The Early Music Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Gloria, RV589: Domine Fili / Domine Deus, Agnus Dei
sound engineer and editor:
Richard Lee (engineer)
assistant engineer:
Richard Smoker (classical engineer)
producer:
Tim Oldham (editor / producer)
choir vocals:
Collegium Musicum 90 (from 1990-11-26 until 1990-11-28)
countertenor vocals:
Michael Chance (British countertenor) (from 1990-11-26 until 1990-11-28)
orchestra:
Collegium Musicum 90 (from 1990-11-26 until 1990-11-28)
conductor:
Richard Hickox (conductor) (from 1990-11-26 until 1990-11-28)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-11-26 until 1990-11-28)
compilation of:
Gloria, RV 589: 7. Coro. Domine Fili unigenite by Collegium Musicum 90, Richard Hickox (conductor) and Gloria, RV 589: 8. Aria. Domine Deus, Agnus Dei by Michael Chance (British countertenor), Collegium Musicum 90, Richard Hickox (conductor)
recording of:
Gloria in D major, RV 589: VII. Domine, Fili unigenite (from 1990-11-26 until 1990-11-28)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
recording of:
Gloria in D major, RV 589: VIII. Domine Deus, Agnus Dei (from 1990-11-26 until 1990-11-28)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Vivaldi7:17
2Prelude & Fugue in B-flat major, BWV560
organ:
Piet Kee (organist) (from 1991-07-29 until 1991-07-30)
compilation of:
Eight (short) Preludes and Fuges: No. 8 in B flat major, BWV 560: Prelude by Piet Kee (organist) and Eight (short) Preludes and Fuges: No. 8 in B flat major, BWV 560: Fugue by Piet Kee (organist)
recording of:
Präludium und Fuge B-Dur, BWV 560 (attribution doubtful)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 560), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV App A 8) and Bach Compendium (number: BC J 35)
part of:
8 kleine Präludien und Fugen, BWV 553-560
J S Bach4:10
3Sonata no. 8 in G major, Z797
sound engineer:
Antony Howell (engineer)
producer:
Martin Compton (producer)
editor:
Ben Connellan
instruments:
The Purcell Quartet (UK Baroque quartet) (from 1988-01-19 until 1988-01-21)
recorded at:
St Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1988-01-19 until 1988-01-21)
recording of:
Trio Sonata in 3 parts no. 8 in G major, Z. 797 (from 1988-01-19 until 1988-01-21)
composer:
Henry Purcell (Baroque composer) (in 1683)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 797)
Purcell4:50
4Chandos Anthem no. 9 ‘O Praise the Lord With One Consent’
sound engineer:
Antony Howell (engineer)
producer:
Martin Compton (producer)
choir vocals:
The Sixteen (UK choir) (from 1989-01-30 until 1989-02-01)
orchestra:
Orchestra of The Sixteen (from 1989-01-30 until 1989-02-01)
conductor:
Harry Christophers (conductor) (from 1989-01-30 until 1989-02-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1989-01-30 until 1989-02-01)
recording of:
Chandos Anthem no. 9 in E-flat major "O Praise the Lord With One Consent", HWV 254: I. O Praise the Lord With One Consent (from 1989-01-30 until 1989-02-01)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Chandos Anthem no. 9 in E-flat major "O Praise the Lord With One Consent", HWV 254
Handel5:13
5Vivace from Quartet in G major
orchestra:
Collegium Musicum 90
conductor:
Simon Standage (English violinist and conductor)
recording of:
Sonata a flauto, 2 viole di gamba & cembalo in G major, TWV 43:G12 / Ms.1042-90: IV. Vivace
composer:
Georg Philipp Telemann (composer)
part of:
Sonata a flauto, 2 viole di gamba & cembalo in G major, TWV 43:G12 / Ms.1042-90
Telemann4:25
6Susanne un jour
sound engineer:
Ralph Couzens (engineer/editor/producer) (in 1983-09)
producer:
Ralph Couzens (engineer/editor/producer)
bass recorder:
Jennifer Hill (Scottish early music) (in 1983-09)
