The Jazz Album

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Fly Me to the Moon (In Other Words)
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1964-06-09)
tecnico:
Lowell Frank (engineer)
produttore:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
ance :
Marshall Royal, Eric Dixon (woodwind) (il 1964-06-09), Frank Foster (saxophonist) (il 1964-06-09), Charlie Fowlkes (baritone saxophonist) (il 1964-06-09) e Frank Wess (il 1964-06-09)
basso :
Buddy Catlett
batteria :
Sonny Payne (il 1964-06-09)
chitarra :
Freddie Green (il 1964-06-09)
percussione :
Emil Richards
pianoforte :
Count Basie (pianist) (il 1964-06-09)
tromba :
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (il 1964-06-09), Wallace Davenport (il 1964-06-09), Harry “Sweets” Edison (il 1964-06-09) e Al Porcino (il 1964-06-09)
trombone :
Henderson Chambers, Henry Coker (jazz trombonist) (il 1964-06-09), Bill Hughes (jazz trombonist) (il 1964-06-09), Grover Mitchell (trombone) (il 1964-06-09) e Ken Shroyer (trombonist) (il 1964-06-09)
vibrafono :
Emil Richards (il 1964-06-09)
viola :
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) e Paul Robyn
violino :
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson e Gerald Vinci (American violinist and strings conductor)
violoncello :
Ann Goodman e Edgar Lustgarten (, il 1964-06-09)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1964-06-09)
voce principale:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1964-06-09)
orchestra:
Count Basie and His Orchestra (il 1964-06-09)
direttore d'orchestra:
Quincy Jones (, il 1964-06-09)
arrangiatore:
Quincy Jones
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 75)
registrazione di:
Fly Me to the Moon (il 1964-06-09)
paroliere e compositore:
Bart Howard (nel 1954)
eseguita per la prima volta da:
Kaye Ballard (nel 1954)
editore:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC e TRO Essex Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
registrazione di:
Fly Me to the Moon (Quincy Jones arr.) (il 1964-06-09)
paroliere e compositore:
Bart Howard
arrangiatore:
Quincy Jones
editore:
Almanac Music Inc. e Hampshire House Publishing Corp.
arrangiamento di:
Fly Me to the Moon
Frank Sinatra42:29
2Let There Be Love
registrazione di:
Let There Be Love
paroliere:
Ian Grant (lyricist)
compositore:
Lionel Rand
editore:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
Nat King Cole2:44
3Ain’t That a Kick in the Head
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor)
registrazione di:
Ain’t That a Kick in the Head (il 1960-05-10)
paroliere:
Sammy Cahn
compositore:
Jimmy Van Heusen
editore:
Maraville Music Corp.
Dean Martin4.52:25
4Beyond the Sea
diritti fonografici (℗) detenuti da:
Pixar Animation Studios e Walt Disney Records
registrazione cover di:
Beyond the Sea
paroliere:
Jack Lawrence (US songwriter)
compositore:
Charles Trenet
editore:
Bro ’n Sis Music, Éditions Raoul Breton, Music 1 Ltd., Range Road Music Inc., Warner/Chappell Music International, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
versione tradotta di:
La Mer
Robbie Williams3.44:28
5Feeling Good
registrata a:
New York, New York, Stati Uniti (il 1965-01-15)
produttore:
Hal Mooney
chitarra :
Rudy Stevenson (il 1965-01-15)
pianoforte :
Nina Simone (il 1965-01-15)
voce:
Nina Simone (il 1965-01-15)
direttore d'orchestra:
Hal Mooney (il 1965-01-15)
arrangiatore:
Hal Mooney
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965)
registrazione cover di:
Feeling Good (il 1965-01-15)
autore:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
editore:
Concord Music Ltd e Musical Comedy Prods.
parte di:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.12:54
6Moondance
registrazione di:
Moondance
paroliere e compositore:
Van Morrison
editore:
Caledonia Productions, Inc. (Caledonia Soul Music Division), Chappell Music (UK), Van-Jan Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, Caledonia Soul Music (dal 1970 al 1971), WB Music Corp. (1929–2019) (dal 1970 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Van Morrison4:33
7Me and Mrs You
voce principale:
Michael Bublé (nel 2001)
registrazione di:
Me & Mrs. You
autore:
Andrew Van Slee
Michael Bublé32:06
8Hey Laura
Gregory Porter3:20
9The Good Life
pianoforte :
John Bunch (jazz pianist) e Ralph Sharon
voce:
Tony Bennett (US jazz/standards vocalist)
registrazione cover di:
The Good Life
paroliere:
Jack Reardon (American songwriter)
compositore:
Sacha Distel (nel 1962)
editore:
Intersong USA, Inc. (publisher) e Prosadis
versione di:
Marina
Tony Bennett42:16
10Goldfinger
tecnico:
John Richards (engineer)
produttore:
John Barry (English score composer) e George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
voce:
Shirley Bassey (Welsh singer) (nel 1964-07)
direttore d'orchestra:
John Barry (English score composer) (nel 1964-07)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
Goldfinger (nel 1964-07)
paroliere:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
compositore:
John Barry (English score composer)
editore:
EMI United Partnership Ltd. e Sony/ATV Songs LLC
parte di:
James Bond themes
parte di:
Goldfinger
Shirley Bassey4.252:50
11You Know I’m No Good
registrazione di:
You Know I’m No Good
paroliere e compositore:
Amy Winehouse
editore:
EMI Music Publishing (do not use as a release label!)
