| # | Title | Artist | Rating | Length |
|---|
| 1 | Search for the Hero | M People | 2 | 3:51 |
| 2 | Show Me Heaven | Maria McKee | 3 | 3:52 |
| 3 | I Just Want to Make Love to You | Etta James | 3 | 3:06 |
| 4 | Let There Be Love | Nat King Cole | | 2:45 |
| 5 | What a Wonderful World- recorded in:
- New York, United States (on 1967-08-16)
- engineer:
- Eddie Brackett and Bob Simpson
- producer:
- Bob Thiele
- alto saxophone:
- Sam Marowitz (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
- baritone saxophone:
- Raymond Stanfield (on 1967-08-16)
- clarinet:
- Sam Marowitz (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
- double bass:
- Russ Savakus (on 1967-08-16)
- drums (drum set):
- Grady Tate (on 1967-08-16)
- flute:
- Sam Marowitz (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
- guitar:
- Allen Hanlon (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
- percussion:
- Warren Hard (on 1967-08-16)
- piano:
- Hank Jones (on 1967-08-16)
- tenor saxophone:
- Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
- trombone:
- Urbie Green (on 1967-08-16) and J.J. Johnson (on 1967-08-16)
- trumpet:
- Louis Armstrong (on 1967-08-16), Clark Terry (on 1967-08-16) and Joe Wilder (on 1967-08-16)
- lead vocals:
- Louis Armstrong (on 1967-08-16)
- orchestra:
- Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
- conductor and chorus master:
- Tommy Goodman (on 1967-08-16)
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1968) and Project 3 Records Inc. (in 1988)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (number: 283)
- recording of:
- What a Wonderful World (on 1967-08-16)
- writer:
- George Douglas and George David Weiss
- publisher:
- Abilene Music Inc., Carlin Music Corp., Copyright Control , Memory Lane Music , Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
- sub-publisher:
- BMC Publishing NV, Sony Music Publishing (Japan) Inc. , ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
- part of:
- 12 Monkeys Soundtrack
- part of:
- Freaky Friday
| Louis Armstrong | 4 | 2:17 |
| 6 | Someone to Watch Over Me | Ella Fitzgerald | | 4:32 |
| 7 | I Put a Spell on You | Nina Simone | 4.25 | 2:35 |
| 8 | Fly Me to the Moon | Doris Day | | 2:34 |
| 9 | Angelina | Louis Prima | | 2:55 |
| 10 | Don’t Worry, Be Happy | Bobby McFerrin | | 3:53 |
| 11 | Guaglione | Pérez Prado | | 2:25 |
| 12 | Reach Out I’ll Be There | Four Tops | | 2:59 |
| 13 | He Ain’t Heavy, He’s My Brother- producer:
- Ron Richards
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1969) and The Hollies Ltd. (from 1969 until 1970)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (on 1969-06-25)
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 46)
- cover recording of:
- He Ain’t Heavy, He’s My Brother (on 1969-06-25)
- writer:
- Bob Russell and Bobby Scott
- publisher:
- Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation , Warner/Chappell Music Ltd. and ミュージック・セールス
| The Hollies | 3.85 | 4:15 |
| 14 | Days | The Kinks | | 2:52 |
| 15 | (Sexual) Healing- assistant engineer:
- Henri Van Durme and Didier Leonard
- engineer:
- Dan Bates (wind instruments [horns]), Mike Butcher and John Kovorak
- executive producer:
- Larkin Arnold
- producer:
- Marvin Gaye
- mixer and editor:
- Harvey Fuqua
- bell [bells], bell [orchestra bells], bongos, congas, drums (drum set), electric piano [Fender Rhodes], finger cymbals, glockenspiel, organ and synthesizer:
- Marvin Gaye
- guitar:
- Gordon Banks
- wind instruments [horns]:
- The L.A. Horn Section and David Stout
- background vocals:
- Gordon Banks, Harvey Fuqua and Marvin Gaye
- vocals:
- Marvin Gaye
- conductor:
- McKinley T. Jackson (wind instruments [horns])
- wind instruments [horns] arranger:
- McKinley T. Jackson
- phonographic copyright (℗) by:
- CBS, Inc. (in 1982), Columbia Records (in 1982), Sony BMG Music Entertainment Inc. (in 1982) and Sony Music Entertainment Inc. (in 1982)
- recorded at:
- Arco Studios in München , Bayern , Germany (lead vocals, background vocals), Kendun Recorders in Burbank, California, United States (wind instruments [horns]), Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgium and Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgium (lead vocals, background vocals)
- mixed at:
- Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgium
- edited at and remixed at:
- Devonshire Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone: 500 Greatest Songs of All Time (number: 231)
- recording of:
- Sexual Healing
- writer:
- Odell Brown, Marvin Gaye and David Ritz
- publisher:
- April Music Publishing Inc., Blackwood Music Inc. , Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and April Music Inc. (in 1982)
| Marvin Gaye | 3.65 | 4:06 |
| 16 | Wonderful Life | Black | 4.35 | 4:49 |
| 17 | Nothing Compares 2U | Sinéad O’Connor | 4.3 | 5:07 |
| 18 | Save the Best for Last- producer:
- Keith Thomas
- additional arranger:
- Vanessa Williams
- arranger:
- Keith Thomas
- recording of:
- Save the Best for Last
- writer:
- Phil Galdston, Jon Lind and Wendy Waldman
- publisher:
- Big Mystique Music, EMI Longitude Music, EMI Music Publishing Ltd. , Kazzoom Music, Inc., Moon and Stars Music, PolyGram Music Publishing, The International Music Network Ltd, Universal Music Publishing Ltd. and Universal PolyGram International Publishing, Inc.
| Vanessa Williams | 3.35 | 3:39 |
| 19 | Break Out | Swing Out Sister | 3.8 | 3:48 |
| 20 | Cars | Gary Numan | | 3:49 |
| 21 | Addicted to Love | Robert Palmer | 4 | 4:21 |
| 22 | The Professionals “Theme” | London Studio Symphony Orchestra | 4 | 1:55 |