More of the Monkees

~ Release by The Monkees (see all versions of this release, 16 available)

Annotation

Limited Edition, Super Deluxe Edition
Bonus 7" 45 RPM Vinyl

Annotation last modified on 2020-03-31 16:01 UTC.

Tracklist

1▼CD: The (original mono album)
#TitleRatingLength
1She (mono mix)
recording of:
She
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
2:40
2When Love Comes Knockin’ (at Your Door) (mono mix)
recording of:
When Love Comes Knockin’ (at Your Door)
writer:
Carole Bayer Sager and Neil Sedaka
1:48
3Mary, Mary (mono mix)
recording of:
Mary, Mary
lyricist and composer:
Michael Nesmith
2:20
4Hold on Girl (mono mix)
recording of:
Hold On Girl
writer:
Billy Carr, Jack Keller and Ben Raleigh
2:28
5Your Auntie Grizelda (mono mix)
recording of:
Your Auntie Grizelda
writer:
Diane Hildebrand (singer and songwriter) and Jack Keller
2:36
6(I’m Not Your) Steppin’ Stone (mono mix)
recording of:
(I’m Not Your) Steppin’ Stone
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
2:34
7Look Out (Here Comes Tomorrow) (mono mix)
recording of:
Look Out (Here Comes Tomorrow)
lyricist and composer:
Neil Diamond
2:16
8The Kind of Girl I Could Love (mono mix)
recording of:
The Kind of Girl I Could Love
writer:
Roger Atkins and Michael Nesmith
1:54
9The Day We Fall in Love (mono mix)
recording of:
The Day We Fall in Love
writer:
Sandy Linzer and Denny Randell
2:25
10Sometime in the Morning (mono mix)
recording of:
Sometime in the Morning
writer:
Gerry Goffin and Carole King
2:31
11Laugh (mono mix)
recording of:
Laugh
writer:
Mitch Margo (singer and songwriter), Hank Medress, Phil Margo (singer, songwriter) and Jay Siegel
2:29
12I’m a Believer (mono mix)
recording of:
I’m a Believer
lyricist and composer:
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music (publisher)
2:49
13She (stereo mix)
producer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
bass:
Larry Taylor (US bassist) (on 1966-08-15)
drums (drum set):
Billy Lewis (drummer) (on 1966-08-15)
guitar:
Wayne Erwin (on 1966-08-15), Gerry McGee (on 1966-08-15) and Louie Shelton (on 1966-08-15)
organ:
Bobby Hart (on 1966-08-15)
percussion:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1966-08-15) and Norm Jefferies (on 1966-08-15)
background vocals:
Tommy Boyce (US songwriter of Boyce and Hart) (on 1966-08-15), Micky Dolenz (on 1966-08-15), Wayne Erwin (on 1966-08-15), Bobby Hart (on 1966-08-15), Ron Hicklin (on 1966-08-15), Davy Jones (The Monkees member) (on 1966-08-15) and Peter Tork (on 1966-08-15)
lead vocals:
Micky Dolenz (on 1966-08-15)
recorded at:
RCA Studio A (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-08-15)
recording of:
She (on 1966-08-15)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
42:42
14When Love Comes Knockin’ (At Your Door) (stereo mix)
engineer:
Ernie Olerich
producer:
Carole Bayer Sager and Neil Sedaka
bass:
Russell Savakus (on 1966-11-23)
drums (drum set):
Herbert Lovell (on 1966-11-23)
guitar:
Al Gafa (on 1966-11-23), Willard Suyker (on 1966-11-23) and Donald Thomas (guitarist) (on 1966-11-23)
percussion:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1966-11-23)
piano:
Neil Sedaka (on 1966-11-23)
lead vocals [double-tracked lead vocals]:
Davy Jones (The Monkees member) (on 1966-11-23)
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1966-11-23)
recording of:
When Love Comes Knockin’ (at Your Door) (on 1966-11-23)
writer:
Carole Bayer Sager and Neil Sedaka
1:50
15Mary, Mary (stereo mix)
producer:
Michael Nesmith
bass:
Bob West (US session bassist, producer & songwriter) (on 1966-07-25)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-07-25, from 1966-07-25 until 1966-10-18) and Jim Gordon (US drummer with Derek and the Dominos) (from 1966-07-25 until 1966-10-18)
guitar:
James Burton (guitarist) (on 1966-07-25), Glen Campbell (US country singer, guitarist & actor) (on 1966-07-25, from 1966-07-25 until 1966-10-18), Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (on 1966-07-25), Michael Deasy (on 1966-07-25), Peter Tork (on 1966-07-25) and Mike Deasy (from 1966-07-25 until 1966-10-18)
keyboard:
Larry Knechtel (from 1966-07-25 until 1966-10-18)
percussion:
Gary Coleman (US percussionist) (on 1966-07-25) and Jim Gordon (US drummer with Derek and the Dominos) (on 1966-07-25)
piano:
Michael Cohen (on 1966-07-25) and Larry Knechtel (on 1966-07-25)
background vocals:
Micky Dolenz (on 1966-07-25)
lead vocals:
Micky Dolenz (on 1966-07-25, from 1966-07-25 until 1966-10-18)
arranger:
Don Peake
