Annotation

Box containing 3-panel "Triptych" digipack with 3xCD media, 1 x digipak containing CD-ROM plus111-page booklet

Annotation last modified on 2026-05-26 15:24 UTC.

Tracklist

1CD
2CD
3CD
#TitleArtistRatingLength
1Matthäus‐Passion, BWV 244: Zweiter Teil. 53a. „Da nahmen die Kriegsknechte“ (Evangelista) / 53b. „Gegrüßet seist du, Judenkönig“ (Chorus I & II) / 53c. „Und speieten ihn an“ (Evangelista)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista) (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:06
2Matthäus‐Passion, BWV 244: Zweiter Teil. 54. „O Haupt voll Blut und Wunden“ (Choral)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 1998-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:13
3Matthäus‐Passion, BWV 244: Zweiter Teil. 55. „Und da sie ihn verspottet hatten“ (Evangelista)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:51
4Matthäus‐Passion, BWV 244: Zweiter Teil. 56. „Ja! freilich will in uns das Fleisch und Blut“ (Recitativo (Baß))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals:
Dietrich Henschel (baritone) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:37
5Matthäus‐Passion, BWV 244: Zweiter Teil. 57. „Komm, süßes Kreuz“ (Aria (Baß))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals:
Dietrich Henschel (baritone) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:46
6Matthäus‐Passion, BWV 244: Zweiter Teil. 58a. „Und da sie an die Stätte kamen“ (Evangelista) / 58b. „Der du den Tempel Gottes zerbrichst“ (Chorus I & II) / 58c. „Desgleichen auch die Hohenpriester“ (Evangelista) / 58d. „Andern hat er geholfen“ (Chorus I & II) / 58e. „Desgleichen schmäheten ihn“ (Evangelista)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:30
7Matthäus‐Passion, BWV 244: Zweiter Teil. 59. „Ach, Golgatha, unsel’ges Golgatha“ (Recitativo (Alt))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:37
8Matthäus‐Passion, BWV 244: Zweiter Teil. 60. „Sehet Jesus hat die Hand“ (Aria (Alt, Chorus II))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:55
9Matthäus‐Passion, BWV 244: Zweiter Teil. 61a. „Und von der sechsten Stunde“ (Evangelista, Jesus) / 61b. „Der rufet dem Elias“ (Chorus I) / 61c. „Und bald lief einer unter ihnen“ (Evangelista) / 61d. „Halt, laß sehen“ (Chorus II) / 61e. „Aber Jesus schriee abermals laut“ (Evangelista)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:27
10Matthäus‐Passion, BWV 244: Zweiter Teil. 62. „Wenn ich einmal soll scheiden“ (Choral)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (in 1998-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:17
11Matthäus‐Passion, BWV 244: Zweiter Teil. 63a. „Und siehe da, der Vorhang im Tempel zerriß“ (Evangelista) / 63b. „Wahrlich, dieser ist Gottes Sohn gewesen“ (Chorus I & II) / 63c. „Und es waren viel Weiber da“ (Evangelista)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista) (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:31
12Matthäus‐Passion, BWV 244: Zweiter Teil. 64. „Am Abend da es kühle war“ (Recitativo (Baß))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals:
Dietrich Henschel (baritone) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:53
13Matthäus‐Passion, BWV 244: Zweiter Teil. 65. „Mache dich, mein Herze, rein“ (Aria (Baß))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals:
Dietrich Henschel (baritone) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:50
14Matthäus‐Passion, BWV 244: Zweiter Teil. 66a. „Und Joseph nahm den Lieb“ (Evangelista) / 66b. „Herr, wir haben gedacht“ (Chorus I & II) / 66c. „Pilatus sprach zu ihnen“ (Evangelista, Pilatus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:29
15Matthäus‐Passion, BWV 244: Zweiter Teil. 67. „Nun ist der Herr zur Ruh gebracht“ (Recitativo (SATB, Chorus I & II))
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
bass vocals:
Dietrich Henschel (baritone) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
soprano vocals:
Sibylla Rubens (soprano) (in 1998-08)
tenor vocals:
Werner Güra (German classical tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:57
16Matthäus‐Passion, BWV 244: Zweiter Teil. 68. „Wir setzen uns mit Tränen nieder“ (Chorus I & II)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:19
4Data CD: Matthaüs‐Passion: Eine Interaktive Reise

Credits

Release

orchestra:Collegium Vocale Gent
conductor:Philippe Herreweghe (Belgian conductor)
chorus master:Michaël Ghijs (Belgian conductor)
baritone vocals:Frits Vanhulle
bass vocals:Dietrich Henschel (baritone)
Franz‐Josef Selig (operatic bass)
Dominik Wörner (bass)
choir vocals:Collegium Vocale Gent
Schola Cantorum Cantate Domino (Belgian boys choir)
countertenor vocals:Andreas Scholl (countertenor)
soprano vocals:Susan Hamilton (Scottish soprano)
Elisabeth Hermans (Belgian soprano)
Sibylla Rubens (soprano)
tenor vocals:Ian Bostridge (tenor)
Werner Güra (German classical tenor)
Discogs:https://www.discogs.com/release/1345266 [info]
ASIN:US: B00002R0ZL [info]

Release group

included in:Johannes-Passion / Matthäus-Passion by J.S. Bach (Johann Sebastian Bach, German Baroque period composer & musician); Collegium Vocale Gent, Philippe Herreweghe (Belgian conductor)
Discogs:https://www.discogs.com/master/579419 [info]