Still Rising: The Collection

~ Release by Gregory Porter (see all versions of this release, 5 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Hey Laura
assistant engineer:
Owen Mulholland (engineer) and Ted Tuthill
engineer:
Jay Newland (producer, engineer and mixer)
associate producer:
Kamau Kenyatta
producer:
Brian Bacchus (producer, consultant A&R)
mixer:
Jay Newland (producer, engineer and mixer) (from 2013-04 until 2013-05)
bass:
Aaron James (Bassist)
drums (drum set):
Emanuel Harrold
Hammond organ [Hammond B3 organ]:
Glenn Patscha
piano:
Chip Crawford
vocals:
Gregory Porter
brass [horns] arranger:
Kamau Kenyatta
recorded at:
Sear Sound in New York, New York, United States (from 2013-03-28 until 2013-03-30, on 2013-04-15)
mixed at:
The Grateful Shed in Norwalk, Connecticut, United States (from 2013-04 until 2013-05)
recording of:
Hey Laura
lyricist and composer:
Gregory Porter
arranger:
Chip Crawford, Kamau Kenyatta and Gregory Porter
Gregory Porter?:??
2Liquid Spirit
assistant engineer:
Owen Mulholland (engineer) and Ted Tuthill
engineer:
Jay Newland (producer, engineer and mixer)
associate producer:
Kamau Kenyatta
producer:
Brian Bacchus (producer, consultant A&R)
mixer:
Jay Newland (producer, engineer and mixer) (from 2013-04 until 2013-05)
alto saxophone:
佐藤洋祐 (Yosuke Sato, Japanese Jazz saxophonist)
bass:
Aaron James (Bassist)
drums (drum set):
Emanuel Harrold
piano:
Chip Crawford
tenor saxophone:
Tivon Pennicott (saxophonist)
trumpet:
Curtis Taylor
vocals:
Gregory Porter
brass [horns] arranger:
Kamau Kenyatta
recorded at:
Sear Sound in New York, New York, United States (from 2013-03-28 until 2013-03-30, on 2013-04-15)
mixed at:
The Grateful Shed in Norwalk, Connecticut, United States (from 2013-04 until 2013-05)
recording of:
Liquid Spirit
lyricist and composer:
Gregory Porter
arranger:
Chip Crawford, Kamau Kenyatta and Gregory Porter
Gregory Porter?:??
3Revival
producer:
Troy Miller (british drummer, producer, songwriter) and Gregory Porter
mixer:
Troy Miller (british drummer, producer, songwriter)
bass:
Jahmal Nichols (bassist)
drums (drum set):
Emanuel Harrold
Hammond organ:
Ondřej Pivec
instruments:
Chip Crawford
tambourine [tamborine]:
Troy Miller (british drummer, producer, songwriter)
alto vocals:
Ladonna Harley‐Peters, Sharlene Hector, Priscilla Jones (UK soul singer/vocal coach) and Teyana Miller
soprano vocals:
Phebe Edwards, Philly Lopez and Vula Malinga
tenor vocals:
Jaz Ellington, James Thompson (UK backing vocalist out of Derby) and Kevin Mark Trail
vocals:
Gregory Porter
choir vocals arranger:
Troy Miller (british drummer, producer, songwriter)
phonographic copyright (℗) by:
Gregory Porter (in 2020)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (choir vocals) and Saint Germain Studios in Paris, Île-de-France, France
recording of:
Revival Song
writer:
Troy Miller (british drummer, producer, songwriter), Gregory Porter and Oli Rockberger
composer:
Gregory Porter
publisher:
Bucks Music Group, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Golden Slipper Publishing
Gregory Porter?:??
4Illusion
Gregory Porter?:??
51960 What? (edit)
engineer and mixer:
Geoff Countryman and Tyler McDiarmid
producer:
Kamau Kenyatta
alto saxophone [alto sax]:
Yoske Sato (Yosuke Sato, Japanese Jazz saxophonist)
double bass [bass]:
Aaron James (Bassist)
drums (drum set) [drums]:
Emanuel Harrold
piano:
Chip Crawford
trombone:
Robert Stringer (trombonist)
trumpet:
Kafele Bandele, Curtis Taylor and Melvin Vines
arranger:
Chip Crawford, Kamau Kenyatta and Gregory Porter
recorded at:
58 North Six Media Labs in Brooklyn, New York, New York, United States (from 2009-08-19 until 2009-08-20)
recording of:
1960 What? (from 2009-08-19 until 2009-08-20)
lyricist and composer:
Gregory Porter
publisher:
Golden Slipper Publishing
Gregory Porter?:??
