Classic Rock: 1967 (1988 new cover)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

There are (at least) two versions of this release with different art work, but otherwise (I think) they're identical.

Anmerkung zuletzt geändert am 2013-03-03 22:43 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Somebody to Love
recording engineer:
David Hassinger (am 1966-11-03)
Produzent(in):
Rick Jarrard (von 1966-10-31 bis 1966-11-22)
Bass:
Jack Casady (von 1966-10-31 bis 1966-11-22)
Gitarre [lead guitar]:
Jorma Kaukonen (American blues, folk, and rock guitarist) (von 1966-10-31 bis 1966-11-22)
Gitarre [rhythm guitar]:
Paul Kantner (von 1966-10-31 bis 1966-11-22)
Schlagzeug:
Spencer Dryden (von 1966-10-31 bis 1966-11-22)
Sologesang:
Grace Slick (von 1966-10-31 bis 1966-11-22)
vocals:
Marty Balin (von 1966-10-31 bis 1966-11-22) und Paul Kantner (von 1966-10-31 bis 1966-11-22)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967) und RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (in 1967)
aufgenommen bei:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-10-31 bis 1966-11-22)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 274)
recording of:
Somebody to Love (Jefferson Airplane song) (von 1966-10-31 bis 1966-11-22)
Texter und Komponist(in):
Darby Slick
publisher:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.553:02
2The Letter
Produzent(in):
Dan Penn (songwriter, soul singer)
phonographisches Urheberrecht (℗) von:
Arista Records (not an imprint, use “Arista” for release labels) (in 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1967) und Atoll Music (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 357) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 364)
recording of:
The Letter (in 1967)
Texter und Komponist(in):
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Warner Chappell Music (publisher as Warner/Chappell Music)
The Box Tops4.151:56
3Happy Together
phonographisches Urheberrecht (℗) von:
White Whale (late 60s/early 70s California) (in 1967)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 257)
recording of:
Happy Together (in 1967)
Verfasser(in):
Garry Bonner (singer and songwriter) und Alan Gordon (American songwriter who co‐wrote The Turtles’ hit “Happy Together”)
publisher:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) und Trio Music Co., Inc.
Teil von:
Freaky Friday (2003)
The Turtles4.352:57
4Dedicated to the One I Love
Produzent(in):
Lou Adler
phonographisches Urheberrecht (℗) von:
Dunhill Records Inc. (in 1967)
produced for:
Dunhill Records USA
cover recording of:
Dedicated to the One I Love
Verfasser(in):
Ralph Bass und Lowman Pauling
publisher:
Carlin Music Corporation, Duchess Music Corporation (BMI-affiliated), Trousdale Music Pub., Inc., Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Mamas & the Papas4.23:03
5Love Is Here and Now You're Gone
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
recording of:
Love Is Here and Now You’re Gone
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
The Supremes2:51
6Groovin'
Produzent(in):
The Rascals (US soul & rock group, formerly known as The Young Rascals)
Hintergrundgesang:
David Brigati
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Groovin’
Verfasser(in):
Eddie Brigati und Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Slacsar
The Young Rascals2:33
7(Your Love Keeps Lifting Me) Higher and Higher
Produzent(in):
Carl Davis (record producer)
Bass:
James Jamerson (am 1967-07-06)
Gitarre:
Robert White (US funk/soul guitarist) (am 1967-07-06)
Keyboard:
Johnny Griffith (am 1967-07-06)
Schlagzeug:
Richard "Pistol" Allen (am 1967-07-06)
Sologesang:
Jackie Wilson (soul singer) (am 1967-07-06)
Interpret(in):
Jackie Wilson (soul singer)
arranger:
Sonny Sanders
phonographisches Urheberrecht (℗) von:
Brunswick Recording Corporation (in 1967)
aufgenommen bei:
Columbia Recording Studios (Chicago) in Chicago, Illinois, Vereinigte Staaten (am 1967-07-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 246) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 301)
recording of:
(Your Love Keeps Lifting Me) Higher and Higher (am 1967-07-06)
Verfasser(in):
Gary Jackson (songwriter), Raynard Miner und Carl Smith (US country music singer)
publisher:
Chevis Publishing Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
MJ: The Musical
Jackie Wilson4.82:59
8I Think We're Alone Now
recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
Tommy James & the Shondells52:09
9I Second That Emotion
Gitarre:
Marvin Tarplin (am 1967-09-21)
Instrumente:
The Funk Brothers (am 1967-09-21)
Hintergrundgesang:
Warren “Pete” Moore (am 1967-09-21), Claudette Robinson (am 1967-09-21), Bobby Rogers (am 1967-09-21) und Ronald White (soul singer, founding member of The Miracles) (am 1967-09-21)
Sologesang:
Smokey Robinson (am 1967-09-21)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1967-09-21)
recording of:
I Second That Emotion (am 1967-09-21)
Verfasser(in):
Al Cleveland (songwriter 1930-1996) und Smokey Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Smokey Robinson & The Miracles42:48
10San Francisco (Be Sure to Wear Flowers in Your Hair)
Produzent(in):
Lou Adler und John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
Texter und Komponist(in):
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) und Wingate Music Corp.
Scott McKenzie3.753:01
11A Whiter Shade of Pale
Produzent(in):
Denny Cordell
Bassgitarre:
David Knights
Gast-Schlagzeug:
Bill Eyden
Gitarre:
Ray Royer
Hammond-Orgel:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographisches Urheberrecht (℗) von:
Onward Music Ltd. (in 1967)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 271)
recording of:
A Whiter Shade of Pale
Texter:
Keith Reid
Komponist(in):
Gary Brooker und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
basiert auf:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
basiert auf:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:03
12Respect
recording engineer:
Tom Dowd (am 1967-02-14)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bassgitarre:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Aretha Franklin (am 1967-02-14)
Kornett:
Melvin Lastie (am 1967-02-14)
Orgel:
Spooner Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Hintergrundgesang:
Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
conductor:
Tom Dowd (am 1967-02-14)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Aretha Franklin3.92:28
13Kind of a Drag
Produzent(in):
Carl Bonafede und Dan Bellock
recording of:
Kind of a Drag
Verfasser(in):
James Holvay
The Buckinghams2:12
14Good Thing
recording of:
Good Thing
Verfasser(in):
Mark A. Lindsay und Terrance Paul Melcher
Paul Revere and the Raiders3:05
15I Heard It Through the Grapevine
Produzent(in):
Norman Whitfield
aufgenommen bei:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1967-06-17)
cover recording of:
I Heard It Through the Grapevine (am 1967-06-17)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Gladys Knight & the Pips3.752:51
16Funky Broadway
Produzent(in):
Jerry Wexler
baritone saxophone:
Floyd Newman (von 1967-02-01 bis 1967-02-04)
E-Bass [electric bass]:
Tommy Cogbill (von 1967-02-01 bis 1967-02-04)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1967-02-01 bis 1967-02-04) und Lincoln "Chips" Moman (von 1967-02-01 bis 1967-02-04)
Keyboard [piano, organ]:
Dewey "Spooner" Oldham (von 1967-02-01 bis 1967-02-04)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1967-02-01 bis 1967-02-04)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1967-02-01 bis 1967-02-04) und Jimmy Mitchell (saxophone) (von 1967-02-01 bis 1967-02-04)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1967-02-01 bis 1967-02-04)
vocals:
Wilson Pickett (von 1967-02-01 bis 1967-02-04)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1967-02-01 bis 1967-02-04)
cover recording of:
Funky Broadway (von 1967-02-01 bis 1967-02-04)
Texter und Komponist(in):
Arlester “Dyke” Christian
publisher:
Drive-In Music Co. und Embassy Music Corporation
Wilson Pickett22:35
17Incense and Peppermints
Produzent(in):
Frank Slay
recording of:
Incense and Peppermints
Verfasser(in):
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) und Tim Gilbert
zusätzliche(r) Verfasser(in):
Ed King (US guitarist, bassist & songwriter) und Mark Weitz (keyboardist)
publisher:
MCA Music Ltd.
Strawberry Alarm Clock4.52:50
18Sweet Soul Music
Techniker(in):
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
Produzent(in):
Otis Redding
Gitarre:
Moses Dillard (am 1967-01-20)
vocals:
Arthur Conley (am 1967-01-20)
aufgenommen bei:
FAME Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1967-01-20)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 351)
recording of:
Sweet Soul Music (am 1967-01-20)
Verfasser(in):
Arthur Conley, Sam Cooke (American singer and songwriter, “King of Soul”) und Otis Redding
publisher:
ABKCO Music und Rondor
basiert auf:
Yeah Man
Arthur Conley42:21
19I Had Too Much to Dream (Last Night)
Produzent(in):
Dave Hassinger
recording of:
I Had Too Much to Dream (Last Night)
Verfasser(in):
Nancie Mantz und Annette Tucker
The Electric Prunes42:58
20Little Bit o' Soul
Produzent(in):
Jerry Kasenetz und Jeff Katz (music producer)
recording of:
Little Bit o’ Soul
Texter und Komponist(in):
Carter-Lewis (British songwriter duo)
Verfasser(in):
John Carter (songwriter & producer, b. 1942) (in 1964) und Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men) (in 1964)
The Music Explosion32:22
21Bernadette
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
recording of:
Bernadette
Verfasser(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Four Tops53:05
22Daydream Believer
Produzent(in):
Chip Douglas
Bass:
Chip Douglas (von 1967-06-14 bis 1967-08-09)
Bassposaune:
Richard Leith (trombonist) (von 1967-06-14 bis 1967-08-09) und Phil Teele (von 1967-06-14 bis 1967-08-09)
Geige / Violine:
Nathan Kaproff (von 1967-06-14 bis 1967-08-09), George Kast (von 1967-06-14 bis 1967-08-09), Alex Murray (violinist) (von 1967-06-14 bis 1967-08-09) und Erno Neufeld (von 1967-06-14 bis 1967-08-09)
Gitarre:
Michael Nesmith (von 1967-06-14 bis 1967-08-09)
Klavier:
Peter Tork (von 1967-06-14 bis 1967-08-09)
Perkussion:
William E. Martin (von 1967-06-14 bis 1967-08-09)
Posaune:
Richard Noel (trombonist) (von 1967-06-14 bis 1967-08-09)
Schlagzeug:
Eddie Hoh (von 1967-06-14 bis 1967-08-09)
Trompete:
Pete Candoli (von 1967-06-14 bis 1967-08-09), Al Porcino (von 1967-06-14 bis 1967-08-09) und Manuel Stevens (von 1967-06-14 bis 1967-08-09)
Hintergrundgesang:
Micky Dolenz (von 1967-06-14 bis 1967-08-09)
Sologesang:
Davy Jones (The Monkees member) (von 1967-06-14 bis 1967-08-09)
Horn und Saiteninstrumente arranger:
Shorty Rogers (trumpet)
Musikvideos:
Daydream Believer von The Monkees
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 39)
recording of:
Daydream Believer (von 1967-06-14 bis 1967-08-09)
Texter und Komponist(in):
John Stewart (singer-songwriter (Kingston Trio))
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4.652:57

Nennungen

Veröffentlichungsgruppe

Teil von:Classic Rock (Time-Life Music) (Nummer: 5) (Reihenfolge: 5)
Discogs:https://www.discogs.com/master/409842 [Info]