Jazz & the City

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

similar to https://www.discogs.com/release/5217711

3 x Matrix

CD1 IFPI 9R2R 2100001211035
CD2 IFPI 9R21 2100001211042
CD3 IFPI 9R2R 2100001211059

Anmerkung zuletzt geändert am 2024-05-10 17:41 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Lullaby of Birdland
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
Texter:
B. Y. Forster (pseudonym of George David Weiss)
Verfasser(in):
George David Weiss
Komponist(in):
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited und Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Sarah Vaughan4:03
2Time After Time
Produzent(in):
Richard Bock (record producer)
Celesta und Klavier:
Russ Freeman (pianist) (am 1954-02-15)
Kontrabass:
Jimmy Bond (am 1954-02-15) und Carson Smith (am 1954-02-15)
Schlagzeug:
Peter Littman (am 1954-02-15), Lawrence Marable (am 1954-02-15) und Bob Neel (am 1954-02-15)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-02-15)
recording of:
Time After Time (am 1954-02-15)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Chappell/Morris Ltd. und Sands Music Corp.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Chet Baker32:47
3I Only Have Eyes for You
recording of:
I Only Have Eyes for You
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. und Warner Bros. Inc. (not for release label use!)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
Billie Holiday2:56
4In the Wee Small Hours of the Morning
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn und Dave Sterkin
Cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
George van Eps
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Morty Corb (bass, USA) und Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Schlagzeug:
Louis Singer (percussionist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-02-17)
Orchester:
The Nelson Riddle Orchestra (am 1955-02-17)
conductor:
Nelson Riddle (am 1955-02-17)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-02-17)
recording of:
In the Wee Small Hours of the Morning (am 1955-02-17)
Texter:
Bob Hilliard
Komponist(in):
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company und Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Frank Sinatra33:02
5I’ve Got You Under My Skin
Klavier:
Jimmy Rowles (am 1953-04-30)
Kontrabass:
Max Wayne (am 1953-04-30)
Schlagzeug:
Ed Shaughnessy (am 1953-04-30)
Trompete:
Pete Candoli (am 1953-04-30)
vocals:
Peggy Lee (jazz vocalist) (am 1953-04-30)
recording of:
I’ve Got You Under My Skin (am 1953-04-30)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Peggy Lee2:32
6Unforgettable
Bratsche / Viola:
Paul Robyn (am 1951-08-17) und Dave Sterkin (am 1951-08-17)
Celesta und Klavier:
Buddy Cole (am 1951-08-17)
Cello:
Cy Bernard (am 1951-08-17) und Eleanor Slatkin (US cellist, b. Aller) (am 1951-08-17)
Conga:
Joe Costanzo (am 1951-08-17)
Geige / Violine:
Alex Beller (am 1951-08-17), Harry Bluestone (am 1951-08-17), Walter Edelstein (am 1951-08-17), Henry Hill (Violin player) (am 1951-08-17), Dan Lube (am 1951-08-17), Erno Neufeld (am 1951-08-17), Mischa Russell (violinist) (am 1951-08-17) und Marshall Sosson (am 1951-08-17)
Gitarre:
Bob Bain (guitarist) (am 1951-08-17)
Harfe:
Ann Mason Stockton (American harpist) (am 1951-08-17)
Kontrabass:
Joe Comfort (am 1951-08-17)
Schlagzeug:
Nick Fatool (am 1951-08-17)
vocals:
Nat King Cole (am 1951-08-17)
Orchester:
Nelson Riddle and His Orchestra (am 1951-08-17)
conductor:
Nelson Riddle (am 1951-08-17)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-08-17)
recording of:
Unforgettable (am 1951-08-17)
Texter und Komponist(in):
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Bourne Music Ltd.
Nat King Cole43:14
7New York, Chicago and Los Angeles
recording of:
New York, Chicago and Los Angeles (Dinah Washington song composed by "Mitchell")
Verfasser(in):
Mitchell
Dinah Washington1:59
8Penthouse Serenade
Bass:
Johnny Miller (part of the Nat King Cole Trio) (am 1945-05-26)
Gitarre:
Oscar Moore (am 1945-05-26)
Klavier:
Nat King Cole (am 1945-05-26)
vocals:
Anita O’Day (am 1945-05-26)
Interpret(in):
The Nat King Cole Trio
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-05-26)
cover recording of:
Penthouse Serenade (am 1945-05-26)
Verfasser(in):
Val Burton (Isadore Harry Burns) und Will Jason
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Jerry Leiber Music, Range Road Music Inc. und Silver Seahorse Music LLC
Anita O’Day3:09
9A Kiss to Build a Dream On
recording of:
A Kiss to Build a Dream On