6L‐O‐V‐E
additional recording engineer:
Al Schmitt (in 2017-07)
assistant recording engineer:
Chris Barratt (in 2017-05) and Alex Ferguson (engineer) (in 2017-05)
recording engineer:
Misha Kachkachischvili and Geoff Foster (sound engineer) (in 2017-05)
producer:
Vince Mendoza
mixer:
Al Schmitt (in 2017-07)
guest trumpet:
Terence Blanchard (American trumpeter and score composer)
vocals:
Gregory Porter
orchestra:
London Studio Orchestra (in 2017-05)
conductor:
Vince Mendoza
arranger:
Vince Mendoza
phonographic copyright (℗) by:
Gregory Porter (in 2017)
additionally recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 2017-07)
recorded at:
Esplanade Studios in New Orleans, Louisiana, United States and AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2017-05)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 2017-07)
cover recording of:
L‐O‐V‐E
lyricist:
Milton Gabler
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Bert Kaempfert Music Publishing GmbH, Edition Doma Bert Kaempfert (publisher) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Gregory Porter?:??
7Holding On
alto saxophone:
佐藤洋祐 (Yosuke Sato, Japanese Jazz saxophonist)
drums (drum set):
Emanuel Harrold
organ:
Ondřej Pivec
piano:
Chip Crawford
tenor saxophone:
Tivon Pennicott (saxophonist)
trumpet:
Keyon Harrold
background vocals:
Alicia Olatuja
lead vocals:
Gregory Porter
recording of:
Holding On
writer:
Guy Lawrence (Disclosure), Howard Lawrence (Disclosure), James Napier and Gregory Porter
publisher:
Golden Slipper Publishing, Salli Isaak Music Publishing (publisher; do NOT use as release label) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Gregory Porter?:??
8Concorde
producer:
Kamau Kenyatta, Troy Miller (british drummer, producer, songwriter) and Gregory Porter
mixer:
Troy Miller (british drummer, producer, songwriter)
alto saxophone:
Andrew Ross (UK saxophonist)
baritone saxophone:
Graeme Blevins
bass:
Jahmal Nichols (bassist)
drums (drum set) [drums] and percussion:
Troy Miller (british drummer, producer, songwriter)
Hammond organ:
Ondřej Pivec
piano:
Chip Crawford
tenor saxophone:
James Gardiner‐Bateman (saxophonist) and Jim Hunt
trombone:
Trevor Mires
trumpet:
Tom Rees‐Roberts and Chris Storr
vocals:
Gregory Porter
horn arranger:
Etienne Charles and Troy Miller (british drummer, producer, songwriter)
phonographic copyright (℗) by:
Gregory Porter (in 2020)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and Spark Studios in London (Greater London), England, United Kingdom (horn [horns], drums (drum set) [drums])
recording of:
Concorde
lyricist and composer:
Gregory Porter
publisher:
Golden Slipper Publishing
Gregory Porter?:??
9If Love Is Overrated
producer:
Troy Miller (british drummer, producer, songwriter) and Gregory Porter
mixer:
Troy Miller (british drummer, producer, songwriter)
bass:
Jahmal Nichols (bassist)
cello:
Alastair Blayden (cellist), Laure Le Dantec, Tim Gill (cellist), Jennifer Brown (cellist), Hilary Jones (cellist) and Amanda Truelove (cellist)
double bass:
Patrick Laurence (double bass player), José Moreira and Colin Paris (double bass player)
drums (drum set) [drums]:
Emanuel Harold
guest violin [first violin & leader]:
Giovanni Guzzo (violinist)
percussion:
Troy Miller (british drummer, producer, songwriter)
piano and Rhodes piano [Rhodes]:
Chip Crawford
viola:
Lander Echevarria, Carol Ella, Gillianne Haddow (violist), Malcolm Johnston (classical violist), Robert Turner (viola player) and Edward Vanderspar (violist)
violin [first violin]:
Laura Dixon (violinist), Clare Duckworth (violinist), Maxine Kwok‐Adams, Claire Parfitt, Colin Renwick, Sylvain Vasseur and Rhys Watkins
violin [second violin]:
David Alberman (violinist), David Ballesteros, Elizabeth Pigram, Csilla Pogány, Sarah Quinn and Miya Väisänen
vocals:
Gregory Porter
orchestra:
London Symphony Orchestra
conductor:
Troy Miller (british drummer, producer, songwriter) (strings)
strings arranger:
Troy Miller (british drummer, producer, songwriter)
phonographic copyright (℗) by:
Gregory Porter (in 2020)
recorded at:
Abbey Road Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (strings) and Saint Germain Studios in Paris, Île-de-France, France
recording of:
If Love Is Overrated
lyricist and composer:
Gregory Porter
publisher:
Golden Slipper Publishing
Gregory Porter?:??
