The Real ¡Sock Ray Blue!

~ Release by Mojo Nixon & the Toadliquors (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1I Don't Want No Cybersex
engineer:
David Eaton (US engineer and producer) (from 1997-12 until 1998-01) and John Harvey (engineer) (from 1997-12 until 1998-01)
producer:
Ron Goudie (from 1997-12 until 1998-01)
mixer:
Scott Burns (record producer), Chris Canning, Robert Feist and Eric Ryan (Denver engineer/guitarist (ESR Studios))
recorded at:
Top Hat Recording (Austin, TX) in Austin, Texas, United States (from 1997-12 until 1998-01)
mixed at:
Ravenswork in Venice, Los Angeles, California, United States
3:37
2The Ballad of Country Dick
engineer:
David Eaton (US engineer and producer) (from 1997-12 until 1998-01) and John Harvey (engineer) (from 1997-12 until 1998-01)
producer:
Ron Goudie (from 1997-12 until 1998-01)
mixer:
Scott Burns (record producer), Chris Canning, Robert Feist and Eric Ryan (Denver engineer/guitarist (ESR Studios))
recorded at:
Top Hat Recording (Austin, TX) in Austin, Texas, United States (from 1997-12 until 1998-01)
mixed at:
Ravenswork in Venice, Los Angeles, California, United States
2:47
3Drunk Divorced Floozie (The Ballad of Diana Spencer)
engineer:
David Eaton (US engineer and producer) (from 1997-12 until 1998-01) and John Harvey (engineer) (from 1997-12 until 1998-01)
producer:
Ron Goudie (from 1997-12 until 1998-01)
mixer:
Scott Burns (record producer), Chris Canning, Robert Feist and Eric Ryan (Denver engineer/guitarist (ESR Studios))
recorded at:
Top Hat Recording (Austin, TX) in Austin, Texas, United States (from 1997-12 until 1998-01)
mixed at:
Ravenswork in Venice, Los Angeles, California, United States
3:07
4U.P.S. My Heart to You
engineer:
David Eaton (US engineer and producer) (from 1997-12 until 1998-01) and John Harvey (engineer) (from 1997-12 until 1998-01)
producer:
Ron Goudie (from 1997-12 until 1998-01)
mixer:
Scott Burns (record producer), Chris Canning, Robert Feist and Eric Ryan (Denver engineer/guitarist (ESR Studios))
recorded at:
Top Hat Recording (Austin, TX) in Austin, Texas, United States (from 1997-12 until 1998-01)
mixed at:
Ravenswork in Venice, Los Angeles, California, United States
3:04
5Machines Ain't Music / I Got My Mojo Working
engineer:
David Eaton (US engineer and producer) (from 1997-12 until 1998-01) and John Harvey (engineer) (from 1997-12 until 1998-01)
producer:
Ron Goudie (from 1997-12 until 1998-01)
mixer:
Scott Burns (record producer), Chris Canning, Robert Feist and Eric Ryan (Denver engineer/guitarist (ESR Studios))
recorded at:
Top Hat Recording (Austin, TX) in Austin, Texas, United States (from 1997-12 until 1998-01)
mixed at:
Ravenswork in Venice, Los Angeles, California, United States
4:17
6Disney Is the Enemy
engineer:
John Harvey (techno producer aka Dimension 5), David Eaton (US engineer and producer) (from 1997-12 until 1998-01) and John Harvey (engineer) (from 1997-12 until 1998-01)
producer:
Ron Goudie (from 1997-12 until 1998-01)
mixer:
Scott Burns (record producer), Chris Canning, Robert Feist and Eric Ryan (Denver engineer/guitarist (ESR Studios))
recorded at:
Top Hat Recording (Austin, TX) in Austin, Texas, United States (from 1997-12 until 1998-01)
mixed at:
Ravenswork in Venice, Los Angeles, California, United States
4:25
7Rock n' Roll Hall of Lame
engineer:
David Eaton (US engineer and producer) (from 1997-12 until 1998-01) and John Harvey (engineer) (from 1997-12 until 1998-01)
producer:
Ron Goudie (from 1997-12 until 1998-01)
mixer:
Scott Burns (record producer), Chris Canning, Robert Feist and Eric Ryan (Denver engineer/guitarist (ESR Studios))
recorded at:
Top Hat Recording (Austin, TX) in Austin, Texas, United States (from 1997-12 until 1998-01)
mixed at:
Ravenswork in Venice, Los Angeles, California, United States
5:04
8I Gotta Crazy Wife
engineer:
David Eaton (US engineer and producer) (from 1997-12 until 1998-01) and John Harvey (engineer) (from 1997-12 until 1998-01)
producer:
Ron Goudie (from 1997-12 until 1998-01)
mixer:
Scott Burns (record producer), Chris Canning, Robert Feist and Eric Ryan (Denver engineer/guitarist (ESR Studios))
recorded at:
Top Hat Recording (Austin, TX) in Austin, Texas, United States (from 1997-12 until 1998-01)
mixed at:
Ravenswork in Venice, Los Angeles, California, United States
2:57
9You Can't Buy Cool
engineer:
David Eaton (US engineer and producer) (from 1997-12 until 1998-01) and John Harvey (engineer) (from 1997-12 until 1998-01)
producer:
Ron Goudie (from 1997-12 until 1998-01)
mixer:
Scott Burns (record producer), Chris Canning, Robert Feist and Eric Ryan (Denver engineer/guitarist (ESR Studios))
recorded at:
Top Hat Recording (Austin, TX) in Austin, Texas, United States (from 1997-12 until 1998-01)
mixed at:
Ravenswork in Venice, Los Angeles, California, United States
3:53
10Tankman Blues
engineer:
David Eaton (US engineer and producer) (from 1997-12 until 1998-01) and John Harvey (engineer) (from 1997-12 until 1998-01)
producer:
Ron Goudie (from 1997-12 until 1998-01)
mixer:
Scott Burns (record producer), Chris Canning, Robert Feist and Eric Ryan (Denver engineer/guitarist (ESR Studios))
recorded at:
Top Hat Recording (Austin, TX) in Austin, Texas, United States (from 1997-12 until 1998-01)
mixed at:
Ravenswork in Venice, Los Angeles, California, United States
2:09
11Orenthal James (Was a Mighty Bad Man)
engineer:
David Eaton (US engineer and producer) (from 1997-12 until 1998-01) and John Harvey (engineer) (from 1997-12 until 1998-01)
producer:
Ron Goudie (from 1997-12 until 1998-01)
mixer:
Scott Burns (record producer), Chris Canning, Robert Feist and Eric Ryan (Denver engineer/guitarist (ESR Studios))
recorded at:
Top Hat Recording (Austin, TX) in Austin, Texas, United States (from 1997-12 until 1998-01)
mixed at:
Ravenswork in Venice, Los Angeles, California, United States
3:26
12Redneck Rampage
engineer:
David Eaton (US engineer and producer) (from 1997-12 until 1998-01) and John Harvey (engineer) (from 1997-12 until 1998-01)
producer:
Ron Goudie (from 1997-12 until 1998-01)
mixer:
Scott Burns (record producer), Chris Canning, Robert Feist and Eric Ryan (Denver engineer/guitarist (ESR Studios))
recorded at:
Top Hat Recording (Austin, TX) in Austin, Texas, United States (from 1997-12 until 1998-01)
mixed at:
Ravenswork in Venice, Los Angeles, California, United States
4:14
13When Did I Become My Dad
engineer:
David Eaton (US engineer and producer) (from 1997-12 until 1998-01) and John Harvey (engineer) (from 1997-12 until 1998-01)
producer:
Ron Goudie (from 1997-12 until 1998-01)
mixer:
Scott Burns (record producer), Chris Canning, Robert Feist and Eric Ryan (Denver engineer/guitarist (ESR Studios))
recorded at:
Top Hat Recording (Austin, TX) in Austin, Texas, United States (from 1997-12 until 1998-01)
mixed at:
Ravenswork in Venice, Los Angeles, California, United States
3:33

