60 Greatest Rhythm & Blues Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Baby, What You Want Me to Do
drums (drum set) [drums]:
Earl Phillips (on 1959-08-07)
electric bass guitar [electric bas]:
Marcus Johnson (bassist) (on 1959-08-07)
guitar:
Lefty Bates (on 1959-08-07), Jimmy Reed (blues musician) (on 1959-08-07) and Eddie Taylor (electric blues guitarist and singer) (on 1959-08-07)
harmonica:
Jimmy Reed (blues musician) (on 1959-08-07)
vocals:
Mama Reed (on 1959-08-07) and Jimmy Reed (blues musician) (on 1959-08-07)
recording of:
Baby What You Want Me to Do (on 1959-08-07)
lyricist:
Jimmy Reed (blues musician) (until 1952-08-07)
composer:
Jimmy Reed (blues musician) (until 1959-08-07)
publisher:
Arc Music (U.S. rock & blues publisher), Conrad Music (publisher; do NOT use as release label), Seeds of Reed Music and Tristan Music Ltd.
Jimmy Reed?:??
2The Red Rooster
recorded in:
Chicago, Illinois, United States (in 1961-06)
double bass:
Willie Dixon (in 1961-06)
drums (drum set):
Sam Lay (in 1961-06)
electric bass guitar:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1961-06)
guitar:
Howlin’ Wolf (in 1961-06) and Hubert Sumlin (Chicago blues guitarist and singer) (in 1961-06)
piano:
Little Johnny Jones (Chicago blues pianist) (in 1961-06)
lead vocals:
Howlin’ Wolf (in 1961-06)
later releases:
Little Red Rooster (The Red Rooster) by Howlin’ Wolf
recording of:
The Red Rooster (in 1961-06)
lyricist and composer:
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Hoochie Coochie Music and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
cover recording of:
The Red Rooster
lyricist and composer:
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Hoochie Coochie Music and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Howlin’ Wolf3?:??
3Dust My Broom
recorded in:
Chicago, Illinois, United States (in 1959-11)
bass:
Homesick James (in 1959-11)
drums (drum set):
Sam Myers (blues musician) (in 1959-11)
guitar:
Homesick James (in 1959-11) and Elmore James (in 1959-11)
instruments:
Little Johnny Jones (Chicago blues pianist) (in 1959-11)
membranophone:
Odie Payne (American Chicago blues drummer) (in 1959-11)
piano:
Johnny Jones (Chicago blues pianist) (in 1959-11)
saxophone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1959-11)
tenor saxophone:
J.T. Brown (saxophonist) (in 1959-11)
tenor saxophone [tenor sax]:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1959-11) and J.T. Brown (saxophonist) (in 1959-11)
vocals:
Elmore James (in 1959-11)
recording of:
Dust My Broom (in 1959-11)
additional lyricist and additional composer:
Robert Johnson (1930s blues legend)
lyricist and composer:
Elmore James
publisher:
ARC Music (world and ethnic music label), Flair Publishing and MPCA King of Spades
version of:
I Believe I’ll Dust My Broom
Elmore James?:??
4I'm in the Mood
recorded in:
Chicago, Illinois, United States (in 1966)
executive producer:
Marshall Chess
producer:
Ralph Bass
editor:
Ron Malo
guitar:
Eddie Burns (American Detroit blues guitarist) and John Lee Hooker (US blues singer, songwriter & guitarist)
instruments:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
lead vocals:
John Lee Hooker (US blues singer, songwriter & guitarist)
recorded at:
Chess Studios in Chicago, Illinois, United States (in 1966)
recording of:
I’m in the Mood
writer:
Bernard Besman (producer, label owner and songwriter) and John Lee Hooker (US blues singer, songwriter & guitarist)
publisher:
La Cienega Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
John Lee Hooker3?:??
5Got My Mojo Working
recording of:
Got My Mojo Working (Muddy Waters arrangement)
additional writer:
Morgan Field (blues musician)
arranger:
Muddy Waters (blues musician)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Dare Music Co.
version of:
Got My Mojo Working (original version)
Muddy Waters?:??
6Number Nine Train
Tarheel Slim?:??