bass viol:
Warwick Edwards (in 1983-09)
tenor viol:
Marjorie Rycroft (in 1983-09)
mezzo-soprano vocals:
Fiona Milne (in 1983-09)
tenor vocals:
Paul Hindmarsh (in 1983-09)
conductor:
Warwick Edwards (in 1983-09)
performer:
Scottish Early Music Consort (in 1983-09)
recorded at:
Henry Wood Hall (old [R]SNO Centre, Glasgow) in Glasgow, Scotland, United Kingdom (in 1983-09)
recording of:
Susanne un jour (in 1983-09)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Pratum musicum (book of music authored by Emanuel Adriaenssen, pub. 1584) (number: 28) and Orlando di Lasso: Sämtliche Werke (S.) (number: S. xiv/29)
Orlande de Lassus2:53
7Ballo del granduca
organ:
Piet Kee (organist)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Ballo del granduca, SwWV 319
composer:
Jan Pieterszoon Sweelinck (composer and organist)
part of:
Sweelinck-Werke Verzeichnis (number: SwWV 319)
version of:
La Pellegrina: Sesto intermedio: La discesa d'Apollo e Bacco col Ritmo e l'Armonia: V. O che nuovo miracolo
Sweelinck5:13
8Magnificat: Et misericordia
sound engineer and editor:
Richard Lee (engineer)
assistant engineer:
Richard Smoker (classical engineer)
producer:
Tim Oldham (editor / producer)
countertenor vocals:
Michael Chance (British countertenor) (from 1990-11-26 until 1990-11-28)
tenor vocals:
John Mark Ainsley (tenor) (from 1990-11-26 until 1990-11-28)
orchestra:
Collegium Musicum 90 (from 1990-11-26 until 1990-11-28)
conductor:
Richard Hickox (conductor) (from 1990-11-26 until 1990-11-28)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-11-26 until 1990-11-28)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (from 1990-11-26 until 1990-11-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Bach3:54
9Trio Sonata, op. 4 no. 5 in A minor
cello:
Richard Boothby (viol and cello player) (from 1992-01-29 until 1992-01-31)
harpsichord:
Robert Woolley (English harpsichordist & organist) (from 1992-01-29 until 1992-01-31)
instruments:
The Purcell Quartet (UK Baroque quartet) (from 1992-01-29 until 1992-01-31)
violin:
Catherine Mackintosh (violinist) (from 1992-01-29 until 1992-01-31) and Catherine Weiss (from 1992-01-29 until 1992-01-31)
compilation of:
Sonata for Strings in A minor, op. 4 no. 5: I. Preludio. Adagio by The Purcell Quartet (UK Baroque quartet), Sonata for Strings in A minor, op. 4 no. 5: II. Allemanda by The Purcell Quartet (UK Baroque quartet), Sonata for Strings in A minor, op. 4 no. 5: III. Corrente. Vivace by The Purcell Quartet (UK Baroque quartet) and Sonata for Strings in A minor, op. 4 no. 5: IV. Gavotta. Allegro by The Purcell Quartet (UK Baroque quartet)
recording of:
Sonate da camera a trè in A minor, op. 4 no. 5
composer:
Arcangelo Corelli (Italian baroque composer and violinist) (in 1694)
part of:
12 sonate da camera, op. 4
Corelli5:29
10Salvator mundi
choir vocals:
The Sixteen (UK choir) (from 1989-10-15 until 1989-10-17)
conductor:
Harry Christophers (conductor) (from 1989-10-15 until 1989-10-17)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1989-10-15 until 1989-10-17)
recording of:
Salvator mundi (use if uncertain which of the two Tallis settings is being performed) (from 1989-10-15 until 1989-10-17)
composer:
Thomas Tallis (composer)
Tallis3:01
11Mal un muta per effecto
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Bill Todd (engineer)
producer:
Brian Couzens (engineer/editor/producer)
instruments:
Circa 1500 (English early music group) (in 1983-09)
soprano vocals:
Emily Van Evera (soprano) (in 1983-09)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1994)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1983-09)
recording of:
Mal un muta per effecto (in 1983-09)
lyricist and composer:
Marchetto Cara (Italian renaissance composer, c. 1465 – probably 1525)
Marchetto Cara3:08
12Concerto for 2 Oboes, RV535: Largo / Allegro molto
assistant engineer:
Jonathan Cooper (classical music engineer)
engineer and editor:
Richard Lee (engineer)
producer:
Nicholas Anderson (producer and liner notes writer)
orchestra:
Collegium Musicum 90 (from 1991-10-09 until 1991-10-11)
conductor:
Simon Standage (English violinist and conductor) (from 1991-10-09 until 1991-10-11)
recorded at:
St Peter’s Church (Morden) in Morden, Merton, London (Greater London), England, United Kingdom (from 1991-10-09 until 1991-10-11)
compilation of:
Concerto in D minor for Two Oboes, RV 535: III. Largo by Collegium Musicum 90, Simon Standage (English violinist and conductor) and Concerto in D minor for Two Oboes, RV 535: IV. Allegro molto by Collegium Musicum 90, Simon Standage (English violinist and conductor)
recording of:
Concerto for 2 oboes in D minor, RV 535: III. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for 2 oboes in D minor, RV 535
recording of:
Concerto for 2 oboes in D minor, RV 535: IV. Allegro molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for 2 oboes in D minor, RV 535
Vivaldi4:51
13Dido & Aeneas: When I Am Laid
vocals:
Emma Kirkby (soprano)
conductor:
Andrew Parrott (conductor)
performer:
Taverner Players
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Purcell3:25
14Aria from Pastorale, BWV588
organ:
Piet Kee (organist) (from 1990-05-09 until 1990-05-10)
recording of:
Pastorale F-Dur / Pastorella F-Dur, BWV 590: III. (Adagio)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Pastorale F-Dur / Pastorella F-Dur, BWV 590
J S Bach3:08
15Concerto for Flute & Violin in E minor: Adagio / Presto
orchestra:
Collegium Musicum 90
conductor:
Simon Standage (English violinist and conductor)
compilation of:
Flute and Violin Concerto in E minor: II. Adagio by Collegium Musicum 90, Simon Standage (English violinist and conductor) and Flute and Violin Concerto in E minor: III. Presto by Collegium Musicum 90, Simon Standage (English violinist and conductor)
recording of:
Concerto for Flute and Violin in E minor, TWV 52:e3: II. Adagio
composer:
Georg Philipp Telemann (composer)
part of:
Concerto for Flute and Violin in E minor, TWV 52:e3
recording of:
Concerto for Flute and Violin in E minor, TWV 52:e3: III. Presto
composer:
Georg Philipp Telemann (composer)
part of:
Concerto for Flute and Violin in E minor, TWV 52:e3
Telemann2:51
16Messiah: Thus Saith the Lord / But Who May Abide / And He Shall Purify
vocals:
Christopher Robson (operatic counter-tenor) and Bryn Terfel (bass‐baritone opera singer)
orchestra:
Collegium Musicum 90 (from 1991-01-11 until 1991-01-17)
conductor:
Richard Hickox (conductor) (from 1991-01-11 until 1991-01-17)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991-01-11 until 1991-01-17)
compilation of:
Messiah: Part I: 5. Thus Saith the Lord by Collegium Musicum 90, Richard Hickox (conductor), Messiah: Part I: 6. But Who May Abide by Collegium Musicum 90, Richard Hickox (conductor) and Messiah: Part I: 7. And He Shall Purify by Collegium Musicum 90, Richard Hickox (conductor)
recording of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide”
composer:
George Frideric Handel (German‐British baroque composer)
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And He shall purify”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Handel8:02

Credits

Release

rights society:MCPS (UK rights society; do not use this as a label or work publisher!)
manufactured by:PILZ Germany (not for release label use! German pressing plant located in Kranzberg near Munich)
copyrighted (©) by:Chandos Records Ltd. (not for release label use) (in 1992)