10I Will
assistant engineer:
Will Bennett (engineer) and Steve Sacco (engineer, USA)
engineer:
Chris Allen (recording engineer, at Sear Sound since 2003)
producer:
Kamau Kenyatta and Gregory Porter
mixer:
Chris Allen (recording engineer, at Sear Sound since 2003) and Kamau Kenyatta
drums (drum set) [drums]:
Emanuel Harrold
electric bass guitar [electric bass]:
Jahmal Nichols (bassist)
organ:
Ondřej Pivec
piano:
Chip Crawford
tenor saxophone:
Tivon Pennicott (saxophonist)
background vocals [background voices]:
Sherri Holman, Linny Smith and Stephanie Fisher-Alvarenga
arranger:
Chip Crawford, Kamau Kenyatta and Gregory Porter
background vocals [background voices] arranger:
Stephanie Fisher-Alvarenga
recorded at:
Sear Sound in New York, New York, United States
music videos:
I Will by Gregory Porter
Gregory Porter?:??
11Real Good Hands
assistant engineer:
Will Bennett (engineer) and Steve Sacco (engineer, USA)
engineer:
Chris Allen (recording engineer, at Sear Sound since 2003)
producer:
Kamau Kenyatta and Gregory Porter
mixer:
Chris Allen (recording engineer, at Sear Sound since 2003) and Kamau Kenyatta
drums (drum set) [drums]:
Emanuel Harrold
electric bass guitar [electric bass]:
Jahmal Nichols (bassist)
organ:
Ondřej Pivec
piano:
Chip Crawford
tenor saxophone:
Tivon Pennicott (saxophonist)
arranger:
Chip Crawford, Kamau Kenyatta and Gregory Porter
background vocals [backing voices] arranger:
Stephanie Fisher-Alvarenga
recorded at:
Sear Sound in New York, New York, United States
recording of:
Real Good Hands
lyricist and composer:
Gregory Porter
publisher:
Golden Slipper Publishing
Gregory Porter?:??
12My Babe
assistant engineer:
Will Bennett (engineer) and Steve Sacco (engineer, USA)
engineer:
Chris Allen (recording engineer, at Sear Sound since 2003)
producer:
Kamau Kenyatta and Gregory Porter
mixer:
Chris Allen (recording engineer, at Sear Sound since 2003) and Kamau Kenyatta
double bass [acoustic bass]:
Jahmal Nichols (bassist)
drums (drum set) [drums]:
Emanuel Harrold
organ:
Ondřej Pivec
piano:
Chip Crawford
tenor saxophone:
Tivon Pennicott (saxophonist)
arranger:
Chip Crawford, Kamau Kenyatta and Gregory Porter
background vocals [background voices] arranger:
Stephanie Fisher-Alvarenga
recorded at:
Sear Sound in New York, New York, United States
cover recording of:
My Babe
lyricist and arranger:
Willie Dixon
composer:
[traditional] (special purpose artist)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Bug Music (music publishing), Bug Music Ltd. and Hoochie Coochie Music
is based on:
This Train
Gregory Porter?:??
13Bad Girl Love
assistant engineer:
Will Bennett (engineer) and Steve Sacco (engineer, USA)
engineer:
Chris Allen (recording engineer, at Sear Sound since 2003)
producer:
Kamau Kenyatta and Gregory Porter
mixer:
Chris Allen (recording engineer, at Sear Sound since 2003) and Kamau Kenyatta
electric piano and organ:
Ondřej Pivec
flute:
Tivon Pennicott (saxophonist)
piano:
Chip Crawford
arranger:
Chip Crawford, Kamau Kenyatta and Gregory Porter
background vocals [background voices] arranger:
Stephanie Fisher-Alvarenga
recorded at:
Sear Sound in New York, New York, United States
Gregory Porter?:??
