Cantatas, BWV 94–96

~ Release by Johann Sebastian Bach; Bach‐Collegium Stuttgart, Helmuth Rilling (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Kantate, BWV 94 “Was frag ich nach der Welt”: I. Coro “Was frag ich nach der Welt”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": I. Coro "Was frag ich nach der Welt" (from 1974-01 until 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach3:54
2Kantate, BWV 94 “Was frag ich nach der Welt”: II. Aria (Bass) “Die Welt ist wie ein Rauch und Schatten”
bass vocals:
Hanns-Friedrich Kunz (German bass and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": II. Aria (Bass) "Die Welt ist wie ein Rauch und Schatten" (from 1974-01 until 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach2:14
3Kantate, BWV 94 “Was frag ich nach der Welt”: III. Recitativo (Tenor) “Die Welt sucht Ehr und Ruhm”
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": III. Recitativo (Tenor) "Die Welt sucht Ehr und Ruhm" (from 1974-01 until 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach4:20
4Kantate, BWV 94 “Was frag ich nach der Welt”: IV. Aria (Alt) “Betörte Welt, betörte Welt!”
alto vocals:
Else Paaske (Danish mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": IV. Aria (Alt) "Betörte Welt, betörte Welt!" (from 1974-01 until 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach5:11
5Kantate, BWV 94 “Was frag ich nach der Welt”: V. Recitativo (Bass) “Die Welt bekümmert sich”
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": V. Recitativo (Bass) "Die Welt bekümmert sich" (from 1974-01 until 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach2:39
6Kantate, BWV 94 “Was frag ich nach der Welt”: VI. Aria (Tenor) “Die Welt kann ihre Lust und Freud”
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": VI. Aria (Tenor) "Die Welt kann ihre Lust und Freud" (from 1974-01 until 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach4:56
7Kantate, BWV 94 “Was frag ich nach der Welt”: VII. Aria (Sopran) “Es halt es mit der blinden Welt”
soprano vocals:
Helen Donath (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": VII. Aria (Sopran) "Es halt es mit der blinden Welt" (from 1974-01 until 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach3:48
8Kantate, BWV 94 “Was frag ich nach der Welt”: VIII. Choral “Was frag ich nach der Welt!”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": VIII. Choral "Was frag ich nach der Welt!" (from 1974-01 until 1984-02)
lyricist:
Georg Michael Pfefferkorn
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 281)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach1:50
9Kantate, BWV 95 “Christus, der ist mein Leben”: I. Coro e Recitativo (Tenor) “Christus, der ist mein Leben”
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": I. Coro e Recitativo (Tenor) "Christus, der ist mein Leben" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach7:01
10Kantate, BWV 95 “Christus, der ist mein Leben”: II. Recitativo (Sopran) “Nun, falsche Welt!”
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": II. Recitativo (Sopran) "Nun, falsche Welt!" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach1:04
11Kantate, BWV 95 “Christus, der ist mein Leben”: III. Choral (Sopran) “Valet will ich dir geben”
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": III. Choral (Sopran) "Valet will ich dir geben" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach2:29
12Kantate, BWV 95 “Christus, der ist mein Leben”: IV. Recitativo (Tenor) “Ach könnte mir doch bald so wohl geschehn”
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": IV. Recitativo (Tenor) "Ach könnte mir doch bald so wohl geschehn" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach0:41
13Kantate, BWV 95 “Christus, der ist mein Leben”: V. Aria (Tenor) “Ach, schlage doch bald, selge Stunde”
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": V. Aria (Tenor) "Ach, schlage doch bald, selge Stunde" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach7:49
14Kantate, BWV 95 “Christus, der ist mein Leben”: VI. Recitativo (Bass) “Denn ich weiß dies”
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": VI. Recitativo (Bass) "Denn ich weiß dies" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach1:37
15Kantate, BWV 95 “Christus, der ist mein Leben”: VII. Choral “Weil du vom Tod erstanden bist”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": VII. Choral "Weil du vom Tod erstanden bist" (from 1977-09 until 1978-01)
lyricist:
Nikolaus Herman
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 356)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach1:08
16Kantate, BWV 96 “Herr Christ, der einge Gottessohn”: I. Coro “Herr Christ, der einge Gottessohn”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn": I. Coro "Herr Christ, der einge Gottessohn" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn"
Johann Sebastian Bach5:28
17Kantate, BWV 96 “Herr Christ, der einge Gottessohn”: II. Recitativo (Alt) “O Wunderkraft der Liebe”
alto vocals:
Marga Höffgen (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn": II. Recitativo (Alt) "O Wunderkraft der Liebe" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn"
Johann Sebastian Bach1:43
18Kantate, BWV 96 “Herr Christ, der einge Gottessohn”: III. Aria (Tenor) “Ach, ziehe die Seele mit Seilen der Liebe”
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn": III. Aria (Tenor) "Ach, ziehe die Seele mit Seilen der Liebe" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn"
Johann Sebastian Bach9:09
19Kantate, BWV 96 “Herr Christ, der einge Gottessohn”: IV. Recitativo (Sopran) “Ach, führe mich, o Gott, zum rechten Wege”
soprano vocals:
Helen Donath (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn": IV. Recitativo (Sopran) "Ach, führe mich, o Gott, zum rechten Wege" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn"
Johann Sebastian Bach0:55
20Kantate, BWV 96 “Herr Christ, der einge Gottessohn”: V. Aria (Bass) “Bald zur Rechten, bald zur Linken”
bass vocals:
Siegmund Nimsgern (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn": V. Aria (Bass) "Bald zur Rechten, bald zur Linken" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn"
Johann Sebastian Bach2:10
21Kantate, BWV 96 “Herr Christ, der einge Gottessohn”: VI. Choral “Ertöt uns durch dein Güte”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn": VI. Choral "Ertöt uns durch dein Güte" (from 1973-03 until 1973-04)
composer:
Elisabeth Creuziger and Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 128)
part of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn"
Johann Sebastian Bach0:59

Credits

Release group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 30) (order: 30)