| # | Title | Artist | Rating | Length |
|---|
| 1 | The Sun Always Shines on T.V. | a‐ha | 3.9 | 5:02 |
| 2 | Too Shy | Kajagoogoo | 3.55 | 3:42 |
| 3 | Geno (2000 remaster) | Dexys Midnight Runners | 3 | 3:27 |
| 4 | I Feel for You | Chaka Khan | 3.75 | 5:43 |
| 5 | True (single edit) | Spandau Ballet | 3.65 | 5:28 |
| 6 | La bamba | Los Lobos | 4.15 | 2:54 |
| 7 | Frankie | Sister Sledge | | 4:18 |
| 8 | Black Velvet | Alannah Myles | 4.5 | 4:47 |
| 9 | I Can’t Wait | Nu Shooz | 4 | 3:39 |
| 10 | Somewhere in My Heart | Aztec Camera | 3.6 | 4:00 |
| 11 | What’s Love Got to Do With It- engineer and mixer:
- John Hudson
- producer:
- Terry Britten
- drums (drum set):
- Graham Jarvis
- guitar:
- Terry Britten
- keyboard:
- Nick Glennie‐Smith and Billy Livsey
- percussion:
- Simon Morton
- background vocals:
- Terry Britten and Tessa Niles
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1984), Parlophone Records Ltd. (in 1984, in 1997) and EMI Records Ltd. (in 2004)
- recorded at:
- Mayfair Studios in London , England, United Kingdom
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (number: 309)
- recording of:
- What’s Love Got to Do With It
- writer:
- Graham Lyle and Terence Ernest Britten
- publisher:
- Hornall Brothers Music Ltd. , Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. , Goodsingle Limited (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- recording of:
- What’s Love Got to Do With It
- writer:
- Terry Britten, Kyrre Gørvell-Dahll and Graham Lyle
- publisher:
- Kobalt Music (from 2020 to present) and WC Music Corp. (from 2020 to present)
- is based on:
- What’s Love Got to Do With It
| Tina Turner | 4.05 | 3:47 |
| 12 | Always | Atlantic Starr | | 4:48 |
| 13 | Jump to the Beat | Stacy Lattisaw | | 5:17 |
| 14 | Mirror Mirror | Dollar | | 3:31 |
| 15 | Drive- recording engineer:
- Nigel Green
- producer:
- The Cars and Robert John “Mutt” Lange
- mixer:
- Mike Shipley
- bass:
- Benjamin Orr
- drums (drum set):
- David Robinson
- guitar:
- Elliot Easton and Ric Ocasek
- keyboard:
- Greg Hawkes
- vocals:
- Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1984) and WEA International Inc. (in 1984)
- recorded at:
- Battery Studios in London , England, United Kingdom
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Drive by The Cars
- recording of:
- Drive
- publisher:
- Ric Ocasek
- lyricist and composer:
- Ric Ocasek
- publisher:
- Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. , Universal Music Publishing, Inc., Universal‐MCA Music Publishing and Warner/Chappell Music Ltd.
| The Cars | 4 | 3:54 |
| 16 | Feel So Real | Steve Arrington | | 5:06 |
| 17 | The Living Daylights | a‐ha | 4 | 4:14 |
| 18 | Each Time You Break My Heart | Nick Kamen | 3.5 | 4:34 |
| 19 | Gloria | Laura Branigan | 5 | 4:55 |
| 20 | Chain Reaction | Diana Ross | 4.35 | 3:51 |
| 21 | Cupid / I’ve Loved You for a Long Time | The Spinners | 4 | 3:57 |
| 22 | Lean on Me (Ah‐li‐ayo) | Red Box | | 4:26 |
| 23 | What’s the Colour of Money | Hollywood Beyond | 4 | 3:28 |
| 24 | This Corrosion (2018 remaster) | The Sisters of Mercy | 4 | 10:17 |
| 25 | Big in Japan (2019 remaster) | Alphaville | 4.15 | 4:45 |
| 26 | Waiting for a Girl Like You- assistant engineer:
- Edwin Hobgood and Michael Sauvage
