| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Girls Just Want to Have Fun | [unknown] | | 3:15 |
| 2 | She’s So Lovely | Scouting for Girls | | 3:43 |
| 3 | No One | Alicia Keys | 3.55 | 4:13 |
| 4 | 9 to 5 | Dolly Parton | 3.55 | 2:44 |
| 5 | Brown Eyed Girl- recording engineer:
- Brooks Arthur (am 1967-03-28)
- Produzent(in):
- Bert Russell Berns
- Bassgitarre:
- Eric Gale (am 1967-03-28)
- Gitarre:
- Al Gorgoni (am 1967-03-28), Hugh McCracken (am 1967-03-28) und Van Morrison (am 1967-03-28)
- Orgel:
- Garry Sherman (am 1967-03-28)
- Schlagzeug:
- Gary Chester (am 1967-03-28)
- Hintergrundgesang:
- The Sweet Inspirations (am 1967-03-28)
- Sologesang:
- Van Morrison (am 1967-03-28)
- Interpret(in):
- Van Morrison (am 1967-03-28)
- phonographisches Urheberrecht (℗) von:
- Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (in 1967), Charly Records (in 1968) und Exile Productions Ltd. (in 1973)
- aufgenommen bei:
- A&R Recording Studio A in New York, New York, Vereinigte Staaten (am 1967-03-28) und A&R Recording Studio in New York, New York, Vereinigte Staaten (am 1967-04-07)
- Teil von:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (Nummer: 71) und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 109)
- recording of:
- Brown Eyed Girl (von 1967-03-28 bis 1967-04-07)
- Texter und Komponist(in):
- Van Morrison
- publisher:
- Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing , Universal Music Publishing Ltd. , Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) und Polygram Publishing AB (in 1992)
| Van Morrison | 3.5 | 3:03 |
| 6 | Footloose (single version)- Produzent(in):
- Lee DeCarlo und Kenny Loggins
- Bass-Synthesizer:
- Michael Boddicker
- Bassgitarre:
- Nathan East
- Gitarre:
- Buzz Feiten
- Instrumente:
- Michael Boddicker
- Keyboard:
- Neil Larsen und Steven Wood
- Perkussion:
- Michael Boddicker und Paulinho da Costa
- Schlagzeug:
- Tris Imboden
- Hintergrundgesang:
- Marilyn Dorman, Richey Washington und Steven Wood
- Sologesang:
- Kenny Loggins
- remixer:
- Humberto Gatica
- phonographisches Urheberrecht (℗) von:
- CBS, Inc. (in 1984), Columbia Records (in 1984), Sony BMG Music Entertainment Inc. (in 1984) und Sony Music Entertainment Inc. (in 1984)
- recording of:
- Footloose
- Texter:
- Dean Pitchford
- Komponist(in):
- Kenny Loggins
- publisher:
- BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control , Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation , Island Music , Milk Money Music, Sony Music Publishing , Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. und Universal Music Publishers MGB Australia Pty Ltd
- Teil von:
- The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
| Kenny Loggins | 4.1 | 3:45 |
| 7 | Manic Monday | The Bangles | 4 | 3:03 |
| 8 | S.O.S. (Let the Music Play) | Jordin Sparks | 3.5 | 3:32 |
| 9 | It’s Gonna Be Me- Assistent recording engineer:
- Charles McCrorey
- recording engineer:
- Chris Trevett
- Techniker(in):
- John Amatiello
- Produzent(in):
- Rami
- sonstiger Gesang [human beat box]:
- Justin Timberlake
- vocals:
- Lance Bass, JC Chasez, Joey Fatone, Chris Kirkpatrick und Justin Timberlake
- Interpret(in):
- *NSYNC
- produced for:
- Cheiron Productions
- aufgenommen bei:
- Battery Recording Studios in New York, New York, Vereinigte Staaten und Cheiron Studios in Stockholm, Stockholms län , Schweden
- Musikvideos:
- It’s Gonna Be Me von *NSYNC
- recording of:
- It’s Gonna Be Me
- Verfasser(in):
- Andreas Carlsson , Max Martin und Rami
- publisher:
- GV-Maratone, GV-MXM, Imagem London Ltd. und Zomba Music Publishers Ltd.
