Oxford American: Ballads - Southern Music Issue Vol. 25

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Free companion CD with the Oxford American Winter 2023 issue (issue 123)

Annotation last modified on 2023-12-13 17:50 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Walk With Me
phonographic copyright (℗) by:
Smithsonian Folkways Recordings (for release labels, please use "Smithsonian Folkways") (from 2015 to present)
Fannie Lou Hamer1:57
2Cigarettes and Coffee
recording of:
Cigarettes and Coffee
writer:
Jerry Butler (soul singer), Eddie Thomas and Jay Walker
publisher:
Gil Music Corporation and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Otis Redding43:33
3Omie Wise
Okkervil River5:06
4At My Most Beautiful
recording of:
At My Most Beautiful
writer:
Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Temporary Music
R.E.M.3:37
5The Titanic
recorded in:
Spartanburg, South Carolina, United States (in 1960)
recording engineer:
Sam Charters (in 1960)
guitar:
Pink Anderson (in 1960)
vocals:
Pink Anderson (in 1960)
recording of:
The Titanic (aka "It Was Sad When That Great Ship Went Down") (in 1960)
publisher:
William & Versey Smith (in 1927)
writer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1915 until 1916)
Pink Anderson2:53
6How Do I Live
recording of:
How Do I Live
lyricist and composer:
Diane Warren (US songwriter)
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Realsongs (from 1997 to present)
part of:
The 70th Academy Award for Best Original Song (number: 2)
LeAnn Rimes4.54:29
7It Had to Be You
Milt Hinton6:18
8Abilene
recording of:
Abilene
lyricist and composer:
Jess Williamson
publisher:
Orgasmic Bliss
Plains3.53:06
9Be Real Black for Me
recording engineer:
Jimmy Douglass (engineer)
producer:
Joel Dorn and Arif Mardin
mixer:
Jimmy Douglass (engineer) and Arif Mardin
drums (drum set):
Bernard Purdie (from 1971-03 until 1971-10)
electric bass guitar [electric bass]:
Chuck Rainey (American bassist) (from 1971-03 until 1971-10)
electric piano and piano:
Donny Hathaway (from 1971-03 until 1971-10)
guitar:
Eric Gale (from 1971-03 until 1971-10)
percussion:
Ralph MacDonald (from 1971-03 until 1971-10)
vocals:
Roberta Flack (singer and pianist) (from 1971-03 until 1971-10) and Donny Hathaway (from 1971-03 until 1971-10)
horn [horns] arranger and strings arranger:
Donny Hathaway
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-03 until 1971-10)
recording of:
Be Real Black for Me
writer:
Roberta Flack (singer and pianist), Donny Hathaway and Charles Mann (US soul singer)
Roberta Flack & Donny Hathaway3:34
10The Day Is Past and Gone
Buna Hicks2:05
11Hawk for the Dove
bass:
Jimbo Hart
drums (drum set) and percussion:
Fred Eltringham (drummer)
fiddle:
Amanda Shires (US country)
guitar:
Jason Isbell
keyboard:
Peter Levin (The Blind Boys of Alabama) and Lawrence Rothman
background vocals:
Brittney Spencer
vocals:
Amanda Shires (US country)
recording of:
Hawk for the Dove
lyricist:
Amanda Shires (US country)
writer:
Lawrence Rothman
composer:
Lawrence Rothman and Amanda Shires (US country)
Amanda Shires3:50
12Think of Laura
recording engineer and mixer:
Chet Himes
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
assistant producer:
Rob Meurer and Michael Ostin
producer:
Michael Omartian
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
produced for:
Free Flow Productions
recorded at:
Pop ’n’ Roll Studios in Santa Monica, California, United States, Studio South in Austin, Texas, United States, The Aspen Studios in Aspen, Colorado, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Think of Laura
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
Pop ’n’ Roll Music (US work publisher) and Universal Music–MGB Songs
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross43:26
13The Carrier Line
recorded in:
Sledge, Mississippi, United States (on 1942-08-15)
banjo:
Lucius Smith (on 1942-08-15)
bass drum:
Will Head (on 1942-08-15)
fiddle:
Sid Hemphill (on 1942-08-15)
guitar:
Alec Askew (on 1942-08-15)
vocals:
Sid Hemphill (on 1942-08-15)
field recordings:
Alan Lomax (US ethnomusicologist) (on 1942-08-15)
Sid Hemphill6:00
14Dead Horses
recording of:
Dead Horses
writer:
Linda Jean Stokley
The Local Honeys54:02
15Pa’lante
part of:
Pitchfork: The 200 Best Songs of the 2010s (number: 94)
recording of:
Pa’Lante
lyricist and composer:
Alynda Mariposa Segarra (Lead vocalist of Hurray for the Riff Raff)
Hurray for the Riff Raff45:29
16The Glory of Love
George Lewis & The Barry Martyn Band4:18
17Liar
recording engineer:
Paramore (American pop rock band)
miscellaneous support:
Anne Declemente (A&R, Atlantic Records) (task: A&R administration)
artist & repertoire support:
Anne Declemente (A&R, Atlantic Records) and Steve Robertson (A&R)
assistant engineer:
Patrick Kehrier, Kyle McAulay and Scott Moore (engineer)
engineer:
Harriet Tam
producer:
Carlos de la Garza (US music producer)
assistant mixer:
Zach Pereyra, Trey Station and Anthony Vilchis
mixer:
Manny Marroquin
alto flute, bass clarinet, clarinet and flute:
Henry Solomon (saxophone, composer, producer)
drums (drum set) [drums]:
Zac Farro
guitar:
Taylor York
lead vocals:
Hayley Williams (Paramore vocalist)
drums (drum set) [drum] technician:
Joey Mullen
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2023)
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
Liar
writer:
Zac Farro, Hayley Williams (Paramore vocalist) and Taylor York
publisher:
But Father, I Just Want to Sing Music (publishing company of Hayley Williams of Paramore), Hunterboro Music, WC Music Corp. and Zac the Wolf Music
Paramore2.954:24
18The Final Gift
Dom Flemons6:40