Mellow Classic Rock

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2018 Warner Music Group - X5 Music Group»

Countries where available (Spotify + Deezer)

(As of 2020-08-07).

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  • Southern Europe: 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇭🇷 Croatia (hr) 🇮🇹 Italy (it) 🇵🇹 Portugal (pt) 🇷🇸 Serbia (rs)
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  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Annotation last modified on 2020-08-09 01:00 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Hello It’s Me
phonographic copyright (℗) by:
Bearsville Records Inc. (in 1972)
recording of:
Hello, It’s Me
lyricist and composer:
Todd Rundgren
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Todd Rundgren53:52
2Waiting for a Girl Like You
assistant engineer:
Edwin Hobgood (engineer) and Michael Sauvage
engineer:
Tony Platt (UK engineer and producer), Brad Samuelsohn and Dave Wittman
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Robert John “Mutt” Lange (Robert John Lange)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar [lead guitar]:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
keyboard:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Bob Mayo (US session keyboardist & guitarist)
synthesizer:
Thomas Dolby
background vocals:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera and Rick Wills
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981, in 2002), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981) and Rhino Entertainment Company (not for release label use!) (in 2009)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
Waiting for a Girl Like You
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Foreigner3.354:52
3Ventura Highway
assistant engineer:
Chuck Leary
engineer:
Mike Stone (producer and engineer, 1960s–80s)
producer:
America (US folk/soft rock band) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
drums (drum set) and percussion:
Hal Blaine (U.S. studio drummer and percussionist)
guitar:
Gerry Beckley, Dewey Bunnell and Dan Peek
keyboard:
Gerry Beckley and Dan Peek
vocals:
Gerry Beckley, Dewey Bunnell and Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972), Warner Music International (trademark of Warner Music International the company) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Ventura Highway
lyricist and composer:
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
America43:32
4Lonely Boy
assistant engineer:
Dennis Kirk and Greg Ladanyi
engineer:
Val Garay
producer:
Peter Asher
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1976-03 until 1976-10)
bell [Sleigh] and drums (drum set):
Michael Botts (from 1976-03 until 1976-10)
cowbell, piano and tambourine:
Andrew Gold (from 1976-03 until 1976-10)
electric piano and synthesizer [Arp String Ensemble]:
Brock Walsh (singer, producer, songwriter) (from 1976-03 until 1976-10)
guitar:
Dan Dugmore (from 1976-03 until 1976-10)
guitar [Lead Guitar]:
Waddy (from 1976-03 until 1976-10)
handclaps:
Peter Asher (from 1976-03 until 1976-10) and Andrew Gold (from 1976-03 until 1976-10)
background vocals:
Linda Ronstadt (from 1976-03 until 1976-10)
vocals:
Andrew Gold (from 1976-03 until 1976-10)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1976-03 until 1976-10)
recording of:
Lonely Boy (from 1976-03 until 1976-10)
lyricist and composer:
Andrew Gold
publisher:
Luckyu Music
Andrew Gold44:25
5Ride Like the Wind
assistant engineer:
Stuart Gitlin
engineer and mixer:
Chet Himes
producer:
Michael Omartian
acoustic guitar, electric guitar, solo guitar and lead vocals:
Christopher Cross (US singer‐songwriter)
bass guitar:
Andy Salmon
drums (drum set):
Tommy Taylor (US drummer)
electric piano and piano:
Michael Omartian
percussion:
Lenny Castro
synthesizer:
Rob Meurer
background vocals:
Christopher Cross (US singer‐songwriter) and Michael McDonald (R&B & soul singer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 1979) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
recorded at:
Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Ride Like the Wind
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) and Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
Christopher Cross4.14:36
6I.G.Y.
additional drums (drum set):
Jeff Porcaro
alto saxophone:
David Tofani
baritone saxophone:
Ronnie Cuber
bass guitar:
Anthony Jackson (US bassist)
drums (drum set):
James Gadson (American drummer)
electric piano:
Greg Phillinganes
guitar:
Hugh McCracken
percussion:
Roger Nichols (US mastering, recording engineer and producer) and Starz Vanderlocket
synthesizer:
Donald Fagen and Rob Mounsey
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
trombone:
Dave Bargeron (US trombonist & tubist)
trumpet:
Randy Brecker
background vocals:
Frank Floyd (US soul disco funk singer), Gordon Grody, Zachary Sanders and Valerie Simpson
lead vocals:
Donald Fagen
arranger:
Donald Fagen
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982)
recording of:
I.G.Y. (What a Beautiful World)
lyricist and composer:
Donald Fagen
publisher:
Freejunket Music
Donald Fagen6:03
7Dance With Me
phonographic copyright (℗) by:
ABC Records, Inc (in 1973)
recording of:
Dance With Me
lyricist:
Johanna Hall
composer:
John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
EMI Blackwood Music Inc., Siren Songs, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Orleans3:21
8Dream Weaver
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
recorded at and mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 25)
recording of:
Dream Weaver (Gary Wright)
lyricist and composer:
Gary Wright (US singer/keyboardist) (in 1975)
publisher:
High Wave Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and WB Music Corp.
