Sounds of the 70’s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Countries excluded (Spotify + Deezer + iTunes)

(As of 2023-02-03).

  • Northern America: 🇺🇸 United States (us)
  • Eastern Europe: 🇧🇾 Belarus (by) 🇷🇺 Russia (ru)
  • Eastern Asia: 🇨🇳 China (cn)
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Anmerkung zuletzt geändert am 2023-02-04 22:54 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Dreams
assistierende(r) Techniker(in):
Chris Morris (LA engineer & producer (late ’70s))
Techniker(in):
Ken Caillat und Richard Dashut
Produzent(in):
Ken Caillat, Richard Dashut und Fleetwood Mac
zusätzliche(r) Produzent(in):
Ken Caillat und Richard Dashut
Bassgitarre:
John McVie
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard und Synthesizer:
Christine McVie
Schlagzeug und Perkussion:
Mick Fleetwood
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) und Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 9) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 17)
recording of:
Dreams
Texter und Komponist(in):
Stevie Nicks
publisher:
Gentoo Music, Inc., Kobalt Music Publishing Ltd. (publisher) und Welsh Witch Music (BMI affiliated) (in 1977)
Fleetwood Mac4.34:17
2Listen to the Music
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972)
Bearbeitung von:
Listen to the Music von The Doobie Brothers
recording of:
Listen to the Music
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:47
3American Girl
recording engineer und Mix:
Max und Noah Shark
Produzent(in):
Denny Cordell
E-Bass:
Ron Blair
phonographisches Urheberrecht (℗) von:
Gone Gator Records (in 1976)
aufgenommen bei und mixed at:
The Shelter Studio (Leon Russell's second studio) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 169)
recording of:
American Girl
Texter und Komponist(in):
Tom Petty
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
Tom Petty and the Heartbreakers43:35
4Feel Like Makin’ Love
recording engineer:
Ron Nevison (in 1974-09)
Produzent(in):
Bad Company (British blues-rock supergroup)
Mix:
Ron Nevison
E-Bass:
Boz Burrell (English musician) (in 1974-09)
Gitarre:
Mick Ralphs (in 1974-09) und Paul Rodgers (in 1974-09)
Keyboard:
Mick Ralphs (in 1974-09)
Klavier und Sologesang:
Paul Rodgers (in 1974-09)
Schlagzeug:
Simon Kirke (in 1974-09)
phonographisches Urheberrecht (℗) von:
Swan Song Inc. (in 1975)
aufgenommen bei:
Clearwell Castle in Gloucestershire, England, Vereinigtes Königreich (in 1974-09)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 78)
recording of:
Feel Like Makin’ Love (in 1974-09)
Verfasser(in):
Mick Ralphs und Paul Rodgers
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Badco Music, Inc. (vom 1974 bis heute)
Bad Company4.255:15
5La Grange
Techniker(in):
Robin Gibb, Terry Manning (US recording engineer) und Robin Brian
Produzent(in):
Bill Ham (manager of ZZ Top)
Mix und Editing:
Terry Manning (US recording engineer)
Bassgitarre:
Dusty Hill
E-Gitarre, Gitarre und Sologesang:
Billy Gibbons
Schlagzeug:
Rube Beard (ZZ Top drummer)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten, Brian studios in Memphis, Tennessee, Vereinigte Staaten und Robin Hood Studios in Tyler, Texas, Vereinigte Staaten
recording of:
La Grange
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
publisher:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic und Stage Three Songs
basiert auf:
Boogie Chillen’
ZZ Top4.553:50
6No More Mr. Nice Guy
Produzent(in):
Bob Ezrin
Bassgitarre:
Dennis Dunaway (original bass player for Alice Cooper) (von 1972-08 bis 1973-01)
Gitarre:
Michael Bruce (of Alice Cooper) (von 1972-08 bis 1973-01) und Glen Buxton (American guitarist) (von 1972-08 bis 1973-01)
Keyboard:
Michael Bruce (of Alice Cooper) (von 1972-08 bis 1973-01)
Schlagzeug:
Neal Smith (former Alice Cooper drummer) (von 1972-08 bis 1973-01)
