French Cantatas of the 18th Century

~ Release by Montéclair, Clérambault; Julianne Baird, American Baroque, Stephen Schultz (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1La Bergère: Trés lentement
engineer and producer:
Jack Vad (producer/engineer)
instruments:
American Baroque (in 1991-01)
soprano vocals:
Julianne Baird (soprano) (in 1991-01)
conductor:
Stephen Schultz (flautist/editor) (in 1991-01)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (in 1991-01)
recording of:
La Bergère: I. Trés lentement “Prenons une route nouvelle” (in 1991-01)
composer:
Michel Pignolet de Montéclair
part of:
La Bergère (Cinquième cantate à Voix Seule, avec une Flute et un Violon)
Michel Pignolet de Montéclair2:11
2La Bergère: Récitatif
engineer and producer:
Jack Vad (producer/engineer)
instruments:
American Baroque (in 1991-01)
soprano vocals:
Julianne Baird (soprano) (in 1991-01)
conductor:
Stephen Schultz (flautist/editor) (in 1991-01)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (in 1991-01)
recording of:
La Bergère: II. Récitatif “Loin des yeux de Tirsis” (in 1991-01)
composer:
Michel Pignolet de Montéclair
part of:
La Bergère (Cinquième cantate à Voix Seule, avec une Flute et un Violon)
Michel Pignolet de Montéclair0:53
3La Bergère: Air. Lentement
engineer and producer:
Jack Vad (producer/engineer)
instruments:
American Baroque (in 1991-01)
soprano vocals:
Julianne Baird (soprano) (in 1991-01)
conductor:
Stephen Schultz (flautist/editor) (in 1991-01)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (in 1991-01)
recording of:
La Bergère: III. Air. Lentement “Que c’est un tourment extrême” (in 1991-01)
composer:
Michel Pignolet de Montéclair
part of:
La Bergère (Cinquième cantate à Voix Seule, avec une Flute et un Violon)
Michel Pignolet de Montéclair1:53
4La Bergère: Sommeil
engineer and producer:
Jack Vad (producer/engineer)
instruments:
American Baroque (in 1991-01)
soprano vocals:
Julianne Baird (soprano) (in 1991-01)
conductor:
Stephen Schultz (flautist/editor) (in 1991-01)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (in 1991-01)
recording of:
La Bergère: IV. Sommeil “Mais, sur cette paisible rive” (in 1991-01)
composer:
Michel Pignolet de Montéclair
part of:
La Bergère (Cinquième cantate à Voix Seule, avec une Flute et un Violon)
Michel Pignolet de Montéclair3:00
5La Mort de Didon: Lent, marqué et detaché
engineer and producer:
Jack Vad (producer/engineer)
instruments:
American Baroque (in 1991-01)
soprano vocals:
Julianne Baird (soprano) (in 1991-01)
conductor:
Stephen Schultz (flautist/editor) (in 1991-01)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (in 1991-01)
recording of:
La Mort de Didon: I. Récitatif “Je ne verrai donc plus Enée” (in 1991-01)
composer:
Michel Pignolet de Montéclair
part of:
La Mort de Didon (Cantate avec un Dessus de Violon)
Michel Pignolet de Montéclair2:47
6La Mort de Didon: Air. Lent
engineer and producer:
Jack Vad (producer/engineer)
instruments:
American Baroque (in 1991-01)
soprano vocals:
Julianne Baird (soprano) (in 1991-01)
conductor:
Stephen Schultz (flautist/editor) (in 1991-01)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (in 1991-01)
recording of:
La Mort de Didon: II. Air. Lent “O Toi Déesse de Cithère” (in 1991-01)
composer:
Michel Pignolet de Montéclair
part of:
La Mort de Didon (Cantate avec un Dessus de Violon)
Michel Pignolet de Montéclair4:17
7La Mort de Didon: Récitatif. Vivement. (Récitatif)
engineer and producer:
Jack Vad (producer/engineer)
instruments:
American Baroque (in 1991-01)
soprano vocals:
Julianne Baird (soprano) (in 1991-01)
conductor:
Stephen Schultz (flautist/editor) (in 1991-01)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (in 1991-01)
recording of:
La Mort de Didon: III. Récitatif “Infidele pourquoi quitez-vous ce rivage?” (in 1991-01)
composer:
Michel Pignolet de Montéclair
part of:
