The Jazz Album

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1At Last
produttore:
Leonard Chess, Phil Chess e Leonard and Phil Chess (legendary US production duo)
voce principale:
Etta James
orchestra:
Riley Hampton Orchestra
direttore d'orchestra:
Riley Hampton
arrangiatore:
Riley Hampton
diritti fonografici (℗) detenuti da:
Windswept Pacific Music Ltd.
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 115) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 356)
registrazione cover di:
At Last (nel 1960-10)
autore:
Mack Gordon e Harry Warren (US composer and lyricist)
editore:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Etta James4.53:01
2Summertime
registrazione cover di:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Louis Armstrong, Ella Fitzgerald4:59
3What a Difference a Day Made
basso :
Geoff Gascoyne
chitarra :
John Parricelli
membranofono :
Sebastiaan de Krom (Dutch jazz drummer)
percussione :
Francis Fuster
voce:
Jamie Cullum (pianist, jazz‐pop artist)
arrangiatore corno e archi :
Geoff Gascoyne
arrangiatore:
Jamie Cullum (pianist, jazz‐pop artist)
registrazione cover di:
What a Diff’rence a Day Made
paroliere:
Stanley Adams (US lyricist & songwriter)
compositore:
María Grever
editore:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC e Zomba Golden Sands Enterprises, Inc.
si basa su:
Cuando vuelva a tu lado
Jamie Cullum45:08
4Mr Bojangles
registrazione cover di:
Mr. Bojangles
paroliere e compositore:
Jerry Jeff Walker
editore:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell Music Australia Pty. Ltd.
Robbie Williams3:17
5Don’t Worry Be Happy
diritti fonografici (℗) detenuti da:
EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1988)
video musicali:
Don't Worry Be Happy di Bobby McFerrin
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 31)
registrazione di:
Don’t Worry, Be Happy
paroliere e compositore:
Bobby McFerrin
autore:
Steve Sidwell (English composer & wind instrumentalist)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Probnoblem Music
Bobby McFerrin3:54
6Slow
registrazione di:
Slow
paroliere e compositore:
Sarah Joyce
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Rumer3:34
7Come Away With Me
assistente tecnico:
Dick Kondas
tecnico:
Jay Newland (producer, engineer and mixer)
produttore:
Arif Mardin
tecnico di missaggio:
Arif Mardin e Jay Newland (producer, engineer and mixer)
batteria :
Dan Rieser
chitarra acustica :
Jesse Harris
chitarra basso :
Lee Alexander (US bassist, songwriter & producer)
chitarra elettrica :
Adam Levy (jazz guitarist)
pianoforte e voce principale:
Norah Jones
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2002)
registrata presso:
Allaire Studios in Bearsville, New York, Stati Uniti e Sorcerer Sound in New York, New York, Stati Uniti
mixata presso:
Sear Sound in New York, New York, Stati Uniti
registrazione di:
Come Away With Me
paroliere e compositore:
Norah Jones
Norah Jones3.753:17
8Dance Me to the End of Love
assistente tecnico:
Ricky Chao e Nicholas Fournier
tecnico e tecnico di missaggio:
Helik Hadar
produttore:
Larry Klein
basso :
David Piltch
chitarra acustica :
Madeleine Peyroux (US jazz singer & songwriter)
percussione [drums, percussion] :
Jay Bellerose (american drummer and percussionist)
tastiera [piano, wurlitzer piano, organ, celesta] :
Larry Goldings
voce:
Madeleine Peyroux (US jazz singer & songwriter)
diritti fonografici (℗) detenuti da:
Rounder Records Corp. (not for release label use!) e Rounder Records (a division of Concord Music Group, Inc., not for release label use!) (nel 2004)
registrazione cover di:
Dance Me to the End of Love
paroliere e compositore:
Leonard Cohen (Canadian singer‐songwriter and poet)
editore:
Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Madeleine Peyroux4.353:56
9Baby I’m a Fool
arpa :
Amy Shulma (Musican - Harp Player)
basso :
Ken Pendergast (bass player, vocalist)
batteria :
Charlie Patterno (Musician - Drummer)
contrabbasso :
Nico Abandolo (Musician - Bass Player) e Drew Dembowski
viola :
Alma Fernandez, Samuel Formicola (violist), Roland Kato e Dave Walther (Musician - Viola Player)
violino :
Darius Campo, Roberto Cani (violinist), Kevin Connolly (violinist), Joel Derouin, Miran H. Kojian, Natalie Leggett, Liane Mautner, Robin Olson, Katia Popov e Audrey Solomon
violoncello :
Larry Corbett, Christina Soule (cello) e Cécilia Tsan (cellist)
voce:
Melody Gardot
registrazione di:
Baby I'm a Fool
paroliere e compositore:
Melody Gardot
editore:
WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Melody Gardot3.653:30
10Unforgettable
registrazione di:
Unforgettable
paroliere e compositore:
Irving Gordon (US songwriter)
editore:
Bourne Co. (not for release label use, this is a music publisher) e Bourne Music Ltd.