Credits

Release

mastering:Gene Grimaldi
Eddy Schreyer (US mastering engineer)
bass guitar:Earl B. Freedom (from 1997-12 until 1998-01)
drums (drum set):Mike Middleton (drummer, Mojo Nixon & the Toadliquors) (from 1997-12 until 1998-01)
guitar:Mojo Nixon (from 1997-12 until 1998-01)
guitar family:Joey Harris (from 1997-12 until 1998-01)
Gurf Morlix (from 1997-12 until 1998-01)
harmonica and other instruments [shotguns]:Tom Clifford (from 1997-12 until 1998-01)
lap steel guitar [lap steel], other instruments [Celis Pale Bock bottle] and other vocals [hillbilly singing]:Gurf Morlix (from 1997-12 until 1998-01)
organ:Patrick Barker-Benfield (from 1997-12 until 1998-01)
piano:Pete Gordon (piano, organ) (from 1997-12 until 1998-01)
spoken vocals [speech]:Joey Harris (from 1997-12 until 1998-01)
vocals:Earl B. Freedom (from 1997-12 until 1998-01)
Joey Harris (from 1997-12 until 1998-01)
Mike Middleton (drummer, Mojo Nixon & the Toadliquors) (from 1997-12 until 1998-01)
Mojo Nixon (from 1997-12 until 1998-01)
mastered at:Oasis Mastering in Burbank, California, United States
Discogs:https://www.discogs.com/release/3508018 [info]
ASIN:US: B00000I9CW [info]