Best in Lounge: Easy Listening

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Somewhere My Love
Vince Hill2:56
2Kiss
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1957)
Orchester:
Gus Levene and His Orchestra (in 1957)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1957)
cover recording of:
Kiss (Niagara) (in 1957)
Texter:
Haven Gillespie
Komponist(in):
Lionel Newman
Dean Martin52:23
3(There’s) Always Something There to Remind Me
cover recording of:
(There’s) Always Something There to Remind Me
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (bis 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (vom 2015-01-01 bis heute)
Peggy Lee2:45
4It Don’t Mean a Thing (If It Ain’t Got That Swing)
recording engineer:
Ray Hall (engineer) (am 1961-04-03)
Produzent(in):
Bob Thiele (producer & songwriter)
Klarinette:
Barney Bigard (am 1961-04-03)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1961-04-03)
Kontrabass:
Mort Herbert (am 1961-04-03)
Posaune:
Trummy Young (am 1961-04-03)
Schlagzeug:
Danny Barcelona (am 1961-04-03)
Trompete:
Louis Armstrong (am 1961-04-03)
vocals:
Louis Armstrong (am 1961-04-03)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1961-04-03)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (am 1961-04-03)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Louis Armstrong and The Duke Ellington Orchestra44:00
5Try a Little Tenderness
cover recording of:
Try a Little Tenderness
Texter:
James Campbell (British songwriter and music publisher) und Reginald Connelly
Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell und Campbell Connelly & Co. Ltd. (am 1932-11-04)
Nina Simone3:26
6Spanish Eyes
Produzent(in):
Tom Morgan (producer)
conductor:
Peter de Angelis (in 1965)
arranger:
Peter de Angelis
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1965)
cover recording of:
Spanish Eyes (Moon Over Naples) (in 1965)
Texter:
Charles Singleton (composer/lyricist) und Eddie Snyder
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter)
publisher:
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Version von:
Moon Over Naples
Al Martino2.52:47
7Cry Me a River
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 15)
recording of:
Cry Me a River (in 1955-08)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:49
8Call Me Irresponsible
cover recording of:
Call Me Irresponsible
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Paramount Music Corporation
Teil von:
The 36th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1963 winner)
Dinah Washington2:19
9We’ve Only Just Begun
Bing Crosby3:07
10Born Free
Produzent(in):
John Barry (English score composer)
Sologesang:
Matt Monro
conductor und Interpret(in):
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Born Free
Texter:
Don Black (English lyricist)
Komponist(in):
John Barry (English score composer)
publisher:
Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music Ltd.
Teil von:
The 39th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1966 winner)
Teil von:
Born Free
Matt Monro32:48
11The Story of My Life
cover recording of:
The Story of My Life
Texter:
Hal David
Komponist(in):
Burt Bacharach
Michael Holliday2:15
12Night and Day
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Fred Astaire3:48
13Something
recording engineer:
John Kurlander (engineer) (von 1984-07 bis 1984-08)
assistierende(r) Techniker(in):
Toby Alington (in 1984)
Produzent(in):
Tony Colton, Johnny Harris (Scottish composer, conductor) und Norman Newell (in 1984)
vocals:
Shirley Bassey (Welsh singer) (von 1984-07 bis 1984-08)
Orchester:
London Symphony Orchestra (von 1984-07 bis 1984-08)
conductor:
Johnny Harris (Scottish composer, conductor) und Carl Davis (conductor and composer) (von 1984-07 bis 1984-08)
arranger:
Johnny Harris (Scottish composer, conductor)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC. (not for release label use! fka Capitol Records, Inc. until 2007) (in 1970) und Towerbell Records (in 1984)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (von 1984-07 bis 1984-08)
cover recording of:
Something (von 1984-07 bis 1984-08)
Texter und Komponist(in):
George Harrison (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Harrisongs Ltd. und Nichion Synch Division (NICHION, INC. Synch Division)
Shirley Bassey33:35
14The Girl From Ipanema
Eartha Kitt3:05
15Unchained Melody
Frankie Vaughan3:39
16It Had to Be You
Klavier:
André Previn (pianist, conductor, composer, arranger)
vocals:
Dinah Shore
recording of:
It Had to Be You
Texter:
Gus Kahn (in 1924)
Komponist(in):
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) und Jerome H. Remick & Co. (am 1924-05-09)
Dinah Shore & André Previn43:23
17They All Laughed
recording of:
They All Laughed (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) und Gershwin Publishing Corp (in 1937)
Teil von:
Shall We Dance (1937 film soundtrack)
Chet Baker2:09
18You’re Getting to Be a Habit With Me
Mel Tormé3:07