Nat King Cole3:12
11My Funny Valentine
registrazione di:
My Funny Valentine (from “Babes in Arms”)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
parte di:
Waiting to Exhale (1995 film)
Chet Baker, Russ Freeman2:18
12Black Coffee
voce principale:
Sarah Vaughan (il 1949-01-20)
orchestra:
Joe Lipman & His Orchestra (il 1949-01-20)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
registrazione di:
Black Coffee (1948 song) (il 1949-01-20)
paroliere:
Paul Francis Webster (nel 1948)
compositore:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (nel 1948)
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. e Webster Music Co.
Sarah Vaughan4.53:18
13Ev’ry Time We Say Goodbye
registrazione cover di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald3:33
14My Baby Just Cares for Me
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
edit di:
My Baby Just Cares for Me (special extended version) di Nina Simone
registrazione cover di:
My Baby Just Cares for Me (nel 1957-12)
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
Nina Simone3.93:37
15Sunny
registrazione di:
Sunny
paroliere e compositore:
Bobby Hebb
editore:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Bobby Hebb2:45
16Music to Watch Girls By
registrazione di:
Music to Watch Girls By
autore:
Sid Ramin e Tony Velona
editore:
Sidray Enterprises Ltd. e Sony Music Publishing (worldwide except Japan, ended 1995)
Andy Williams2:36
17This Will Be (an Everlasting Love)
registrazione di:
This Will Be (an Everlasting Love)
autore:
Chuck Jackson (songwriter/producer) e Marvin Yancy (R&B/soul singer and pastor)
editore:
Chappell & Co., Inc. (USA) e Jay’s Enterprises Inc.
Natalie Cole2:49
18Pencil Full of Lead
tecnico:
Dani Castelar e Dom Monks
produttore:
Paolo Nutini
produttore aggiunto:
Ethan Johns
batteria :
Seamus Simon
chitarra acustica :
Donny Little (guitar player)
chitarra resofonica [Dobro] e ukulele :
Ethan Johns
contrabbasso :
Simon Farrell
sassofono e tromba :
Gavin Fitzjohn
voce di accompagnamento:
Andy Caine, Lance Ellington (Strictly Come Dancing), Derek Green, Paolo Nutini, Malcolm Stevenson e Ricci P. Washington
voce principale:
Paolo Nutini
arrangiatore voci:
Beverley Skeete
video musicali:
Pencil Full of Lead di Paolo Nutini
registrazione di:
Pencil Full of Lead
paroliere e compositore:
Paolo Nutini
Paolo Nutini2:26
19Mack the Knife
Bobby Darin3:04
20Comin’ Home Baby
Mel Tormé2:43
21Take Five
The Dave Brubeck Quartet5:24
22’Round Midnight
batteria :
Philly Joe Jones (US jazz drummer) (il 1956-10-26)
contrabbasso :
Paul Chambers (US jazz bassist) (il 1956-10-26)
pianoforte :
Red Garland (il 1956-10-26)
sassofono tenore :
John Coltrane (il 1956-10-26)
tromba :
Miles Davis (jazz trumpeter, bandleader, songwriter) (il 1956-10-26)
registrazione strumentale cover di:
’Round Midnight (il 1956-10-26)
paroliere:
Bernie Hanighen
compositore:
Thelonious Monk e Cootie Williams
editore:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
si basa su:
I Need You So
Miles Davis & The Modern Jazz Giants, Kenny Clarke45:23