14No Love Dying (2021 “Still Rising” version) 14
assistant engineer:
Will Bennett (engineer) and Steve Sacco (engineer, USA)
engineer:
Chris Allen (recording engineer, at Sear Sound since 2003)
producer:
Kamau Kenyatta and Gregory Porter
mixer:
Chris Allen (recording engineer, at Sear Sound since 2003) and Kamau Kenyatta
drums (drum set) [drums]:
Emanuel Harrold
electric bass guitar [electric bass]:
Jahmal Nichols (bassist)
organ:
Ondřej Pivec
piano:
Chip Crawford
tenor saxophone:
Tivon Pennicott (saxophonist)
background vocals [background voices]:
Sherri Holman, Linny Smith and Stephanie Fisher-Alvarenga
arranger:
Chip Crawford, Kamau Kenyatta and Gregory Porter
background vocals [background voices] arranger:
Stephanie Fisher-Alvarenga
recorded at:
Sear Sound in New York, New York, United States
recording of:
No Love Dying
lyricist and composer:
Gregory Porter
arranger:
Chip Crawford, Kamau Kenyatta and Gregory Porter
Gregory Porter?:??
15Why Does My Heart Feel So Bad?
assistant recording engineer:
Hoss Yekband (string quartet)
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Francisco Botero (engineer at Studio G, Brooklyn) (lead vocals [vocals]), Alan Meyerson (string quartet) and Geoff Foster (sound engineer) (in 2020-02)
bass guitar [bass], piano and synthesizer [synth]:
Moby (electronic musician Richard Melville Hall)
drums (drum set) [drums]:
Tripp Beam
percussion:
Alex Acuña
orchestra:
The Budapest Art Orchestra (in 2020-02)
conductor:
Joseph Trapanese (in 2020-02)
orchestrator:
Joseph Trapanese
recorded at:
East Connection Music Recording, Studio 22 (Magyar Rádió) in Budapest, Hungary (in 2020-02)
recording of:
Why Does My Heart Feel So Bad?
lyricist and composer:
Moby (electronic musician Richard Melville Hall)
publisher:
Little Idiot Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Gregory Porter?:??
16Dry Bones
co-producer:
Pearse Macintyre
producer:
Troy Miller (british drummer, producer, songwriter)
brass [horn]:
Mike Davis (trumpet, flugelhorn), James Gardiner‐Bateman (saxophonist), Nichol Thomson (British trombonist, trumpet, brass) and Tom Walsh (UK brass player)
drums (drum set) [drums], guitar, Hammond organ [Hammond], piano and synthesizer [synths]:
Troy Miller (british drummer, producer, songwriter)
background vocals:
Matt Maijah
Gregory Porter & Troy Miller3:09
17Love Runs Deeper (Disney Supporting Make‐A‐Wish) [feat. CHERISE]
miscellaneous support:
Josef Pokluda (managing director of the City of Prague Philharmonic Orchestra) (task: orchestra contractor)
assistant sound engineer:
Michal Hradiský
sound engineer:
Jan Holzner
producer and mixer:
Troy Miller (british drummer, producer, songwriter)
bass, drums (drum set) [drums], percussion, piano and strings:
Troy Miller (british drummer, producer, songwriter)
additional background vocals:
Ladonna Harley‐Peters, Jaz Ellington and Priscilla Jones (UK soul singer/vocal coach)
background vocals:
Cherise (UK RnB singer/songwriter Cherise Roberts)
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Richard Hein
recorded at:
Smecky Studios in Praha (Prague), Czechia (strings)
Gregory Porter?:??
18It’s Probably Me (live at Polar Music Prize, Stockholm / 2017)
double bass [bass]:
Dan Berglund (double bass player in Esbjörn Svensson Trio) (in 2017)
drums (drum set) [drums]:
Magnus Öström (in 2017)
keyboard [keyboards]:
Robert Elovsson (in 2017)
pedal steel guitar [pedalsteel]:
Johan Lindström (in 2017)
tenor saxophone:
Marius Neset (in 2017)
conductor:
Hans Ek (in 2017)
orchestrator:
Hans Ek
recorded at:
Stockholm's Konserthus (Stockholm Concert Hall, Konserthuset Stockholm) in Stockholm, Stockholms län (Stockholm county), Sweden (in 2017)
live cover recording of:
It’s Probably Me (in 2017)
lyricist:
Sting (singer, songwriter & member of The Police)
writer:
Eric Clapton, GM Sumner (singer, songwriter & member of The Police) and Michael Kamen (American score composer)
composer:
Eric Clapton, Michael Kamen (American score composer) and Sting (singer, songwriter & member of The Police)
Gregory Porter?:??
