The Complete Collection 1956-1962

~ Release by Cecil Taylor (see all versions of this release, 1 available)

Tracklist

1▶CD
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#TitleRatingLength
1Get Out of Town
recording engineer:
Lewis Merritt (on 1959-04-15)
double bass:
Buell Neidlinger (on 1959-04-15)
drums (drum set):
Denis Charles (drums) (on 1959-04-15)
piano:
Cecil Taylor (on 1959-04-15)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1959-04-15)
instrumental cover recording of:
Get Out of Town (on 1959-04-15)
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
9:13
2I Love Paris
recording engineer:
Lewis Merritt (on 1959-04-15)
double bass:
Buell Neidlinger (on 1959-04-15)
drums (drum set):
Denis Charles (drums) (on 1959-04-15)
piano:
Cecil Taylor (on 1959-04-15)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1959-04-15)
instrumental cover recording of:
I Love Paris (Can-Can [Pistache, Company]) (on 1959-04-15)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
5:12
3Love for Sale
recording engineer:
Lewis Merritt (on 1959-04-15)
double bass:
Buell Neidlinger (on 1959-04-15)
drums (drum set):
Denis Charles (drums) (on 1959-04-15)
piano:
Cecil Taylor (on 1959-04-15)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1959-04-15)
cover recording of:
Love for Sale (on 1959-04-15)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
8:15
4Little Lees
recording engineer:
Lewis Merritt (on 1959-04-15)
double bass:
Buell Neidlinger (on 1959-04-15)
drums (drum set):
Denis Charles (drums) (on 1959-04-15)
piano:
Cecil Taylor (on 1959-04-15)
tenor saxophone:
Bill Barron (on 1959-04-15)
trumpet:
Ted Curson (on 1959-04-15)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1959-04-15)
recording of:
Little Lees (Louise) (on 1959-04-15)
composer:
Cecil Taylor
9:05
5Matie's Trophies
recording engineer:
Lewis Merritt (on 1959-04-15)
double bass:
Buell Neidlinger (on 1959-04-15)
drums (drum set):
Denis Charles (drums) (on 1959-04-15)
piano:
Cecil Taylor (on 1959-04-15)
tenor saxophone:
Bill Barron (on 1959-04-15)
trumpet:
Ted Curson (on 1959-04-15)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1959-04-15)
recording of:
Matie’s Trophies (Motystrophe) (on 1959-04-15)
composer:
Cecil Taylor
10:14
6O.P.
producer:
Nat Hentoff
bass and double bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set) and timpani:
Billy Higgins (US jazz drummer) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
O.P. (in 1961-01)
composer:
Buell Neidlinger
9:13
7Cell Walk for Celeste
double bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set):
Denis Charles (drums) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
11:38
8Cindy's Main Mood
producer:
Nat Hentoff
bass and double bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set) and timpani:
Billy Higgins (US jazz drummer) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
Cindy’s Main Mood (in 1961-01)
composer:
Billy Higgins (US jazz drummer), Buell Neidlinger and Cecil Taylor
5:13
9Things Ain't What They Used to Be
producer:
Nat Hentoff
baritone saxophone:
Charles Davis (saxophone player) (from 1961-01-09 until 1961-01-10)
bass and double bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set):
Billy Higgins (US jazz drummer) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
soprano saxophone:
Steve Lacey (from 1961-01-09 until 1961-01-10) and Steve Lacy (jazz saxophonist and composer 1934–2004) (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
trombone:
Roswell Rudd (American jazz trombonist and composer) (from 1961-01-09 until 1961-01-10)
trumpet:
Clark Terry (American swing trumpeter) (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
instrumental recording of:
Things Ain’t What They Used to Be (in 1961-01)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
10:11
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