Hintergrundgesang:
Michael Bruce (of Alice Cooper) (von 1972-08 bis 1973-01), Dennis Dunaway (original bass player for Alice Cooper) (von 1972-08 bis 1973-01) und Neal Smith (former Alice Cooper drummer) (von 1972-08 bis 1973-01)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present) (von 1972-08 bis 1973-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973)
recording of:
No More Mr. Nice Guy (von 1972-08 bis 1973-01)
Verfasser(in):
Michael Bruce (of Alice Cooper) und Alice Cooper (the singer, active as a solo artist 1975‐present)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music (, in 1973), Ezra Music Corp., Primary Wave Music Publishing, Sony/ATV Songs LLC, Universal Music Publishing Group und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.23:06
7Running on Empty
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 82)
recording of:
Running on Empty
Texter und Komponist(in):
Jackson Browne (American singer-songwriter)
publisher:
Swallow Turn Music (in 1977)
Jackson Browne4:58
8Ooh La La
assistierende(r) Techniker(in):
Phil Chapman (engineer)
Techniker(in) und Produzent(in):
Glyn Johns
Akustikgitarre:
Ronnie Lane und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Harmonium und Klavier:
Ian McLagan
Perkussion und Schlagzeug:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
Sologesang:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 246)
recording of:
Ooh La La
Texter:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Komponist(in):
Ronnie Lane und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
WB Music Corp. (1929–2019)
Faces3.753:34
9School’s Out
Techniker(in):
Roy Cicala und Shelly Yakus
Produzent(in):
Bob Ezrin
E-Bass:
Dennis Dunaway (original bass player for Alice Cooper)
E-Gitarre:
Michael Bruce (of Alice Cooper) und Glen Buxton (American guitarist)
Gitarre und Hintergrundgesang:
Reggie Vincent
Keyboard:
Michael Bruce (of Alice Cooper) und Bob Ezrin
Schlagzeug:
Neil Smith (former Alice Cooper drummer)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, in 1974) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
produced for:
Alive Enterprises Incorporated und Nimbus 9 Productions
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 293) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 319)
recording of:
School’s Out
Verfasser(in):
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975‐present), Dennis Dunaway (original bass player for Alice Cooper) und Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.253:30
10Aqualung
Techniker(in):
John Burns (engineer/producer for Genesis)
Produzent(in):
Ian Anderson (of Jethro Tull) und Terry Ellis (UK producer & band manager)
Akustikgitarre und flute:
Ian Anderson (of Jethro Tull) (von 1970-12 bis 1971-02)
Bassgitarre und Altblockflöte:
Jeffrey Hammond Hammond (von 1970-12 bis 1971-02)
E-Gitarre und soprano recorder:
Martin Barre (von 1970-12 bis 1971-02)
mellotron, Orgel und Klavier:
John Evan (von 1970-12 bis 1971-02)
Schlagzeug und Perkussion:
Clive Bunker (von 1970-12 bis 1971-02)
vocals:
Ian Anderson (of Jethro Tull) (von 1970-12 bis 1971-02)
conductor:
Dee Palmer (aka David Palmer, of Jethro Tull) (von 1970-12 bis 1971-02)
Orchestrator(in):
Dee Palmer (aka David Palmer, of Jethro Tull)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 90)
recording of:
Aqualung (Jethro Tull) (am 1971-02-12)
Texter:
Ian Anderson (of Jethro Tull) und Jennie Franks
Komponist(in):
Ian Anderson (of Jethro Tull)
Jethro Tull4.256:35
11Just What I Needed
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 75), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 112) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 369)
recording of:
Just What I Needed (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