- engineer:
- Tony Platt , Brad Samuelsohn and Dave Wittman
- producer:
- Mick Jones and Robert John “Mutt” Lange
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar [lead guitar]:
- Mick Jones
- keyboard:
- Mick Jones and Bob Mayo
- synthesizer:
- Thomas Dolby
- background vocals:
- Dennis Elliott, Mick Jones , Robert John “Mutt” Lange , Ian Lloyd , Mark Rivera and Rick Wills
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1981, in 2002), WEA International Inc. (in 1981) and Rhino Entertainment Company (in 2009)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- Waiting for a Girl Like You
- writer:
- Lou Gramm and Mick Jones
- publisher:
- Universal Music Publishing Pty Ltd. , フジパシフィック音楽出版 (until 2014-12-31), Evansongs Ltd. (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (from 2015-01-01 to present)
| Foreigner | 3.35 | 4:49 |
| 27 | April Skies | The Jesus and Mary Chain | 4.35 | 4:00 |
| 28 | The Killing Moon | Echo & the Bunnymen | 4.25 | 5:48 |
| 29 | Rio (2009 remaster) | Duran Duran | 4.75 | 5:37 |
| 30 | Don’t Get Me Wrong (2007 remaster) | Pretenders | 4.2 | 3:48 |
| 31 | International Rescue | Fuzzbox | | 3:29 |
| 32 | Superwoman- additional recording engineer:
- Bob Brown , Craig Burbidge and Tim Jaquette
- recording engineer and mixer:
- Jon Gass
- assistant engineer:
- Toni Greene and Fred Howard
- executive producer:
- Benny Medina and Leonard Richardson
- producer:
- L.A. & Babyface
- bass:
- Kayo
- drums (drum set) [drums] and percussion:
- L.A.
- keyboard [keyboards]:
- Babyface
- background vocals:
- Babyface , Carmen Carter, Bunny Hull and Karyn White
- mixed for:
- Ratstyle Productions
- produced for:
- La'Face, Inc.
- recorded at:
- Studio Masters in Los Angeles, California, United States
- mixed at:
- Elumba Recording Studio in Hollywood, Los Angeles, California, United States
- recording of:
- Superwoman (from 1988-03 until 1988-04)
- writer:
- Antonio M. Reid, Kenneth Edmonds and Daryl Simmons
- publisher:
- Green Skirt Music , Hip Trip and Kear Music
| Karyn White | 3 | 5:47 |
| 33 | You Might Need Somebody | Randy Crawford | | 4:18 |
| 34 | I’m Gonna Be (500 Miles) | The Proclaimers | 4 | 3:39 |
| 35 | Everybody Salsa | Modern Romance | | 3:22 |
| 36 | Sweet Love | Anita Baker | 3.55 | 4:26 |
| 37 | Cry Boy Cry | Blue Zoo | | 4:27 |
| 38 | Love Will Tear Us Apart- producer:
- Joy Division and Martin Hannett
- bass:
- Peter Hook
- drums (drum set):
- Stephen Morris
- guitar:
- Bernard Albrecht
- vocals:
- Bernard Albrecht and Ian Curtis
- phonographic copyright (℗) by:
- Factory Communications Ltd. (in 1988)
- recorded at:
- Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom
- part of:
- triple j’s Hottest 100 (number: 1989 (All-time)), triple j’s Hottest 100 (number: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (number: 5), Q50 – December 2005 (number: 6), Helsingin Sanomat: 100 maailman parasta laulua (number: 14), NME: Greatest “Indie” Anthems Ever: 2007 (number: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (number: 179)
- recording of:
- Love Will Tear Us Apart
- lyricist:
- Ian Curtis
- composer:
- Ian Curtis, Peter Hook, Stephen Morris and Bernard Sumner
- publisher:
- Fractured Music and Zomba Music Publishers Ltd.
