Artie Shaw and His Orchestra: 1944-45

~ Veröffentlichung von Artie Shaw and His Orchestra (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Nr.TitelKünstlerBewertungLänge
1Dancing on the Ceiling
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-24)
alto saxophone:
Louis Prisby (am 1945-07-24) und Rudy Tanza (am 1945-07-24)
baritone saxophone:
Chuck Gentry (am 1945-07-24)
Bass:
Morris Rayman (am 1945-07-24)
Gitarre:
Barney Kessel (am 1945-07-24)
Klarinette:
Artie Shaw (am 1945-07-24)
Klavier:
Dodo Marmarosa (am 1945-07-24)
Posaune:
Gus Dixon (am 1945-07-24), Harry Rodgers (US big-band trombonist and arranger) (am 1945-07-24), Bob Swift (am 1945-07-24) und Ollie Wilson (am 1945-07-24)
Schlagzeug:
Lou Fromm (am 1945-07-24)
Tenorsaxophon:
Ralph Rosenlund (am 1945-07-24) und Jon Walton (am 1945-07-24)
Trompete:
Roy Eldridge (am 1945-07-24), Stan Fishelson (am 1945-07-24), Bernie Glow (am 1945-07-24) und George Schwartz (am 1945-07-24)
Orchester:
Artie Shaw and His Orchestra (am 1945-07-24)
recording of:
Dancing on the Ceiling (1930 Rodgers & Hart song) (am 1945-07-24)
Texter:
Lorenz Hart (in 1930)
Komponist(in):
Richard Rodgers (composer) (in 1930)
Artie Shaw and His Orchestra3:12
2A Can’t Get Started
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-24)
alto saxophone:
Louis Prisby (am 1945-07-24) und Rudy Tanza (am 1945-07-24)
baritone saxophone:
Chuck Gentry (am 1945-07-24)
Bass:
Morris Rayman (am 1945-07-24)
Gitarre:
Barney Kessel (am 1945-07-24)
Klarinette:
Artie Shaw (am 1945-07-24)
Klavier:
Dodo Marmarosa (am 1945-07-24)
Posaune:
Gus Dixon (am 1945-07-24), Harry Rodgers (US big-band trombonist and arranger) (am 1945-07-24), Bob Swift (am 1945-07-24) und Ollie Wilson (am 1945-07-24)
Schlagzeug:
Lou Fromm (am 1945-07-24)
Tenorsaxophon:
Ralph Rosenlund (am 1945-07-24) und Jon Walton (am 1945-07-24)
Trompete:
Roy Eldridge (am 1945-07-24), Stan Fishelson (am 1945-07-24), Bernie Glow (am 1945-07-24) und George Schwartz (am 1945-07-24)
Orchester:
Artie Shaw and His Orchestra (am 1945-07-24)
recording of:
I Can’t Get Started (am 1945-07-24)
Texter:
Ira Gershwin
Komponist(in):
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Artie Shaw and His Orchestra3:25
3Just Floating Along
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-26)
alto saxophone:
Louis Prisby (am 1945-07-26) und Rudy Tanza (am 1945-07-26)
baritone saxophone:
Chuck Gentry (am 1945-07-26)
Bass:
Morris Rayman (am 1945-07-26)
Gitarre:
Barney Kessel (am 1945-07-26)
Klarinette:
Artie Shaw (am 1945-07-26)
Klavier:
Dodo Marmarosa (am 1945-07-26)
Posaune:
Gus Dixon (am 1945-07-26), Harry Rodgers (US big-band trombonist and arranger) (am 1945-07-26), Bob Swift (am 1945-07-26) und Ollie Wilson (am 1945-07-26)
Schlagzeug:
Lou Fromm (am 1945-07-26)
Tenorsaxophon:
Ralph Rosenlund (am 1945-07-26) und Jon Walton (am 1945-07-26)
Trompete:
Roy Eldridge (am 1945-07-26), Stan Fishelson (am 1945-07-26), Bernie Glow (am 1945-07-26) und George Schwartz (am 1945-07-26)
Orchester:
Artie Shaw and His Orchestra (am 1945-07-26)
Artie Shaw and His Orchestra3:08
4Don’t Blame Me
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-28)
alto saxophone:
Louis Prisby (am 1945-07-28) und Rudy Tanza (am 1945-07-28)
baritone saxophone:
Chuck Gentry (am 1945-07-28)
Bass:
Morris Rayman (am 1945-07-28)
Gitarre:
Barney Kessel (am 1945-07-28)
Klarinette:
Artie Shaw (am 1945-07-28)
Klavier:
Dodo Marmarosa (am 1945-07-28)
Posaune:
Gus Dixon (am 1945-07-28), Harry Rodgers (US big-band trombonist and arranger) (am 1945-07-28), Bob Swift (am 1945-07-28) und Ollie Wilson (am 1945-07-28)
Schlagzeug:
Lou Fromm (am 1945-07-28)
Tenorsaxophon:
Ralph Rosenlund (am 1945-07-28) und Jon Walton (am 1945-07-28)
Trompete:
Roy Eldridge (am 1945-07-28), Stan Fishelson (am 1945-07-28), Bernie Glow (am 1945-07-28) und George Schwartz (am 1945-07-28)
Orchester:
Artie Shaw and His Orchestra (am 1945-07-28)
recording of:
Don’t Blame Me (am 1945-07-28)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) und Ireneadele Publishing
Artie Shaw and His Orchestra2:57
5Yolanda
alto saxophone:
Rudy Tanza (am 1945-07-28)
baritone saxophone:
Chuck Gentry (am 1945-07-28)
Gitarre:
Barney Kessel (in 1945)
Klarinette:
Artie Shaw (am 1945-07-28)
Klavier:
Dodo Marmarosa (in 1945)
Kontrabass:
Morris Rayman (in 1945)
Posaune:
Gus Dixon (in 1945), Harry Rogers (US big-band trombonist and arranger) (in 1945), Bob Swift (in 1945) und Ollie Wilson (in 1945)
Schlagzeug:
Lou Fromm (in 1945)
Tenorsaxophon:
Herbie Steward (jazz saxophonist) (in 1945)
Trompete:
Bernie Glow (in 1945)
Artie Shaw and His Orchestra3:14
6I Can’t Escape From You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-30)
alto saxophone:
Louis Prisby (am 1945-07-30) und Rudy Tanza (am 1945-07-30)
baritone saxophone:
Chuck Gentry (am 1945-07-30)
Bass:
Morris Rayman (am 1945-07-30)
Gitarre:
Barney Kessel (am 1945-07-30)
Klarinette:
Artie Shaw (am 1945-07-30)
Klavier:
Dodo Marmarosa (am 1945-07-30)
Posaune:
Gus Dixon (am 1945-07-30), Harry Rodgers (US big-band trombonist and arranger) (am 1945-07-30), Bob Swift (am 1945-07-30) und Ollie Wilson (am 1945-07-30)
Schlagzeug:
Lou Fromm (am 1945-07-30)
Tenorsaxophon:
Ralph Rosenlund (am 1945-07-30) und Jon Walton (am 1945-07-30)
Trompete:
Roy Eldridge (am 1945-07-30), Stan Fishelson (am 1945-07-30), Bernie Glow (am 1945-07-30) und George Schwartz (am 1945-07-30)
Orchester:
Artie Shaw and His Orchestra (am 1945-07-30)
recording of:
I Can’t Escape From You (am 1945-07-30)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Richard A. Whiting (composer)
Artie Shaw and His Orchestra3:05
7But Not for Me
alto saxophone:
Rudy Tanza (am 1945-07-31)
baritone saxophone:
Chuck Gentry (am 1945-07-31)
Gitarre:
Barney Kessel (am 1945-07-31)
Klarinette:
Artie Shaw (am 1945-07-31)
Klavier:
Dodo Marmarosa (am 1945-07-31)