BMG Music Publishing Ltd., Lido Music, Inc. und Lido Music (not for release label use!) (in 1978)
The Cars4.33:46
12Sweet Jane
Produzent(in):
Geoffrey Haslam, Shel Kagan und The Velvet Underground (Lou Reed’s seminal rock band)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 335)
recording of:
Sweet Jane
Texter und Komponist(in):
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground54:06
13Psycho Killer
Techniker(in):
Ed Stasium (US record producer & audio engineer)
zusätzliche(r) Techniker(in):
Matt Cohen (US producer and engineer)
leitende(r) Produzent(in):
Karen Ahmed und Robin Hurley
Produzent(in):
Tony Bongiovi, Lance Quinn und Talking Heads
Bassgitarre:
Tina Weymouth (von 1976 bis 1977)
Gitarre:
David Byrne (Talking Heads) (von 1976 bis 1977) und Jerry Harrison (Talking Heads & producer) (von 1976 bis 1977)
Gitarre und Keyboard und Keyboard:
Jerry Harrison (Talking Heads & producer) (von 1976 bis 1977)
Schlagzeug:
Chris Frantz (von 1976 bis 1977)
Sologesang:
David Byrne (Talking Heads) (von 1976 bis 1977)
vocals:
Jerry Harrison (Talking Heads & producer) (von 1976 bis 1977)
phonographisches Urheberrecht (℗) von:
Sire Records Inc. (in 1977)
aufgenommen bei:
Sundragon Studios in Flatiron District, New York, New York, Vereinigte Staaten (von 1976 bis 1977)
mixed at:
Mediasound Studios in New York, New York, Vereinigte Staaten (in 2005)
Samples von:
Lexicon Valley #190, "Beyond the Five Ws" von John McWhorter
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 108)
recording of:
Psycho Killer (von 1976 bis 1977)
Texter:
David Byrne (Talking Heads), Chris Frantz und Tina Weymouth
Verfasser(in):
David Byrne (Talking Heads), Christopher Frantz und Martina Weymouth
Komponist(in):
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Talking Heads3.854:21
14Can’t Get Enough
recording engineer und Mix:
Ron Nevison
Techniker(in):
Ron Fawcus (Aufgabe: tape operator)
Produzent(in):
Bad Company (British blues-rock supergroup)
Bass:
Boz Burrell (English musician) (in 1973-11)
Gitarre:
Mick Ralphs (in 1973-11)
Gitarre [second guitar] und Sologesang:
Paul Rodgers (in 1973-11)
Schlagzeug:
Simon Kirke (in 1973-11)
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) (in 1974)
aufgenommen bei:
Headley Grange (Grade II listed building, best known for its use as a recording and rehearsal venue in the 1960s–70s) in Hampshire, England, Vereinigtes Königreich (in 1973-11)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Can’t Get Enough (in 1973-11)
Texter und Komponist(in):
Mick Ralphs
publisher:
Badco Music, Inc.
Bad Company3.654:14
15Why Can’t We Be Friends
recording of:
Why Can’t We Be Friends?
Verfasser(in):
Papa Dee Allen, Harold Brown, B.B. Dickerson, Jerry Goldstein (producer, record label owner and publisher), Lonnie Jordan, Charles Miller (US saxophonist & flutist, member of War), Lee Oskar und Howard E. Scott (US funk/rock guitarist, member of War)
War3:48
16Every 1’s a Winner (single version)
Produzent(in):
Mickie Most (English record producer)
recording of:
Every 1’s a Winner
Texter und Komponist(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated) und RAK Music Publishing Ltd.
Hot Chocolate4:49
17Riders on the Storm
Produzent(in):
Bruce Botnick und The Doors
Bassgitarre:
Jerry Scheff
Gitarre [lead guitar]:
Robby Krieger (American guitarist, member of The Doors)
Rhodes Piano:
Ray Manzarek
Schlagzeug:
John Densmore
Sologesang:
Jim Morrison (lead vocalist of the Doors)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1971)
aufgenommen bei:
The Doors Workshop in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1970)
Remaster:
Riders on the Storm von The Doors
recording of:
Riders on the Storm (in 1970)
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company und Rondor Music (London) Ltd.