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1966-07-25) and RCA Studios in Hollywood, Los Angeles, California, United States (on 1966-10-18)
recording of:
Mary, Mary (on 1966-07-25)
lyricist and composer:
Michael Nesmith
recording of:
Mary, Mary (from 1966-07-25 until 1966-10-18)
lyricist and composer:
Michael Nesmith
2:19
16Hold on Girl (stereo mix)
producer:
Jeff Barry and Jack Keller
background vocals:
Micky Dolenz (from 1966-09-10 until 1966-10-23)
lead vocals:
Davy Jones (The Monkees member) (from 1966-09-10 until 1966-10-23)
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1966-09-10), RCA Victor Studios (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-09-10) and American Studios in Studio City, Los Angeles, California, United States (on 1966-10-23)
recording of:
Hold On Girl (from 1966-09-10 until 1966-10-23)
writer:
Billy Carr, Jack Keller and Ben Raleigh
2:31
17Your Auntie Grizelda (stereo mix)
engineer:
Richard Podolor
producer:
Jeff Barry and Jack Keller
lead vocals:
Peter Tork (on 1966-10-23)
recorded at:
American Studio in Studio City, Los Angeles, California, United States (on 1966-10-23)
recording of:
Your Auntie Grizelda (on 1966-10-23)
writer:
Diane Hildebrand (singer and songwriter) and Jack Keller
2:32
18(I’m Not Your) Steppin’ Stone (stereo mix)
producer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
bass:
Larry Taylor (US bassist) (on 1966-07-26)
drums (drum set):
Billy Lewis (drummer) (on 1966-07-26)
guitar:
Wayne Erwin (on 1966-07-26), Gerry McGee (on 1966-07-26) and Louie Shelton (on 1966-07-26)
organ:
Bobby Hart (on 1966-07-26)
percussion:
Henry Levy (on 1966-07-26)
background vocals:
Tommy Boyce (US songwriter of Boyce and Hart) (on 1966-07-26) and Bobby Hart (on 1966-07-26)
lead vocals:
Micky Dolenz (on 1966-07-26)
arranger:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
recorded at:
Western Recorders, Studio 1 in Hollywood, Los Angeles, California, United States (on 1966-07-26)
cover recording of:
(I’m Not Your) Steppin’ Stone (on 1966-07-26)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
4.352:26
19Look Out (Here Comes Tomorrow) (stereo mix)
recorded in:
New York, New York, United States (on 1966-10-15, on 1966-10-23)
producer:
Jeff Barry
acoustic guitar:
Neil Diamond (from 1966-10-15 until 1966-10-23)
drums (drum set):
Buddy Salzman (from 1966-10-15 until 1966-10-23)
organ:
Maurgan Cheff (from 1966-10-15 until 1966-10-23)
percussion:
Kauren Seguer (from 1966-10-15 until 1966-10-23)
background vocals:
Micky Dolenz (from 1966-10-15 until 1966-10-23), Davy Jones (The Monkees member) (from 1966-10-15 until 1966-10-23) and Peter Tork (from 1966-10-15 until 1966-10-23)
lead vocals:
Davy Jones (The Monkees member) (from 1966-10-15 until 1966-10-23)
recording of:
Look Out (Here Comes Tomorrow) (from 1966-10-15 until 1966-10-23)
lyricist and composer:
Neil Diamond
52:18
20The Kind of Girl I Could Love (stereo mix)
producer:
Michael Nesmith
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-06-25) and Jim Gordon (US drummer with Derek and the Dominos) (on 1966-06-25)
electric bass guitar:
Larry Knechtel (on 1966-06-25) and Bob West (US session bassist, producer & songwriter) (on 1966-06-25)
guitar:
James Burton (guitarist) (on 1966-06-25), Glen Campbell (US country singer, guitarist & actor) (on 1966-06-25), Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (on 1966-06-25) and Don Peake (on 1966-06-25)
percussion:
Gary Coleman (US percussionist) (on 1966-06-25)
lead vocals:
Michael Nesmith (on 1966-06-25)
arranger:
Don Peake
recorded at:
RCA Victor Studios (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-06-25)
recording of:
The Kind of Girl I Could Love (on 1966-06-25)
writer:
Roger Atkins and Michael Nesmith
1:54
21The Day We Fall in Love (stereo mix)
engineer:
Ray Hall (engineer) (on 1966-11-23)
producer:
Jeff Barry
bass and electric bass guitar:
Carol Kaye and Ray Pohlman
cello:
Seymour Barab
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist)
guitar:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician)
harpsichord and organ:
Don Randi and Michel Rubini
percussion:
Frank Capp and Julius Wechter
viola:
David Sackson and Murray Sandry
violin:
Louis Haber, Irving Spice (violinist, concertmaster and strings) and Louis Stone
lead vocals:
Davy Jones (The Monkees member)
conductor:
Arthur Butler
arranger:
Jeff Barry
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1966-10-28), RCA Victor Studios (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-10-28) and RCA Victor Studio B (Cherokee B) in Manhattan, New York, New York, United States (on 1966-11-23)