Gary Wright44:16
9Werewolves of London
engineer:
Dennis Kirk and Greg Ladanyi
producer:
Jackson Browne (American singer-songwriter) and Waddy Wachtel
bass:
John McVie
drums (drum set):
Mick Fleetwood
guitar [guitars]:
Waddy Wachtel
piano:
Warren Zevon
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and Rhino Entertainment Company (not for release label use!) (from 2007 to present)
recorded at:
The Sound Factory in Tucson, Arizona, United States (in 2007)
recording of:
Werewolves of London
writer:
LeRoy P. Marinell, Waddy Wachtel and Warren Zevon
publisher:
Leadsheet Land Music, Polite Music, Tiny Tunes and Zevon Music Inc. (BMI)
Warren Zevon4.93:28
10Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass:
Benjamin Orr (co-lead singer for The Cars)
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr (co-lead singer for The Cars)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) and Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
11Night Owl (edit)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1979)
recording of:
Night Owl
lyricist and composer:
Gerry Rafferty
Gerry Rafferty24:24
12It’s Sad to Belong (single version)
recording of:
It’s Sad to Belong
lyricist and composer:
Randy Goodrum
England Dan & John Ford Coley2:54
13Saturday in the Park
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 1972, in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 9)
recording of:
Saturday in the Park (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm (in 1971)
publisher:
Big Elk Music, Lamminations Music, Spirit Music Publishing Ltd. and Warner Chappell North America Ltd.
Chicago43:56
14Magic
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1975, in 2003)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 41)
recording of:
Magic
writer:
Billy Lyall and David Paton (of Pilot)
publisher:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Robbins Music Corp. Ltd.
Pilot4.753:07
15Year of the Cat
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
Al Stewart (UK folk singer/songwriter) (in 1976)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
mixed at:
Davlen Sound Studios in North Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 13)
recording of:
Year of the Cat
writer:
Al Stewart (UK folk singer/songwriter) and Peter Wood (UK keyboardist/pianist)
publisher:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4.46:34
16Get Closer
engineer:
Joe Bogan (Recording- and mixing engineer)
producer:
Louie Shelton
background vocals:
Carol Carmichael, Donnie Shelton, Shirley Matthews (Canadian pop singer), Merna Matthews and Carolyn Willis
solo soprano vocals:
Carolyn Willis
performer:
Seals & Crofts
strings arranger:
David Paich
arranger:
Gene Page (conductor, composer, arranger and record producer)
recording of:
Get Closer (in 1976)
writer:
Dash Crofts and Jim Seals
Seals & Crofts53:58
17Desperado
engineer:
John Haeny
producer:
J.D. Souther
mixer:
Al Schmitt
bass:
Chris Ethridge
drums (drum set):
Dennis St. John
electric guitar:
J.D. Souther
piano:
Spooner Oldham
trombone:
Gail Martin
trumpet:
Darrell Leonard and Mac Johnson
background vocals:
Clydie King, Sherlie Matthews (US vocalist) and Marti McCall (session vocalist)
horn and strings arranger:
Jim Ed Norman
cover recording of:
Desperado
writer:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) and Don Henley
publisher:
Benchmark Music, Cass County Music, Kicking Bear, Neue Welt Musikverlag GmbH (2017 – present), Red Cloud Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Warner Bros. Music GmbH (publisher) (in 1981)
Linda Ronstadt3:32
18We’re All Alone
cover recording of:
We’re All Alone
lyricist and composer:
Boz Scaggs
publisher:
BMG Songs, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) and Boz Scaggs Music (publisher) (from 1975 to present)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Frankie Valli4:08
19Ooh La La
assistant engineer:
Phil Chapman (engineer)
engineer and producer:
Glyn Johns
acoustic guitar:
Ronnie Lane and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
drums (drum set) and percussion:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
harmonium and piano:
Ian McLagan
lead vocals:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 246)
recording of:
Ooh La La
lyricist:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
composer:
Ronnie Lane and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
WB Music Corp. (1929–2019)
Faces3.753:34
20Thunder Island
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1977)