The Doors4.57:15
18Sundown
assistierende(r) Techniker(in):
Chris Skene
Produzent(in):
Lenny Waronker
Akustikgitarre:
Terry Clements und Gordon Lightfoot
Bassgitarre:
John Stockfish
E-Gitarre:
Red Shea
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
phonographisches Urheberrecht (℗) von:
Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text), Reprise Records (in 1974, in 1975) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974)
recording of:
Sundown
Texter und Komponist(in):
Gordon Lightfoot
publisher:
Moose Music und WB Music Corp. (1929–2019)
Gordon Lightfoot4.853:33
19A Horse With No Name
Techniker(in):
Robin Black (engineer) und Ken Scott (UK record producer & engineer)
Produzent(in):
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Ian Samwell
zusätzliche(r) Produzent(in):
America (US folk/soft rock band) und Jeff Dexter
Mix:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Akustikgitarre und Sologesang:
Dewey Bunnell (in 1971)
Bassgitarre:
Dan Peek (in 1971)
Perkussion:
Ray Cooper (percussionist) (in 1971)
Schlagzeug:
Kim Haworth (in 1971)
zwölfsaitige Gitarre:
Gerry Beckley (in 1971)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1971)
recording of:
A Horse With No Name (in 1971)
Texter und Komponist(in):
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
America4.254:12
20Hooked on a Feeling
Produzent(in):
Bengt Palmers
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (in 1973) und EMI Records Group (in 1973)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 284)
recording of:
Hooked on a Feeling
Texter und Komponist(in):
Mark James (Francis Zambon, composer of “Suspicious Minds”)
Blue Swede & Björn Skifs4.052:53
21Cats in the Cradle
recording of:
Cat’s in the Cradle
Verfasser(in):
Sandra Campbell Chapin und Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin33:32
22Summer Breeze
Produzent(in):
Louie Shelton
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1972)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 10)
recording of:
Summer Breeze
Texter:
James Seals
Komponist(in):
Dash Crofts und James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals and Crofts4.353:22
23Doctor My Eyes
recording engineer, Techniker(in), Produzent(in) und Mix:
Richard Sanford Orshoff
Akustikgitarre, Klavier und Sologesang:
Jackson Browne (American singer-songwriter)
Bass und Bassgitarre:
Leland Sklar (bassist, session musician)
Bratsche / Viola:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
Conga und Schlagzeug:
Russ Kunkel (session drummer)
E-Gitarre:
Jesse ‘Ed’ Davis
Mundharmonika [mouth harp]:
Jim Fadden
Orgel:
Jim Gordon (US drummer with Derek and the Dominos)
Pedal-Steel-Gitarre:
Sneaky Pete
Hintergrundgesang:
David Crosby und Graham Nash
sonstiger Gesang [harmony vocals]:
David Crosby
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 5)
recording of:
Doctor My Eyes
Texter und Komponist(in):
Jackson Browne (American singer-songwriter)
Jackson Browne53:20
24Long Train Runnin’
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
Becken, Conga und Timbales:
Michael Hossack
Gast-Synthesizer:
Malcolm Cecil und Robert Margouleff
Gitarre:
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
Keyboard, Klavier und Orgel:
Bill Payne
membranophone:
John Hartman (drummer for the Doobie Brothers) und Michael Hossack
Mundharmonika:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
Perkussion:
John Hartman (drummer for the Doobie Brothers) und Ted Templeman
Steel-Gitarre:
Jeff “Skunk” Baxter
Synthesizer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
vocals:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter und Patrick Simmons
Bass arranger:
Tiran Porter
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1973) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
aufgenommen bei:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Long Train Runnin’
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (in 1982) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) (in 1991)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.13:27
25The Chain
assistierende(r) Techniker(in):
Chris Morris (LA engineer & producer (late ’70s))
Techniker(in):
Ken Caillat und Richard Dashut
Produzent(in):
Fleetwood Mac
zusätzliche(r) Produzent(in):
Ken Caillat und Richard Dashut
Bassgitarre:
John McVie
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard und Synthesizer:
Christine McVie
Schlagzeug und Perkussion:
Mick Fleetwood
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
phonographisches Urheberrecht (℗) von:
Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Chain
Verfasser(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer), Mick Fleetwood, Christine McVie, John McVie und Stevie Nicks
publisher:
Gentoo Music, Inc., Now Sounds Music und Welsh Witch Music (BMI affiliated)
Revision von:
Keep Me There
Fleetwood Mac4.44:28
26Hot Legs
Produzent(in):
Tom Dowd
Bassgitarre:
Phil Chen (Chinese-Jamaican bassist)
Gitarre:
Jim Cregan (producer & member of Family), Gary Grainger (UK rock guitarist/bassist, worked with Rod Stewart) und Billy Peek
Klavier:
John Jarvis (American pianist, keyboardist and songwriter)
Saxophon:
Phil Kenzie
Schlagzeug:
Carmine Appice
Hintergrundgesang:
Carmine Appice und Jim Cregan (producer & member of Family)
recording of:
Hot Legs
Texter und Komponist(in):
Rod Stewart
publisher:
EMI Music (do not use as release label! this is a music publisher)
Rod Stewart45:15
27Jane
recording of:
Jane (Jefferson Starship song)
Texter:
David Freiberg und Jim McPherson (singer/songwriter)
Komponist(in):
Craig Chaquico, David Freiberg, Paul Kantner und Jim McPherson (singer/songwriter)
publisher:
Carlin Music Corp.
