Take My Breath Away: Ultimate Movie Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▶CD
2▼CD
#TitoloArtistaValutazioneDurata
1My Heart Will Go On
tecnico di registrazione:
Humberto Gatica e David Gleeson
supporto a vario titolo:
Emilie Charlap (incarico: orchestratra contractor) e Dan Shea (incarico: sound design)
programmazione:
Dan Shea
programmazione degli strumenti:
Walter Afanasieff
programmazione degli strumenti aggiuntiva:
Dan Shea
assistente tecnico:
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer e Greg Thompson (engineer, mixer)
tecnico:
Humberto Gatica (voce principale) e Dan Shea
co-produttore:
James Horner (American score composer)
produttore:
Walter Afanasieff
tecnico di missaggio:
Humberto Gatica
chitarra :
Dann Huff
organo Hammond [Hammond B-3 organ] , sintetizzatore basso [synth bass] e tastiera :
Walter Afanasieff
tastiera aggiunto:
Dan Shea
tin whistle [pennywhistle/whistles] :
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
violino folk [Irish fiddle] :
Paul Peabody (violinist)
voce di accompagnamento:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens e Jeanie Tracy
direttore d'orchestra:
William Ross (composer, orchestrator, arranger, conductor)
arrangiatore:
Walter Afanasieff
orchestratore:
William Ross (composer, orchestrator, arranger, conductor)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti e Wallyworld in San Rafael, California, Stati Uniti
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
video musicali:
My Heart Will Go On (love theme from Titanic) di Céline Dion
versioni a cappella:
The music from that movie about the boat di David Thorne (designer)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 2) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 279)
registrazione di:
My Heart Will Go On
paroliere:
Will Jennings
compositore:
James Horner (American score composer)
editore:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (fino al 2014-12-31) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (dal 2015-01-01 a oggi)
parte di:
The 70th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1997 winner)
parte di:
Titanic
Céline Dion4.354:42
2Up Where We Belong
produttore:
Stewart Levine (record producer and saxophonist)
batteria :
Leon Ndugu Chancler
chitarra :
Louie Shelton
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Robbie Buchanan (Canadian producer) e Bobby Lyle
voce principale:
Joe Cocker e Jennifer Warnes
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US, Island holding) (nel 1982) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1982)
registrazione di:
Up Where We Belong (An Officer and a Gentleman)
paroliere:
Will Jennings
compositore:
Jack Nitzsche (American musician and score composer) e Buffy Sainte‐Marie
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 55th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1982 winner)
Joe Cocker & Jennifer Warnes3.553:46
3Wicked Game
tecnico di registrazione e tecnico di missaggio:
Mark Needham
produttore:
Erik Jacobsen
assistente tecnico di missaggio:
Lee Herschberg
batteria :
Kenney Dale Johnson
chitarra :
Chris Isaak e James Calvin Wilsey
chitarra basso :
Rowland Salley
voce di accompagnamento:
Cynthia Lloyd e Christine Wall
voce principale:
Chris Isaak
diritti fonografici (℗) detenuti da:
Reprise Records e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
mixata presso:
Amigo Studios in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Wicked Game (nel 1989)
paroliere e compositore:
Chris Isaak
editore:
Arc Music Corp. (U.S. rock & blues publisher), C. Isaak Music Publishing Co. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Chris Isaak4.354:49
4Will You Still Love Me Tomorrow?
registrazione cover di:
Will You Love Me Tomorrow (Carole King song)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Amy Winehouse3:34
5Lyra
produttore:
Kate Bush
cori:
The Choir of Magdalen College, Oxford
esecutore:
Kate Bush
registrazione di:
Lyra
paroliere e compositore:
Kate Bush
Kate Bush3:14
6Thank You
tecnico di registrazione:
Goetz
programmazione:
Rollo (Rollo Armstrong of Faithless)
produttore:
Dido (English singer‐songwriter) e Rollo (Rollo Armstrong of Faithless)
tecnico di missaggio:
Phill Brown (UK engineer)
chitarra :
Paul Herman
flauto dolce e voce principale:
Dido (English singer‐songwriter)
percussione :
Mal Hyde-Smith
tastiera e pianoforte :
Mark Bates (member of the band Dusted)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1999)
remaster di:
Thank You di Dido (English singer‐songwriter)
registrazione di:
Thankyou (Dido)
autore:
Dido (English singer‐songwriter) e Paul Herman
editore:
Peermusic France, Submarine Music Ltd., Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Dido4.253:39
7No Ordinary Love
registrazione di:
No Ordinary Love
paroliere:
Sade Adu
compositore:
Sade Adu e Stuart Matthewman
editore:
Angel Music Ltd., Sony ATV Songs LLC e Sony/ATV Music Publishing UK Ltd.
