101 Guilty Pleasures

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Baby
Assistent recording engineer:
Luis Navarro (engineer) und Kevin Porter (engineer)
recording engineer:
Kuk Harrell (Sologesang), Joshua monroy (Sologesang), Kelly Sheehan (songwriter and engineer Kelly Sheehan), Brian “B‐Luv” Thomas (producer/engineer) und Andrew Wuepper
zusätzliche(r) Techniker(in):
Pat Thrall (guitarist, producer & engineer)
leitende(r) Produzent(in):
L.A. Reid und USHER (American R&B singer‐songwriter)
Produzent(in):
Kuk Harrell (Sologesang), Christopher Stewart (producer, C. “Tricky” Stewart) und The‐Dream (US singer, songwriter & RnB producer Terius Youngdell Nash)
assistierende(r) Mix:
Giancarlo Lino
Mix:
Jaycen Joshua
Instrumente:
Monte Neuble
vocals:
Justin Bieber und Ludacris (US rapper & actor)
Gast-Interpret(in):
Ludacris (US rapper & actor)
Teil von:
Billboard Hot 100: 2026-05-02 (Nummer: 39), Billboard Year-End Hot 100 singles of 2010 (Nummer: 44), Billboard Hot 100: 2026-04-25 (Nummer: 47) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 89)
recording of:
Baby
Verfasser(in):
Justin Bieber, Christopher Bridges (Ludacris, US rapper & actor), Christine Flores, Christopher Stewart (producer, C. “Tricky” Stewart) und Terius Nash (US singer, songwriter & RnB producer Terius Youngdell Nash)
publisher:
2082 Music Publishing, Bieber Time Publishing, Havana Brown Publishing, Ludacris Worldwide Publishing, RZE Music Publishing, Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP) und WB Music Corp. (1929–2019)
Justin Bieber feat. Ludacris3.43:34
2Don’t Stop Movin’
Programmierung und Produzent(in):
Simon Ellis (producer)
zusätzliche Programmierung:
Stephen Lipson, Chuck Norman und Richard Robson
Techniker(in):
James Reynolds (mixer/writer/music producer)
zusätzliche(r) Produzent(in):
Stephen Lipson
Mix:
Heff Moraes
Bass:
Ernie McKone
Instrumente:
Dave Rainger
Keyboard:
Simon Ellis (producer)
Sologesang:
Bradley McIntosh
zusätzlich Sologesang und zusätzlich Soprangesang:
Jo O’Meara
conductor:
Nick Ingman
Interpret(in):
S Club 7 (formerly “S Club 7”)
arranger:
Nick Ingman
phonographisches Urheberrecht (℗) von:
S Club Ltd. (in 2001)
Samples:
Billie Jean (album / single version) von Michael Jackson (“King of Pop”)
Musikvideos:
Don’t Stop Movin’ von S Club 7 (formerly “S Club 7”)
recording of:
Don’t Stop Movin’
Verfasser(in):
Tina Barrett, Paul Cattermole, Simon Ellis (producer), Jonathan Lee (singer, S Club 7 & musicals), Bradley McIntosh, Jo O’Meara, Sheppard Solomon, Hannah Spearritt und Rachel Stevens
publisher:
19 Music Ltd., BMG Songs, Concord Entertainment Ltd, Irving Music, Inc., Jumbo Boom Boom Publishing, Rondor Music (London) Ltd. und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
S Club 73.153:51
3U Can’t Touch This
Koproduzent(in):
James Earley und Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
Produzent(in):
MC Hammer
Mix:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) und MC Hammer
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
Samples:
Super Freak von Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
U Can’t Touch This
Verfasser(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) und Stanley Kirk Burrell
publisher:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music und Stone Diamond Music Corporation
basiert auf:
Super Freak
MC Hammer4.14:17
4Tubthumping (I Get Knocked Down)
Bearbeitung von:
Tubthumping (album version) von Chumbawamba
recording of:
Tubthumping (in 1996)
publisher:
Chumbawamba (in 1997)
Verfasser(in):
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts (member of Chumbawamba) und Boff Whalley
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Leosong (publisher) (in 1997)
Chumbawamba4.353:54
5Smooth Criminal
assistierende(r) Techniker(in):
Justin Harvey
Techniker(in) und Editing:
James Murray (US engineer)
Produzent(in) und Mix:
Jay Baumgardner
assistierende(r) Mix:
Dan Certa
zusätzliches Editing:
John Ewing (engineer) und Brian Virtue
E-Bass [bassadilla], Gitarre und Hintergrundgesang:
Tye Zamora
E-Gitarre:
Terence Corso
Schlagzeug:
Mike Cosgrove
Sologesang:
Dryden Mitchell
phonographisches Urheberrecht (℗) von:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (in 2001)
aufgenommen bei und mixed at:
NRG Recording Services in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Smooth Criminal von Alien Ant Farm
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 6) und The Downloader’s Music Source Book (Nummer: 355)
cover recording of:
Smooth Criminal
