Rhythm & Blues Formidable

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1Menphis Soul Stew
registrata a:
Memphis, Tennessee, Stati Uniti (il 1967-07-05)
produttore:
King Curtis (saxophonist)
batteria [drums] :
Gene Chrisman (il 1967-07-05)
chitarra :
R.F. Taylor (guitarist) (il 1967-07-05) e Reggie Young (guitarist and songwriter) (il 1967-07-05)
chitarra basso [bass] :
Tommy Cogbill (il 1967-07-05)
organo :
Bobby Emmons (il 1967-07-05)
pianoforte :
Bobby Wood (American pianist, keyboard player and songwriter) (il 1967-07-05)
sassofono baritono :
Floyd Newman (il 1967-07-05)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-07-05), King Curtis (saxophonist) (il 1967-07-05) e Jimmy Mitchell (saxophone) (il 1967-07-05)
tromba :
Bowlegs Miller (American trumpeter) (il 1967-07-05)
voce:
King Curtis (saxophonist) (il 1967-07-05)
registrazione di:
Memphis Soul Stew (il 1967-07-05)
autore:
Curtis Ousley
editore:
Kilynn Music Publishing, Inc. e Pronto Music (publisher)
King Curtis2:58
2You Don't Know Like I Know
registrazione di:
You Don’t Know Like I Know
autore:
Isaac Hayes e David Porter (US soul musician, producer & songwriter)
editore:
Rondor Music e Warner Chappell
Sam & Dave2:42
3Let Me Be Good to You
registrazione di:
Let Me Be Good to You
autore:
Isaac Hayes, David Porter (US soul musician, producer & songwriter) e Carl Wells
Carla Thomas2:44
4Sophisticated Sissy
Rufus Thomas2:45
5Got to Get You Off My Mind
registrata a:
New York, New York, Stati Uniti (il 1965-01-22)
produttore:
Bert Berns e Jerry Wexler
basso :
David Adams (60's bassist) (il 1965-01-22)
batteria [drums] :
Panama Francis (US swing jazz drummer) (il 1965-01-22)
chitarra :
Bill Suyker (il 1965-01-22), Bob Bushnell (il 1965-01-22) e Eric Gale (il 1965-01-22)
pianoforte :
Ernie Hayes (American pianist, organist and arranger) (il 1965-01-22)
sassofono baritono :
Seldon Powell (il 1965-01-22)
sassofono tenore :
Charlie Brown (saxophonist) (il 1965-01-22) e Sam Taylor (US jazz/blues saxophonist 1916-1990) (il 1965-01-22)
tromba :
Bill Berry (Jazz trumpeter, cornetist and big band leader) (il 1965-01-22) e Ernie Royal (il 1965-01-22)
trombone basso :
Tony Studd (il 1965-01-22)
voce:
Solomon Burke (il 1965-01-22)
voce di accompagnamento:
Estelle Brown (il 1965-01-22), Cissy Houston (il 1965-01-22), Sylvia Shemwell (il 1965-01-22), The Sweet Inspirations (il 1965-01-22) e Dee Dee Warwick (il 1965-01-22)
direttore d'orchestra:
Gene Page (conductor, composer, arranger and record producer) (il 1965-01-22)
arrangiatore:
Gene Page (conductor, composer, arranger and record producer)
registrazione di:
Got to Get You Off My Mind (Solomon Burke) (il 1965-01-22)
autore:
Dolores Burke (songwriter), Solomon Burke, J.B. Moore (producer, composer) e Josephine Burke Moore
editore:
Cotillion Music Inc. (BMI)
Solomon Burke41:59
6634-5789 (Soulsville U.S.A.)
