Something Cool

~ Veröffentlichung von June Christy (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

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1Something Cool
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1953-08-14)
baritone saxophone:
Chuck Gentry (am 1953-08-14)
Bassposaune:
George Roberts (american bass trombone) (am 1953-08-14)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1953-08-14)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1953-08-14)
Posaune:
Milt Bernhart (am 1953-08-14), Herbie Harper (am 1953-08-14) und Tommy Pederson (am 1953-08-14)
Trompete:
Maynard Ferguson (am 1953-08-14), Conrad Gozzo (am 1953-08-14) und Shorty Rogers (trumpet) (am 1953-08-14)
vocals:
June Christy (am 1953-08-14)
conductor:
Pete Rugolo (am 1953-08-14)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-08-14)
recording of:
Something Cool (am 1953-08-14)
Texter und Komponist(in):
Billy Barnes (composer and lyricist)
44:19
2It Could Happen to You
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-01-18, am 1960-04-27)
baritone saxophone:
Johnny Rotella (woodwind) (am 1954-01-18)
Bass:
Joe Mondragon (am 1954-01-18, am 1960-04-27)
Bassposaune:
George Roberts (american bass trombone) (am 1960-04-27)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-01-18)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-01-18) und Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1960-04-27)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-01-18, am 1960-04-27), Harry Klee (am 1954-01-18) und Paul Horn (am 1960-04-27)
Klavier:
Russ Freeman (pianist) (am 1954-01-18) und Joe Castro (am 1960-04-27)
Posaune:
Milt Bernhart (am 1954-01-18, am 1960-04-27), Harry Betts (am 1954-01-18), Tommy Pederson (am 1954-01-18) und Frank Rosolino (am 1960-04-27)
Rohrblattinstrumente:
Buddy Collette (am 1960-04-27) und Chuck Gentry (am 1960-04-27)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1954-01-18) und Larry Bunker (am 1960-04-27)
Trompete:
Maynard Ferguson (am 1954-01-18), Conrad Gozzo (am 1954-01-18, am 1960-04-27), Shorty Rogers (trumpet) (am 1954-01-18), Frank Beach (trombone, trumpet) (am 1960-04-27) und Conte Candoli (am 1960-04-27)
Tuba:
Paul Sarmento (jazz tubist) (am 1954-01-18) und Phil Stephens (bass and tuba player) (am 1960-04-27)
Waldhorn:
John Graas (am 1954-01-18) und Vincent DeRosa (am 1960-04-27)
vocals:
June Christy (am 1954-01-18, am 1960-04-27)
conductor:
Pete Rugolo (am 1954-01-18, am 1960-04-27)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-18) und Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-04-27)
recording of:
It Could Happen to You (am 1954-01-18)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony und Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
41:58
3Lonely House
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-01-18)
baritone saxophone:
Johnny Rotella (woodwind) (am 1954-01-18)
Bass:
Joe Mondragon (am 1954-01-18)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-01-18)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-01-18)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-01-18) und Harry Klee (am 1954-01-18)
Klavier:
Russ Freeman (pianist) (am 1954-01-18)
Posaune:
Milt Bernhart (am 1954-01-18), Harry Betts (am 1954-01-18) und Tommy Pederson (am 1954-01-18)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1954-01-18)
Trompete:
Maynard Ferguson (am 1954-01-18), Conrad Gozzo (am 1954-01-18) und Shorty Rogers (trumpet) (am 1954-01-18)
Tuba:
Paul Sarmento (jazz tubist) (am 1954-01-18)
Waldhorn:
John Graas (am 1954-01-18)
vocals:
June Christy (am 1954-01-18)
conductor:
Pete Rugolo (am 1954-01-18)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-18)
recording of:
Lonely House (from “Street Scene”) (am 1954-01-18)
Texter:
Langston Hughes
Komponist(in):
Kurt Weill (composer)
basiert auf:
Street Scene: Act I. No. 10 "Lonely House" (Sam Kaplan)
43:59
4This Time the Dream's on Me
Produzent(in):
Lee Gillette
Altflöte:
Harry Klee (am 1955-05-10) und Bud Shank (am 1955-05-10)
alto saxophone:
Bud Shank (am 1955-05-10)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (am 1955-05-10)
Bass:
Harry Babasin (am 1955-05-10)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1955-05-10)
Holzblasinstrumente:
Harry Klee (am 1955-05-10)
Klavier:
Claude Williamson (am 1955-05-10)
Posaune:
Milt Bernhart (am 1955-05-10), Harry Betts (am 1955-05-10) und Frank Rosolino (am 1955-05-10)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1955-05-10)
Tenorsaxophon:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1955-05-10)
Trompete:
Maynard Ferguson (am 1955-05-10), Conrad Gozzo (am 1955-05-10) und Shorty Rogers (trumpet) (am 1955-05-10)
Tuba:
Paul Sarmento (jazz tubist) (am 1955-05-10)
Waldhorn:
Vincent DeRosa (am 1955-05-10)
vocals:
June Christy (am 1955-05-10)
conductor:
Pete Rugolo (am 1955-05-10)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-05-10)
41:33
5The Night We Called It a Day
Produzent(in):
Lee Gillette
Altflöte:
Harry Klee (am 1955-05-10) und Bud Shank (am 1955-05-10)
alto saxophone:
Bud Shank (am 1955-05-10)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (am 1955-05-10)
Bass:
Harry Babasin (am 1955-05-10)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1955-05-10)
Holzblasinstrumente:
Harry Klee (am 1955-05-10)
Klavier:
Claude Williamson (am 1955-05-10)
Posaune:
Milt Bernhart (am 1955-05-10), Harry Betts (am 1955-05-10) und Frank Rosolino (am 1955-05-10)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1955-05-10)
Tenorsaxophon:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1955-05-10)
Trompete:
Maynard Ferguson (am 1955-05-10), Conrad Gozzo (am 1955-05-10) und Shorty Rogers (trumpet) (am 1955-05-10)
Tuba:
Paul Sarmento (jazz tubist) (am 1955-05-10)
Waldhorn:
Vincent DeRosa (am 1955-05-10)
vocals:
June Christy (am 1955-05-10)
conductor:
Pete Rugolo (am 1955-05-10)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-05-10)
34:50
6Midnight Sun
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1953-12-27)
baritone saxophone:
Chuck Gentry (am 1953-12-27)
Bass:
Joe Mondragon (am 1953-12-27)
Posaune:
Tommy Pederson (am 1953-12-27)
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1953-12-27)
Trompete:
Frank Beach (trombone, trumpet) (am 1953-12-27) und Conrad Gozzo (am 1953-12-27)
vocals:
June Christy (am 1953-12-27)
conductor:
Pete Rugolo (am 1953-12-27)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-27)
recording of:
Midnight Sun (am 1953-12-27)
Texter:
Johnny Mercer (in 1954)
Komponist(in):
Johnny Mercer, Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1947) und Lionel Hampton (in 1947)
33:16
7I'll Take Romance
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-01-19)
baritone saxophone:
Chuck Gentry (am 1954-01-19)
Bass:
Joe Mondragon (am 1954-01-19)
Bassposaune:
George Roberts (american bass trombone) (am 1954-01-19)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-01-19)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1954-01-19) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-01-19)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-01-19), Paul Horn (am 1954-01-19) und Harry Klee (am 1954-01-19)
Klavier:
Joe Castro (am 1954-01-19) und Russ Freeman (pianist) (am 1954-01-19)
Posaune:
Milt Bernhart (am 1954-01-19), Harry Betts (am 1954-01-19), Frank Rosolino (am 1954-01-19) und Tommy Pederson (am 1954-01-19)
Rohrblattinstrumente:
Buddy Collette (am 1954-01-19) und Chuck Gentry (am 1954-01-19)
Schlagzeug:
Larry Bunker (am 1954-01-19) und Shelly Manne (US jazz drummer) (am 1954-01-19)
Trompete:
Frank Beach (trombone, trumpet) (am 1954-01-19), Conte Candoli (am 1954-01-19), Maynard Ferguson (am 1954-01-19), Conrad Gozzo (am 1954-01-19) und Shorty Rogers (trumpet) (am 1954-01-19)
Tuba:
Paul Sarmento (jazz tubist) (am 1954-01-19) und Phil Stephens (bass and tuba player) (am 1954-01-19)
Waldhorn:
Vincent DeRosa (am 1954-01-19) und John Graas (am 1954-01-19)
vocals:
June Christy (am 1954-01-19)
conductor:
Pete Rugolo (am 1954-01-19)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-19) und Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-19)
recording of:
I’ll Take Romance (am 1954-01-19)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Ben Oakland
22:21
8A Stranger Called the Blues