Amy Winehouse4:16
12Mercy
tecnico di registrazione, programmazione, produttore e tecnico di missaggio:
Steve Booker (songwriter/producer, worked with Duffy on 'Rockferry')
basso, chitarra e tastiera :
Steve Booker (songwriter/producer, worked with Duffy on 'Rockferry')
voce di accompagnamento e voce principale:
Duffy (Welsh singer, songwriter and occasional actress)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 2007)
registrazione di:
Mercy
autore:
Aimee Ann Duffy (Welsh singer, songwriter and occasional actress) e Stephen Andrew Booker (songwriter/producer, worked with Duffy on 'Rockferry')
editore:
EMI Music Publishing Ltd (PRS‐affiliated) e Universal Music Publishing (UK) Ltd.
Duffy3.83:41
13Inside Out
Imelda May3:28
14Fever
registrazione cover di:
Fever
autore:
Eddie Cooley e John Davenport (songwriter Otis Blackwell)
editore:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. e Trio Music Company
parte di:
The Adjustment Bureau
Peggy Lee3:16
15I Just Want to Make Love to You
produttore:
Leonard Chess, Leonard & Phil Chess (legendary US production duo) e Phil Chess
voce principale:
Etta James
orchestra:
Riley Hampton Orchestra
direttore d'orchestra:
Riley Hampton
arrangiatore:
Riley Hampton
registrazione cover di:
I Just Wanna Make Love to You (nel 1960-05)
paroliere e compositore:
Willie Dixon
editore:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Hoochie Coochie Music
Etta James33:06
16Mad About the Boy
basso :
Keter Betts (il 1952-03-24)
batteria :
Jimmy Cobb (US jazz drummer) (il 1952-03-24)
pianoforte :
Wynton Kelly (il 1952-03-24)
voce:
Dinah Washington (il 1952-03-24)
orchestra:
Walter Rodell and His Orchestra (il 1952-03-24)
registrazione cover di:
Mad About the Boy (il 1952-03-24)
paroliere e compositore:
Noël Coward
editore:
Chappell & Co. e Chappell Music Ltd.
parte di:
Words and Music
Dinah Washington4.653:01
17The Look of Love
assistente tecnico di registrazione:
Aya Takemura (dal 2001-01-22 al 2001-01-27), Chris Clark (engineer) (dal 2001-03-09 al 2001-03-11) e Richard Lancaster (dal 2001-03-09 al 2001-03-11)
tecnico di registrazione e tecnico di missaggio:
Al Schmitt
produttore:
Tommy LiPuma
assistente tecnico di missaggio:
John Hendrickson (Music engineer, mixer)
basso :
Christian McBride (American jazz bassist)
batteria :
Peter Erskine (US jazz drummer) (nel 2001)
chitarra :
Romero Lubambo (nel 2001)
percussione :
Luis Conte (percussionist) (nel 2001)
pianoforte :
Diana Krall (nel 2001)
voce:
Diana Krall (nel 2001)
orchestra:
London Symphony Orchestra (dal 2001-03-09 al 2001-03-11)
direttore d'orchestra:
Claus Ogerman (nel 2001)
arrangiatore:
Claus Ogerman
registrata presso:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 2001-01-22 al 2001-01-27) e Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 2001-03-09 al 2001-03-11)
mixata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (dal 2001-03-19 al 2001-03-23)
registrazione cover di:
The Look of Love (nel 2001)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Colgems Music Corp., Colgems-EMI Music Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
The 40th Academy Award for Best Original Song (numero: 2)
Diana Krall4:41
18Autumn Leaves
Eva Cassidy4:48
19What a Wonderful World
registrazione di:
What a Wonderful World
autore:
George Douglas (producer & songwriter) e George David Weiss
editore:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. e Valando Music, Inc.
sub-editore:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
12 Monkeys Soundtrack
parte di:
Freaky Friday (2003)
Louis Armstrong2:19
20Cry Me a River
tecnico:
John Kraus (1950s US engineer) (nel 1955-08)
produttore:
Bobby Troup
chitarra :
Barney Kessel
contrabbasso [bass] :
Ray Leatherwood
voce:
Julie London (nel 1955-08)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1957)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 15)
registrazione di:
Cry Me a River (nel 1955-08)
paroliere e compositore:
Arthur Hamilton
editore:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (nel 1982) e Song and Dance Music Co. (nel 1982)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:49
21That Ole Devil Called Love
voce:
Alison Moyet
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1985)
video musicali:
That Ole Devil Called Love di Alison Moyet
registrazione cover di:
That Ole Devil Called Love
paroliere:
Doris Fisher (nel 1944)
compositore:
Allan Roberts (songwriter) (nel 1944)
editore:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) e Universal/MCA Music Ltd. (not for release label use!)
Alison Moyet33:05
22The Girl From Impanema
registrazione di:
The Girl From Ipanema
paroliere:
Vinicius de Moraes (O poetinha)
compositore:
Antônio Carlos Jobim
traduttore:
Norman Gimbel
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. e Words West LLC
sub-editore:
Universal Music Publishing Ltd. (Hong Kong)
versione tradotta di:
Garota de Ipanema
parte di:
The Real Book (compilation of jazz standards, volume I)
Stan Getz, João Gilberto, Astrud Gilberto, Antônio Carlos Jobim2:47
23Desafinado
registrazione di:
Desafinado
paroliere:
Newton Mendonça
compositore:
Antônio Carlos Jobim
editore:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil e 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Stan Getz, João Gilberto, Antônio Carlos Jobim4:13
24Mais que nada
Sérgio Mendes & Brasil ’662:40
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