7Mojo Hand
recorded in:
New York, New York, United States (in 1960-11)
guitar:
Lightnin’ Hopkins
vocals:
Lightnin’ Hopkins
recording of:
Mojo Hand
lyricist and composer:
Lightnin’ Hopkins
Lightnin’ Hopkins?:??
8Sweet Sixteen
producer:
Quincy Jones and Johnny Pate
bass:
Louis Satterfield (on 1966-11-05)
drums (drum set):
Sonny Freeman (on 1966-11-05)
guitar:
B.B. King (on 1966-11-05)
organ:
Duke Jethro (on 1966-11-05)
tenor saxophone:
Bobby Forte (saxophonist) (on 1966-11-05)
trumpet:
Kenny Sands (on 1966-11-05)
vocals:
B.B. King (on 1966-11-05)
recorded at:
International Club in Chicago, Illinois, United States (on 1966-11-05)
live cover recording of:
Sweet Sixteen (on 1966-11-05)
lyricist and composer:
A. Nugetre (US songwriter/producer)
publisher:
Progressive Music (publisher)
live recording of:
Sweet Sixteen
writer:
Joe Josea and B.B. King
publisher:
Modern Music Publishing Co., Inc., Progressive Music (publisher) and Sidney A. Seidenberg Music Ltd.
recording of:
Sweet Sixteen
writer:
Joe Josea and B.B. King
publisher:
Modern Music Publishing Co., Inc., Progressive Music (publisher) and Sidney A. Seidenberg Music Ltd.
B.B. King?:??
9I'm a Man
recording of:
I’m a Man
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
publisher:
68 Publishing Ltd., Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Bo Diddley?:??
10Goin' Down Slow
cover recording of:
Goin’ Down Slow
lyricist and composer:
James Burke Oden (blues singer and songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Leeds Music, MCA Music Ltd. and Unichappell Music, Inc.
Ray Charles?:??
11Key to the Highway
Little Walter?:??
12It Hurts Me Too
recording of:
It Hurts Me Too
lyricist and composer:
Elmore James and Mel London
writer:
Kevin Moore
publisher:
Conrad Music (publisher; do NOT use as release label), Lonmel Publishing (publisher; do NOT use as release label), Rhinelander Music Inc. and Mo’ Than Jus’ Music (in 2000)
Elmore James?:??
13Hoochie Coochie Man
Muddy Waters?:??
14Night Time is the Right Time
Bobby Powell?:??
15Hi Heel Sneakers
recorded in:
Chicago, Illinois, United States (in 1963)
producer:
Herb Abramson
bass guitar [bass]:
Brenda Lee Jones (in 1963)
guitar:
Dean "Cousin Sugar" Young (in 1963)
organ and piano:
Tommy Tucker (blues) (in 1963)
vocals:
Tommy Tucker (blues) (in 1963)
recording of:
Hi‐Heel Sneakers (in 1963)
lyricist and composer:
Robert Higginbotham (blues)
publisher:
Lily Pond Music and Robert Higginbotham Publisher
Tommy Tucker4?:??
16Honest I Do
recording of:
Honest I Do
lyricist and composer:
Jimmy Reed (blues musician)
writer:
Ewart G. Abner, Jr. (record label executive and songwriter)
Jimmy Reed?:??
17Blue Shadows
recorded in:
Los Angeles, California, United States (on 1960-06-02)
alto saxophone [alto sax]:
Earl Brown (alto saxophonist) (on 1960-06-02)
baritone saxophone [baritone sax]:
Big Jim Wynn (US blues saxophonist & pianist) (on 1960-06-02)
double bass [bass]:
Billy Hadnott (on 1960-06-02)
drums (drum set) [drums]:
Robert Sims (drummer) (on 1960-06-02)
guitar:
Lowell Fulson (on 1960-06-02)
piano:
Lloyd Glenn (on 1960-06-02)
tenor saxophone [tenor sax]:
Louis Williams (tenor sax) (on 1960-06-02)
vocals:
Lowell Fulson (on 1960-06-02)
Lowell Fulson?:??
18Dirty Man
Laura Lee?:??
19Rock Me BabyTina Turner?:??
20If You Need Me
recording of:
If You Need Me
writer:
Robert Bateman (R&B singer/songwriter/record producer), Wilson Pickett and Sonny Sanders
publisher:
Belinda (ended), Cotillion Music Inc. (BMI) and Lupine Music
Wilson Pickett?:??