19Natural Blues (reprise version)
recording engineer:
Moby (electronic musician Richard Melville Hall), Jonathan Nesvadba and Geoff Foster (sound engineer) (from 2020-02-26 until 2020-02-27)
producer:
Joe Trapanese (task: The Budapest Art Orchestra), Moby (electronic musician Richard Melville Hall) and Jonathan Nesvadba
mixer:
Alan Meyerson
drums (drum set) [drums]:
Tripp Beam
percussion:
Alex Acuña
background vocals [backing vocals]:
Apollo Jane and The Samples (choir)
lead vocals:
Amythyst Kiah and Gregory Porter
orchestra:
The Budapest Art Orchestra (from 2020-02-26 until 2020-02-27)
conductor:
Joe Trapanese and Jason White (producer, arranger, singer from Los Angles)
arranger:
Joe Trapanese
orchestrator:
Jennifer Hammond
recorded at:
Studio 22 (Magyar Rádió) in Budapest, Hungary (from 2020-02-26 until 2020-02-27)
recording of:
Natural Blues
writer:
Vera Hall, Alan Lomax (US ethnomusicologist) and Moby (electronic musician Richard Melville Hall)
publisher:
Little Idiot Music, Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
is based on:
Trouble So Hard
Moby feat. Gregory Porter & Amythyst Kiah?:??
20Don’t Let Me Be Misunderstood
bass:
Riaan Vosloo
clarinet:
Howard McGill
drums (drum set):
Tim Giles
farfisa [farfisa organ]:
Jamie Cullum (pianist, jazz‐pop artist)
guitar:
Rob Updegraff
piano:
Ross Stanley
strings:
Paloma Deike (violinist), Ruth Elder (violinist), Anna Giddey (violinist), Mary Martin (violinist), Kit Massey (violinist/pianist/arranger), Natalie Rozario (cellist), Amy Stanford and Rachel Steadman (violinist and violist)
trombone:
Nicol Thompson (British trombonist, trumpet, brass) and Neil Sidwell
trumpet:
Mike Lovett, Percy Pursglove and Fulvio Sigurtà
woodwind [reeds]:
James Allsopp and Tom Richards (band leader, composer and saxophonist)
vocals:
Jamie Cullum (pianist, jazz‐pop artist) and Gregory Porter
cover recording of:
Don’t Let Me Be Misunderstood
writer:
Bennie Benjamin, Gloria Caldwell, Sol Marcus and Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) and Unichappell Music, Inc. (in 1981)
Jamie Cullum feat. Gregory Porter?:??
21Raining in My Heart
recording engineer:
Brian Boozer and Simon Hanhart (engineer, producer)
additional engineer:
Jeff Larson
engineer:
Mat Bartram and Pete Schwier (producer, mixing and recording engineer)
producer:
Nick Patrick and Norman Petty
mixer:
Pete Schwier (producer, mixing and recording engineer)
bass:
Steve Pearce (UK bassist) and Don Richardson (bass player)
celesta:
Jim Hoke
drums (drum set) [drums]:
Neal Wilkinson
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) and John Parricelli
additional vocals:
Jeffrey Foskett
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) and Gregory Porter
orchestra:
The Royal Philharmonic Orchestra (Royal Philharmonic Orchestra)
conductor:
Sally Herbert (violinist, composer, and conductor)
arranger:
Sally Herbert (violinist, composer, and conductor)
recorded at:
Angel Recording Studios in Islington, London (Greater London), England, United Kingdom
mixed at:
Shine Studio in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
Raining in My Heart
writer:
Boudleaux Bryant and Felice Bryant
publisher:
Acuff Rose Publications Ltd., House of Bryant Publications, LLC and Sony/ATV Music Publishing (UK) Ltd.
Buddy Holly, Gregory Porter & Royal Philharmonic Orchestra?:??
22People Will Say We’re in Love
cover recording of:
People Will Say We’re in Love
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
Ella Fitzgerald, London Symphony Orchestra feat. Gregory Porter?:??