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
publisher:
Mijac Music und Warner-Tamerlane Publ. Co. (publisher; do NOT use as release label)
Teil von:
MJ: The Musical
Alien Ant Farm4.23:28
6Rebel Yell
Techniker(in):
Michael Frondelli
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Dave Wittman
Bass, Gitarre und Keyboard:
Steve Stevens (US guitarist and songwriter) (in 1983)
Bassgitarre:
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (in 1983)
Keyboard:
Judi Dozier (in 1983)
Schlagzeug:
Thommy Price (in 1983)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1983)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983), Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1999) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1986)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (in 1983)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Rebel Yell von Billy Idol (English rock singer‐songwriter)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 79)
recording of:
Rebel Yell (in 1983)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
publisher:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) und WC Music Corp.
Billy Idol4.54:48
7Hold the Line
recording engineer:
Dana Latham, Gabe Veltri und Tom Knox
assistierende(r) Techniker(in):
Dana Latham (Aufgabe: assistant) und Gabe Veltri (Aufgabe: assistant)
Techniker(in) und Mix:
Tom Knox
Produzent(in):
Bruce Dickinson (engineer and producer) und Toto (US rock group)
Bass:
David Hungate und Michael Porcaro
Bassgitarre:
David Hungate (in 1978-08)
E-Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) (in 1978-08)
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
David Paich (in 1978-08) und Steve Porcaro (in 1978-08)
Klavier:
David Paich (in 1978-08)
Perkussion:
Jeffrey Porcaro und Lenny Castro (in 1978-08)
Schlagzeug:
Jeffrey Porcaro (in 1978-08)
Hintergrundgesang:
Bobby Kimball (in 1978-08), Steve Lukather (guitarist, vocalist, composer, producer and arranger) (in 1978-08) und David Paich (in 1978-08)
Sologesang:
Jean-Michel Byron und Bobby Kimball (in 1978-08)
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977, in 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
aufgenommen bei:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978-08)
Teil von:
BILLIONS CLUB
recording of:
Hold the Line (in 1978-08)
Texter und Komponist(in):
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. und Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.253:56
8We Belong
assistierende(r) Techniker(in):
Dave Hernandez (Dave “Zulu” Hernandez, engineer)
Produzent(in):
Pete Coleman und Neil Giraldo (multi-instrumentalist, songwriter, producer)
assistierende(r) Mix:
Murray Dvorkin und Bino Espinoza
Bassgitarre:
Donnie Nossov
Gitarre und Mundharmonika:
Neil Giraldo (multi-instrumentalist, songwriter, producer)
Keyboard:
Charles Giordano (American keyboardist and accordionist)
Perkussion:
Charles Giordano (American keyboardist and accordionist), Neil Giraldo (multi-instrumentalist, songwriter, producer) und Myron Grombacher
Schlagzeug:
Myron Grombacher
zusätzlich Gast-Bassgitarre:
Roger Capps
Sologesang:
Pat Benatar
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1981) und Chrysalis Records, Inc. (not for release label use!) (in 1984)
mixed at:
Soundcastle (Interactive Studios) in Santa Monica, California (Kalifornien), Vereinigte Staaten und The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
We Belong
Verfasser(in):
Eric Lowen und Dan Navarro (singer/songwriter/voice actor)
publisher:
Screen Gems–EMI Music Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Pat Benatar4.43:39
9Left Outside Alone
recording engineer:
William Malina (in 2004), Rick Sheppard (engineer) (in 2004) und Thomas R. Yezzi (in 2004)
assistierende(r) Techniker(in):
Cesar Guevara
Techniker(in):
Femio Hernandez
Produzent(in):
Dallas Austin, Glen Ballard und Ric Wake
Mix:
Tom Lord‐Alge
Bass:
Sean Hurley (American bassist and songwriter) (in 2004) und Colin Wolfe (in 2004)
Gitarre:
Dallas Austin (in 2004), Tim Pierce (US session guitarist) (in 2004) und Tony Reyes (songwriter/producer/multi‐instrumentalist) (in 2004)
Keyboard:
Dallas Austin (in 2004) und Glen Ballard (in 2004)
Schlagzeug:
Josh Freese (American drummer) (in 2004)
Schlagzeug [Midi]:
Dallas Austin (in 2004)
Hintergrundgesang:
Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”) (in 2004), Siedah Garrett (in 2004), Lisa Vaughn (in 2004) und Audrey Wheeler (in 2004)
produced for:
Make It Rock Productions, Inc.
