Music of Your Life

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Release Me
recording of:
Release Me
Verfasser(in):
Harris (James Pebworth; Guitarist - songwriter Wrote the standard "Release Me" along with Eddie Miller (3) and Robert Yount. In most cases one or both of his pseudonyms Dub Williams and Robert Harris are credited on the releases.), Miller (US country music songwriter), Williams (pseudonym used by James Pebworth) und Young (songwriter)
zusätzliche(r) Verfasser(in):
W.S. Stevenson
publisher:
Acuff-Rose Music Limited (UK), Four Star Sales, Roschelle Publishing und Sony/ATV Music Publishing Ltd.
Engelbert Humperdinck53:21
2Roses Are Red (My Love)
Produzent(in):
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
vocals:
Bobby Vinton
conductor:
Robert Mersey
arranger:
Robert Mersey
recording of:
Roses Are Red (in 1962)
Verfasser(in):
Al Byron und Paul Evans (50s US rock n roll singer/songwriter)
Bobby Vinton2:40
3Mack the Knife
Produzent(in):
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun und Jerry Wexler
vocals:
Bobby Darin
conductor:
Richard Wess
arranger:
Richard Wess
Teil von:
Grammy Award: Record of the Year nominees (Nummer: 1960 winner), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 4), Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 40) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 251)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:10
4What a Diff’rence a Day Makes
recorded in:
New York, New York, Vereinigte Staaten (am 1959-02-19)
Produzent(in):
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (am 1959-02-19)
flute:
Jerome Richardson (am 1959-02-19)
Gitarre:
Kenny Burrell (am 1959-02-19)
Klavier:
Joe Zawinul (jazz and fusion keyboard player) (am 1959-02-19)
Kontrabass:
Milt Hinton (am 1959-02-19)
Schlagzeug:
Panama Francis (US swing jazz drummer) (am 1959-02-19)
Sologesang:
Dinah Washington (am 1959-02-19)
vocals:
Dinah Washington (am 1959-02-19)
Orchester:
Belford Hendricks' Orchestra (am 1959-02-19)
conductor:
Belford Hendricks (composer, pianist, conductor, arranger and record producer) (am 1959-02-19)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
cover recording of:
What a Diff’rence a Day Made (am 1959-02-19)
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
Dinah Washington2.82:31
5The Way You Look Tonight
The Lettermen2:22
6Everybody’s Talkin’
cover recording of:
Everybody’s Talkin’
Texter und Komponist(in):
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music und Third Story Music, Inc.
Harry Nilsson2:52
7Could I Have This Dance?
recording engineer:
Ken Friesen (engineer with Eastern Sound, active 1960s–1990s)
Produzent(in):
Jim Ed Norman
Mix:
Eric Prestidge
Akustikgitarre:
Aidan Mason
Bass:
Mike Bowden
E-Gitarre:
George Hebert
Hybrid-Piano:
Brian Gatto
Klavier [acoustic piano]:
Pat Riccio, Jr.
Perkussion:
John Anderson (percussionist)
Saiteninstrumente:
Alan Broadbent
Steel-Gitarre:
Jay Dee Maness (American pedal steel guitarist)
Sologesang:
Anne Murray (Canadian pop/country singer)
conductor:
Alan Broadbent
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
recording of:
Could I Have This Dance
Verfasser(in):
Wayland Holyfield und Bob House (songwriter)
publisher:
Sony/ATV Tree Publishing und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Anne Murray4.53:17
8Harbor Lights
cover recording of:
Harbour Lights
Texter:
Jimmy Kennedy (Irish songwriter)
Komponist(in):
Hugh Williams (aka Hugh Williams)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Peter Maurice Music Co. Ltd.
The Platters2:47
9Make the World Go Away
cover recording of:
Make the World Go Away
Texter und Komponist(in):
Hank Cochran (Nashville singer and songwriter)
publisher:
Sony/ATV Songs LLC und Sony/ATV Tree Publishing (in 1963)
Eddy Arnold52:41
10We’ll Sing in the Sunshine
recording of:
We’ll Sing in the Sunshine
Texter und Komponist(in):
Gale Garnett (New Zealand area-born singer, writer & actress)
publisher:
Lupercalia Music Inc.
Gale Garnett2:59
11Danke Schoen
recording of:
Danke Schoen (English version) (in 1963)
Texter:
Kurt Schwabach (songwriter, lyricist, singer)
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter)
Übersetzer:
Milt Gabler
publisher:
Belinda Music und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
übersetzte Version von:
Danke schön (German lyrics)
Wayne Newton4.52:37
12The Impossible Dream
cover recording of:
The Impossible Dream (Man of La Mancha)
Texter:
Joe Darion
Komponist(in):
Mitch Leigh
publisher:
Andrew Scott Inc., Andrew Scott Music, Carlin Music Corporation und Helena Music Co.
Teil von:
Man of La Mancha (Mitch Leigh musical)
Jack Jones2:18
13Some Enchanted Evening
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (am 1949-03-01)
Orchester:
Mitchell Ayres and His Orchestra (am 1949-03-01)
recording of:
Some Enchanted Evening (South Pacific) (am 1949-03-01)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company und Williamson Music, Inc.
Teil von:
South Pacific (Rodgers & Hammerstein musical)
Perry Como3:30
14Autumn Leaves
recording of:
Autumn Leaves (jazz standard, english lyrics)
Texter:
Jacques Prévert (in 1945)
Komponist(in):
Joseph Kosma (composer) (in 1945)
Übersetzer:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
übersetzte Version von:
Les Feuilles mortes (Autumn Leaves)
Roger Williams2:56
15As Time Goes By
Jimmy Durante2:28
16Send in the Clowns
Judy Collins4:00
17What a Wonderful World
recorded in:
New York, Vereinigte Staaten (am 1967-08-16)
Techniker(in):
Eddie Brackett und Bob Simpson (US jazz engineer/producer)
Produzent(in):
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
baritone saxophone:
Raymond Stanfield (am 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16), Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Gitarre:
Allen Hanlon (jazz guitarist) (am 1967-08-16), Art Ryerson (am 1967-08-16) und Willard Suyker (am 1967-08-16)
Klarinette:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Jerome Richardson (am 1967-08-16)
Klavier:
Hank Jones (piano) (am 1967-08-16)
Kontrabass:
Russ Savakus (am 1967-08-16)
Perkussion:
Warren Hard (am 1967-08-16)
Posaune:
Urbie Green (am 1967-08-16) und J.J. Johnson (jazz/bop trombonist/session leader) (am 1967-08-16)
Schlagzeug:
Grady Tate (am 1967-08-16)
Tenorsaxophon:
Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Trompete:
Louis Armstrong (am 1967-08-16), Clark Terry (American swing trumpeter) (am 1967-08-16) und Joe Wilder (am 1967-08-16)
Sologesang:
Louis Armstrong (am 1967-08-16)
Orchester:
Louis Armstrong’s Orchestra and Chorus (am 1967-08-16)
conductor und chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (am 1967-08-16)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und Project 3 Records Inc. (in 1988)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 171) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 283)
recording of:
What a Wonderful World (am 1967-08-16)
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. und Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
Louis Armstrong3.952:20
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Veröffentlichung

ASIN:US: B00MDJ09SY [Info]