21Boom Boom
recorded in:
Sausalito, California, United States (in 1992-08)
executive producer:
Mike Kappus
producer:
Roy Rogers (US blues guitarist & producer)
bass guitar [bass]:
Richard Cousins (in 1992-08)
drums (drum set):
Kevin Hayes (drums) (in 1992-08)
guitar:
John Lee Hooker (US blues singer, songwriter & guitarist) (in 1992-08) and Jimmie Vaughan (blues guitarist and singer) (in 1992-08)
keyboard [keyboards]:
Jimmy Pugh (US jazz keyboardist) (in 1992-08)
vocals:
John Lee Hooker (US blues singer, songwriter & guitarist) (in 1992-08)
recording of:
Boom Boom (in 1992-08)
lyricist and composer:
John Lee Hooker (US blues singer, songwriter & guitarist)
publisher:
Conrad Publishing Co. Inc. and Tristan Music Ltd.
John Lee Hooker3.5?:??
22Fannie Mae
recording of:
Fannie Mae
lyricist and composer:
Morris Levy (in 1959), Clarence Lewis (in 1959) and Waymon Glasco (1911-1976 blues musician) (in 1959)
writer:
Buster Brown (1911-1976 blues musician)
publisher:
EMI Longitude Music, FROST Music Corp, Jonware Music Co. (US publisher) and Olivia Pub. Co. (BMI-affiliated)
Buster Brown?:??
23All I Could Do Was Cry
Joe Tex?:??
24Too Much Monkey Business
bass:
Hughie Leggat (on 1969-09-13)
drums (drum set):
Dan Taylor (drums) (on 1969-09-13)
guitar:
Chuck Berry (on 1969-09-13) and Ron Marinelli (on 1969-09-13)
lead vocals:
Chuck Berry (on 1969-09-13)
recorded at:
Toronto Rock and Roll Revival (1969-09-13)
recorded at:
Varsity Stadium in Toronto, Ontario, Canada (on 1969-09-13)
live recording of:
Too Much Monkey Business (on 1969-09-13)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry?:??
25Pretty Girls Everywhere
Eugene Church?:??
26When Something is Wrong with My Baby
recorded in:
Memphis, Tennessee, United States (on 1966-11-15)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
keyboard:
Isaac Hayes (on 1966-11-15)
vocals:
Dave Prater (soul artist) (on 1966-11-15) and Sam Moore (singer, ex “Sam and Dave”) (on 1966-11-15)
recording of:
When Something Is Wrong With My Baby (on 1966-11-15)
composer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Rondor, Rondor Music, Rondor Music (Australia) Pty Ltd, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Sam & Dave4?:??
27For Your Precious Love
recording of:
For Your Precious Love
writer:
Arthur Brooks (Soul singer (ex-Impressions), sibling to Harrison and Richard), Richard Brooks (Soul singer/songwriter (“For Your Precious Love”)) and Jerry Butler (soul singer)
publisher:
Sunflower Music Inc (publisher) and Gladstone Music (from 1958 to ????)
The Impressions?:??
28Rainbow
recording of:
Rainbow (in 1962)
lyricist and composer:
Curtis Mayfield
publisher:
Conrad Music (publisher; do NOT use as release label), Placid Music Corp. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Gene Chandler?:??
29You Keep Me Hangin' On
Joe Simon?:??
30Endless Sleep
recording of:
Endless Sleep
lyricist and composer:
Jody Reynolds
publisher:
Elizabeth Music and Johnstone-Montei Music
Jody Reynolds?:??
31Patches
cover recording of:
Patches
writer:
Ronald Dunbar (Songwriter, A&R director and record producer) and Norman Johnson (US soul singer, R&B songwriter & producer)
Clarence Carter?:??
32Tell it Like it Is
recording of:
Tell It Like It Is
writer:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) and Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) and Olrap Publishing Co., Inc.
Aaron Neville?:??
33He Will Break Your Heart
recording of:
He Will Break Your Heart
writer:
Jerry Butler (soul singer), Calvin Carter, Leiber, Curtis Mayfield, S. Cooke (American singer and songwriter, “King of Soul”) and Stoller
composer:
Jerry Butler (soul singer), Calvin Carter and Curtis Mayfield
publisher:
Tristan Music Ltd.