registrata a:
Memphis, Tennessee, Stati Uniti (il 1965-12-20)
produttore:
Jerry Wexler
batteria :
Al Jackson (Booker T & The MGs drummer) (il 1965-12-20)
chitarra :
Steve Cropper (il 1965-12-20)
chitarra basso [bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1965-12-20)
pianoforte :
Isaac Hayes (il 1965-12-20)
sassofono baritono :
Floyd Newman (il 1965-12-20)
sassofono tenore :
Charles “Packy” Axton (il 1965-12-20) e Andrew Love (il 1965-12-20)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1965-12-20)
voce:
Wilson Pickett (il 1965-12-20)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrazione di:
634‒5789 (Soulsville, U.S.A.) (il 1965-12-20)
autore:
Steve Cropper e Eddie Floyd
editore:
Irving Music, Inc. e Pronto Music (publisher)
Wilson Pickett2:58
7See-Saw
tecnico di registrazione:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1968-04-16)
chitarra :
Tommy Cogbill (il 1968-04-16) e Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1968-04-16)
chitarra basso :
Jerry Jemmott (il 1968-04-16)
pianoforte e voce principale:
Aretha Franklin (il 1968-04-16)
pianoforte elettrico :
Spooner Oldham (il 1968-04-16)
sassofono baritono :
Willie Bridges (il 1968-04-16) e Floyd Newman (il 1968-04-16)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1968-04-16) e Andrew Love (il 1968-04-16)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1968-04-16)
voce di accompagnamento:
The Sweet Inspirations (il 1968-04-16)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1968-04-16)
registrazione cover di:
See Saw (il 1968-04-16)
autore:
Don Covay e Steve Cropper
editore:
Cotillion Music Inc. (BMI), Irving Music (BMI), Rondor Music (London) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Aretha Franklin3.52:46
8I Got a Woman
produttore:
Ahmet Ertegun (US songwriter/producer) e Jerry Wexler
basso :
Jimmy Bell (jazz bassist) (il 1954-11-18)
batteria :
Glenn Brooks (il 1954-11-18)
chitarra :
Wesley Jackson (US R&B guitarist) (il 1954-11-18)
pianoforte :
Ray Charles (soul musician, singer and songwriter) (il 1954-11-18)
sassofono baritono :
David “Fathead” Newman (American jazz saxophonist) (il 1954-11-18)
sassofono tenore solista :
Donald Wilkerson (US jazz/R&B saxophonist) (il 1954-11-18)
tromba :
Joe Bridgewater (il 1954-11-18) e Charles "Clanky" Whitley (il 1954-11-18)
voce:
Ray Charles (soul musician, singer and songwriter) (il 1954-11-18)
arrangiatore:
Ray Charles (soul musician, singer and songwriter)
registrata presso:
WGST Studio in Atlanta, Georgia, Stati Uniti (il 1954-11-18)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Blues Hall of Fame: Classic of Blues Recording Single (numero: 2019) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 235)
registrazione di:
I Got a Woman (il 1954-11-18)
autore:
Ray Charles (soul musician, singer and songwriter) e Renald Richard
editore:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles4.52:52
9Spanish Harlem
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
ance :
Romeo Penque (il 1960-10-27)
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1960-10-27)
chitarra :
Al Caiola (il 1960-10-27)
contrabbasso [bass] :
Lloyd Trotman (US jazz bassist) (il 1960-10-27)
percussione :
Phil Kraus (il 1960-10-27)
pianoforte :
Ernie Hayes (American pianist, organist and arranger) (il 1960-10-27)
violoncello :
Charles McCracken (cellist) (il 1960-10-27)
voce:
Ben E. King (il 1960-10-27)
voce di accompagnamento:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 350)
registrazione di:
Spanish Harlem (il 1960-10-27)
paroliere:
Jerry Leiber
compositore:
Phil Spector
editore:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. e Unichappell Music
Ben E. King4.53:00
10Under the Boardwalk
registrata a:
New York, New York, Stati Uniti (il 1964-05-21)
produttore:
Bert Berns e Mike Leander
archi [nine strings] :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1964-05-21)
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1964-05-21)
chitarra :
Everett Barksdale (il 1964-05-21), Bill Suyker (il 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1964-05-21) e Bob Bushnell (il 1964-05-21)
contrabbasso [bass] :
Milt Hinton (il 1964-05-21)
pianoforte :
Ernie Hayes (American pianist, organist and arranger) (il 1964-05-21)
vibrafono [vibes] :
George Devens (il 1964-05-21)
voce di baritono:
Gene Pearson (il 1964-05-21)
voce di basso:
Winifred Terry (il 1964-05-21)
voce di tenore:
Charlie Thomas (The Drifters) (il 1964-05-21)
voce principale:
Johnny Moore (soul/rnb vocalist for The Drifters) (il 1964-05-21)
direttore d'orchestra:
Gary Sherman (mid-20th century composer, arranger & conductor) (il 1964-05-21)
arrangiatore:
Gary Sherman (mid-20th century composer, arranger & conductor) e Teacho Wiltshire
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 304) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 487)
registrazione di:
Under the Boardwalk (il 1964-05-21)
autore:
Arthur Resnick (songwriter, producer) e Kenny Young
editore:
Alley Music Corp., Intersong (publisher), The Hudson Bay Music Co. (publisher), TM Music Ltd. e Trio Music Company
The Drifters4.352:43
11Mr. Pitifull
registrazione di:
Mr. Pitiful
paroliere e compositore:
Steve Cropper e Otis Redding
editore:
Irving Music, Inc.
