The Academy in Concert. Albinoni: Adagio - Pachelbel: Canon - Bach: Air & Music By Beethoven, Handel, Mendelssohn, Mozart

~ Release by Mendelssohn, Handel, Pachelbel, Bach, Beethoven, Albinoni, Mozart; Neville Marriner, Academy of St. Martin in the Fields (see all versions of this release, 1 available)

Annotation

℗ & © «2024 Parlophone Records Limited»
℗ & © «A Warner Classics release»

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Annotation last modified on 2024-05-21 00:26 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Adagio in G minor
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
Adagio for Strings and Organ in G minor (from 1973-10-01 until 1973-10-04)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
recording of:
Adagio in G minor (Rasquin version) (from 1973-10-01 until 1973-10-04)
composer:
Remo Giazotto and Giscard Rasquin (production music)
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
is based on:
Adagio for Strings and Organ in G minor
Remo Giazotto, Tomaso Giovanni Albinoni7:50
2String Octet in E‐flat major, op. 20, MWV R20: III. Scherzo. Allegro leggierissimo (Orchestral Version)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
Octet in E-flat major, op. 20: Scherzo (orchestral version) (from 1973-10-01 until 1973-10-04)
orchestrator:
Felix Mendelssohn (composer)
composer:
Felix Mendelssohn (composer) (in 1825)
orchestration of:
Octet in E-flat major, op. 20: III. Scherzo: Allegro leggerissimo
Felix Mendelssohn4:13
3Berenice, HWV 38, Act 2: Minuet
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
Berenice, HWV 38: Atto II: Minuet (from 1973-10-01 until 1973-10-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Berenice, HWV 38: Atto II
George Frideric Handel3:50
42 Marches, K. 335: no. 1 in D major
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
March for Orchestra in D major, K. 320a/335 no. 1 (from 1973-10-01 until 1973-10-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
2 Marches, K. 320a/335
Wolfgang Amadeus Mozart4:24
5Weihnachtsoratorium, BWV 248, Pt. 2: no. 10, Sinfonia
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (from 1973-10-01 until 1973-10-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:51
6Canon and Gigue for Three Violins and Continuo in D major: Canon
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (from 1973-10-01 until 1973-10-04)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel5:03
712 Contredanses, WoO 14: no. 1 in C major
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
12 Contredances for Orchestra, WoO 14: No. 1 in C major (from 1973-10-01 until 1973-10-04)
composer:
Ludwig van Beethoven (German composer) (from 1791 until 1801)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven0:31
812 Contredanses, WoO 14: no. 2 in A major
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
12 Contredances for Orchestra, WoO 14: No. 2 in A major (from 1973-10-01 until 1973-10-04)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven0:43
912 Contredanses, WoO 14: no. 3 D major
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
12 Contredances for Orchestra, WoO 14: No. 3 in D major (from 1973-10-01 until 1973-10-04)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven1:02
1012 Contredanses, WoO 14: no. 4 in B‐flat major
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
12 Contredances for Orchestra, WoO 14: No. 4 in B-flat major (from 1973-10-01 until 1973-10-04)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven0:33
1112 Contredanses, WoO 14: no. 5 in E‐flat major
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
12 Contredances for Orchestra, WoO 14: No. 5 in E-flat major (from 1973-10-01 until 1973-10-04)
composer:
Ludwig van Beethoven (German composer) (from 1791 until 1801)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven1:13
1212 Contredanses, WoO 14: no. 6 in C major
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
12 Contredances for Orchestra, WoO 14: No. 6 in C major (from 1973-10-01 until 1973-10-04)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven1:20
1312 Contredanses, WoO 14: no. 7 in E‐flat major
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
12 Contredances for Orchestra, WoO 14: No. 7 in E-flat major (from 1973-10-01 until 1973-10-04)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven0:45
1412 Contredanses, WoO 14: no. 8 in C major
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
12 Contredances for Orchestra, WoO 14: No. 8 in C major (from 1973-10-01 until 1973-10-04)
composer:
Ludwig van Beethoven (German composer) (in 1791)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven0:31
1512 Contredanses, WoO 14: no. 9 in A major
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
12 Contredances for Orchestra, WoO 14: No. 9 in A major (from 1973-10-01 until 1973-10-04)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven0:35
1612 Contredanses, WoO 14: no. 10 in C major
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
12 Contredances for Orchestra, WoO 14: No. 10 in C major (from 1973-10-01 until 1973-10-04)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven1:02
1712 Contredanses, WoO 14: no. 11 in D major
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
12 Contredances for Orchestra, WoO 14: No. 11 in G major (from 1973-10-01 until 1973-10-04)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven0:40
1812 Contredanses, WoO 14: no. 12 in E‐flat major
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
12 Contredances for Orchestra, WoO 14: No. 12 in E-flat major (from 1973-10-01 until 1973-10-04)
composer:
Ludwig van Beethoven (German composer) (in 1791)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven2:14
19Messiah, HWV 56, Pt. 1: no. 12, Pastoral Symphony “Pifa”
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (from 1973-10-01 until 1973-10-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:56
20Orchestral Suite no. 3 in D major, BWV 1068: II. Air
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (from 1973-10-01 until 1973-10-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:35
213 German Dances, K. 605: no. 3 in C major “Die Schlittenfahrt”
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
3 German Dances for Orchestra, K. 605: No. 3 in C major. German Dance & Trio "Die Schlittenfahrt" & Coda (from 1973-10-01 until 1973-10-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
3 German Dances for Orchestra, K. 605
Wolfgang Amadeus Mozart3:10
22Agrippina, HWV 6: Overture
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (in 1975-03)
conductor:
Sir Neville Marriner (conductor) (in 1975-03)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1975-03)
recording of:
Agrippina, HWV 6: Sinfonia (in 1975-03)
composer:
George Frideric Handel (German‐British baroque composer) (until 1709)
librettist:
Vincenzo Grimani
part of:
Agrippina, HWV 6: Atto I
George Frideric Handel4:15
23Arianna in Creta, HWV 32: Overture
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (in 1975-03)
conductor:
Sir Neville Marriner (conductor) (in 1975-03)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1975-03)
recording of:
Arianna in Creta, HWV 32: Overture (in 1975-03)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Arianna in Creta, HWV 32
George Frideric Handel5:49
24The Seven Last Words of Christ, Hob. XX:1: Sonata II. “Hodie mecum eris in paradiso”
producer:
Suvi Raj Grubb
orchestra:
Academy of St Martin in the Fields (from 1977-05-29 until 1977-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1977-05-29 until 1977-05-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-05-29 until 1977-05-30)
recording of:
Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: III. Sonata II: Grave e cantabile (Hodie mecum eris in paradiso) (from 1977-05-29 until 1977-05-30)
composer:
Joseph Haydn (composer)
part of:
Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01
recording of:
Septem Verba Christi in Cruce, Hob. XX:1: III. Sonata II. Grave e Cantabile
composer:
Joseph Haydn (composer)
part of:
Septem Verba Christi in Cruce, Hob. XX:1 (for Orchestra)
Joseph Haydn6:43