| Joy Division | 4.5 | 3:27 |
| 39 | Money’s Too Tight (to Mention) (2008 remaster) | Simply Red | 5 | 4:13 |
| 40 | Electric Youth | Debbie Gibson | 3.5 | 4:57 |
| 41 | Lip Up Fatty | Bad Manners | 4 | 2:46 |
| 42 | Life in a Northern Town | The Dream Academy | 4.3 | 4:17 |
| 43 | Legs (2008 remaster) | ZZ Top | 4.35 | 4:34 |
| 44 | Hand Held in Black and White | Dollar | | 3:23 |
| 45 | The Last Film | Kissing the Pink | | 3:26 |
| 46 | Buzz Buzz a Diddle It | Matchbox | | 2:55 |
| 47 | Half a Minute | Matt Bianco | 3.25 | 3:50 |
| 48 | Kokomo- engineer and mixer:
- Keith Wechsler
- producer:
- Terry Melcher
- accordion:
- Van Dyke Parks (from 1988-03-22 until 1988-04-06)
- acoustic guitar:
- Jeffrey Foskett (from 1988-03-22 until 1988-04-06)
- alto saxophone:
- Joel Peskin (from 1988-03-22 until 1988-04-06)
- bass:
- Rod Clark (from 1988-03-22 until 1988-04-06)
- drums (drum set):
- Jim Keltner (from 1988-03-22 until 1988-04-06)
- slide guitar [electric slide guitar]:
- Ry Cooder (from 1988-03-22 until 1988-04-06)
- background vocals:
- Al Jardine (from 1988-03-22 until 1988-04-06), Bruce Johnston (from 1988-03-22 until 1988-04-06), Mike Love (from 1988-03-22 until 1988-04-06) and Carl Wilson (from 1988-03-22 until 1988-04-06)
- lead vocals:
- Mike Love (from 1988-03-22 until 1988-04-06) and Carl Wilson (from 1988-03-22 until 1988-04-06)
- performer:
- The Beach Boys (from 1988-03-22 until 1988-04-06)
- phonographic copyright (℗) by:
- WEA International Inc. , Elektra (in 1988) and Touchstone Pictures (in 1988)
- music videos:
- Kokomo by The Beach Boys
- recording of:
- Kokomo (from 1988-03-22 until 1988-04-06)
- writer:
- Mike Love , Scott McKenzie, Terry Melcher and John Phillips
- publisher:
- Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division , Spirit One Music, Touchstone Pictures Music and Songs Inc. and Yamaha Music EH(CM)
| The Beach Boys | 4.25 | 3:38 |
| 49 | Just Like Paradise | David Lee Roth | 4.6 | 4:05 |
| 50 | Let It Roll | Doug Lazy | | 5:42 |
| 51 | Temptation | New Order | 3.4 | 7:00 |
| 52 | Devotion (extended version) | Ten City | | 6:52 |
| 53 | Twisted | Keith Sweat | | 4:21 |
| 54 | Ain’t Nobody | Chaka Khan | 3.7 | 4:41 |
| 55 | Get Tough | Kleeer | | 8:21 |
| 56 | We Care a Lot | Faith No More | 4.1 | 4:04 |
| 57 | The Cutter | Echo & the Bunnymen | 4 | 3:53 |
| 58 | Boogie Down | Al Jarreau | | 4:01 |
| 59 | Hangin’ | Chic | | 5:12 |
| 60 | Love Changes (Everything) | Climie Fisher | 3.9 | 4:28 |
| 61 | Bad Habits | Jenny Burton | | 5:29 |
| 62 | Ride Like the Wind- assistant engineer:
- Stuart Gitlin
- engineer and mixer:
- Chet Himes
- producer:
- Michael Omartian
- acoustic guitar, electric guitar, solo guitar and lead vocals:
- Christopher Cross
- bass guitar:
- Andy Salmon
- drums (drum set):
- Tommy Taylor
- electric piano and piano:
- Michael Omartian
- percussion:
- Lenny Castro
- synthesizer:
- Rob Meurer
- background vocals:
- Christopher Cross and Michael McDonald
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- phonographic copyright (℗) by:
- Warner Bros. (in 1979) and Warner Bros. Records Inc. (in 1979)
- produced for:
- Free Flow Productions
- recorded at:
- Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Ride Like the Wind
- lyricist and composer:
- Christopher Cross
- publisher:
- BMG Songs, Inc., Pop ’n’ Roll Music and Universal Music–MGB Songs
- sub-publisher:
- Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
| Christopher Cross | 4.1 | 4:36 |
| 63 | Off on Your Own (Girl) | Al B. Sure! | | 4:09 |
| 64 | Baby I’m Scared of You | Womack & Womack | | 5:38 |
| 65 | Drivin’ My Life Away | Eddie Rabbitt | 5 | 3:15 |
| 66 | Gimme Your Love | New Edition | | 4:12 |
| 67 | Forever Young | Alphaville | 4.55 | 3:47 |
| 68 | Salsa House (edit) | Richie Rich | | 3:54 |
| 69 | The Best | Tina Turner | 4 | 5:33 |
| 70 | Never Ending Story | Limahl | 3.35 | 3:30 |
| 71 | The Harder I Try | Brother Beyond | 1 | 3:29 |
| 72 | I’m on My Way | The Proclaimers | 4.35 | 3:46 |
| 73 | Glory of Love- engineer and mixer:
- Terry Christian and John Guess
