Listen (brief fifth edition)

~ Veröffentlichung von Joseph Kerman & Gary Tomlinson (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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2▼CD
Nr.TitelKünstlerBewertungLänge
1Brandenburg Concerto No.5, I
Orchester:
Boston Baroque
teilweise recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: I. Allegro
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach2:28
2Brandenburg Concerto No.5, I
Orchester:
Boston Baroque
teilweise recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: I. Allegro
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach1:50
3Brandenburg Concerto No.5, I
Orchester:
Boston Baroque
teilweise recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: I. Allegro
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach2:15
4Brandenburg Concerto No.5, I
Orchester:
Boston Baroque
teilweise recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: I. Allegro
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach2:57
5Brandenburg Concerto No.5, I
Orchester:
Boston Baroque
teilweise recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: I. Allegro
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach0:29
6Orchestral Suite No.3 in D, "Air"
Geige / Violine [violon concertant]:
Fabio Biondi (conductor/violinist) (in 1990-08)
Chorgesang:
La Capella Reial de Catalunya (Spanish / Catalan early music vocal ensemble) (in 1990-08)
Orchester:
Le Concert des Nations (in 1990-08)
conductor:
Jordi Savall (viol player, conductor and composer) (in 1990-08)
aufgenommen bei:
Grande Salle (Arsenal de Metz) in Metz, Moselle, Grand Est (Großer Osten), Frankreich (in 1990-08)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1990-08)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:59
7Orchestral Suite No.3 in D, "Gavotte" I and II
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:50
8"La Giustizia"
Mezzosoprangesang:
Lorraine Hunt Lieberson (American soprano / mezzo)
Orchester:
Philharmonia Baroque Orchestra
Georg Friedrich Händel4:15
9"There Were Shepherds" / "Glory to God"
Techniker(in):
Martin Atkinson (engineer) und John Dunkerley (engineer)
Instrumente und Orchester:
Academy of Ancient Music (in 1979)
Chorgesang:
Christ Church Cathedral Choir, Oxford (in 1979)
Soprangesang:
Judith Nelson (soprano) (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
aufgenommen bei:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (in 1979)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) (in 1979)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) (in 1979)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (in 1979)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
Georg Friedrich Händel53:24
10Hallelujah Chorus
Techniker(in):
Martin Atkinson (engineer) und John Dunkerley (engineer)
Instrumente und Orchester:
Academy of Ancient Music (in 1979)
Chorgesang:
Christ Church Cathedral Choir, Oxford (in 1979)
Soprangesang:
Judith Nelson (soprano)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
aufgenommen bei:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1979)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
Georg Friedrich Händel53:49
11Cantata No.4 "Christ Lag In Todesbanden"
Tenor-Gesang:
Charles Daniels (tenor) (in 1993-04)
Orchester:
The Taverner Choir, Consort & Players (in 1993-04) und Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
aufgenommen bei:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1993-04)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ (in 1993-04)
komponiert in:
Mühlhausen (Mühlhausen/Thüringen), Thüringen, Deutschland (von 1707 bis 1708)
überarbeitet in:
Leipzig, Sachsen, Deutschland (von 1724 bis 1725)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
Librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
Teil von:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:59
12Cantata No.4 "Christ Lag in Todesbanden"
Chorgesang:
Taverner Choir (in 1993-04)
Orchester:
The Taverner Choir, Consort & Players (in 1993-04) und Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
aufgenommen bei:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1993-04)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (in 1993-04)
komponiert in:
Mühlhausen (Mühlhausen/Thüringen), Thüringen, Deutschland (von 1707 bis 1708)
überarbeitet in:
Leipzig, Sachsen, Deutschland (von 1724 bis 1725)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
Librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
Teil von:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:31
13Cantata No.4 "Christ Lag in Todesbanden"
Chorgesang:
Taverner Choir (in 1993-04)
Orchester:
The Taverner Choir, Consort & Players (in 1993-04) und Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
aufgenommen bei:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1993-04)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (in 1993-04)
komponiert in:
Mühlhausen (Mühlhausen/Thüringen), Thüringen, Deutschland (von 1707 bis 1708)
überarbeitet in:
Leipzig, Sachsen, Deutschland (von 1724 bis 1725)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
Librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
Teil von:
Breitkopf 389 Choralgesänge (Nummer: 41)
Teil von:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:08
14Choral Prelude, "Christ Lag in Todesbanden"
Orgel:
Hans Helmut Tillmanns (German organist)
recording of:
Choralvorspiele für Orgel in a-Moll, BWV 625 "Christ lag in Todesbanden"
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Das Orgel-Büchlein (Nummer: 27) und Bach-Werke-Verzeichnis (Nummer: BWV 625)
Johann Sebastian Bach1:21
15Symphony No.40 in G Minor, K. 550 I
Orchester:
Bamberger Symphoniker
conductor:
Eugen Jochum (conductor)
teilweise recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
Orchestrator(in):
Neal Desby und Edward Trybek
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-07-25)
Teil von:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart0:53
16Symphony No.40 in G Minor, K. 550 I
Orchester:
Bamberger Symphoniker
conductor:
Eugen Jochum (conductor)
teilweise recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
Orchestrator(in):
Neal Desby und Edward Trybek
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-07-25)
Teil von:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart3:17
17Symphony No.40 in G Minor, K. 550 I
Orchester:
Bamberger Symphoniker
conductor:
Eugen Jochum (conductor)
teilweise recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
Orchestrator(in):
Neal Desby und Edward Trybek
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-07-25)
Teil von:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart1:16
18Symphony No.40 in G Minor, K. 550 I
Orchester:
Bamberger Symphoniker
conductor:
Eugen Jochum (conductor)
teilweise recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
Orchestrator(in):
Neal Desby und Edward Trybek
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-07-25)
Teil von:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart1:16
19Symphony No.40 in G Minor, K. 550 I
Orchester:
Bamberger Symphoniker
conductor:
Eugen Jochum (conductor)
teilweise recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
Orchestrator(in):
Neal Desby und Edward Trybek
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-07-25)
Teil von:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart1:13
20Symphony No.40 in G Minor, K. 550 I
Orchester:
Bamberger Symphoniker
conductor:
Eugen Jochum (conductor)
teilweise recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
Orchestrator(in):
Neal Desby und Edward Trybek
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-07-25)
Teil von:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart0:24
21Symphony No.95 in C Minor, I
Joseph Haydn3:33
22Symphony No.95 in C Minor, I
Joseph Haydn1:09
23Symphony No.95 in C Minor, I
Joseph Haydn1:49
24Symphony No.95 in C Minor, II
Joseph Haydn1:06
25Symphony No.95 in C Minor, II
Joseph Haydn0:59
26Symphony No.95 in C Minor, II
Joseph Haydn0:52
27Symphony No.95 in C Minor, II
Joseph Haydn0:42
28Symphony No.95 in C Minor, II
Joseph Haydn0:37
29Symphony No.95 in C Minor, III
Joseph Haydn2:12
30Symphony No.95 in C Minor, III
Joseph Haydn1:34
31Symphony No.95 in C Minor, III
Joseph Haydn1:11
32Symphony No.95 in C Minor, IV
Joseph Haydn0:58
33Symphony No.95 in C Minor, IV
Joseph Haydn1:07
34Symphony No.95 in C Minor, IV
Joseph Haydn1:10
35Symphony No.95 in C Minor, IV
Joseph Haydn0:29
36Piano Sonata in B Flat, K. 570, III
teilweise recording of:
Sonata for Piano no. 17 in B-flat major, K. 570: III. Allegretto
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Teil von:
Sonata for Piano no. 17 in B-flat major, K. 570
Wolfgang Amadeus Mozart1:54
37Piano Sonata in B Flat, K. 570, III
teilweise recording of:
Sonata for Piano no. 17 in B-flat major, K. 570: III. Allegretto
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Teil von:
Sonata for Piano no. 17 in B-flat major, K. 570
Wolfgang Amadeus Mozart0:51
38Piano Sonata in B Flat, K. 570, III
teilweise recording of:
Sonata for Piano no. 17 in B-flat major, K. 570: III. Allegretto
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Teil von:
Sonata for Piano no. 17 in B-flat major, K. 570
Wolfgang Amadeus Mozart0:54
39"Ho capito" (excerpt)
recording of:
Don Giovanni: Atto I. No. 6 Aria “Ho capito, signor, sì!” (Masetto)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:32
40"Alfin siam liberati" (excerpt)
recording of:
Don Giovanni: Atto I. Recitativo “Alfin siam liberati” (Don Giovanni, Zerlina)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:45
41"La ci darem la mano" (excerpt)
Baritongesang [Don Giovanni]:
Ingvar Wixell (baritone)
Soprangesang [Zerlina]:
Mirella Freni (soprano)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Colin Davis (English conductor)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:00
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Nennungen

Veröffentlichung

Zusammensteller:Gary Tomlinson (musicologist)
Joseph Kerman
ASIN:US: B074RDGZHX [Info]

Veröffentlichungsgruppe

Teil von:Listen (accompanying discs for the books by Kerman and Kerman/Tomlinson) (Nummer: 5) (Reihenfolge: 4)