Sade4:03
8Love Song for a Vampire
tecnico:
Heff Moraes
produttore:
Stephen Lipson
voce:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
direttore d'orchestra:
Anton Coppola (American conductor and composer)
registrazione di:
Love Song for a Vampire
compositore:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
editore:
Universal Music Publishing International MGB Ltd.
parte di:
Bram Stoker’s Dracula
Annie Lennox24:19
9Show Me Heaven
diritti fonografici (℗) detenuti da:
MCA (1967–2003; name as in imprint during 1972–1990) (nel 1990) e The David Geffen Company (legal rights relating to Geffen Records) (nel 1990)
registrazione di:
Show Me Heaven
autore:
Eric Rackin (Production music composer), Maria McKee e Jay Rifkin
editore:
BMG Music Publishing (Malaysia) Sdn. Bhd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Maria McKee33:44
10Love Is All Around
co-produttore:
Graeme Duffin
direttore d'orchestra:
Fiachra Trench
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1994) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1994)
video musicali:
Love Is All Around di Wet Wet Wet
registrazione cover di:
Love Is All Around
paroliere e compositore:
Reg Presley
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.854:04
11I’m Not a Girl, Not Yet a Woman
tecnico di registrazione:
Max Martin (Swedish record producer), Rami (Swedish record producer and songwriter) e Michael Tucker (engineer) (voce principale)
assistente tecnico:
Charles McCrorey (voce principale)
tecnico:
John Amatiello
produttore e tecnico di missaggio:
Max Martin (Swedish record producer) e Rami (Swedish record producer and songwriter)
chitarra [guitars] :
Esbjörn Öhrwall
chitarra basso [bass] :
Tomas Lindberg (Swedish bass player)
voce di accompagnamento:
Max Martin (Swedish record producer) e Jeanette Olsson
voce principale:
Britney Spears
diritti fonografici (℗) detenuti da:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (nel 2001)
è stato produttore per:
Maratone Productions
registrata presso:
Battery Studios in Chicago, Illinois, Stati Uniti (voce principale) e Maratone Studios in Stockholm, Stockholms län (Stockholm county), Svezia
mixata presso:
Maratone Studios in Stockholm, Stockholms län (Stockholm county), Svezia
video musicali:
I’m Not a Girl, Not Yet a Woman di Britney Spears
registrazione di:
I’m Not a Girl, Not Yet a Woman
autore:
Dido (English singer‐songwriter), Max Martin (Swedish record producer) e Rami (Swedish record producer and songwriter)
editore:
Maratone, Oldmara‐MXM, Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) e Zomba Enterprises, Inc.
parte di:
Golden Raspberry Award for Worst Original Song (numero: 2002)
Britney Spears2.83:51
12Holding Out for a Hero
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1984) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1985)
registrazione di:
Holding Out for a Hero
paroliere:
Dean Pitchford
compositore:
Jim Steinman
editore:
BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. (UK-based music publishing company.), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Harmony UK, Sony/ATV Melody e Sony/ATV Music Publishing LLC (1995–2020)
si basa su:
Stark Raving Love
Bonnie Tyler4.154:24
13Hot Summer Nights
tecnico:
John Haag
produttore:
Jerry Bruckheimer, Emilio Estefan, Jr., Giorgio Moroder e Don Simpson (American film producer, screenwriter, and actor)
tecnico di missaggio:
Brian Reeves
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1986)
registrata presso:
International Sound in Miami, Florida, Stati Uniti
mixata presso:
Oasis Recording Studios in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Hot Summer Nights
autore:
Roy Freeland, Michael Jay (producer/engineer) e Alan Roy Scott
editore:
Ensign Music Corporation (nel 1985) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (nel 1985)
Miami Sound Machine3:39
14Let’s Hear It for the Boy
produttore:
George Duke
tecnico di missaggio:
Tom Perry (engineer), Tommy Vicari e Erik Zobler
batteria elettronica [Linn Drums] , minimoog [Mini-Moog] , moog [Memory Moog] e sintetizzatore analogico [Prophet V] :
George Duke
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussione :
Paulinho da Costa (Brazilian percussionist)
voce di accompagnamento:
George Merrill, Shannon Rubicam e Deniece Williams (US soul/funk vocalist/songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Let’s Hear It for the Boy
paroliere:
Dean Pitchford
compositore:
Thomas Snow (US keyboardist/songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Deniece Williams3.64:22
15I Can Dream About You
tecnico di registrazione:
Dan Hartman
tecnico di registrazione aggiunto:
Shelly Yakus
tecnico aggiunto:
Gabe Veltri
assistente tecnico di missaggio:
Steve Krause (Steven A Krause)
tecnico di missaggio:
Humberto Gatica
basso elettrico :
Eddie N. Watkins Jr.
batteria aggiunto:
Art Wood (US session drummer/percussionist)
chitarra aggiunto:
Richie Zito
percussione :
Bobbye Hall
pianoforte :
Bill Payne
voce di accompagnamento:
Winston Ford, Dan Hartman e Joe Pizzullo
voce principale:
Dan Hartman
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1984), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1984) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1984)
registrazione di:
I Can Dream About You
paroliere e compositore:
Dan Hartman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!) e Multi-Level Music, Inc. (BMI affiliated)
Dan Hartman4.24:08
16Nothing Has Been Proved
registrazione di:
Nothing Has Been Proved
autore:
Chris Lowe (1/2 of Pet Shop Boys) e Neil Tennant
editore:
Cage Music Ltd.
Dusty Springfield24:41
17The Crying Game
programmazione:
Pete Gleadall
tecnico:
Pete Schwier (producer, mixing and recording engineer)
produttore:
Pet Shop Boys
voce e esecutore:
Boy George
diritti fonografici (℗) detenuti da:
Spaghetti Recordings Ltd. (nel 1992)
registrazione cover di:
The Crying Game
paroliere e compositore:
Geoff Stephens
editore:
Peermusic (UK) Limited e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
registrazione di:
The Crying Game
paroliere e compositore:
Geoff Stephens
editore:
Peermusic (UK) Limited e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Boy George23:23
18Unchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:36
19Blue Velvet
produttore:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
registrazione cover di:
Blue Velvet
autore:
Lee Morris (US songwriter) e Bernie Wayne
editore:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:50
20Woo Hoo Song
The 5.6.7.8’s2:00

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