Jefferson Starship3.754:12
28Tush
recording engineer und Mix:
Terry Manning (US recording engineer)
Produzent(in):
Bill Ham (manager of ZZ Top)
Bassgitarre und Sologesang:
Dusty Hill
E-Gitarre:
Billy Gibbons
Schlagzeug:
Frank Beard (ZZ Top drummer)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten und Robin Hood Studios in Tyler, Texas, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 67)
recording of:
Tush
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
publisher:
Music of Stage Three und Songs of Mosaic
ZZ Top4.652:14
29L.A. Woman
Produzent(in):
Bruce Botnick und The Doors
Bassgitarre:
Jerry Scheff
Gitarre [lead guitar]:
Robby Krieger (American guitarist, member of The Doors)
Gitarre [rhythm guitar]:
Marc Benno
Keyboard:
Ray Manzarek
Schlagzeug:
John Densmore
Sologesang:
Jim Morrison (lead vocalist of the Doors)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1971)
aufgenommen bei:
The Doors Workshop in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1970)
recording of:
L.A. Woman (in 1970)
Texter:
Jim Morrison (lead vocalist of the Doors)
Komponist(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company und Rondor Music (London) Ltd.
The Doors3.857:51
30Cold as Ice
Partner-Techniker(in):
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron und Randy Mason
Techniker(in):
Gary Lyons (UK engineer & producer)
Koproduzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Produzent(in):
Gary Lyons (UK engineer & producer) und John Sinclair (engineer)
Mix:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Bassgitarre:
Ed Gagliardi (bass player (Foreigner))
Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Horn:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Keyboard:
Al Greenwood und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Schlagzeug:
Dennis Elliott
Synthesizer:
Al Greenwood
Hintergrundgesang:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
vocals:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977) und Rhino Entertainment Company (not for release label use!) (in 2009)
recording of:
Cold as Ice
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Fuji Pacific Music inc. (Fujipacific Music inc.) (bis 2014-12-31), Yamaha Music Publishing (bis 2017-03-31), Fujipacific Music, Inc. (vom 2015-01-01 bis heute) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Foreigner43:20
31Stay With Me
Produzent(in):
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood) und Glyn Johns
Bassgitarre:
Ronnie Lane
Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Schlagzeug:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
Wurlitzer Electric Piano:
Ian McLagan
Sologesang:
Rod Stewart
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recording of:
Stay With Me
Verfasser(in):
Rod Stewart und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Bros. Music Co., Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Faces4.54:39
32(Everybody Wanna Get Rich) Rite Away
Techniker(in):
Karl Richardson
Produzent(in):
Allen Toussaint
arranger:
Allen Toussaint
recording of:
(Everybody Wanna Get Rich) Rite Away
Verfasser(in):
Mac Rebennack (New Orleans blues pianist, singer and songwriter)
Dr. John42:44
33Werewolves of London
Techniker(in):
Dennis Kirk und Greg Ladanyi
Produzent(in):
Jackson Browne (American singer-songwriter) und Waddy Wachtel
Bass:
John McVie
Gitarre [guitars]:
Waddy Wachtel
Klavier:
Warren Zevon
Schlagzeug:
Mick Fleetwood
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und Rhino Entertainment Company (not for release label use!) (vom 2007 bis heute)
aufgenommen bei:
The Sound Factory in Tucson, Arizona, Vereinigte Staaten (in 2007)
recording of:
Werewolves of London
Verfasser(in):
LeRoy P. Marinell, Waddy Wachtel und Warren Zevon
publisher:
Leadsheet Land Music, Polite Music, Tiny Tunes und Zevon Music Inc. (BMI)
Warren Zevon4.93:28
34The Rubberband Man
The Spinners3:33
35Me and You and a Dog Named Boo
recording of:
Me and You and a Dog Named Boo
Texter und Komponist(in):
Lobo (American singer-songwriter Roland Kent LaVoie)
Lobo2:58
36Love the One You’re With
Techniker(in):
Andy Johns
Produzent(in):
Bill Halverson und Stephen Stills
Bass:
Calvin Samuels (in 1970-03)
Conga:
Jeff Whittaker (in 1970-03)
Gitarre, Orgel, Perkussion und Sologesang:
Stephen Stills (in 1970-03)
Steel Pan:
Stephen Stills
Hintergrundgesang:
Rita Coolidge (in 1970-03), David Crosby (in 1970-03), Graham Nash (in 1970-03), Priscilla Jones (American folk, rock and pop singer) (in 1970-03) und John Sebastian (in 1970-03)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (in 1970-03)