recording of:
Thunder Island
lyricist and composer:
Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
publisher:
Painless Music
Jay Ferguson3:59
21She’s Gone
recorded in:
New York, New York, United States (in 1973)
producer:
Arif Mardin
bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
drums (drum set):
Bernard “Pretty” Purdie (in 1973)
electric guitar, mellotron and synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
electric piano:
Daryl Hall (in 1973)
guitar:
John Oates (in 1973)
percussion:
Ralph MacDonald (in 1973)
tenor saxophone:
Joe Farrell (in 1973)
lead vocals:
Daryl Hall (in 1973) and John Oates (in 1973)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 336)
recording of:
She’s Gone (in 1973)
lyricist and composer:
Daryl Hall and John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:13
22Smoke From a Distant Fire
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976)
recording of:
Smoke from a Distant Fire
writer:
Ed Sanford, Steven Stewart (songwriter) and John Townsend
Sanford & Townsend53:34
23If You Could Read My Mind
recording engineer:
Gary Brandt and Lee Herschberg
producer:
Lenny Waronker and Joe Wissert
mixer:
Lee Herschberg
vocals:
Gordon Lightfoot
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1970)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 8)
recording of:
If You Could Read My Mind
lyricist and composer:
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (ended), Early Morning Music (ended), Laetrec Music (ended), Chelsea Music Publishing Co., Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Gordon Lightfoot4.63:49
24Lotta Love
engineer:
Donn Landee
producer:
Ted Templeman
acoustic guitar:
Herb Pedersen
bass:
Bob Glaub
drums (drum set):
Rick Schlosser (drummer)
flute:
Plas Johnson
guitar:
Dave Kalish
keyboard:
Mark T. Jordan
saxophone:
Andrew Love
tambourine:
Nicolette Larson
background vocals:
Nicolette Larson and Ted Templeman
conductor:
Jimmie Haskell
strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recording of:
Lotta Love
lyricist:
Neil Young (Canadian singer, songwriter & musician)
composer:
Frank Sampedro and Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
Nicolette Larson53:06
25Make It With You
bass guitar, guitar, strings, background vocals and lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set):
Michael Botts
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1970) and Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 13)
recording of:
Make It With You
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:12
26Just the Way It Is, Baby
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1990), WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1990) and Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1991)
recording of:
Just the Way It Is, Baby
writer:
Phil Solem and Danny Wilde (The Rembrandts, Great Buildings & The Quick)
publisher:
Poppy‐Due Music (publisher; do NOT use as release label), Tiger God Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
The Rembrandts3.54:04
27Glory of Love
engineer and mixer:
Terry Christian (US recording and mixing engineer) and John Guess
producer:
Michael Omartian
guest background vocals:
Kenny Cetera
lead vocals:
Peter Cetera
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) and Warner Music International (trademark of Warner Music International the company) (in 1986)
recorded at and mixed at:
Lion Share Studios in Los Angeles, California, United States
recording of:
Glory of Love
writer:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) and Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
The 59th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1986 nominee)
Peter Cetera4.24:18
28Cat’s in the Cradle
producer:
Paul Leka
arranger:
Paul Leka
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead), Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1974)
recorded at:
Connecticut Recording Studios in Connecticut, United States
recording of:
Cat’s in the Cradle
writer:
Sandra Campbell Chapin and Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin3.83:46
29I Just Can’t Let Go
producer:
David Pack and Michael Verdick
background vocals:
James Ingram (R&B singer) and Michael McDonald (R&B & soul singer)
vocals:
David Pack
recording of:
I Just Can't Let Go
lyricist and composer:
David Pack
publisher:
Art Street Music and EMI Longitude Music
David Pack4:53
30Who’s Crying Now
recording engineer:
Milton Chan (Recording Engineer), Eric Sheda and David Ward (Singer)
