The Complete Erato, EMI Classics & Virgin Classics Recordings

~ Release by Catherine Collard (see all versions of this release, 2 available)

Tracklist

1▶CD: Schumann: Davidsbündlertänze / Fantasie
2▶CD: Schumann: Piano Sonata no. 1 / Kinderszenen
3▶CD: Schumann: Piano Sonata no. 2 / Arabeske / 3 Romances / Papillons
4▶CD: Lekeu, Franck: Violin Sonatas
5▶CD: Schumann: Violin Sonatas
6▶CD: Prokofiev: Violin Sonatas
7▼CD: d’Indy: Symphonie sur un chant montagnard “Cévenole” / Satie: 3 Morceaux en forme de poire / La Belle excentrique
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1Symphonie sur un chant montagnard “Cévenole”, for piano and orchestra in G major, op. 25: I. Assez lent – Modérément animé – Allegro
producer:
Alain de Chambure
piano:
Catherine Collard (pianist) (from 1991-05-06 until 1991-05-08)
orchestra:
Orchestre philharmonique de Radio France (from 1991-05-06 until 1991-05-08)
conductor:
Marek Janowski (conductor) (from 1991-05-06 until 1991-05-08)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1992)
recorded at:
Studio 104, Maison de la Radio in Paris, Île-de-France, France (from 1991-05-06 until 1991-05-08)
recording of:
Symphonie sur un chant montagnard français, op. 25: I. Assez lent - Modérément animé (from 1991-05-06 until 1991-05-08)
composer:
Vincent d’Indy (French composer & teacher) (in 1886)
part of:
Symphonie sur un chant montagnard français, op. 25
Vincent d’Indy10:21
2Symphonie sur un chant montagnard “Cévenole”, for piano and orchestra in G major, op. 25: II. Assez modéré, mais sans lenteur
producer:
Alain de Chambure
piano:
Catherine Collard (pianist) (from 1991-05-06 until 1991-05-08)
orchestra:
Orchestre philharmonique de Radio France (from 1991-05-06 until 1991-05-08)
conductor:
Marek Janowski (conductor) (from 1991-05-06 until 1991-05-08)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1992)
recorded at:
Studio 104, Maison de la Radio in Paris, Île-de-France, France (from 1991-05-06 until 1991-05-08)
recording of:
Symphonie sur un chant montagnard français, op. 25: II. Assez modéré, mais sans lenteur (from 1991-05-06 until 1991-05-08)
composer:
Vincent d’Indy (French composer & teacher) (in 1886)
part of:
Symphonie sur un chant montagnard français, op. 25
Vincent d’Indy6:16
3Symphonie sur un chant montagnard “Cévenole”, for piano and orchestra in G major, op. 25: III. Animé
producer:
Alain de Chambure
piano:
Catherine Collard (pianist) (from 1991-05-06 until 1991-05-08)
orchestra:
Orchestre philharmonique de Radio France (from 1991-05-06 until 1991-05-08)
conductor:
Marek Janowski (conductor) (from 1991-05-06 until 1991-05-08)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1992)
recorded at:
Studio 104, Maison de la Radio in Paris, Île-de-France, France (from 1991-05-06 until 1991-05-08)
recording of:
Symphonie sur un chant montagnard français, op. 25: III. Animé (from 1991-05-06 until 1991-05-08)
composer:
Vincent d’Indy (French composer & teacher) (in 1886)
part of:
Symphonie sur un chant montagnard français, op. 25
Vincent d’Indy7:33
43 Morceaux en forme de poire, for piano 4 hands: I. Manière de commencement (Assez modérément – Un peu plus vif)
producer:
John West (classical engineer/producer)
piano:
Catherine Collard (pianist) (in 1990-10) and Anne Queffélec (pianist) (in 1990-10)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 1990-10, from 1990-10-15 until 1990-10-18)
recording of:
Trois morceaux en forme de poire : Manière de commencement (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
recording of:
Trois morceaux en forme de poire : Manière de commencement (in 1990-10)
composer:
Erik Satie (French composer) (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie3:19
53 Morceaux en forme de poire, for piano 4 hands: II. Prolongation du même
producer:
John West (classical engineer/producer)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1990-10-15 until 1990-10-18)
recording of:
Trois morceaux en forme de poire : Prolongation du même (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie1:02
63 Morceaux en forme de poire, for piano 4 hands: III. Morceau I (Lentement)
producer:
John West (classical engineer/producer)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1990-10-15 until 1990-10-18)
recording of:
Trois morceaux en forme de poire : I. Lentement (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie1:29
73 Morceaux en forme de poire, for piano 4 hands: IV. Morceau II (Enlevé)
producer:
John West (classical engineer/producer)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1990-10-15 until 1990-10-18)
recording of:
Trois morceaux en forme de poire : II. Enlevé — De moitié — Premier temps (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie2:38
83 Morceaux en forme de poire, for piano 4 hands: V. Morceau III (Brutal)
producer:
John West (classical engineer/producer)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1990-10-15 until 1990-10-18)
recording of:
Trois morceaux en forme de poire : III. Brutal — Modéré — Au temps (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie2:43
93 Morceaux en forme de poire, for piano 4 hands: VI. En plus (Calme)
producer:
John West (classical engineer/producer)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1990-10-15 until 1990-10-18)
recording of:
Trois morceaux en forme de poire : En plus (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie1:56
103 Morceaux en forme de poire, for piano 4 hands: VII. Redite (Dans le lent)
producer:
John West (classical engineer/producer)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1990-10-15 until 1990-10-18)
recording of:
Trois morceaux en forme de poire : Redite (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie1:19
11La Belle excentrique : No. 1 Grande ritournelle
producer:
John West (classical engineer/producer)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1990-10-15 until 1990-10-18)
recording of:
La Belle Excentrique, fantaisie sérieuse pour piano à quatre mains : Grande ritournelle (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (from 1920-07 until 1920-10)
arranger:
Erik Satie (French composer) (in 1920)
arrangement of:
La Belle Excentrique (Fantasie sérieuse) : I. Grande ritournelle. Pas trop vite
part of:
La Belle Excentrique, fantaisie sérieuse pour piano à quatre mains (for piano four hands)
Erik Satie1:40
12La Belle excentrique : No. 2 Marche franco‐lunaire
producer:
John West (classical engineer/producer)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1990-10-15 until 1990-10-18)
recording of:
La Belle Excentrique, fantaisie sérieuse pour piano à quatre mains : Marche franco‐lunaire (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (from 1920-07 until 1920-10)
arranger:
Erik Satie (French composer) (in 1920)
arrangement of:
La Belle Excentrique (Fantasie sérieuse): II. Marche franco‐lunaire
part of:
La Belle Excentrique, fantaisie sérieuse pour piano à quatre mains (for piano four hands)
Erik Satie1:27
13La Belle excentrique : No. 3 Valse du mystérieux baiser dans l’œil
producer:
John West (classical engineer/producer)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1990-10-15 until 1990-10-18)
recording of:
La Belle Excentrique, fantaisie sérieuse pour piano à quatre mains : Valse du mystérieux baiser dans l’œil (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (from 1920-07 until 1920-10)
arranger:
Erik Satie (French composer) (in 1920)
arrangement of:
La Belle Excentrique (Fantasie sérieuse): III. Valse du “Mystérieux baiser dans l’œil”. Mouvement de valse
part of:
La Belle Excentrique, fantaisie sérieuse pour piano à quatre mains (for piano four hands)
Erik Satie1:56
14La Belle excentrique : No. 4 Cancan Grand‐Mondain
producer:
John West (classical engineer/producer)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1990-10-15 until 1990-10-18)
recording of:
La Belle Excentrique, fantaisie sérieuse pour piano à quatre mains : Cancan “Grandmondain” (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (from 1920-07 until 1920-10)
arranger:
Erik Satie (French composer) (in 1920)
arrangement of:
La Belle Excentrique (Fantasie sérieuse): IV. Cancan grand-mondain. Galop
part of:
La Belle Excentrique, fantaisie sérieuse pour piano à quatre mains (for piano four hands)
Erik Satie1:39

Credits

Release

liner notes:Antoine Palloc (pianist)
Anne Queffélec (pianist)
Nathalie Stutzmann (contralto and conductor)
Marc Trautmann
liner notes translator:Dorle Ellmers (liner notes translator)
Susannah Howe (liner notes translator)
copyrighted (©) by and phonographic copyright (℗) by:Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 2024)