recording of:
Love the One You’re With (in 1970-03)
Texter und Komponist(in):
Stephen Stills
publisher:
Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell, ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Gold Hill Music, Inc. (in 1970)
sub-publisher:
EMI Music Publishing Scandinavia AB (in 1997)
Stephen Stills3.53:06
37She’s Gone
recorded in:
New York, New York, Vereinigte Staaten (in 1973)
Produzent(in):
Arif Mardin
Bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
E-Gitarre, mellotron und Synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
Gitarre:
John Oates (in 1973)
Hybrid-Piano:
Daryl Hall (in 1973)
Perkussion:
Ralph MacDonald (in 1973)
Schlagzeug:
Bernard “Pretty” Purdie (in 1973)
Tenorsaxophon:
Joe Farrell (in 1973)
Sologesang:
Daryl Hall (in 1973) und John Oates (in 1973)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 336)
recording of:
She’s Gone (in 1973)
Texter und Komponist(in):
Daryl Hall und John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:13
38Casey Jones
aufgenommen bei:
Tivoli (Danish amusement park) in Copenhagen (Kopenhagen), Capital Region of Denmark (Region Hovedstaden), Dänemark (am 1972-04-17)
live recording of:
Casey Jones (Grateful Dead song) (am 1972-04-17)
Texter:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
Komponist(in):
Jerry Garcia (guitarist / vocalist in Grateful Dead)
publisher:
Ice Nine Publishing Company, Inc. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Version von:
The Ballad of Casey Jones
Grateful Dead4:25
39Sister Golden Hair
assistierende(r) Techniker(in):
Tom Anderson (engineer)
Techniker(in):
Geoff Emerick (British recording engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
andere Instrumente:
America (US folk/soft rock band)
Bassgitarre:
David Dickey (U.S. drummer and bassist)
Schlagzeug und Perkussion:
Willie Leacox
vocals:
America (US folk/soft rock band)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975), Warner Music H.K. Ltd. (in 1997) und Rhino Entertainment Company (not for release label use!) (in 2011)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 12) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 264)
recording of:
Sister Golden Hair
Texter und Komponist(in):
Gerald Beckley
publisher:
Warner/Chappell Music Australia Pty. Ltd.
America4.13:17
40If You Could Read My Mind
recording engineer:
Gary Brandt und Lee Herschberg
Produzent(in):
Lenny Waronker und Joe Wissert
Mix:
Lee Herschberg
vocals:
Gordon Lightfoot
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1970)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 8)
recording of:
If You Could Read My Mind
Texter und Komponist(in):
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (beendet), Early Morning Music (beendet), Laetrec Music (beendet), Chelsea Music Publishing Co., Ltd., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Gordon Lightfoot4.63:49
41Make It With You
Bassgitarre, Gitarre, Saiteninstrumente, Hintergrundgesang und Sologesang:
David Gates (singer/songwriter, lead singer of Bread)
Schlagzeug:
Michael Botts
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1970) und Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 13)
recording of:
Make It With You
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:12
42Angel From Montgomery
Produzent(in):
Jerry Ragovoy
cover recording of:
Angel From Montgomery
Texter und Komponist(in):
John Prine
publisher:
Cotillion-Sour Grapes (beendet), Cotillion Music Inc. (BMI), Sour Grapes Music, Inc., Walden Music, Inc. und WB Music Corp. (1929–2019)
Bonnie Raitt43:59
43Don’t Play That Song
recording engineer:
Ron Albert und Chuck Kirkpatrick
Techniker(in):
Ron Albert, Chuck Kirkpatrick und Lewis Hahn
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Tommy McClure (am 1970-03-10)
Gitarre:
Charlie Freeman (am 1970-03-10)
Keyboard:
Jim Dickinson (am 1970-03-10)
Klavier:
Aretha Franklin (am 1970-03-10)
Schlagzeug:
Sammy Creason (am 1970-03-10)
Hintergrundgesang:
Margaret Branch (am 1970-03-10), Brenda Bryant (am 1970-03-10) und Almeda Lattimore (am 1970-03-10)
vocals:
Aretha Franklin (am 1970-03-10)
Horn arranger:
Tom Dowd
Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1970-03-10)
cover recording of:
Don’t Play That Song (You Lied) (am 1970-03-10)
Verfasser(in):
Ahmet Ertegun (US songwriter/producer) und Betty Nelson
publisher:
Carlin Music Corporation und Unichappell Music, Inc.
