (am 1930-08-19)
Texter:
Henry Creamer (Lyricist) (in 1926)
Komponist(in):
James P. Johnson (in 1926)
3:38
20Body and Soul
recording of:
Body and Soul (am 1930-10-09)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:20
21Memories of You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-10-16)
alto saxophone:
Les Hite (am 1930-10-16) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-10-16)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-10-16)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-10-16)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-10-16) und Henry Prince (am 1930-10-16)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-10-16)
Posaune:
Luther Craven (am 1930-10-16)
Schlagzeug und Vibraphon:
Lionel Hampton (am 1930-10-16)
Trompete:
Louis Armstrong (am 1930-10-16), George Orendorff (am 1930-10-16) und Harold Scott (am 1930-10-16)
vocals:
Louis Armstrong (am 1930-10-16)
conductor:
Les Hite (am 1930-10-16)
recording of:
Memories of You (am 1930-10-16)
Texter:
Andy Razaf (in 1930)
Komponist(in):
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
3:12
22Your Lucky to Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-10-16)
alto saxophone:
Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-10-16)
baritone saxophone:
Les Hite (am 1930-10-16)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-10-16)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-10-16)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-10-16) und Henry Prince (am 1930-10-16)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-10-16)
Posaune:
Luther Craven (am 1930-10-16)
Schlagzeug:
Lionel Hampton (am 1930-10-16)
Trompete:
Louis Armstrong (am 1930-10-16), George Orendorff (am 1930-10-16) und Harold Scott (am 1930-10-16)
vocals:
Louis Armstrong (am 1930-10-16)
conductor:
Les Hite (am 1930-10-16)
recording of:
You’re Lucky to Me (am 1930-10-16)
Texter:
Andy Razaf
Komponist(in):
Eubie Blake
3:26
23Sweethearts on Parade
recording of:
Sweethearts on Parade (am 1930-12-23)
Texter:
Charles Newman (Charles Chas Newman, early 20th century songwriter) (in 1928)
Komponist(in):
Carmen Lombardo (in 1928)
3:15
4▶CD: Swing That Music

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