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) und Bert Kalmar (in 1935)
Komponist(in):
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
Teil von:
The 24th Academy Award for Best Original Song (Nummer: 2)
Teil von:
Fallout 2: A Post Nuclear Role Playing Game
Teil von:
The Strip (1951 film)
Louis Armstrong3:04
10It Might as Well Be Spring
recorded in:
New York, New York, Vereinigte Staaten (von 1956-09-11 bis 1956-09-12)
Produzent(in):
Norman Granz
Gitarre:
Herb Ellis (jazz guitarist) (von 1956-09-11 bis 1956-09-12)
Klavier:
Blossom Dearie (von 1956-09-11 bis 1956-09-12)
Kontrabass [bass]:
Ray Brown (jazz bassist) (von 1956-09-11 bis 1956-09-12)
Schlagzeug:
Jo Jones (US jazz drummer) (von 1956-09-11 bis 1956-09-12)
vocals:
Blossom Dearie (von 1956-09-11 bis 1956-09-12)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
C’est le printemps (von 1956-09-11 bis 1956-09-12)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
Übersetzer:
Jean Geiringer und Jean Sablon (French actor, songwriter, jazz singer)
Blossom Dearie3:13
11Sugar in My Bowl
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1974)
live cover recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version) (in 1985)
Verfasser(in):
James “Tim” Brymn, Nina Simone, Dally Small und Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
Version von:
Need a Little Sugar in My Bowl (Bessie Smith's version)
Nina Simone3:43
12I Could Write a Book
recording of:
I Could Write a Book
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
Pal Joey
Betty Carter2:41
13Gimme a Pigfoot (and a Bottle of Beer)
recording of:
Gimme a Pigfoot (and a Bottle of Beer)
Komponist(in):
Wesley A. Wilson
publisher:
Northern Music (song publisher)
Bobby Short2:14
14’S Wonderful
cover recording of:
’S Wonderful
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
Helen Merrill3:16
15Tenderly
cover recording of:
Tenderly
Texter:
Jack Lawrence (US songwriter) (in 1946)
Komponist(in):
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music und Range Road Music
Billy Eckstine3:45
16Chicago
Produzent(in):
Teddy Reig
alto saxophone:
Marshall Royal (in 1959-01) und Frank Wess (in 1959-01)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (in 1959-01)
Gitarre:
Freddie Green (in 1959-01)
Klavier:
Ralph Sharon und Count Basie (pianist) (in 1959-01)
Kontrabass:
Eddie Jones (US jazz double bassist) (in 1959-01)
Posaune:
Henry Coker (jazz trombonist) (in 1959-01), Al Grey (trombone) (in 1959-01) und Benny Powell (jazz trombonist) (in 1959-01)
Schlagzeug:
Sonny Payne (in 1959-01)
Tenorsaxophon:
Frank Foster (saxophonist) (in 1959-01) und Billy Mitchell (US jazz saxophonist) (in 1959-01)
Trompete:
Wendell Culley (jazz trumpeter) (in 1959-01), Thad Jones (American jazz trumpeter) (in 1959-01), Joe Newman (US jazz trumpeter) (in 1959-01) und Snooky Young (in 1959-01)
vocals:
Tony Bennett (US jazz/standards vocalist) (in 1959-01)
Interpret(in):
Tony Bennett (US jazz/standards vocalist)
arranger:
Ralph Sharon
live cover recording of:
Chicago (That Toddlin’ Town) (in 1959-01)
Texter und Komponist(in):
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. und Salabert
Tony Bennett42:09
17Send In the Clowns
recording of:
Send In the Clowns (A Little Night Music)
Texter und Komponist(in):
Stephen Sondheim
publisher:
Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
A Little Night Music (musical)
Carmen McRae4:40
18Sophisticated Lady
recording of:
Sophisticated Lady
Texter:
Mitchell Parish und Irving Mills (in 1932)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (beendet), Mills Music, Inc. (beendet), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (bis 2007-05) und Sony/ATV Harmony (vom 2007-05 bis heute)
Teil von:
Sophisticated Ladies (1981 musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Al Jarreau4:19
19I Love Paris
cover recording of:
I Love Paris (Can-Can [Pistache, Company])
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
Can‐Can
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Ella Fitzgerald5:01
20Down in the Depths
recording of:
Down in the Depths (on the Ninetieth Floor) (from "Red Hot & Blue")
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
Morgana King3:09
21Lulu’s Back in Town
recording of:
Lulu’s Back in Town
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
Mel Tormé3:05
2▶CD
3▶CD

Nennungen

Veröffentlichung

vertrieben von:Universal Music Polska
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:My Music Sp.z o.o. Nagrania Muzyczne (not for release label use, for copyrights use only) (in 2008)
ASIN:DE: B008Y8Z22G [Info]