- producer:
- Michael Omartian
- guest background vocals:
- Kenny Cetera
- lead vocals:
- Peter Cetera
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1986) and Warner Music International (in 1986)
- recorded at and mixed at:
- Lion Share Studios in Los Angeles, California, United States
- recording of:
- Glory of Love
- writer:
- Peter Cetera, David Foster and Diane Nini
- publisher:
- EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. , シンコーミュージック・エンタテイメント , ピアーミュージック , ユニバーサル・ミュージック・パブリッシング Synch事業部 , コンソーシアム音楽出版 C・F事業部 (until 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (in 1986), ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
- part of:
- The 59th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1986 nominee)
| Peter Cetera | 4.2 | 4:18 |
| 74 | Two of Hearts | Stacey Q | 4 | 3:58 |
| 75 | It’s My Life (edit) | Talk Talk | | 3:37 |
| 76 | St. Elmo’s Fire (Man in Motion) | John Parr | 3.8 | 4:09 |
| 77 | Love Wars | Womack & Womack | | 4:02 |
| 78 | Owner of a Lonely Heart- engineer:
- Gary Langan
- producer:
- Trevor Horn
- bass guitar:
- Chris Squire (in 1983)
- drums (drum set):
- Alan White (in 1983)
- guitar:
- Trevor Rabin (in 1983)
- keyboard:
- Tony Kaye (in 1983)
- lead vocals:
- Jon Anderson (in 1983)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1983, in 2003) and WEA International Inc. (in 1983, in 2003)
- recorded at:
- Sarm Studios in Aldgate, Tower Hamlets, London , England, United Kingdom (in 1983)
- recording of:
- Owner of a Lonely Heart (in 1983)
- writer:
- Jon Anderson , Trevor Horn, Trevor Rabin and Chris Squire
- publisher:
- Affirmative Music , BMG Chrysalis Scandinavia AB , BMG Rights Management (UK) Ltd. , Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC , Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. , Tremander Songs, Unforgettable Songs , Unforgettable Songs Ltd., Warner Bros. Music , Warner Bros. Music Ltd. , Warner Chappell Music , Warner Chappell Music Ltd. , Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. , Warner/Chappell and Warner/Chappell North America Limited
- sub-publisher:
- エイベックス・ミュージック・パブリッシング 第7出版事業部 , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
| Yes | 3.85 | 4:24 |
| 79 | Kiss- recording engineer:
- Coke Johnson, David Leonard , Peggy McCreary, Susan Rogers , David Tickle and David Z.
- producer:
- Prince and The Revolution
- acoustic guitar, drum machine [Linn 9000], drum machine [Linn LM-1] and synthesizer [Yamaha DX7]:
- David Z.
- electric guitar and lead vocals:
- Prince
- background vocals:
- Bruce DeShazer, Prince and Marr Starr
- arranger:
- David Z.
- recorded at:
- Paisley Park Studios in Chanhassen, Minnesota, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 85) and Rolling Stone: 500 Greatest Songs of All Time (number: 461)
- recording of:
- Kiss (from 1985-04-27 until 1986-02-10)
- lyricist and composer:
- Prince
- publisher:
- Controversy Music
| Prince | 2.9 | 3:47 |
| 80 | Is This Love | Whitesnake | 4.2 | 4:44 |
| 81 | Baby Jane (2008 remaster) | Rod Stewart | | 4:43 |
| 82 | We Built This City- assistant engineer:
- Paul Ericksen
- engineer:
- Jeremy Smith
- producer:
- Jeremy Smith and Peter Wolf
- mixer:
- Bill Bottrell
- other vocals [DJ voice]:
- Les Garland (in 1985)
- arranger:
- Peter Wolf
- phonographic copyright (℗) by:
- BMG Music (in 1985) and RCA Records (in 1985)
- mixed at:
- Fantasy Studios in Berkeley, California, United States
- remixed at:
- The Soundcastle in Silver Lake, Los Angeles, California, United States
- recording of:
- We Built This City (in 1985)
- writer:
- Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf
- publisher:
- BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control , Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. , Universal Music–MGB Songs, Warner/Chappell Music Ltd. , Zomba Enterprises and Zomba Enterprises, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Starship | 3.9 | 4:56 |
| 83 | They Say It’s Gonna Rain | Hazell Dean | | 3:57 |
| 84 | I Keep Forgettin’ (Every Time You’re Near) | Michael McDonald | 4 | 3:42 |