Kontrabass:
Morris Rayman (am 1945-07-31)
Posaune:
Gus Dixon (am 1945-07-31), Harry Rogers (US big-band trombonist and arranger) (am 1945-07-31), Bob Swift (am 1945-07-31) und Ollie Wilson (am 1945-07-31)
Schlagzeug:
Lou Fromm (am 1945-07-31)
Tenorsaxophon:
Herbie Steward (jazz saxophonist) (in 1945)
Trompete:
Bernie Glow (am 1945-07-31)
recording of:
But Not for Me (am 1945-07-31)
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28), New World Music Co. (in 1930) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Artie Shaw and His Orchestra3:05
8Scuttlebutt
alto saxophone:
Rudy Tanza (am 1945-08-02)
baritone saxophone:
Chuck Gentry (am 1945-08-02)
Gitarre:
Barney Kessel (am 1945-08-02)
Klavier:
Dodo Marmarosa (am 1945-08-02)
Kontrabass:
Morris Rayman (am 1945-08-02)
Posaune:
Gus Dixon (am 1945-08-02), Harry Rogers (US big-band trombonist and arranger) (am 1945-08-02), Bob Swift (am 1945-08-02) und Ollie Wilson (am 1945-08-02)
Schlagzeug:
Lou Fromm (am 1945-08-02)
Tenorsaxophon:
Herbie Steward (jazz saxophonist) (am 1945-08-02)
Trompete:
Bernie Glow (am 1945-08-02)
recording of:
Scuttlebutt (am 1945-08-02)
Komponist(in):
John Carleton und Artie Shaw
Artie Shaw & His Gramercy Five3:15
9The Gentle Grifter
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-08-02)
alto saxophone:
Rudy Tanza (am 1945-08-02)
baritone saxophone:
Chuck Gentry (am 1945-08-02)
Gitarre:
Barney Kessel (am 1945-08-02)
Klarinette:
Artie Shaw (am 1945-08-02)
Klavier:
Dodo Marmarosa (am 1945-08-02)
Kontrabass:
Morris Rayman (am 1945-08-02)
Posaune:
Gus Dixon (am 1945-08-02), Harry Rogers (US big-band trombonist and arranger) (am 1945-08-02), Bob Swift (am 1945-08-02) und Ollie Wilson (am 1945-08-02)
Schlagzeug:
Lou Fromm (am 1945-08-02)
Tenorsaxophon:
Herbie Steward (jazz saxophonist) (am 1945-08-02)
Trompete:
Roy Eldridge (am 1945-08-02) und Bernie Glow (am 1945-08-02)
Interpret(in):
Artie Shaw and His Gramercy Five (am 1945-08-02)
recording of:
The Gentle Grifter (am 1945-08-02)
Komponist(in):
John Carleton und Artie Shaw
Artie Shaw & His Gramercy Five2:53
10Mysterioso
alto saxophone:
Rudy Tanza (am 1945-08-02)
baritone saxophone:
Chuck Gentry (am 1945-08-02)
Gitarre:
Barney Kessel (am 1945-08-02)
Klavier:
Dodo Marmarosa (am 1945-08-02)
Kontrabass:
Morris Rayman (am 1945-08-02)
Posaune:
Gus Dixon (am 1945-08-02), Harry Rogers (US big-band trombonist and arranger) (am 1945-08-02), Bob Swift (am 1945-08-02) und Ollie Wilson (am 1945-08-02)
Schlagzeug:
Lou Fromm (in 1945)
Tenorsaxophon:
Herbie Steward (jazz saxophonist) (am 1945-08-02)
Trompete:
Bernie Glow (am 1945-08-02)
Artie Shaw & His Gramercy Five3:03
11Mysterioso
alto saxophone:
Rudy Tanza (am 1945-08-02)
baritone saxophone:
Chuck Gentry (am 1945-08-02)
Gitarre:
Barney Kessel (am 1945-08-02)
Klavier:
Dodo Marmarosa (am 1945-08-02)
Kontrabass:
Morris Rayman (am 1945-08-02)
Posaune:
Gus Dixon (am 1945-08-02), Harry Rogers (US big-band trombonist and arranger) (am 1945-08-02), Bob Swift (am 1945-08-02) und Ollie Wilson (am 1945-08-02)
Schlagzeug:
Lou Fromm (am 1945-08-02)
Tenorsaxophon:
Herbie Steward (jazz saxophonist) (am 1945-08-02)
Trompete:
Bernie Glow (am 1945-08-02)
Artie Shaw & His Gramercy Five3:07
12Hop, Skip and Jump
alto saxophone:
Rudy Tanza (in 1945-11)
baritone saxophone:
Chuck Gentry (in 1945-11)
Gitarre:
Barney Kessel (in 1945-11)
Klavier:
Dodo Marmarosa (in 1945-11)
Kontrabass:
Morris Rayman (in 1945-11)
Posaune:
Gus Dixon (in 1945-11), Harry Rogers (US big-band trombonist and arranger) (in 1945-11), Bob Swift (in 1945-11) und Ollie Wilson (in 1945-11)
Schlagzeug:
Lou Fromm (in 1945-11)
Tenorsaxophon:
Herbie Steward (jazz saxophonist) (in 1945-11)
Trompete:
Bernie Glow (in 1945-11)
Artie Shaw & His Gramercy Five3:00
13Let’s Walk
alto saxophone:
Rudy Tanza (in 1945-11)
baritone saxophone:
Chuck Gentry (in 1945-11)
Gitarre:
Barney Kessel (in 1945-11)
Klarinette:
Artie Shaw (in 1945-11)
Klavier:
Dodo Marmarosa (in 1945-11)
Kontrabass:
Morris Rayman (in 1945-11)
Posaune:
Gus Dixon (in 1945-11), Harry Rogers (US big-band trombonist and arranger) (in 1945-11), Bob Swift (in 1945-11) und Ollie Wilson (in 1945-11)
Schlagzeug:
Lou Fromm (in 1945-11)
Tenorsaxophon:
Herbie Steward (jazz saxophonist) (in 1945-11)
Trompete:
Bernie Glow (in 1945-11)
Artie Shaw and His Orchestra3:03
14Love of My Life
alto saxophone:
Rudy Tanza (in 1945-11)
baritone saxophone:
Chuck Gentry (in 1945-11)
Gitarre:
Barney Kessel (in 1945-11)
Klarinette:
Artie Shaw (in 1945-11)
Klavier:
Dodo Marmarosa (in 1945-11)
Kontrabass:
Morris Rayman (in 1945-11)
Posaune:
Gus Dixon (in 1945-11), Harry Rogers (US big-band trombonist and arranger) (in 1945-11), Bob Swift (in 1945-11) und Ollie Wilson (in 1945-11)
Schlagzeug:
Lou Fromm (in 1945-11)
Tenorsaxophon:
Herbie Steward (jazz saxophonist) (in 1945-11)
Trompete:
Bernie Glow (in 1945-11)
instrumental recording of:
Love of My Life (Shaw/Mercer song) (in 1945-11)
Texter:
Johnny Mercer
Komponist(in):
Artie Shaw
Teil von:
The 13th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1940 nominee)
Artie Shaw and His Orchestra3:11
15Ghost of a Chance
alto saxophone:
Rudy Tanza (in 1945-11)
baritone saxophone:
Chuck Gentry (in 1945-11)
Gitarre:
Barney Kessel (in 1945-11)
Klarinette:
Artie Shaw (in 1945-11)
Klavier:
Dodo Marmarosa (in 1945-11)
Kontrabass:
Morris Rayman (in 1945-11)
Posaune:
Gus Dixon (in 1945-11), Harry Rogers (US big-band trombonist and arranger) (in 1945-11), Bob Swift (in 1945-11) und Ollie Wilson (in 1945-11)
Schlagzeug:
Lou Fromm (in 1945-11)
Tenorsaxophon:
Herbie Steward (jazz saxophonist) (in 1945-11)
Trompete:
Bernie Glow (in 1945-11)
instrumental recording of:
(I Don’t Stand) A Ghost of a Chance (in 1945-11)
Texter:
Bing Crosby und Ned Washington
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited und Mills Music, Inc.