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-01-19)
baritone saxophone:
Chuck Gentry (am 1954-01-19)
Bass:
Joe Mondragon (am 1954-01-19)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-01-19)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-01-19)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-01-19) und Harry Klee (am 1954-01-19)
Klavier:
Russ Freeman (pianist) (am 1954-01-19)
Posaune:
Milt Bernhart (am 1954-01-19), Harry Betts (am 1954-01-19) und Tommy Pederson (am 1954-01-19)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1954-01-19)
Trompete:
Maynard Ferguson (am 1954-01-19), Conrad Gozzo (am 1954-01-19) und Shorty Rogers (trumpet) (am 1954-01-19)
Tuba:
Paul Sarmento (jazz tubist) (am 1954-01-19)
Waldhorn:
John Graas (am 1954-01-19)
vocals:
June Christy (am 1954-01-19)
conductor:
Pete Rugolo (am 1954-01-19)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-19)
recording of:
A Stranger Called the Blues (am 1954-01-19)
Verfasser(in):
Mel Tormé (“The Velvet Fog”) und Robert Wells (songwriter)
43:59
9I Should Care
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-01-18)
baritone saxophone:
Johnny Rotella (woodwind) (am 1954-01-18)
Bass:
Joe Mondragon (am 1954-01-18)
Bassposaune:
George Roberts (american bass trombone) (am 1954-01-18)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-01-18)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1954-01-18) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-01-18)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-01-18), Paul Horn (am 1954-01-18) und Harry Klee (am 1954-01-18)
Klavier:
Joe Castro (am 1954-01-18) und Russ Freeman (pianist) (am 1954-01-18)
Posaune:
Milt Bernhart (am 1954-01-18), Harry Betts (am 1954-01-18), Frank Rosolino (am 1954-01-18) und Tommy Pederson (am 1954-01-18)
Rohrblattinstrumente:
Chuck Gentry (am 1954-01-18)
Schlagzeug:
Larry Bunker (am 1954-01-18) und Shelly Manne (US jazz drummer) (am 1954-01-18)
Trompete:
Frank Beach (trombone, trumpet) (am 1954-01-18), Conte Candoli (am 1954-01-18), Maynard Ferguson (am 1954-01-18), Conrad Gozzo (am 1954-01-18) und Shorty Rogers (trumpet) (am 1954-01-18)
Tuba:
Paul Sarmento (jazz tubist) (am 1954-01-18) und Phil Stephens (bass and tuba player) (am 1954-01-18)
Waldhorn:
Vincent DeRosa (am 1954-01-18) und John Graas (am 1954-01-18)
vocals:
June Christy (am 1954-01-18)
conductor:
Pete Rugolo (am 1954-01-18)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-18) und Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-18)
recording of:
I Should Care (am 1954-01-18)
Verfasser(in):
Sammy Cahn, Axel Stordahl und Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited und Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
42:12
10Softly as in a Morning Sunrise
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-12-29)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (am 1954-12-29)
Bass:
Joe Mondragon (am 1954-12-29)
Bassposaune:
George Roberts (american bass trombone) (am 1954-12-29)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1954-12-29) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-12-29)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-12-29), Paul Horn (am 1954-12-29) und Harry Klee (am 1954-12-29)
Klavier:
Joe Castro (am 1954-12-29)
Posaune:
Milt Bernhart (am 1954-12-29), Herbie Harper (am 1954-12-29) und Frank Rosolino (am 1954-12-29)
Rohrblattinstrumente:
Chuck Gentry (am 1954-12-29)
Schlagzeug:
Larry Bunker (am 1954-12-29) und Shelly Manne (US jazz drummer) (am 1954-12-29)
Tenorsaxophon:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1954-12-29)
Trompete:
Frank Beach (trombone, trumpet) (am 1954-12-29), Conte Candoli (am 1954-12-29), Conrad Gozzo (am 1954-12-29), Ollie Mitchell (am 1954-12-29) und Shorty Rogers (trumpet) (am 1954-12-29)
vocals:
June Christy (am 1954-12-29)
conductor:
Pete Rugolo (am 1954-12-29)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-12-29) und Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-12-29)
recording of:
Softly, as in a Morning Sunrise (The New Moon)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) und Warner Bros., Inc. (not for release label use!)