La Mort de Didon (Cantate avec un Dessus de Violon)
recording of:
La Mort de Didon: IV. Air “Tirans de l’empire de l’Onde” (in 1991-01)
composer:
Michel Pignolet de Montéclair
part of:
La Mort de Didon (Cantate avec un Dessus de Violon)
Michel Pignolet de Montéclair4:29
8La Mort de Didon: Air. Gay
engineer and producer:
Jack Vad (producer/engineer)
instruments:
American Baroque (in 1991-01)
soprano vocals:
Julianne Baird (soprano) (in 1991-01)
conductor:
Stephen Schultz (flautist/editor) (in 1991-01)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (in 1991-01)
recording of:
La Mort de Didon: V. Air “Qu’il est dangereux” (in 1991-01)
composer:
Michel Pignolet de Montéclair
part of:
La Mort de Didon (Cantate avec un Dessus de Violon)
Michel Pignolet de Montéclair1:32
9Pan et Sirinx: Récitatif. Air
engineer and producer:
Jack Vad (producer/engineer)
instruments:
American Baroque (in 1991-01)
soprano vocals:
Julianne Baird (soprano) (in 1991-01)
conductor:
Stephen Schultz (flautist/editor) (in 1991-01)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (in 1991-01)
recording of:
Pan et Syrinx: I. Récitatif “Dans la florissante Arcadie” (in 1991-01)
composer:
Michel Pignolet de Montéclair
part of:
Pan et Syrinx
recording of:
Pan et Syrinx: II. Air “La beauté peu durable” (in 1991-01)
composer:
Michel Pignolet de Montéclair
part of:
Pan et Syrinx
Michel Pignolet de Montéclair3:05
10Pan et Sirinx: Récitatif. Lent et mesuré. Modéré. Récitatif
engineer and producer:
Jack Vad (producer/engineer)
instruments:
American Baroque (in 1991-01)
soprano vocals:
Julianne Baird (soprano) (in 1991-01)
conductor:
Stephen Schultz (flautist/editor) (in 1991-01)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (in 1991-01)
recording of:
Pan et Syrinx: III. Récitatif “Sirinx fuit le tendre esclavage” (in 1991-01)
composer:
Michel Pignolet de Montéclair
part of:
Pan et Syrinx
recording of:
Pan et Syrinx: IV. Air. Lent et mesuré “Cesser de fatiguer des monstres” (in 1991-01)
composer:
Michel Pignolet de Montéclair
part of:
Pan et Syrinx
recording of:
Pan et Syrinx: V. Symphonie. Modéré (in 1991-01)
composer:
Michel Pignolet de Montéclair
part of:
Pan et Syrinx
recording of:
Pan et Syrinx: VI. Récitatif “L’astre du jour doroit le sommet des montagnes” (in 1991-01)
composer:
Michel Pignolet de Montéclair
part of:
Pan et Syrinx
Michel Pignolet de Montéclair1:41
11Pan et Sirinx: Air. Gay
engineer and producer:
Jack Vad (producer/engineer)
instruments:
American Baroque (in 1991-01)
soprano vocals:
Julianne Baird (soprano) (in 1991-01)
conductor:
Stephen Schultz (flautist/editor) (in 1991-01)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (in 1991-01)
recording of:
Pan et Syrinx: VII. Air. Gay “La Déesse nous apelle” (in 1991-01)
composer:
Michel Pignolet de Montéclair
part of:
Pan et Syrinx
Michel Pignolet de Montéclair3:32
12Pan et Sirinx: Récitatif
engineer and producer:
Jack Vad (producer/engineer)
instruments:
American Baroque (in 1991-01)
soprano vocals:
Julianne Baird (soprano) (in 1991-01)
conductor:
Stephen Schultz (flautist/editor) (in 1991-01)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (in 1991-01)
recording of:
Pan et Syrinx: VIII. Récitatif “Déja Sirinx parcouroit l’Erimanthe” (in 1991-01)
composer:
Michel Pignolet de Montéclair
part of:
Pan et Syrinx
Michel Pignolet de Montéclair2:11
13Pan et Sirinx: Air. Lentement et tendrement
engineer and producer:
Jack Vad (producer/engineer)
instruments:
American Baroque (in 1991-01)
soprano vocals:
Julianne Baird (soprano) (in 1991-01)
conductor:
Stephen Schultz (flautist/editor) (in 1991-01)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (in 1991-01)
recording of:
Pan et Syrinx: IX. Air. Lentement et tendrement “Restes plaintifs de l’objet que j’adore” (in 1991-01)
composer:
Michel Pignolet de Montéclair
part of:
Pan et Syrinx
Michel Pignolet de Montéclair4:36