Aretha Franklin43:02
44Dance With Me
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1975)
recording of:
Dance With Me
Texter:
Johanna Hall
Komponist(in):
John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
EMI Blackwood Music Inc., Siren Songs, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Orleans53:01
45You’re So Vain
recording engineer:
Robin Geoffrey Cable (von 1972-09 bis 1972-10)
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Bass:
Klaus Voorman (von 1972-09 bis 1972-10)
Gitarre:
Jimmy Ryan (American guitarist and singer/songwriter) (von 1972-09 bis 1972-10)
Klavier und Sologesang:
Carly Simon (von 1972-09 bis 1972-10)
Perkussion:
Richard Perry (producer) (von 1972-09 bis 1972-10)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (von 1972-09 bis 1972-10)
Hintergrundgesang:
Mick Jagger (The Rolling Stones) (von 1972-09 bis 1972-10)
zusätzlich Hintergrundgesang:
Carly Simon (von 1972-09 bis 1972-10) und Doris Troy (von 1972-09 bis 1972-10)
Saiteninstrumente arranger:
Carly Simon
Orchestrator(in):
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1972-09 bis 1972-10)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 140) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 495)
recording of:
You’re So Vain (von 1972-09 bis 1972-10)
Texter und Komponist(in):
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) und Universal Music Publishing Group
Carly Simon4.554:18
46Long Cool Woman (in a Black Dress)
Techniker(in):
John Punter
Produzent(in):
The Hollies und Ron Richards
phonographisches Urheberrecht (℗) von:
The Hollies Ltd. (in 1971) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 1971-07-16, von 1971-07-27 bis 1971-07-30)
recording of:
Long Cool Woman in a Black Dress (von 1971-07-16 bis 1971-07-30)
Verfasser(in):
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
The Hollies4.153:19
47Go Your Own Way
recording of:
Go Your Own Way
Texter und Komponist(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer)
publisher:
Gentoo Music, Inc. und Now Sounds Music
Fleetwood Mac33:39
48Low Rider
recording engineer:
Ed Barton (engineer), Andrew Berliner und Chris Huston
Partner-Produzent(in):
Lonnie Jordan und Howard E. Scott (US funk/rock guitarist, member of War)
Produzent(in):
Jerry Goldstein (producer, record label owner and publisher)
Mix:
Ed Barton (engineer)
recording of:
Low Rider
Verfasser(in):
Papa Dee Allen, Harold Brown, B.B. Dickerson, Jerry Goldstein (producer, record label owner and publisher), Lonnie Jordan, Charles Miller (US saxophonist & flutist, member of War), Lee Oskar und Howard E. Scott (US funk/rock guitarist, member of War)
War4.653:11
49I’m Your Boogie Man
Produzent(in):
Harry Wayne Casey und Richard Finch
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977) und T.K. Records (Miami‐based disco label) (in 1977)
recording of:
I’m Your Boogie Man
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Songs, EMI Songs Australia, Harrick Music und Longitude Music
KC & the Sunshine Band4.44:02

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Warner Music Group (holding company – file NO releases) (in 2023)
X5 Music Group (in 2023)
kostenlos streamen:https://open.spotify.com/album/1IELTjbuqnYwVFjlUQZUOA [Info]
https://www.deezer.com/album/396988457 [Info]
Streaming-Seite:https://music.apple.com/gb/album/1665576174 [Info]