| 85 | Casanova | LeVert | | 6:12 |
| 86 | Nite and Day | Al B. Sure! | 4 | 3:58 |
| 87 | Don’t Wanna Fall in Love | Jane Child | 4.5 | 4:08 |
| 88 | West End Girls (2001 remaster) | Pet Shop Boys | 3.8 | 4:05 |
| 89 | It Started With a Kiss | Hot Chocolate | 3 | 4:02 |
| 90 | Major Tom | Peter Schilling | | 5:00 |
| 91 | Orinoco Flow | Enya | 4.3 | 4:25 |
| 92 | You Can Leave Your Hat On- engineer:
- Brian Reeves
- producer:
- Richie Zito
- mixer:
- Rik Pekkonen
- bass and synthesizer:
- Arthur Barrow
- guitar:
- Richie Zito
- horn:
- Dick Hyde, Steve Madaio and Joel Peskin
- membranophone:
- Michael Baird
- background vocals:
- Maxine Sharp, Julia Waters and Maxine Waters
- lead vocals:
- Joe Cocker
- recorded at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States
- cover recording of:
- You Can Leave Your Hat On
- lyricist and composer:
- Randy Newman
- publisher:
- Warner–Tamerlane Publishing Corp. , WC Music Corp., Randy Newman (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (in 1972, in 1976)
- recording of:
- You Can Leave Your Hat On
- lyricist and composer:
- Randy Newman
- publisher:
- Warner–Tamerlane Publishing Corp. , WC Music Corp., Randy Newman (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (in 1972, in 1976)
| Joe Cocker | 3.85 | 4:15 |
| 93 | Biggest Part of Me | Ambrosia | | 5:24 |
| 94 | You’re the Inspiration (2006 remaster)- engineer and mixer:
- Humberto Gatica
- producer:
- David Foster
- assistant mixer:
- Larry Fergusson
- instruments arranger:
- Jeremy Lubbock
- arranger:
- Peter Cetera and David Foster
- phonographic copyright (℗) by:
- Warner Bros. Records , Warner Bros. Records Inc. (in 1984, in 2010) and WEA International Inc. (in 1984)
- recorded at:
- Sunset Sound in Hollywood, Los Angeles, California, United States (in 1984), The Lighthouse in North Hollywood, Los Angeles, California, United States (in 1984) and The Record Plant in Hollywood, Los Angeles, California, United States (in 1984)
- mixed at:
- Lion Share Recording Studios in Los Angeles, California, United States
- recording of:
- You’re the Inspiration (in 1984)
- writer:
- Peter Cetera (in 1984) and David Foster (in 1984)
- publisher:
- BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. , Warner/Chappell North America Limited , Double Virgo Music (in 1984) and Foster Frees Music Inc. (in 1984)
| Chicago | 5 | 3:49 |
| 95 | Veronica | Elvis Costello | 4.65 | 3:09 |
| 96 | Twist and Shout- cover recording of:
- Twist and Shout
- writer:
- Bert Russell (in 1961-02) and Phil Medley (in 1961-02)
- publisher:
- EMI Music Publishing , EMI Music Publishing Ltd. , Progressive Music Publishing Company Inc., Progressive Music, Inc , Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. , Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. and Warner/Chappell
- part of:
- Baby It’s You!
| David Lindley | | 2:45 |
| 97 | Nothing’s Gonna Stop Us Now- performer:
- Starship (in 1987)
- phonographic copyright (℗) by:
- BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (in 1987)
- recording of:
- Nothing’s Gonna Stop Us Now (in 1987)
- writer:
- Albert Hammond and Diane Warren
- arranger:
- Narada Michael Walden
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control , EMI Music Publishing Ltd. , Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. , WB Music Corp. and Windswept Pacific Music Ltd.
- part of:
- The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
- cover recording of:
- Nothing’s Gonna Stop Us Now
- writer:
- Albert Hammond and Diane Warren
- arranger:
- Narada Michael Walden
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control , EMI Music Publishing Ltd. , Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. , WB Music Corp. and Windswept Pacific Music Ltd.
- part of:
- The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
| Starship | 3.75 | 4:30 |
| 98 | Got to Get | Rob n Raz feat. Leila K | 2.5 | 3:21 |
| 99 | Love on the Line | Diana Ross | | 4:23 |
| 100 | Prove It | Television | 3.5 | 5:01 |
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