Teil von:
The New Moon: Act I
42:14
11I'm Thrilled
Produzent(in):
Lee Gillette
Altflöte:
Harry Klee (am 1955-05-10) und Bud Shank (am 1955-05-10)
alto saxophone:
Bud Shank (am 1955-05-10)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (am 1955-05-10)
Bass:
Harry Babasin (am 1955-05-10)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1955-05-10)
Holzblasinstrumente:
Harry Klee (am 1955-05-10)
Klavier:
Claude Williamson (am 1955-05-10)
Posaune:
Milt Bernhart (am 1955-05-10), Harry Betts (am 1955-05-10) und Frank Rosolino (am 1955-05-10)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1955-05-10)
Tenorsaxophon:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1955-05-10)
Trompete:
Maynard Ferguson (am 1955-05-10), Conrad Gozzo (am 1955-05-10) und Shorty Rogers (trumpet) (am 1955-05-10)
Tuba:
Paul Sarmento (jazz tubist) (am 1955-05-10)
Waldhorn:
Vincent DeRosa (am 1955-05-10)
vocals:
June Christy (am 1955-05-10)
conductor:
Pete Rugolo (am 1955-05-10)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-05-10)
recording of:
I’m Thrilled (am 1955-05-10)
Verfasser(in):
Sylvia Dee (American lyricist) und Sidney Lippman (American songwriter)
42:43
12Something Cool
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1960-04-26)
Bass:
Joe Mondragon (am 1960-04-26)
Bassposaune:
George Roberts (american bass trombone) (am 1960-04-26)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1960-04-26)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1960-04-26), Paul Horn (am 1960-04-26) und Harry Klee (am 1960-04-26)
Klavier:
Joe Castro (am 1960-04-26)
Posaune:
Milt Bernhart (am 1960-04-26), Harry Betts (am 1960-04-26) und Frank Rosolino (am 1960-04-26)
Rohrblattinstrumente:
Chuck Gentry (am 1960-04-26)
Schlagzeug:
Larry Bunker (am 1960-04-26)
Trompete:
Frank Beach (trombone, trumpet) (am 1960-04-26), Conte Candoli (am 1960-04-26), Conrad Gozzo (am 1960-04-26) und Ollie Mitchell (am 1960-04-26)
vocals:
June Christy (am 1960-04-26)
conductor:
Pete Rugolo (am 1960-04-26)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-04-26)
recording of:
Something Cool (am 1960-04-26)
Texter und Komponist(in):
Billy Barnes (composer and lyricist)
4:59
13It Could Happen to You
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-01-18, am 1960-04-27)
baritone saxophone:
Johnny Rotella (woodwind) (am 1954-01-18)
Bass:
Joe Mondragon (am 1954-01-18, am 1960-04-27)
Bassposaune:
George Roberts (american bass trombone) (am 1960-04-27)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-01-18)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-01-18) und Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1960-04-27)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-01-18, am 1960-04-27), Harry Klee (am 1954-01-18) und Paul Horn (am 1960-04-27)
Klavier:
Russ Freeman (pianist) (am 1954-01-18) und Joe Castro (am 1960-04-27)
Posaune:
Milt Bernhart (am 1954-01-18, am 1960-04-27), Harry Betts (am 1954-01-18), Tommy Pederson (am 1954-01-18) und Frank Rosolino (am 1960-04-27)
Rohrblattinstrumente:
Buddy Collette (am 1960-04-27) und Chuck Gentry (am 1960-04-27)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1954-01-18) und Larry Bunker (am 1960-04-27)
Trompete:
Maynard Ferguson (am 1954-01-18), Conrad Gozzo (am 1954-01-18, am 1960-04-27), Shorty Rogers (trumpet) (am 1954-01-18), Frank Beach (trombone, trumpet) (am 1960-04-27) und Conte Candoli (am 1960-04-27)
Tuba:
Paul Sarmento (jazz tubist) (am 1954-01-18) und Phil Stephens (bass and tuba player) (am 1960-04-27)
Waldhorn:
John Graas (am 1954-01-18) und Vincent DeRosa (am 1960-04-27)
vocals:
June Christy (am 1954-01-18, am 1960-04-27)