aufgenommen bei:
O’Henry Sound Studios in Burbank, California (Kalifornien), Vereinigte Staaten (in 2004), Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 2004) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 2004)
mixed at:
South Beach Studios in Miami Beach, Florida, Vereinigte Staaten
recording of:
Left Outside Alone (in 2004)
Verfasser(in):
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Dallas Austin und Glen Ballard
publisher:
Aerostation Corporation, Arlovol Music, Cyptron Music, EMI Blackwood Music Inc., Po Ho Productions, Universal Music Corp. (USA, affiliated with ASCAP), Universal Studios, Inc. (formerly known as MCA Inc.) und Universal‐MCA Music Publishing (US)
Anastacia3.44:19
10When the Lights Go Out
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (vom 1998 bis heute)
recording of:
When the Lights Go Out
Verfasser(in):
Richard Breen, Jason Paul Brown (Five), Sean Conlon, John McClaughlin (British pop songwriter), Eliot Kennedy (songwriter, producer), Tim Lever, Richard Neville (British singer/songwriter, member of boy band "Five"), Mike Percy und Scott Robinson (British singer/performer/songwriter)
Five4:10
11I Think We’re Alone Now
zusätzlich recording engineer:
John Kerns (US engineer)
drum machine [drum]-Programmierung:
John Duarte
Techniker(in):
Bill Smith (US recording engineer)
Produzent(in):
George E. Tobin
Gitarre:
Chuck Yamek
Synthesizer:
John Duarte
Hintergrundgesang und Sologesang:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin und Bill Smith (US recording engineer)
arranger:
John Duarte
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 7) (Nummer: 7)
cover recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
Tiffany3.83:49
12Finally
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1982)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 447)
recording of:
Finally (CeCe Peniston song)
Verfasser(in):
Cecilia Peniston, Felipe Delgado, Elbert Linnear und R. K. Jackson
publisher:
Blue Zephyr, Ce Ce Peniston Music, Mainlot Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Urban Tracks Music und Wax Museum Music
CeCe Peniston4.24:09
13Daddy Cool
Produzent(in):
Frank Farian
Hintergrundgesang und Sologesang:
Marcia Barrett (in 1976), Frank Farian (in 1976) und Liz Mitchell (in 1976)
arranger:
Steven Hammer
phonographisches Urheberrecht (℗) von:
Far Music Productions GmbH (in 1976) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1976)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 153)
recording of:
Daddy Cool (in 1976)
Texter:
George Reyam
Komponist(in):
Frank Farian
publisher:
BMG Music, Far Musikverlag GmbH und Intro (German publisher) (in 1976)
Boney M.4.13:28
14Mouth
sonstiger Gesang [percussion]:
Jason Catherine
phonographisches Urheberrecht (℗) von:
BMG Australia (use with caution, be prepared to prove your edit!) (in 1994), Gotham Records (AU label associated with John Farnham) (in 1994) und Gotham Multimedia (in 1995)
recording of:
Mouth
Verfasser(in):
Merril Bainbridge
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Music Publishing (do not use as a release label!)
