The Complete Blue Note, Riverside & Contemporary Collection

~ Release by Sonny Rollins (see all versions of this release, 1 available)

Annotation

Four-tray multi-panel Digipak. No Booklet, but some partial credits are printed on the back-panels of the disc trays.

Annotation last modified on 2023-09-10 05:26 UTC.

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1I'm an Old Cowhand (From The Rio Grande)
producer:
Lester Koenig
double bass [bass]:
Ray Brown (jazz bassist) (on 1957-03-07)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1957-03-07)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-03-07)
instrumental recording of:
I’m an Old Cowhand (From the Rio Grande) (on 1957-03-07)
lyricist and composer:
Johnny Mercer
publisher:
The Johnny Mercer Foundation and WC Music Corp.
5:40
2Solitude
producer:
Lester Koenig
double bass [bass]:
Ray Brown (jazz bassist) (on 1957-03-07)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1957-03-07)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-03-07)
instrumental recording of:
(In My) Solitude (on 1957-03-07)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
7:49
3Come, Gone
recording engineer:
Roy DuNann
producer:
Lester Koenig
double bass:
Ray Brown (jazz bassist) (on 1957-03-07)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1957-03-07)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-03-07)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-03-07)
recording of:
Come, Gone (on 1957-03-07)
composer:
Sonny Rollins (American saxophonist)
7:50
4Wagon Wheels
recording engineer:
Roy DuNann
producer:
Lester Koenig
double bass and double bass [bass]:
Ray Brown (jazz bassist) (on 1957-03-07)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1957-03-07)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-03-07)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-03-07)
instrumental cover recording of:
Wagon Wheels (on 1957-03-07)
composer:
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio) and Billy Hill (US songwriter)
10:09
5There Is No Greater Love
recording engineer:
Roy DuNann
producer:
Lester Koenig
double bass:
Ray Brown (jazz bassist) (on 1957-03-07)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1957-03-07)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-03-07)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-03-07)
instrumental recording of:
There Is No Greater Love (on 1957-03-07)
lyricist:
Marty Symes (lyricist)
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) and World Music, Inc.
5:15
6Way Out West
recording engineer:
Roy DuNann
producer:
Lester Koenig
double bass:
Ray Brown (jazz bassist) (on 1957-03-07)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1957-03-07)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-03-07)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-03-07)
recording of:
Way Out West (on 1957-03-07)
composer:
Sonny Rollins (American saxophonist)
6:28
7The Last Time I Saw Paris
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1957-06-19)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1957-06-19)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-06-19)
engineered at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-19)
instrumental cover recording of:
The Last Time I Saw Paris (on 1957-06-19)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
part of:
The 14th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1941 winner)
2:56
8Just in Time
recorded in:
New York, New York, United States (from 1957-06-11 until 1957-06-12)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Percy Heath
double bass:
Percy Heath (from 1957-06-11 until 1957-06-12)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (, from 1957-06-11 until 1957-06-12)
piano:
Sonny Clark (from 1957-06-11 until 1957-06-12)
tenor saxophone:
Sonny Rollins (American saxophonist) (from 1957-06-11 until 1957-06-12)
engineered at:
Reeves Sound Studios in New York, New York, United States (from 1957-06-11 until 1957-06-12)
instrumental cover recording of:
Just in Time (Bells Are Ringing) (from 1957-06-11 until 1957-06-12)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
3:58
9Toot, Toot, Tootsie
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Percy Heath (from 1957-06-11 until 1957-06-12)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (from 1957-06-11 until 1957-06-12)
piano:
Sonny Clark (from 1957-06-11 until 1957-06-12)
tenor saxophone:
Sonny Rollins (American saxophonist) (from 1957-06-11 until 1957-06-12)
engineered at:
Reeves Sound Studios in New York, New York, United States (from 1957-06-11 until 1957-06-12)
instrumental cover recording of:
Toot, Toot, Tootsie (Goo’ Bye) (from 1957-06-11 until 1957-06-12)
writer:
Ernie Erdman (Songwriter/composer and pianist), Gus Kahn and Dan Russo (1920s–30s violinist, songwriter, and big band leader)
publisher:
Salabert
4:22
10What Is There to Say
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1957-06-19)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1957-06-19)
piano:
Sonny Clark (on 1957-06-19)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-06-19)
engineered at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-19)
instrumental cover recording of:
What Is There to Say? (on 1957-06-19)
lyricist:
Yip Harburg
composer:
Vernon Duke
publisher:
BMG Songs, Next Decade Entertainment and T.B. Harms Co.
4:54
11Dearly Beloved
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Percy Heath (from 1957-06-11 until 1957-06-12)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (from 1957-06-11 until 1957-06-12)
piano:
Sonny Clark (from 1957-06-11 until 1957-06-12)
tenor saxophone:
Sonny Rollins (American saxophonist) (from 1957-06-11 until 1957-06-12)
engineered at:
Reeves Sound Studios in New York, New York, United States (from 1957-06-11 until 1957-06-12)
instrumental cover recording of:
Dearly Beloved (from “You Were Never Lovelier”) (from 1957-06-11 until 1957-06-12)
lyricist:
Johnny Mercer
composer:
Jerome Kern
part of:
The 15th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1942 nominee)
3:05
12Everytime We Say Goodbye
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Percy Heath (from 1957-06-11 until 1957-06-12)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (from 1957-06-11 until 1957-06-12)
piano:
Sonny Clark (from 1957-06-11 until 1957-06-12)
tenor saxophone:
Sonny Rollins (American saxophonist) (from 1957-06-11 until 1957-06-12)
engineered at:
Reeves Sound Studios in New York, New York, United States (from 1957-06-11 until 1957-06-12)
instrumental cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (from 1957-06-11 until 1957-06-12)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:23
13Cutie
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Percy Heath (from 1957-06-11 until 1957-06-12)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (from 1957-06-11 until 1957-06-12)
piano:
Sonny Clark (from 1957-06-11 until 1957-06-12)
tenor saxophone:
Sonny Rollins (American saxophonist) (from 1957-06-11 until 1957-06-12)
engineered at:
Reeves Sound Studios in New York, New York, United States (from 1957-06-11 until 1957-06-12)
recording of:
Cutie (from 1957-06-11 until 1957-06-12)
composer:
Sonny Rollins (American saxophonist)
5:53
14It Could Happen to You
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
solo tenor saxophone:
Sonny Rollins (American saxophonist) (from 1957-06-11 until 1957-06-12)
engineered at:
Reeves Sound Studios in New York, New York, United States (from 1957-06-11 until 1957-06-12)
instrumental cover recording of:
It Could Happen to You (from 1957-06-11 until 1957-06-12)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3:46
15Mangoes
recorded in:
New York, New York, United States (from 1957-06-11 until 1957-06-12)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Percy Heath
double bass:
Percy Heath (from 1957-06-11 until 1957-06-12)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (, from 1957-06-11 until 1957-06-12)
piano:
Sonny Clark (from 1957-06-11 until 1957-06-12)
tenor saxophone:
Sonny Rollins (American saxophonist) (from 1957-06-11 until 1957-06-12)
engineered at:
Reeves Sound Studios in New York, New York, United States (from 1957-06-11 until 1957-06-12)
instrumental cover recording of:
Mangos (from 1957-06-11 until 1957-06-12)
lyricist:
Sid Wayne
composer:
Dee Libbey
publisher:
Holly-Hill Music Publishing Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:35
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