| *NSYNC | 3.8 | 3:11 |
| 10 | Boogie Wonderland | Earth, Wind & Fire with The Emotions | 4.2 | 4:50 |
| 11 | Never Too Much- recording engineer und Mix:
- Michael H. Brauer
- assistierende(r) Techniker(in):
- Lincoln Clapp , Gregg Mann , Andy Hoffman , Nicky Kalliongos und Don Wershba
- Techniker(in):
- Carl Beatty
- leitende(r) Produzent(in):
- Larkin Arnold
- Produzent(in):
- Luther Vandross
- Bass:
- Marcus Miller
- Conga:
- Bashiri Johnson
- Gitarre:
- Georg Wadenius
- Horn [horns] und Saiteninstrumente:
- Paul Riser
- Keyboard [keyboards]:
- Nat Adderley, Jr.
- Perkussion:
- Crusher Bennett
- Schlagzeug:
- Buddy Williams
- Hintergrundgesang [female backup vocals]:
- Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis und Sybil Thomas
- Hintergrundgesang [male backup vocals] und Sologesang:
- Luther Vandross
- arranger:
- Nat Adderley, Jr. und Paul Riser
- vocals arranger:
- Luther Vandross
- phonographisches Urheberrecht (℗) von:
- CBS Records Inc. (in 1981), CBS, Inc. (in 1981), Sony Music Entertainment (in 1981) und Sony Music Entertainment Inc. (in 1981)
- aufgenommen bei:
- Mediasound Studios in New York, New York, Vereinigte Staaten
- Musikvideos:
- Never Too Much von Luther Vandross
- Teil von:
- Billboard: The 500 Best Pop Songs (Nummer: 468) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 466)
- recording of:
- Never Too Much
- Texter und Komponist(in):
- Luther Vandross
- publisher:
- April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs , SBK Songs Ltd. und Uncle Ronnie’s Music Company Inc.
| Luther Vandross | 3.85 | 3:49 |
| 12 | Cosmic Girl (radio edit) | Jamiroquai | 4 | 3:46 |
| 13 | I See You Baby (Fatboy Slim radio edit) | Groove Armada | | 3:28 |
| 14 | Proud | Heather Small | | 3:53 |
| 15 | Jump (for My Love) | The Pointer Sisters | 4 | 3:56 |
| 16 | Torn | Natalie Imbruglia | | 2:59 |
| 17 | Hey Ya! (radio mix/club mix) | OutKast | 4 | 3:46 |
| 18 | 1 Thing- Assistent recording engineer und zusätzliche(r) assistierende(r) Produzent(in):
- Bram Tobey
- recording engineer:
- Scotty Beats
- Produzent(in):
- Rich Harrison
- zusätzliche(r) Produzent(in):
- Amerie und Rich Harrison
- Mix:
- Tony Maserati
- produced for:
- Richcraft, Inc.
- aufgenommen bei:
- Nightflight Studios in Washington, D.C., Vereinigte Staaten und Sony Music Studios in Hell's Kitchen, New York, New York, Vereinigte Staaten
- mixed at:
- The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
- Samples:
- Oh, Calcutta! von The Meters
- recording of:
- 1 Thing
- Verfasser(in):
- Amerie Rogers, Rich Harrison und Stanley Walden
- publisher:
- Dam Rich Music, EMI Blackwood Music Inc., EMI U Catalog Inc. und Mi Suk Publishing
| Amerie | 3.2 | 3:58 |
| 19 | Lovely Day (7″ Sunshine mix)- Produzent(in):
- Clarence McDonald
- remixer:
- Ben Liebrand
- phonographisches Urheberrecht (℗) von:
- CBS Records Inc. (in 1988) und Sony Music Entertainment Inc. (in 1988)
- Remix von:
- Lovely Day von Bill Withers
- recording of:
- Lovely Day
- Verfasser(in):
- Skip Scarborough und Bill Withers
- publisher:
- Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. , フジパシフィックミュージック , ヤマハミュージックエンタテインメントホールディングス und ワーナー・チャペル音楽出版 Synch事業部
| Bill Withers | 3.5 | 4:07 |
| 20 | Wake Me Up Before You Go Go | Wham! | 3.85 | 3:51 |