History of Rock ’n’ Roll

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Wild One
recording of:
Wild One
writer:
Dave Appell, Bernie Lowe and Kal Mann
Bobby Rydell?:??
2Poison IvyThe Coasters?:??
3Then He Kissed Me
engineer:
Larry Levine (in 1963-07)
producer:
Phil Spector
lead vocals:
LaLa Brooks (in 1963-07)
arranger:
Jack Nitzsche (American musician and score composer) (in 1963-07)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-07)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 11), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 254) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 493)
recording of:
Then He Kissed Me (in 1963-07)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Malt Shoppe Music, Mother Bertha Music Inc., Steeplechase Music, Trio Music Co., Inc. and Universal–Songs of PolyGram International, Inc.
The Crystals4.65?:??
4Poetry in Motion
cover recording of:
Poetry in Motion
writer:
Mike Anthony (US songwriter) and Paul Kaufman (songwriter)
Johnny Tillotson4?:??
5My Guy
bass:
James Jamerson (in 1964)
drums (drum set):
Benny Benjamin (US drummer) (in 1964)
guitar:
Robert White (US funk/soul guitarist) (in 1964) and Eddie Willis (in 1964)
instruments:
The Funk Brothers (in 1964)
organ:
Earl Van Dyke (in 1964)
piano:
Johnny Griffith (in 1964)
trombone:
George Bohanon (in 1964) and Paul Riser (in 1964)
trumpet:
Russell Conway (trumpet player) (in 1964) and Herbert Williams (trumpet player) (in 1964)
vibraphone:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
background vocals:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) and Jackie Hicks (in 1964)
lead vocals:
Mary Wells (Motown singer) (in 1964)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (in 1964)
recording of:
My Guy (in 1964)
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.2?:??
6The Great Pretender
recorded in:
Chicago, Illinois, United States (in 1955-09)
lead vocals:
Tony Williams (lead singer for The Platters)
phonographic copyright (℗) by:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 8) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 352)
recording of:
The Great Pretender (in 1955-09)
lyricist and composer:
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) and Southern Music Publishing Company Limited
The Platters5?:??
7Red River Rock
instrumental cover recording of:
Red River Rock
composer:
Tom King (50s & 60s songwriter), Ira Mack and Fred Mendelsohn
publisher:
Burlington Music Co., Ltd. and Mole Hole Music
is based on:
Red River Valley
cover recording of:
Red River Rock
composer:
Tom King (50s & 60s songwriter), Ira Mack and Fred Mendelsohn
publisher:
Burlington Music Co., Ltd. and Mole Hole Music
is based on:
Red River Valley
Johnny and the Hurricanes?:??
8Hold Me
cover recording of:
Hold Me
writer:
Little Jack Little, David Oppenheim (songwriter, composer) and Ira Schuster
publisher:
Campbell Connelly & Co. Ltd.
P.J. Proby?:??
9Lil’ Red Riding Hood
recording of:
Li’l Red Riding Hood
lyricist and composer:
Ronald Blackwell
Sam the Sham & the Pharaohs4?:??
10Leader of the PackThe Shangri‐Las4.5?:??
11Here Comes My Baby
recording of:
Here Comes My Baby
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Angusa Music Ltd.
The Tremeloes?:??
12Will You Love Me Tomorrow
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (in 1960)
kettle drum:
Carole King (in 1960)
piano:
Paul Griffin (American pianist, session musician) (in 1960)
lead vocals:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) and Beverly Lee (singer for The Shirelles) (in 1960)
phonographic copyright (℗) by:
HHO Licensing Ltd.
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Shirelles3.8?:??
13Save the Last Dance for Me
recorded in:
New York, New York, United States (on 1960-05-19)
producer:
Leiber and Stoller (songwriting team)
guitar:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1960-05-19)
baritone vocals:
Doc Green (on 1960-05-19)
bass vocals:
Elsbeary Hobbs (on 1960-05-19)
lead vocals:
Benny Nelson (on 1960-05-19)
tenor vocals:
Charlie Thomas (The Drifters) (on 1960-05-19) and Johnny Williams (soul/blues vocalist) (on 1960-05-19)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-05-19)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 12) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 182)
recording of:
Save the Last Dance for Me (on 1960-05-19)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) and Trio Music (publisher) (in 1974)
The Drifters5?:??
14PipelineThe Chantays?:??
15Rockin’ Robin
phonographic copyright (℗) by:
Class (1950s-1960s US) (in 1958)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 29)
recording of:
Rockin’ Robin
lyricist and composer:
Jimmie Thomas
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), J. Albert & Son and Recordo Music Pub.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Bobby Day3.15?:??
16Hawaii Five-O
engineer:
Lanky Linstrot (US recording engineer)
producer:
Joe Saraceno
drums (drum set):
Mel Taylor (USA drummer)
electric bass guitar:
Bob Bogle
electric guitar [lead guitar]:
Bob Bogle and Jerry McGee
electric guitar [rhythm guitar]:
Don Wilson (US guitarist, member or The Ventures)
arranger:
George Tipton (American composer, musical arranger and conductor, born 1932)
cover recording of:
Hawaii Five‐O
composer:
Morton Stevens
publisher:
EMI Songs and EMI Songs Ltd.
The Ventures4.25?:??
3CD
4CD