| # | Title | Rating | Length |
|---|
| 1 | Let's Have a Taste | | 4:18 |
| 2 | Moten Swing | | 5:21 |
| 3 | You're a Memory | | 2:53 |
| 4 | The Comeback | | 3:56 |
| 5 | Hallelujah I Love Her So- producer:
- Teddy Reig
- alto saxophone:
- Marshall Royal (on 1959-05-31) and Frank Wess (on 1959-05-31)
- baritone saxophone:
- Charlie Fowlkes (on 1959-05-31)
- bass and double bass:
- Eddie Jones (on 1959-05-31)
- drums (drum set):
- Sonny Payne (on 1959-05-31)
- guitar:
- Freddie Green (on 1959-05-31)
- piano:
- Count Basie (on 1959-05-31)
- tenor saxophone:
- Frank Foster (on 1959-05-31) and Billy Mitchell (on 1959-05-31)
- trombone:
- Henry Coker (on 1959-05-31), Al Grey (on 1959-05-31) and Benny Powell (on 1959-05-31)
- trumpet:
- Wendell Culley (on 1959-05-31), Harry “Sweets” Edison (on 1959-05-31), Thad Jones (on 1959-05-31), Joe Newman (on 1959-05-31) and Snooky Young (on 1959-05-31)
- recorded at:
- The Americana Hotel in Miami, Florida, United States (on 1959-05-31)
- live recording of:
- Hallelujah, I Love Her So (on 1959-05-31)
- lyricist and composer:
- Ray Charles
- publisher:
- Carlin Music Corporation, Hill and Range Songs, Inc. , Progressive Music , Unichappell Music and Unichappell Music, Inc.
| | 2:36 |
| 6 | One O'Clock Jump | | 3:48 |
| 7 | A Little Tempo, Please | | 3:06 |
| 8 | To You | | 3:58 |
| 9 | Blues Backstage | | 4:41 |
| 10 | Segue in C | | 8:18 |
| 11 | So Young, So Beautiful | | 3:30 |
| 12 | Gee Baby, Ain't I Good to You | | 2:24 |
| 13 | Don't Push, Don't Pull | | 2:50 |
| 14 | Basie | | 3:14 |
| 15 | One O'Clock Jump | | 1:18 |
| 16 | Corner Pocket | | 4:55 |
| 17 | I Needs to Be Bee'd With | | 4:25 |
| 18 | Pretty Eyes | | 2:12 |
| 19 | Smack Dab in the Middle | | 2:59 |
| 20 | Whirly-Bird | | 3:44 |
| 21 | One O'Clock Jump | | 0:59 |