23Grandma’s Hands
vocals:
Ben l’Oncle Soul and Gregory Porter
cover recording of:
Grandma’s Hands
lyricist and composer:
Bill Withers
publisher:
Interior Music Corp.
Gregory Porter feat. Ben l’Oncle Soul?:??
24Christmas Prayer
producer:
Rupert Christie and Jonny Lattimer
vocals:
Paloma Faith and Gregory Porter
recording of:
Christmas Prayer
writer:
Paloma Faith, Sinéad Harnett, Iain James and Jonny Latimer
Paloma Faith & Gregory Porter1?:??
25Insanity
alto saxophone:
佐藤洋祐 (Yosuke Sato, Japanese Jazz saxophonist)
drums (drum set):
Emanuel Harrold
guitar:
Darrell Crooks
organ:
Ondřej Pivec
piano:
Chip Crawford
tenor saxophone:
Tivon Pennicott (saxophonist)
trumpet:
Keyon Harrold
background vocals:
Alicia Olatuja
lead vocals:
Gregory Porter and Lalah Hathaway
Gregory Porter feat. Lalah Hathaway?:??
26Make Someone Happy
recording engineer:
Joe Bagg, Alex Frank (bassist) and John Storie
engineer:
Troy Miller (british drummer, producer, songwriter) (lead vocals [vocals])
double bass [bass]:
Alex Frank (bassist)
drums (drum set) [drums]:
Kenny Elliot
guitar:
John Storie
Hammond organ:
Joe Bagg
piano:
Jeff Goldblum
saxophone:
James King (US multi-instrumentalist, Fitz and The Tantrums) and Scott Gilman
vocals:
Gregory Porter
cover recording of:
Make Someone Happy (Do Re Mi)
orchestrator:
Bruce Coughlin
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Sole Selling Agent and Stratford Music Corporation
part of:
Do Re Mi
Jeff Goldblum, The Mildred Snitzer Orchestra & Gregory Porter?:??
27Fly Me to the Moon (In Other Words)
recording engineer:
Gregory Porter
engineer:
Tim Debney
producer:
Jon Cohen (UK record producer specializing in classical crossover music)
mixer:
Jon Cohen (UK record producer specializing in classical crossover music) and Phil Da Costa
cello:
Nick Trygstad (cellist) and Simon Turner (cellist)
drums (drum set) [drums]:
Charlie Kenny (drummer)
guitar:
Ivor Goldberg (guitarist)
piano:
Jon Cohen (UK record producer specializing in classical crossover music)
violin:
Paulette Bayley (violinist), Sarah Brandwood-Spencer (violinist) and Pete Whitfield (Peter Whitfield)
vocals:
Julie London and Gregory Porter
cover recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Julie London & Gregory Porter?:??
28Satiated (Been Waiting)
recording engineer:
Jeremy Loucas (engineer)
producer:
Terri Lyne Carrington
mixer:
Martin Walters
additional guitar:
Carl Burnett (American jazz and R&B guitarist)
alto saxophone:
Tia Fuller
bass:
James Genus
drums (drum set):
Terreon Gully
guitar:
Marvin Sewell
keyboard:
George Duke
organ:
Shedrick Mitchell
piano:
Gerald Clayton (Netherlands-born jazz pianist)
trumpet:
Sean Jones (trumpeter)
vocals:
Gregory Porter and Dianne Reeves
horn arranger:
Omar Thomas
mixed for:
Big Time Audio
recorded at:
Kaleidoscope Sound in Union City, New Jersey, United States
recording of:
Satiated (Been Waiting)
lyricist and composer:
Terri Lyne Carrington
publisher:
Ajari Music
Dianne Reeves feat. Gregory Porter?:??
29Have Yourself a Merry Little Christmas
additional recording engineer:
Allen Sides
recording engineer:
Isaiah Abolin
producer:
David Frost (pianist and Grammy-winning producer of classical recordings)
mixer:
David Frost (pianist and Grammy-winning producer of classical recordings) and Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
double bass [acoustic bass]:
Pete Donovan
drums (drum set) [drums]:
Dave Ratajczak
guitar:
Saul Rubin
piano:
Shelly Berg
vocals:
Renée Fleming (soprano) and Gregory Porter
arranger:
Shelly Berg
cover recording of:
Have Yourself a Merry Little Christmas
lyricist:
Ralph Blane (in 1943)
composer:
Hugh Martin (in 1943)
publisher:
EMI April Music Inc., EMI Feist Catalog Inc., EMI Music Publishing (do not use as a release label!), EMI Publishing, EMI United Partnership Ltd., J. Albert & Son, J. Albert & Son Pty. Ltd., Loew’s Incorporated (in 1943, in 1944) and Leo Feist, Inc. (in 1971, in 1972)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
part of:
Meet Me in St. Louis (1944 musical film soundtrack)
Renée Fleming & Gregory Porter & Gregory Porter?:??