14Pan et Sirinx: Air. Gay
engineer and producer:
Jack Vad (producer/engineer)
instruments:
American Baroque (in 1991-01)
soprano vocals:
Julianne Baird (soprano) (in 1991-01)
conductor:
Stephen Schultz (flautist/editor) (in 1991-01)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (in 1991-01)
recording of:
Pan et Syrinx: X. Air. Gay “Amour tu n’as que des charmes” (in 1991-01)
composer:
Michel Pignolet de Montéclair
part of:
Pan et Syrinx
Michel Pignolet de Montéclair3:53
15Médée: Récitatif
engineer and producer:
Jack Vad (producer/engineer)
instruments:
American Baroque (in 1991-01)
soprano vocals:
Julianne Baird (soprano) (in 1991-01)
conductor:
Stephen Schultz (flautist/editor) (in 1991-01)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (in 1991-01)
recording of:
Medée: I. Récitatif “L’amante de Jason” (in 1991-01)
composer:
Louis‐Nicolas Clérambault
part of:
Medée
recording of:
Medée: II. Lentement “Seduité par les soins de sa fausse tendresse” (in 1991-01)
composer:
Louis‐Nicolas Clérambault
part of:
Medée
Louis‐Nicolas Clérambault2:15
16Médée: Prelude. Viste. Air. Vivement, et viste
engineer and producer:
Jack Vad (producer/engineer)
instruments:
American Baroque (in 1991-01)
soprano vocals:
Julianne Baird (soprano) (in 1991-01)
conductor:
Stephen Schultz (flautist/editor) (in 1991-01)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (in 1991-01)
recording of:
Medée: III. Prélude “Non, non, n’écoutons plus qu’un couroux” (in 1991-01)
composer:
Louis‐Nicolas Clérambault
part of:
Medée
recording of:
Medée: IV. Air. Vivement et vite “Courons à la vengeance” (in 1991-01)
composer:
Louis‐Nicolas Clérambault
part of:
Medée
Louis‐Nicolas Clérambault3:29
17Médée: Récitatif. Air tendre
engineer and producer:
Jack Vad (producer/engineer)
instruments:
American Baroque (in 1991-01)
soprano vocals:
Julianne Baird (soprano) (in 1991-01)
conductor:
Stephen Schultz (flautist/editor) (in 1991-01)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (in 1991-01)
recording of:
Medée: V. Récitatif “Que dis-je ? Hélas !” (in 1991-01)
composer:
Louis‐Nicolas Clérambault
part of:
Medée
recording of:
Medée: VI. Air. Tendre “L’amour dans ses fers me ramène” (in 1991-01)
composer:
Louis‐Nicolas Clérambault
part of:
Medée
Louis‐Nicolas Clérambault2:41
18Médée: Récitatif. Fort viste. Evocation. Fort, et lentement
engineer and producer:
Jack Vad (producer/engineer)
instruments:
American Baroque (in 1991-01)
soprano vocals:
Julianne Baird (soprano) (in 1991-01)
conductor:
Stephen Schultz (flautist/editor) (in 1991-01)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (in 1991-01)
recording of:
Medée: IX. Invocation. Fort et lentement “Cruelle fille des enfers” (in 1991-01)
composer:
Louis‐Nicolas Clérambault
part of:
Medée
recording of:
Medée: VII. Récitatif “Mais quelle est mon erreur extrême” (in 1991-01)
composer:
Louis‐Nicolas Clérambault
part of:
Medée
recording of:
Medée: VIII. Fort viste “C’est trop souffrir des affronts si cruels” (in 1991-01)
composer:
Louis‐Nicolas Clérambault
part of:
Medée
Louis‐Nicolas Clérambault6:20
19Médée: Récitatif. Prelude. Fort viste. Air en basse. moins viste. Prelude. trés viste
engineer and producer:
Jack Vad (producer/engineer)
instruments:
American Baroque (in 1991-01)
soprano vocals:
Julianne Baird (soprano) (in 1991-01)
conductor:
Stephen Schultz (flautist/editor) (in 1991-01)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (in 1991-01)
recording of:
Medée: X. Récitatif “Le charme est fait” (in 1991-01)
composer:
Louis‐Nicolas Clérambault
part of:
Medée
recording of:
Medée: XI. Prélude. Fort viste “Volés démons, volés” (in 1991-01)
composer:
Louis‐Nicolas Clérambault
part of:
Medée
Louis‐Nicolas Clérambault5:01

Credits

Release

liner notes:Erich Schwandt (harpsichordist)
Discogs:https://www.discogs.com/release/1380976 [info]
ASIN:US: B000001SEM [info]