conductor:
Pete Rugolo (am 1954-01-18, am 1960-04-27)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-18) und Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-04-27)
recording of:
It Could Happen to You (am 1954-01-18)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony und Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
42:03
14Lonely House
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1960-04-28)
Bass:
Joe Mondragon (am 1960-04-28)
Bassposaune:
George Roberts (american bass trombone) (am 1960-04-28)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1960-04-28)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1960-04-28), Paul Horn (am 1960-04-28) und Harry Klee (am 1960-04-28)
Klavier:
Joe Castro (am 1960-04-28)
Posaune:
Milt Bernhart (am 1960-04-28) und Frank Rosolino (am 1960-04-28)
Rohrblattinstrumente:
Chuck Gentry (am 1960-04-28)
Schlagzeug:
Larry Bunker (am 1960-04-28)
Trompete:
Frank Beach (trombone, trumpet) (am 1960-04-28), Conte Candoli (am 1960-04-28) und Conrad Gozzo (am 1960-04-28)
Tuba:
Phil Stephens (bass and tuba player) (am 1960-04-28)
Waldhorn:
Vincent DeRosa (am 1960-04-28)
vocals:
June Christy (am 1960-04-28)
conductor:
Pete Rugolo (am 1960-04-28)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-04-28)
4:05
15This Time the Dream's on Me
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1960-04-28)
Bass:
Joe Mondragon (am 1960-04-28)
Bassposaune:
George Roberts (american bass trombone) (am 1960-04-28)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1960-04-28)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1960-04-28), Paul Horn (am 1960-04-28) und Harry Klee (am 1960-04-28)
Klavier:
Joe Castro (am 1960-04-28)
Posaune:
Milt Bernhart (am 1960-04-28) und Frank Rosolino (am 1960-04-28)
Rohrblattinstrumente:
Chuck Gentry (am 1960-04-28)
Schlagzeug:
Larry Bunker (am 1960-04-28)
Trompete:
Frank Beach (trombone, trumpet) (am 1960-04-28), Conte Candoli (am 1960-04-28) und Conrad Gozzo (am 1960-04-28)
Tuba:
Phil Stephens (bass and tuba player) (am 1960-04-28)
Waldhorn:
Vincent DeRosa (am 1960-04-28)
vocals:
June Christy (am 1960-04-28)
conductor:
Pete Rugolo (am 1960-04-28)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-04-28)
1:39
16The Night We Called It a Day
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1960-04-28)
Bass:
Joe Mondragon (am 1960-04-28)
Bassposaune:
George Roberts (american bass trombone) (am 1960-04-28)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1960-04-28)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1960-04-28), Paul Horn (am 1960-04-28) und Harry Klee (am 1960-04-28)
Klavier:
Joe Castro (am 1960-04-28)
Posaune:
Milt Bernhart (am 1960-04-28) und Frank Rosolino (am 1960-04-28)
Rohrblattinstrumente:
Chuck Gentry (am 1960-04-28)
Schlagzeug:
Larry Bunker (am 1960-04-28)
Trompete:
Frank Beach (trombone, trumpet) (am 1960-04-28), Conte Candoli (am 1960-04-28) und Conrad Gozzo (am 1960-04-28)
Tuba:
Phil Stephens (bass and tuba player) (am 1960-04-28)
Waldhorn:
Vincent DeRosa (am 1960-04-28)
vocals:
June Christy (am 1960-04-28)
conductor:
Pete Rugolo (am 1960-04-28)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-04-28)
4:56
17Midnight Sun
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1960-04-26)
Bass:
Joe Mondragon (am 1960-04-26)
Bassposaune:
George Roberts (american bass trombone) (am 1960-04-26)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1960-04-26)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1960-04-26), Paul Horn (am 1960-04-26) und Harry Klee (am 1960-04-26)
Klavier:
Joe Castro (am 1960-04-26)
Posaune:
Milt Bernhart (am 1960-04-26), Harry Betts (am 1960-04-26) und Frank Rosolino (am 1960-04-26)
Rohrblattinstrumente:
Chuck Gentry (am 1960-04-26)
Schlagzeug:
Larry Bunker (am 1960-04-26)
Trompete:
Frank Beach (trombone, trumpet) (am 1960-04-26), Conte Candoli (am 1960-04-26), Conrad Gozzo (am 1960-04-26) und Ollie Mitchell (am 1960-04-26)
vocals:
June Christy (am 1960-04-26)
conductor:
Pete Rugolo (am 1960-04-26)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-04-26)
3:34
18I'll Take Romance
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-01-19)
baritone saxophone:
Chuck Gentry (am 1954-01-19)
Bass:
Joe Mondragon (am 1954-01-19)
Bassposaune:
George Roberts (american bass trombone) (am 1954-01-19)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-01-19)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1954-01-19) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-01-19)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-01-19), Paul Horn (am 1954-01-19) und Harry Klee (am 1954-01-19)
Klavier:
Joe Castro (am 1954-01-19) und Russ Freeman (pianist) (am 1954-01-19)
Posaune:
Milt Bernhart (am 1954-01-19), Harry Betts (am 1954-01-19), Frank Rosolino (am 1954-01-19) und Tommy Pederson (am 1954-01-19)
Rohrblattinstrumente:
Buddy Collette (am 1954-01-19) und Chuck Gentry (am 1954-01-19)
Schlagzeug:
Larry Bunker (am 1954-01-19) und Shelly Manne (US jazz drummer) (am 1954-01-19)
Trompete:
Frank Beach (trombone, trumpet) (am 1954-01-19), Conte Candoli (am 1954-01-19), Maynard Ferguson (am 1954-01-19), Conrad Gozzo (am 1954-01-19) und Shorty Rogers (trumpet) (am 1954-01-19)
Tuba:
Paul Sarmento (jazz tubist) (am 1954-01-19) und Phil Stephens (bass and tuba player) (am 1954-01-19)
Waldhorn:
Vincent DeRosa (am 1954-01-19) und John Graas (am 1954-01-19)
vocals:
June Christy (am 1954-01-19)
conductor:
Pete Rugolo (am 1954-01-19)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-19) und Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-19)
recording of:
I’ll Take Romance (am 1954-01-19)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Ben Oakland
22:22
19A Stranger Called the Blues
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1960-04-27)
Bass:
Joe Mondragon (am 1960-04-27)
Bassposaune:
George Roberts (american bass trombone) (am 1960-04-27)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1960-04-27)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1960-04-27) und Paul Horn (am 1960-04-27)
Klavier:
Joe Castro (am 1960-04-27)
Posaune:
Milt Bernhart (am 1960-04-27) und Frank Rosolino (am 1960-04-27)
Rohrblattinstrumente:
Buddy Collette (am 1960-04-27) und Chuck Gentry (am 1960-04-27)
Schlagzeug:
Larry Bunker (am 1960-04-27)
Trompete:
Frank Beach (trombone, trumpet) (am 1960-04-27), Conte Candoli (am 1960-04-27) und Conrad Gozzo (am 1960-04-27)
Tuba:
Phil Stephens (bass and tuba player) (am 1960-04-27)
Waldhorn:
Vincent DeRosa (am 1960-04-27)
vocals:
June Christy (am 1960-04-27)
conductor:
Pete Rugolo (am 1960-04-27)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-04-27)
4:22
20I Should Care
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-01-18)
baritone saxophone:
Johnny Rotella (woodwind) (am 1954-01-18)
Bass:
Joe Mondragon (am 1954-01-18)
Bassposaune:
George Roberts (american bass trombone) (am 1954-01-18)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-01-18)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1954-01-18) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-01-18)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-01-18), Paul Horn (am 1954-01-18) und Harry Klee (am 1954-01-18)
Klavier:
Joe Castro (am 1954-01-18) und Russ Freeman (pianist) (am 1954-01-18)