Artie Shaw and His Orchestra3:13
16How Deep Is the Ocean
alto saxophone:
Rudy Tanza (in 1945-11)
baritone saxophone:
Chuck Gentry (in 1945)
Gitarre:
Barney Kessel (in 1945-11)
Klarinette:
Artie Shaw (in 1945-11)
Klavier:
Dodo Marmarosa (in 1945-11)
Kontrabass:
Morris Rayman (in 1945-11)
Posaune:
Gus Dixon (in 1945-11), Harry Rogers (US big-band trombonist and arranger) (in 1945-11), Bob Swift (in 1945-11) und Ollie Wilson (in 1945-11)
Schlagzeug:
Lou Fromm (in 1945-11)
Tenorsaxophon:
Herbie Steward (jazz saxophonist) (in 1945-11)
Trompete:
Bernie Glow (in 1945-11)
instrumental recording of:
How Deep Is the Ocean? (in 1945-11)
Texter und Komponist(in):
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. und Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Artie Shaw and His Orchestra3:00
17The Glider
alto saxophone:
Rudy Tanza (in 1945-11)
baritone saxophone:
Chuck Gentry (in 1945-11)
Gitarre:
Barney Kessel (in 1945-11)
Klarinette:
Artie Shaw (in 1945-11)
Klavier:
Dodo Marmarosa (in 1945-11)
Kontrabass:
Morris Rayman (in 1945-11)
Posaune:
Gus Dixon (in 1945-11), Harry Rogers (US big-band trombonist and arranger) (in 1945-11), Bob Swift (in 1945-11) und Ollie Wilson (in 1945-11)
Schlagzeug:
Lou Fromm (in 1945-11)
Tenorsaxophon:
Herbie Steward (jazz saxophonist) (in 1945-11)
Trompete:
Bernie Glow (in 1945-11)
Artie Shaw and His Orchestra2:53
18The Hornet
alto saxophone:
Rudy Tanza (in 1945-11)
baritone saxophone:
Chuck Gentry (in 1945-11)
Gitarre:
Barney Kessel (in 1945-11)
Klarinette:
Artie Shaw (in 1945-11)
Klavier:
Dodo Marmarosa (in 1945-11)
Kontrabass:
Morris Rayman (in 1945-11)
Posaune:
Gus Dixon (in 1945-11), Harry Rogers (US big-band trombonist and arranger) (in 1945-11), Bob Swift (in 1945-11) und Ollie Wilson (in 1945-11)
Schlagzeug:
Lou Fromm (in 1945-11)
Tenorsaxophon:
Herbie Steward (jazz saxophonist) (in 1945-11)
Trompete:
Bernie Glow (in 1945-11)
Artie Shaw and His Orchestra3:08
19Lady Be Good
Klarinette:
Artie Shaw (am 1945-09-25)
instrumental recording of:
Oh, Lady Be Good! (am 1945-09-25)
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
American Splendor
Teil von:
Lady, Be Good (full musical)
Artie Shaw and His Orchestra1:48
20Artie’s Blues
Klarinette:
Artie Shaw (am 1944-09-25)
Artie Shaw and His Orchestra3:06
21I Was Doing All Right
Klarinette:
Artie Shaw (am 1945-03-15)
instrumental recording of:
I Was Doing All Right (am 1945-03-15)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1938)
Teil von:
The Goldwyn Follies
Artie Shaw & His Gramercy Five4:20
22You Took Advantage of Me
Klarinette:
Artie Shaw (am 1945-03-15)
instrumental recording of:
You Took Advantage of Me (am 1945-03-15)
Texter:
Lorenz Hart (in 1928)
Komponist(in):
Richard Rodgers (composer) (in 1928)
publisher:
Chappell’s • Sydney
Artie Shaw & His Gramercy Five3:04

Nennungen