Meisterwerke

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Annotation

Label code: LC 08259 (disc label) and LC 8259 (back cover)
SPARS code: DDD
Mastering SID code: IFPI L030
Mould SID code: none
Matrix: barcode 49135 A

Annotation last modified on 2020-11-07 17:02 UTC.

Tracklist

1▼CD
#	Title	Rating	Length
1	Brandenburgisches Konzert Nr. 3 G‐dur, BWV 1048: I. (Ohne Bezeichnung) orchestra: Deutsche Bachsolisten (German Bach Soloists) conductor: Helmut Winschermann (oboist/conductor) recording of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048) part of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)		5:31
2	Ouvertüre Nr. 3 D‐dur, BWV 1068: II. Air orchestra: Deutsche Bachsolisten (German Bach Soloists) conductor: Helmut Winschermann (oboist/conductor) recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1730) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)		4:28
3	Konzert für 2 Klaviere, Streicher und Basso continuo Nr. 9 c‐moll, BWV 1060: III. Allegro piano [Klavier]: Julia Ganev (Bulgarian pianist) and Konstantin Ganev (Bulgarian pianist) orchestra: Sofia Soloists conductor: Vassil Kazandjiev recording of: Concerto in C minor for Two Harpsichords, BWV 1060: III. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Concerto in C minor for Two Harpsichords, BWV 1060		3:33
4	Jesu bleibet meine Freude (Choral aus BWV 147) organ [Orgel]: Hans-Dieter Weber (organist) trumpet [Trompete]: Frank Berger (trumpet player) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1723-07-02) lyricist: Martin Janus (German Protestant minister, c. 1620–1682) (in 1665) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Classic 100: Piano (2025) (number: 15) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“		3:49
5	Konzert für 2 Blockflöten, Cembalo, Streicher und Basso continuo F‐dur, BWV 1057: III. Allegro assai harpsichord [Cembalo]: Bob van Asperen (harpsichordist and organist) recorder [Blockflöte]: Kees Boeke and Walter van Hauwe orchestra: Deutsche Bachsolisten (German Bach Soloists) conductor: Helmut Winschermann (oboist/conductor) recording of: Keyboard Concerto no. 6 in F major, BWV 1057: III. Allegro assai composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Keyboard Concerto no. 6 in F major, BWV 1057		4:47
6	Brandenburgisches Konzert Nr. 1 F‐dur, BWV 1046: II. Adagio orchestra: Deutsche Bachsolisten (German Bach Soloists) conductor: Helmut Winschermann (oboist/conductor) recording of: Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)		4:29
7	Die Kunst der Fuge, BWV 1080: Contrapunctus 9 orchestra: Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) conductor: Max Pommer (conductor) recording of: Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4 alla Duodecima composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/9) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) part of: Die Kunst der Fuge, BWV 1080.1 (1742 autograph)		3:04
8	Praeludium c‐moll, BWV 999 lute and lute [Laute]: Franz Just (lutist) recording of: Prelude in C minor, BWV 999 (original for lute) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 999) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 999)	3	2:08
9	Kommst du nun, Jesu, vom Himmel herunter (Choralvorspiel BWV 650) organ, organ [Orgel] and pipe organ: Friedrich Kircheis (organist) trumpet and trumpet [Trompete]: Ludwig Güttler (trumpet player) recording of: Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650 composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 650) part of: Sechs Choräle von verschiedener Art recording of: Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650 (catch-all for arrangements) composer: Johann Sebastian Bach (German Baroque period composer & musician) arrangement of: Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650		3:46
10	Ouvertüre Nr. 1 C‐dur, BWV 1066: Passepied I und II orchestra: Deutsche Bachsolisten (German Bach Soloists) conductor: Helmut Winschermann (oboist/conductor) recording of: Orchestersuite Nr. 1 C-Dur, BWV 1066: VII. Passepied I / Passepied II composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)		3:25