Posaune:
Milt Bernhart (am 1954-01-18), Harry Betts (am 1954-01-18), Frank Rosolino (am 1954-01-18) und Tommy Pederson (am 1954-01-18)
Rohrblattinstrumente:
Chuck Gentry (am 1954-01-18)
Schlagzeug:
Larry Bunker (am 1954-01-18) und Shelly Manne (US jazz drummer) (am 1954-01-18)
Trompete:
Frank Beach (trombone, trumpet) (am 1954-01-18), Conte Candoli (am 1954-01-18), Maynard Ferguson (am 1954-01-18), Conrad Gozzo (am 1954-01-18) und Shorty Rogers (trumpet) (am 1954-01-18)
Tuba:
Paul Sarmento (jazz tubist) (am 1954-01-18) und Phil Stephens (bass and tuba player) (am 1954-01-18)
Waldhorn:
Vincent DeRosa (am 1954-01-18) und John Graas (am 1954-01-18)
vocals:
June Christy (am 1954-01-18)
conductor:
Pete Rugolo (am 1954-01-18)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-18) und Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-18)
recording of:
I Should Care (am 1954-01-18)
Verfasser(in):
Sammy Cahn, Axel Stordahl und Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited und Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
42:14
21Softly as in a Morning Sunrise
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-12-29)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (am 1954-12-29)
Bass:
Joe Mondragon (am 1954-12-29)
Bassposaune:
George Roberts (american bass trombone) (am 1954-12-29)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1954-12-29) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-12-29)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-12-29), Paul Horn (am 1954-12-29) und Harry Klee (am 1954-12-29)
Klavier:
Joe Castro (am 1954-12-29)
Posaune:
Milt Bernhart (am 1954-12-29), Herbie Harper (am 1954-12-29) und Frank Rosolino (am 1954-12-29)
Rohrblattinstrumente:
Chuck Gentry (am 1954-12-29)
Schlagzeug:
Larry Bunker (am 1954-12-29) und Shelly Manne (US jazz drummer) (am 1954-12-29)
Tenorsaxophon:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1954-12-29)
Trompete:
Frank Beach (trombone, trumpet) (am 1954-12-29), Conte Candoli (am 1954-12-29), Conrad Gozzo (am 1954-12-29), Ollie Mitchell (am 1954-12-29) und Shorty Rogers (trumpet) (am 1954-12-29)
vocals:
June Christy (am 1954-12-29)
conductor:
Pete Rugolo (am 1954-12-29)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-12-29) und Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-12-29)
recording of:
Softly, as in a Morning Sunrise (The New Moon)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) und Warner Bros., Inc. (not for release label use!)
Teil von:
The New Moon: Act I
42:16
22I'm Thrilled
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1960-04-27)
Bass:
Joe Mondragon (am 1960-04-27)
Bassposaune:
George Roberts (american bass trombone) (am 1960-04-27)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1960-04-27)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1960-04-27) und Paul Horn (am 1960-04-27)
Klavier:
Joe Castro (am 1960-04-27)
Posaune:
Milt Bernhart (am 1960-04-27) und Frank Rosolino (am 1960-04-27)
Rohrblattinstrumente:
Buddy Collette (am 1960-04-27) und Chuck Gentry (am 1960-04-27)
Schlagzeug:
Larry Bunker (am 1960-04-27)
Trompete:
Frank Beach (trombone, trumpet) (am 1960-04-27), Conte Candoli (am 1960-04-27) und Conrad Gozzo (am 1960-04-27)
Tuba:
Phil Stephens (bass and tuba player) (am 1960-04-27)
Waldhorn:
Vincent DeRosa (am 1960-04-27)
vocals:
June Christy (am 1960-04-27)
conductor:
Pete Rugolo (am 1960-04-27)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-04-27)
recording of:
I’m Thrilled (am 1960-04-27)
Verfasser(in):
Sylvia Dee (American lyricist) und Sidney Lippman (American songwriter)
2:48