Merril Bainbridge43:25
15Hello
Produzent(in):
James Anthony Carmichael und Lionel Richie
Interpret(in):
Ocobamba
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
Hello
Texter und Komponist(in):
Lionel Richie
zusätzliche(r) Verfasser(in):
James Anthony Carmichael
publisher:
Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Lionel Richie3.854:10
16Save the Best for Last
Produzent(in):
Keith Thomas (CCM, country, pop producer & songwriter)
arranger:
Keith Thomas (CCM, country, pop producer & songwriter)
zusätzlich arranger:
Vanessa Williams (US pop/R&B vocalist/producer)
recording of:
Save the Best for Last
Verfasser(in):
Phil Galdston, Jon Lind und Wendy Waldman
publisher:
Big Mystique Music, EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), Kazzoom Music, Inc., Moon and Stars Music, PolyGram Music Publishing, The International Music Network Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Vanessa Williams3.353:44
17Bamboleo
recording engineer:
Daniel Michel (recording engineer)
Produzent(in):
Claude Martinez
Mix:
Claude Wagner (engineer)
Bassgitarre [guitare basse]:
Gerard Prevost
Gitarre [guitares accompagnement]:
Andre Reyes, Maurice "Diego" Baliardo, Tonino Baliardo, Jahloul "Chico" Bouchikhi, Jacques "Max" Baliardo, Nicolas Reyes und Paul "Pablo" Reyes
Händeklatschen [claps]:
Jahloul "Chico" Bouchikhi und Maurice"Diego" Baliardo
Perkussion [percussions]:
Marc Chantereau
Schlagzeug [batterie]:
Claude Salmieri (French drummer)
Solo-Gitarre [guitare solo]:
Tonino Baliardo
Synthesizer [synthetiseurs]:
Gerard Prevost und Dominique Perrier
Hintergrundgesang [chorus]:
André Reyes und Nicolas Reyes
Sologesang [chant]:
Nicolas Reyes
arranger:
Dominique Perrier
phonographisches Urheberrecht (℗) von:
PEM (French label run by Claude Martinez.) (in 1987)
aufgenommen bei:
Studio Pathe Marconi EMI Boulogne
Musikvideos:
Bamboleo von Gipsy Kings
recording of:
Bamboleo
Texter:
Jahloul "Chico" Bouchikhi, Simón Díaz (Venezuelan music legend) und Nicolas Reyes
Komponist(in):
Tonino Baliardo, Jahloul "Chico" Bouchikhi und Simón Díaz (Venezuelan music legend)
publisher:
Editions P.E.M, Sony Music Publishing (worldwide except Japan, ended 1995) und Vanessa (Sometimes noted as Vanessa Productions)
Version von:
Caballo viejo
Gipsy Kings4.53:23
18Hungry Eyes
Techniker(in):
Jim DeMain
Produzent(in):
Eric Carmen
vocals:
Eric Carmen
remixer:
Jim DeMain und George Sipl
phonographisches Urheberrecht (℗) von:
BMG Music (in 1987) und Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (in 1987)
aufgenommen bei:
Beachwood Studios in Beachwood, Ohio, Vereinigte Staaten
Musikvideos:
Hungry Eyes (music video) von Eric Carmen
recording of:
Hungry Eyes
Verfasser(in):
John DeNicola und Franke Previte
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Knockout Music Company, R. U. Cyrius Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Jemava Music Corp. (in 1987) und Knockout Music Inc. (in 1987)
Eric Carmen44:08
19Love Will Keep Us Together
recording engineer und Mix:
Dennis Dragon
Partner-Produzent(in):
Toni Tennille
Produzent(in):
The Captain
Celesta, Clavinet, E-Bass [Fender], Hammond-Orgel, Keyboard [Clavietta], Klavier, Minimoog [Mini-moog], Synthesizer [Arp String Ensemble], Synthesizer [Odyssey], Windspiel und Wurlitzer Electric Piano:
The Captain
Conga, Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Geige / Violine:
Kenneth Yerke
Hintergrundgesang:
Melissa Tennille und Toni Tennille
Saiteninstrumente arranger:
Kenneth Yerke
arranger:
The Captain
phonographisches Urheberrecht (℗) von:
A&M Records (in 1975), A&M Records, Inc. (in 1975) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1975)
produced for:
Moonlight and Magnolia Productions
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 337)
cover recording of:
Love Will Keep Us Together
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
publisher:
Don Kirshner Music Inc., Kirshner-Warner Bros Music Ltd. und Neil Sedaka Music (BMI-affiliated)
Captain & Tennille43:19
20Axel F
Produzent(in):
Harold Faltermeyer
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 70)
recording of:
Axel F (Beverly Hills Cop)
Komponist(in):
Harold Faltermeyer
Harold Faltermeyer4.153:00
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