keyboard programming and assistant mixer:
David Ward (Singer)
percussion programming:
Paul D. Allen (US soul/pop producer/songwriter)
producer:
Michael J. Powell
mixer:
Elliott Peters (Engineer) and Michael J. Powell
bass:
Al Turner
guitar and percussion:
Michael J. Powell
keyboard:
Vernon Fails
membranophone:
Buster Marbury
piano:
Eddie Howard (member of Commissioned)
saxophone:
Courtlen Hale
solo piano:
Joe Sample
background vocals:
Esther Ridgeway, Gloria Ridgeway and Gracie Ridgeway
vocals:
Randy Crawford (US jazz/R&B singer Veronica Crawford)
arranger:
Vernon Fails and Michael J. Powell
cover recording of:
Who’s Crying Now
writer:
Jonathan Cain and Steve Perry (former lead singer of Journey)
publisher:
Lacey Boulevard Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Weedhigh‐Nightmare Music
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Randy Crawford4:31
31Steal Away
engineer:
Gary Brandt
congas:
Miguel Rivera (percussionist)
guitar:
Bob Bordy, Dennis Herring, Bill LaBounty, Robert Palmer (English singer‐songwriter) and Brian Ray
harmonica:
Robbie Dupree
keyboard:
Rick Chudacoff and Bill Elliott (keyboardist/composer)
marimba:
Alan Estes
percussion:
Peter Bunetta, Robbie Dupree, Alan Estes, Arno Lucas and Miguel Rivera (percussionist)
saxophone:
Jerry Peterson
synthesizer:
Michael Boddicker and Bill Elliott (conductor, producer)
background vocals:
Kal David, Bill LaBounty, Arno Lucas and Michael McDonald (R&B & soul singer)
arranger:
Bill Elliott (keyboardist/composer)
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 64)
recording of:
Steal Away
lyricist:
Rick Chudacoff
composer:
Robbie Dupree
publisher:
Big Ears Music, Inc., Chrome Willie Music, EMI April Music Inc., EMI Blackwood Music Inc., Gouda Music Co., Grandma Annie Music, Oozle Music, フジパシフィックミュージック (Fujipacific Music, Inc.), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Robbie Dupree3:27
32Love Hurts
engineer and mixer:
Hugh Davies (US recording engineer)
producer:
Gram Parsons
acoustic guitar and lead vocals:
Gram Parsons (from 1973-05 until 1973-09)
bass:
Emory Gordy (from 1973-05 until 1973-09)
drums (drum set):
Ron Tutt (drummer) (from 1973-05 until 1973-09)
electric guitar:
James Burton (guitarist) (from 1973-05 until 1973-09)
guitar [rhythm guitar]:
Herb Pedersen (in 1973)
pedal steel guitar:
Al Perkins (Texas born guitarist esp. steel guitar) (from 1973-05 until 1973-09)
piano:
Glen D. Hardin (from 1973-05 until 1973-09)
vocals:
Emmylou Harris (from 1973-05 until 1973-09)
cover recording of:
Love Hurts (in 1973)
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. and Acuff-Rose Publications, Inc. (BMI) (on 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Gram Parsons53:42
33Goodbye Girl
acoustic guitar, bass guitar and piano:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set):
Mike Botts
electric guitar:
Dean Parks (American session guitarist)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977)
recording of:
Goodbye Girl
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
David Gates2:49
34You Might Need Somebody
recording of:
You Might Need Somebody
composer:
Nan O’Byrne (American songwriter and composer) and Tom Snow (US keyboardist/songwriter)
Turley Richards3:37
35Someday, Someway
recording of:
Someday, Someway
lyricist and composer:
Marshall Crenshaw
publisher:
Belwin Mills Music Ltd. and MHC Music
Marshall Crenshaw2:50
36I Can’t Tell You Why
drum machine programming:
Shai (R&B soul quartet)
producer:
Paul Brown (smooth jazz performer/producer) and Larry Carlton
mixer:
Paul Brown (smooth jazz performer/producer)
editor:
Stewart Whitmore
additional keyboard:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
guitar:
Larry Carlton
keyboard:
Shai (R&B soul quartet)
vocals:
Shai (R&B soul quartet)
arranger:
Shai (R&B soul quartet)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
Larry Carlton4:28
37Angel From Montgomery
producer:
Jerry Ragovoy
cover recording of:
Angel From Montgomery
lyricist and composer:
John Prine
publisher:
Cotillion-Sour Grapes (ended), Cotillion Music Inc. (BMI), Sour Grapes Music, Inc., Walden Music, Inc. and WB Music Corp. (1929–2019)
Bonnie Raitt43:59
38Believe It or Not (from “Greatest American Hero”)
vocals:
Joey Scarbury
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1981)
recording of:
Believe It or Not (theme from “The Greatest American Hero”)
lyricist:
Stephen Geyer
composer:
Mike Post
publisher:
Darjen Music, EMI April Music Inc., EMI Blackwood Music Inc., Lokey Publishing and Stephen Cannell Music
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Joey Scarbury43:15
39Take It Easy
acoustic guitar:
Larry Byrom
banjo:
Joe Spivey
bass guitar:
Byron House (American bass player)
electric guitar:
Dann Huff
keyboard:
Steve Nathan
membranophone:
Paul Leim
steel guitar:
Sonny Garrish
background vocals:
Curtis Wright and Curtis Young (country singer)
lead vocals:
Travis Tritt
cover recording of:
Take It Easy
writer:
Jackson Browne (American singer-songwriter) and Glenn Frey (US musician/singer/songwriter, member of the Eagles)
publisher:
Swallow Turn Music and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Travis Tritt3:34
40I Love a Rainy Night
recording of:
I Love a Rainy Night
writer:
David Malloy (American country music and pop songwriter, record producer and A&R executive), Eddie Rabbitt (US country singer & songwriter) and Even Stevens (singer / songwriter)
Eddie Rabbitt53:11
41Phantom of the Footlights
Larsen/Feiten Band4:14
42Dixie Chicken
producer:
Lowell George
vocals:
Lowell George
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973)
recording of:
Dixie Chicken
writer:
Lowell George and Martin Kibbee (singer-songwriter)
publisher:
Naked Snake Music
Little Feat43:56
43Just When I Needed You Most
producer:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
Bearsville Records Inc. (in 1979) and Rhino Records, Inc. (company credits only; not for release label use!) (in 1979)
recording of:
Just When I Needed You Most
lyricist and composer:
Randy VanWarmer
publisher:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Randy VanWarmer4:02
44You Are the Woman
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
You Are the Woman
lyricist and composer:
Rick Roberts (member of Firefall & The Flying Burrito Brothers)
Firefall2.52:46
45Days Gone By
Poco3:51
46Why You Givin’ Up
Patrick Simmons4:00
47What Do You Want the Girl to Do
cover recording of:
What Do You Want the Girl to Do?
lyricist and composer:
Allen Toussaint
publisher:
Marsaint Music Inc. (publishing), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Lowell George54:49
48Love Is the Answer
recording engineer and mixer:
Billy Sherwood
producer:
Bob Kulick and Billy Sherwood
bass guitar, drums (drum set), percussion and background vocals:
Billy Sherwood
guitar:
Gary Hoey
lead vocals:
Todd Rundgren
recorded at and mixed at:
Office Studios in Van Nuys, California, United States
recording of:
Love Is the Answer
lyricist and composer:
Todd Rundgren
publisher:
Earmark Music Inc., Fiction Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Utopia4:18
49Cruisin’ Down the Highway
engineer:
Howard Albert, Ron Albert and Steve Klein (Engineer)
producer:
Tom Dowd and James Gang (US rock group)
additional mixer:
Kenneth Hamann (engineer)
bass guitar:
Dale Peters
drums (drum set) and keyboard:
Jim Fox (American percussionist)
guitar:
Tommy Bolin (guitarist, and songwriter)
percussion:
Jim Fox (American percussionist) and Dale Peters
background vocals:
Jim Fox (American percussionist), Roy Kenner and Dale Peters
lead vocals:
Roy Kenner
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Criteria Studios in Miami, Florida, United States
mixed at:
Cleveland Recording (1970-1977) in Cleveland, Ohio, United States and Criteria Studios in Miami, Florida, United States
recording of:
Cruisin’ Down the Highway
writer:
Tommy Bolin (guitarist, and songwriter) and Dale Peters
James Gang3:15
50The Big House
recording engineer and mixer:
Scott Litt (producer and engineer)
producer:
Tommy LiPuma and Mike Mainieri
acoustic guitar, background vocals and lead vocals:
Stephen Bishop (American singer-songwriter)
drums (drum set):
Andy Newmark
electric guitar:
Stephen Bishop (American singer-songwriter), Sid McGinnis (American musician and guitarist) and David Spinozza
marimba:
Mike Mainieri
piano and Rhodes piano:
Don Grolnick
arranger:
Stephen Bishop (American singer-songwriter) and Mike Mainieri
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1979), Penny Lane Studios in New York, New York, United States (in 1979), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1979) and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (in 1979)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom
recording of:
The Big House
lyricist and composer:
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Stephen Bishop Music Publishing and エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
Stephen Bishop3:42