Jerry Butler & Curtis Mayfield?:??
34The Entertainer
Tony Clark?:??
35Hello Stranger
recording of:
Hello Stranger
lyricist and composer:
Barbara Lewis
Barbara Lewis?:??
36Goodnight My LoveJesse Belvin?:??
37Ya Ya
Lee Dorsey?:??
38Tell MamaEtta James?:??
39Oo Poo Pah Doo
Jessie Hill?:??
40Oh What a Night
recording of:
Oh, What a Night
writer:
Johnny Funches and Marvin Junior
publisher:
Conrad Music (publisher; do NOT use as release label)
The Dells?:??
41Duke of Earl
recording of:
Duke of Earl
writer:
Earl Edwards (soul singer-songwriter), Eugene Dixon and Bernice Williams (songwriter)
publisher:
Conrad Music (publisher; do NOT use as release label)
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present))
Gene Chandler2?:??
42Just One Look
Doris Troy?:??
43Hold On, I'm Coming
cover recording of:
Hold On, I’m Comin’
writer:
Isaac Hayes, Hayes, Porter and David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) and Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Solomon Burke?:??
44Stagger Lee
recording of:
Stagger Lee (Lloyd Price version)
writer:
Harold Logan and Lloyd Price (US R&B/soul singer)
publisher:
EMI Catalogue Partnership, Irving Music (BMI) and Travis Music Co.
version of:
Stagger Lee (“Stackolee” etc., traditional)
Lloyd Price?:??
45Kansas City
Wilbert Harrison?:??
46Knock on Wood
Eddie Floyd?:??
47Every Beat of My Heart
cover recording of:
Every Beat of My Heart
lyricist and composer:
Johnny Otis
Gladys Knight & the Pips?:??
48Summertime
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Billy Stewart?:??
49Searchin' for My Baby
Bobby Moore?:??
50The Book of Love
The Monotones?:??
51Crying in the Chapel
Sonny Til & the Orioles?:??
52I Had a Talk with My Man
Mitty Collier?:??
53It's Just a Matter of Time
recording of:
It’s Just a Matter of Time
writer:
Belford C. Hendricks (composer, pianist, conductor, arranger and record producer), Brook Benton and Clyde Otis (American songwriter and record producer)
publisher:
Alley Music Corp., Carlin Music Corporation, Eden Music, Inc., The Clyde Otis Music Group, Inc. (publisher; do NOT use as release label) and Trio Music Co., Inc.
Brook Benton?:??
54Trouble in Mind
recorded in:
Newport, Rhode Island, United States (on 1960-06-30)
bass:
Chris White (jazz bassist) (on 1960-06-30)
guitar:
Al Schackman (on 1960-06-30)
instruments:
Bobby Hamilton (percussionist, keyboards, vocals) (on 1960-06-30)
piano:
Nina Simone (on 1960-06-30)
vocals:
Nina Simone (on 1960-06-30)
recorded at:
Newport Jazz Festival (1960-06-30 – 1960-07-04)
edit of:
Trouble in Mind (live, 1960‐06‐30: Newport, Rhode Island, USA) by Nina Simone
live cover recording of:
Trouble in Mind (on 1960-06-30)
lyricist and composer:
Richard M. Jones (US jazz pianist)
publisher:
State Street Music Publ. Co. Inc., Universal Studios, Inc. (formerly known as MCA Inc.) and Universal‐MCA Music Publishing (US)
Nina Simone4?:??
55Mother-in-LawErnie K‐Doe?:??
56Yes We Can
recording of:
Yes We Can Can
lyricist and composer:
Allen Toussaint
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Lee Dorsey?:??
57We're Gonna Make It
vocals:
Little Milton (US blues singer and guitarist Milton Campbell)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States
cover recording of:
We’re Gonna Make It
writer:
Gene Barge, Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner and Carl Smith (US country music singer)
publisher:
Chevis Publishing Corp.
Little Milton3?:??
58Walkin' the Dog
recording of:
Walking the Dog
lyricist and composer:
Rufus Thomas (US blues & funk singer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and East/Memphis Music
Rufus Thomas?:??
59Lipstick Traces
Benny Spellman?:??
60You Better Move On
Arthur Alexander?:??