11	Brandenburgisches Konzert Nr. 2 F‐dur, BWV 1047: III. Allegro assai orchestra: Deutsche Bachsolisten (German Bach Soloists) conductor: Helmut Winschermann (oboist/conductor) recording of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)		2:41
12	Menuett d‐moll, BWV Anh. 132 flute [Flöte]: Karl-Heinz Passin (flutist) harpsichord [Cembalo]: Walter Heinz Bernstein (harpsichordist and organist) recording of: Menuett in d-Moll, BWV Anh. 132 (catch all for arrangements) composer: [unknown] (Special Purpose Artist – Do not add releases here, if possible.) arrangement of: Menuett in d-Moll, BWV Anh. 132		1:13
13	Konzert für Klavier, Streicher und Basso continuo Nr. 5 f‐moll, BWV 1056: II. Largo piano [Klavier]: Dora Milanova (pianist) orchestra: Tolbouhin Chamber Orchestra conductor: Yordan Dafov recording of: Konzert g-Moll für 3 Violinen, Streicher und Continuo, BWV 1056: II. Adagio composer: Johann Sebastian Bach (German Baroque period composer & musician)		3:21
14	Konzert für Violine, Streicher und Basso continuo a‐moll, BWV 1041: III. Allegro assai violin [Violine]: Christian Altenburger (German violinist) orchestra: Deutsche Bachsolisten (German Bach Soloists) conductor: Helmut Winschermann (oboist/conductor) recording of: Violin Concerto in A minor, BWV 1041: III. Allegro assai composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Violin Concerto in A minor, BWV 1041		3:37
15	Ach, bleib bei uns, Herr Jesu Christ (Choral aus BWV 6) French horn [corno da caccia]: Ludwig Güttler (trumpet player) organ: Friedrich Kircheis (organist) recording of: Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ" (catch-all for arrangements) arrangement of: Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ"		2:39
16	Suite c‐moll, BWV 996: V. Bourrée guitar [Gitarre]: Jürgen Rost (classical guitarist) and Monika Rost (lutenist and classical guitarist) recording of: Suite in E minor, BWV 996: V. Bourrée composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Suite in E minor, BWV 996 (original for lute, lute harpsichord)		1:23
17	Konzert für Oboe, Streicher und Basso continuo d‐moll, BWV 1059: III. Presto oboe [Oboe]: Burkhard Glaetzner (oboist) orchestra: Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) conductor: Max Pommer (conductor) recording of: Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R: III. Presto composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R		3:40
18	Ich ruf zu dir, Herr Jesu Christ, BWV 639 organ [Orgel]: Hannes Kästner (German organist and cembalist) recording of: Ich ruf zu dir, Herr Jesu Christ, BWV 639 composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1715) part of: Neumeister-Sammlung (Neumeister Collection) (number: 77), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 639), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 639), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 639) and Das Orgel-Büchlein (number: 41)		3:24
19	Konzert für Flöte, Violine, Cembalo, Streicher und Basso continuo a‐moll, BWV 1044 “Tripelkonzert”: III. Alla breve flute [Flöte]: Paul Meisen (flautist) harpsichord [Cembalo]: Bob van Asperen (harpsichordist and organist) violin [Violine]: Rainer Kussmaul (violinist) orchestra: Deutsche Bachsolisten (German Bach Soloists) conductor: Helmut Winschermann (oboist/conductor) recording of: Concerto for Flute, Violin, Harpsichord, Strings and Continuo in A minor, BWV 1044 "Triple Concerto": III. Alla breve composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Präludium und Fuge a-Moll, BWV 894: II. Fuge part of: Concerto for Flute, Violin, Harpsichord, Strings and Continuo in A minor, BWV 1044 "Triple Concerto"		7:01
20	Ouvertüre Nr. 4 D‐dur, BWV 1069: Réjouissance orchestra: Deutsche Bachsolisten (German Bach Soloists) conductor: Helmut Winschermann (oboist/conductor) recording of: Orchestersuite Nr. 4 D-Dur, BWV 1069: V. Réjouissance composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 4 D-Dur, BWV 1069 (Orchestral suite no. 4 in D major, BWV 1069)		2:37

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