30The Girl From Ipanema
producer:
Don Was
conductor:
Ralph Carmichael
cover recording of:
The Girl From Ipanema
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, volume I)
Nat King Cole & Gregory Porter?:??
31Water Under Bridges
engineer:
Florian Lagatta
producer and mixer:
Troy Miller (british drummer, producer, songwriter)
additional mixer:
Steve Osborne (producer)
double bass [bass]:
Aaron James (Bassist)
drums (drum set) [drums]:
Emanuel Harrold
piano:
Chip Crawford
vocals:
Laura Mvula and Gregory Porter
arranger:
Chip Crawford, Kamau Kenyatta and Gregory Porter
recording of:
Water Under Bridges
lyricist and composer:
Gregory Porter
arranger:
Chip Crawford, Kamau Kenyatta and Gregory Porter
Gregory Porter feat. Laura Mvula?:??
32Right Where You Are
assistant recording engineer:
Ludovick Tartavel
recording engineer:
Nicolas "Melchior" Diop (engineer & photographer)
assistant engineer:
Alex Williams (engineer)
engineer:
Lynne Earls
producer:
Larry Klein
assistant mixer:
Travis Kennedy
mixer:
Tim Palmer (British producer/mixer)
bass:
Dan Lutz (bass player)
drums (drum set) [drums]:
Vinnie Colaiuta (drummer)
electric guitar:
Dean Parks (American session guitarist)
Hammond organ [Hammond B-3 organ]:
Pete Kuzma
keyboard [keyboards]:
Larry Klein
percussion:
Pete Korpula
piano and Wurlitzer electric piano [Wurlitzer]:
Kenny Banks
background vocals:
Lizz Wright (US jazz & gospel singer)
lead vocals:
Gregory Porter and Lizz Wright (US jazz & gospel singer)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2015)
recorded at:
Les Editions du Palais in Paris, Île-de-France, France (lead vocals [Gregory Porter's vocals]), Strange Cargo in Los Angeles, California, United States and The Village Studios (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
mixed at:
'62 Studios in Austin, Texas, United States
recording of:
Right Where You Are
writer:
Larry Klein, J.D. Souther and Lizz Wright (US jazz & gospel singer)
publisher:
Ascendant Music, BMG Gold Songs, Exegesis Chrysalis Music and Wisdom Street Music
Lizz Wright feat. Gregory Porter?:??
33Heart and Soul
recording engineer:
Jody Elff
producer:
Johnny Gandelsman (violinist) and Kevin Killen
mixer:
Kevin Killen
cajón:
Mark Suter
cello:
Yo‐Yo Ma (cellist)
clarinet:
Kinan Azmeh (Syrian clarinetist)
cymbal and tambourine:
Joseph Gramley
double bass:
Jeffrey Beecher
piano:
Cristina Pato
pipa:
Wu Man
riq and snare drum:
Shane Shanahan (percussionist)
shakuhachi:
Kojiro Umezaki
sheng:
Wu Tong
viola:
Nicholas Cords (violist)
violin:
Colin Jacobsen (viola)
guest vocals:
Lisa Fischer (American vocalist) and Gregory Porter
arranger:
Rob Mathes
recorded at:
MSR Studios in New York, New York, United States
mixed at:
Studio Zona Dolce in New York, New York, United States
cover recording of:
Heart and Soul
lyricist:
Frank Loesser
composer:
Hoagy Carmichael
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Yo-yo Ma & The Silk Road Ensenble, Silk Road Ensemble feat. Lisa Fischer & Gregory Porter?:??
34Making Love
vocals:
Trijntje Oosterhuis and Gregory Porter
orchestra:
Metropole Orkest (Dutch jazz & pop orchestra)
arranger:
Vince Mendoza
cover recording of:
Making Love
writer:
Burt Bacharach, Carole Bayer Sager and Bruce Roberts (American singer-songwriter)
Trijntje Oosterhuis & Gregory Porter & Metropole Orkest, Gregory Porter & Metropole Orkest?:??