Otis Redding2:44
12That's Really Some Good
Rufus Thomas & Carla Thomas1:58
13I Thank You
registrazione di:
I Thank You
autore:
Isaac Lee Hayes e David Porter (US soul musician, producer & songwriter)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Cotillion Music Inc. (BMI), Irving Music, Inc., Rondor, Walden Music, Inc., Warner Chappell, WB Music Corp. (1929–2019) e Birdees Music (nel 1968)
Sam & Dave2:47
14(You Make Me Feel Like) A Natural Woman
tecnico di registrazione:
Tom Dowd (il 1967-02-16)
produttore:
Jerry Wexler
batteria :
Gene Chrisman (il 1967-02-16)
chitarra basso :
Tommy Cogbill (il 1967-02-16)
pianoforte :
Spooner Oldham (il 1967-02-16)
tromba :
Bernie Glow (il 1967-02-16), Melvin Lastie (il 1967-02-16) e Joe Newman (US jazz trumpeter) (il 1967-02-16)
cori:
Carolyn Franklin (il 1967-02-16), Erma Franklin (il 1967-02-16) e The Sweet Inspirations (il 1967-02-16)
voce:
Aretha Franklin (il 1967-02-16)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-16)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 4) (numero: 10) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 90)
registrazione di:
(You Make Me Feel Like) A Natural Woman (il 1967-02-16)
paroliere:
Gerry Goffin
autore aggiunto:
Jerry Wexler
compositore:
Carole King
editore:
Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
Screen Gems–EMI Music Ltd. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin4.22:47
15Funky Broadway
produttore:
Jerry Wexler
basso elettrico [electric bass] :
Tommy Cogbill (dal 1967-02-01 al 1967-02-04)
batteria :
Roger Hawkins (drummer and producer) (dal 1967-02-01 al 1967-02-04)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1967-02-01 al 1967-02-04) e Lincoln "Chips" Moman (dal 1967-02-01 al 1967-02-04)
sassofono baritono :
Floyd Newman (dal 1967-02-01 al 1967-02-04)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1967-02-01 al 1967-02-04) e Jimmy Mitchell (saxophone) (dal 1967-02-01 al 1967-02-04)
tastiera [piano, organ] :
Dewey "Spooner" Oldham (dal 1967-02-01 al 1967-02-04)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (dal 1967-02-01 al 1967-02-04)
voce:
Wilson Pickett (dal 1967-02-01 al 1967-02-04)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1967-02-01 al 1967-02-04)
registrazione cover di:
Funky Broadway (dal 1967-02-01 al 1967-02-04)
paroliere e compositore:
Arlester “Dyke” Christian
editore:
Drive-In Music Co. e Embassy Music Corporation
Wilson Pickett22:35
16Big Bird
produttore:
Booker T. Jones
registrazione di:
Big Bird
paroliere e compositore:
Eddie Floyd e Booker T. Jones
Eddie Floyd3:01
17A Tribute to a King
produttore:
Booker T. Jones
registrazione di:
A Tribute to a King
autore:
William Bell e Booker T. Jones
editore:
Irving Music, Inc.
William Bell2:54
18Otis Sleep On
registrazione di:
Otis Sleep On
autore:
Arthur Conley
Arthur Conley2:51
19Try a Little Tenderness
produttore:
Steve Cropper e Jim Stewart (US producer, founder for Stax & Volt Records)
basso elettrico [electric bass] , organo , pianoforte e vibrafono [vibes] :
Booker T. Jones
batteria [drums] :
Al Jackson (Booker T & The MGs drummer)
chitarra :
Steve Cropper
chitarra basso [bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
sassofono tenore :
Gilbert Caple e Andrew Love
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
voce:
Otis Redding
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966)
registrazione cover di:
Try a Little Tenderness (nel 1966)
paroliere:
James Campbell (British songwriter and music publisher) e Reginald Connelly
compositore:
Harry M. Woods (American 1920/30s songwriter)
editore:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell e Campbell Connelly & Co. Ltd. (il 1932-11-04)
Otis Redding33:20
20Funky Fever
registrazione di:
Funky Fever
autore:
Clarence Carter, Marcus Daniel, Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) e Joe Wilson (Southern soul singer - songwriter)
editore:
Beaik Publishing Company e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Clarence Carter2:49

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