Carmen Suite / L' Arlésienne Suite

~ Release by Georges Bizet (see all versions of this release, 10 available)

Annotation

Renaissance Collection 13

Annotation last modified on 2017-12-15 21:03 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Carmen Suite Nr. 1: Prélude
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato
composer:
Georges Bizet (French composer)
part of:
Carmen Suite no. 1
1:22
2Carmen Suite Nr. 1: Aragonaise
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
2:14
3Carmen Suite Nr. 1: Intermezzo - Interlude
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
2:41
4Carmen Suite Nr. 1: Seguedille
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville »)
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
part of:
Carmen Suite no. 1
1:54
5Carmen Suite Nr. 1: Les Dragons d' Alcala
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
part of:
Carmen Suite no. 1
1:37
6Carmen Suite Nr. 1: Les Toreadors
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic), Orchester der Zagreber Oper (Alfred Scholz related), Orchestre radio symphonique de Paris, Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Emil Edlinger, Jovan Šajnović (conductor, Alfred Scholz related), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
2:20
7Carmen Suite Nr. 2: Marche de Contrebandiers
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 2: I. Marche des contrebandiers
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers)
part of:
Carmen Suite no. 2
3:58
8Carmen Suite Nr. 2: Habanera
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Zdeněk Košler (conductor), János Sándor, Alfred Scholz and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Carmen Suite no. 2: II. Habanera
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
part of:
Carmen Suite no. 2
42:12
9Carmen Suite Nr. 2: Nocturne
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Anton Nanut (conductor), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 2: III. Nocturne
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
part of:
Carmen Suite no. 2
4:10
10Carmen Suite Nr. 2: Chanson deToréador
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym) and Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 2: IV. Chanson du toréador
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
part of:
Carmen Suite no. 2
2:40
11Carmen Suite Nr. 2: La Garde Montante
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym) and Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 2: V. La Garde montante
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
part of:
Carmen Suite no. 2
3:53
12Carmen Suite Nr. 2: Danse Bohème
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 2: VI. Danse bohème
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
part of:
Carmen Suite no. 2
4:37
13L' Arlésienne Suite Nr. 1: Ouverture
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
6:43
14L' Arlésienne Suite Nr. 1: Minuetto
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 1: II. Minuet, Allegro giocoso (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
2:45
15L' Arlésienne Suite Nr. 1: Adagietto
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
2:52
16L' Arlésienne Suite Nr. 1: Carillon
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
4:51
17L' Arlésienne Suite Nr. 2: Pastorale
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 2: I. Pastorale (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
5:13
18L' Arlésienne Suite Nr. 2: Intermezzo
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 2: II. Intermezzo (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
3:41
19L' Arlésienne Suite Nr. 2: Menuetto
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 2: III. Menuet (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
3:59
20L' Arlésienne Suite Nr. 2: Farandole
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
3:28

Credits

Release

part of:Renaissance (Welt Records) (number: 13) (order: 4)