recording of:
The Day We Fall in Love (from 1966-10-28 until 1966-11-23)
writer:
Sandy Linzer and Denny Randell
2:27
22Sometime in the Morning (stereo mix)
recorded in:
New York, New York, United States (on 1966-10-13, on 1966-10-25)
producer:
Jeff Barry, Gerry Goffin and Carole King
background vocals:
Micky Dolenz (from 1966-10-13 until 1966-10-25) and Carole King (from 1966-10-13 until 1966-10-25)
lead vocals:
Micky Dolenz (from 1966-10-13 until 1966-10-25)
recording of:
Sometime in the Morning (from 1966-10-13 until 1966-10-25)
writer:
Gerry Goffin and Carole King
2:32
23Laugh (stereo mix)
producer:
Jeff Barry
bass:
Ray Pohlman (on 1966-10-28)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-10-28)
guitar:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (on 1966-10-28) and Carol Kaye (on 1966-10-28)
harpsichord and organ:
Don Randi (on 1966-10-28) and Michel Rubini (on 1966-10-28)
percussion:
Frank Capp (on 1966-10-28) and Julius Wechter (on 1966-10-28)
background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1966-10-28), Jeff Barry (on 1966-10-28) and Davy Jones (The Monkees member) (on 1966-10-28)
lead vocals:
Davy Jones (The Monkees member) (on 1966-10-28)
arranger:
Jeff Barry
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1966-10-28)
recording of:
Laugh (on 1966-10-28)
writer:
Mitch Margo (singer and songwriter), Hank Medress, Phil Margo (singer, songwriter) and Jay Siegel
2:31
24I’m a Believer (stereo mix)
recorded in:
New York, New York, United States (from 1966-10-15 until 1966-10-23)
producer:
Jeff Barry
acoustic guitar:
Neil Diamond (from 1966-10-15 until 1966-10-23)
bass:
Dick Romoff (from 1966-10-15 until 1966-10-23)
drums (drum set):
Buddy Salzman (from 1966-10-15 until 1966-10-23)
guitar:
Al Gorgoni (guitarist, composer, arranger, and producer) (from 1966-10-15 until 1966-10-23) and Sal Ditroia (from 1966-10-15 until 1966-10-23)
organ:
Artie Butler (from 1966-10-15 until 1966-10-23)
piano and tambourine:
Jeff Barry (from 1966-10-15 until 1966-10-23)
background vocals:
Davy Jones (The Monkees member) (from 1966-10-15 until 1966-10-23) and Peter Tork (from 1966-10-15 until 1966-10-23)
background vocals and lead vocals:
Micky Dolenz (from 1966-10-15 until 1966-10-23)
arranger:
Jeff Barry
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1966) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966, in 1967)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 65) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 341)
cover recording of:
I’m a Believer (from 1966-10-15 until 1966-10-23)
lyricist and composer:
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music (publisher)
recording of:
I’m a Believer
lyricist and composer:
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music (publisher)
4.652:49
25I’ll Be Back Up on My Feet (First Recorded version)
recording of:
I’ll Be Back Up on My Feet
writer:
Sandy Linzer and Denny Randell
2:38
26Of You (mono mix)
recording of:
Of You
writer:
Bill Chadwick and John Chadwick
1:58
27I Don’t Think You Know Me (Second Recorded version – mono mix)
recording of:
I Don't Think You Know Me
writer:
Gerry Goffin and Carole King
2:20
28Words (First Recorded version – mono mix)
recording of:
Words
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
2:51
29Look Out (Here Comes Tomorrow) (mono TV mix)
recording of:
Look Out (Here Comes Tomorrow)
lyricist and composer:
Neil Diamond
2:51
30Tear Drop City (1966 mono mix)
recording of:
Teardrop City
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
publisher:
Screen Gems–Columbia Music, Inc.
2:19
31Sometime in the Morning (alternate mono mix)
recording of:
Sometime in the Morning
writer:
Gerry Goffin and Carole King
2:32
32Valleri (First Recorded version – mono TV mix)
recording of:
Valleri
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
publisher:
Piccadilly Music Corporation and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:31
2▶CD: Sessions
3▶CD: Sessions, Rarities & Live
4▶7" Vinyl: Bonus 7″ – I’m a Believer / (I’m Not Your) Steppin’ Stone

Credits

Release

producer:Andrew Sandoval (Andrew Sandoval, power pop artist & reissue record producer)
manufactured by and marketed by:Rhino Entertainment Company (not for release label use!)
copyrighted (©) by and phonographic copyright (℗) by:Rhino Entertainment Company (not for release label use!) (in 2017)
Discogs:https://www.discogs.com/release/11315573 [info]