Pirates of the Caribbean: Soundtrack Treasures Collection (EU version with no barcode at the box’ bottom (see annotations for further identification information))

~ Release by Klaus Badelt & Hans Zimmer (see all versions of this release, 2 available)

Annotation

Medium 1: {
Matrix Number: WWW.MEDIAMOTION.COM 3532372 @ 3
Master SID Code: IFPI LW03
Mould SID Code: IFPI AAHT9
Stamper: 030202
Rights Society: SDRM/BIEM
Label Code: LC 0542

Medium, booklet and digipak all contain the following data:
(Medium-Specific) Catalogue Number: 5099951444723
Set Number: 5099951444624
Notices that they were “printed in the EU”.
}

Medium 2: {
Matrix Number: WWW.MEDIAMOTION.COM 3680162 @ 1
Master SID Code: IFPI LW04
Mould SID Code: IFPI AAHT5
Stamper: 010117
Rights Society: SDRM/BIEM
Label Code: LC 0542

Medium, booklet and digipak all contain the following data:
(Medium-Specific) Catalogue Number: 5099951444822
Set Number: 5099951444624
Notices that they were “printed in the EU”.

Track 12: Bonus Track
}

Medium 3: {
Matrix Number: WWW.MEDIAMOTION.COM 3957032 @ 1
Master SID Code: IFPI LW04
Mould SID Code: IFPI AAHP1
Stamper: 010108
Rights Society: SDRM/BIEM
Label Code: LC 0542

Medium, booklet and digipak all contain the following data:
(Medium-Specific) Catalogue Number: 5099951444921
Set Number: 5099951444624
Notices that they were “printed in the EU”.
}

Medium 4: {
Matrix Number: WWW.MEDIAMOTION.COM 5144502 @ 1
Master SID Code: IFPI LW03
Mould SID Code: IFPI AAHY3
Stamper: 010101
Rights Society: SDRM/BIEM
Label Code: LC 0542

Medium, booklet and digipak all contain the following data:
(Medium-Specific) Catalogue Number: 5099951445027
Set Number: 5099951444624
Notices that they were “printed in the EU”.
}

Medium 5: {
Matrix Number: WWW.MEDIAMOTION.COM 5144469 PAL @ 1
Master SID Code: IFPI LW04
Mould SID Code: IFPI AAHM1
Stamper: 010101
Rights Society: SDRM/BIEM
Label Code: LC 0542

Medium, booklet and digipak all contain the following data:
(Medium-Specific) Catalogue Number: 5099951444693
Set Number: 5099951444624
Notices that they were “printed in the EU”.
}

On identifying this release:
- The barcode and catalogue number of this release are both “5099951444624”.
- The mediums, booklets and digipaks all contain notices that these were “printed in the EU” and that they are licensed to “EMI Recrods Ltd.”.

Warning:
The above alone IS NOT enough to identify this EU-version, but they can be used to differentiate it from the US-version.

- There is another EU-version of that release, apparently with the same barcode and catalogue number(s).
Differences include:
* It has the barcode printed at the bottom of the box.
* It uses another style of the digipaks (see also “Packaging” below).

See http://www.discogs.com/release/1163113 until that release has been added to MusicBrainz.

Barcode and catalogue numbers:
- The barcode of this release is 5099951444624, which is also the “Set Number” written on each medium, booklet and digipak.

- Each medium of the release (along with the respective booklet and digipak), has another specific catalogue number, which are all written above.

Packaging:
The release comes in a box with 5 digipaks, the booklets are inside of a slot within the cover.

Annotation last modified on 2016-01-08 02:53 UTC.

Tracklist

1CD: Pirates of the Caribbean: The Curse of the Black Pearl
#TitleArtistRatingLength
1Fog Bound
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
Fog Bound (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar (American composer)
composer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt32:17
2The Medallion Calls
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
The Medallion Calls (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar (American composer)
composer:
Klaus Badelt (German score composer), Ramin Djawadi (Iranian‐German score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt31:53
3The Black Pearl
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
The Black Pearl (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar (American composer)
composer:
Klaus Badelt (German score composer), Steve Jablonsky (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt32:16
4Will and Elizabeth
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
Will and Elizabeth (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar (American composer)
composer:
Ramin Djawadi (Iranian‐German score composer), Steve Jablonsky (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt42:08
5Swords Crossed
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
Swords Crossed (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar (American composer)
composer:
Klaus Badelt (German score composer), Steve Jablonsky (American score composer), Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt43:16
6Walk the Plank
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
Walk the Plank (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar (American composer)
composer:
Klaus Badelt (German score composer), Ramin Djawadi (Iranian‐German score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt31:59
7Barbossa Is Hungry
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
Barbossa Is Hungry (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar (American composer)
composer:
Klaus Badelt (German score composer), Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
publisher:
Warner Chappell Artemis Music
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt54:06
8Blood Ritual
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
Blood Ritual (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar (American composer)
composer:
Klaus Badelt (German score composer), Jim Dooley (composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt33:33
9Moonlight Serenade
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
Moonlight Serenade (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar (American composer)
composer:
Klaus Badelt (German score composer), Ramin Djawadi (Iranian‐German score composer), Jim Dooley (composer) and Hans Zimmer (German score composer)
publisher:
Warner Chappell Artemis Music
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt42:09
10To the Pirates’ Cave!
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
To the Pirates' Cave! (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar (American composer)
composer:
Klaus Badelt (German score composer), Ramin Djawadi (Iranian‐German score composer), Jim Dooley (composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt43:31
11Skull and Crossbones
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
Skull and Crossbones (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar (American composer)
composer:
Klaus Badelt (German score composer), Ramin Djawadi (Iranian‐German score composer), Nick Glennie‐Smith, Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt33:24
12Bootstrap’s Bootstraps
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
Bootstrap's Bootstraps (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar (American composer)
composer:
Klaus Badelt (German score composer), James McKee Smith, Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt32:39
13Underwater March
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
Underwater March (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar (American composer)
composer:
Klaus Badelt (German score composer), Nick Glennie‐Smith, Blake Neely and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt34:12
14One Last Shot
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
One Last Shot (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar (American composer)
composer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt34:46
15He’s a Pirate
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
He’s a Pirate (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar (American composer)
composer:
Klaus Badelt (German score composer), Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean (Live in Prague)
part of:
Pirates of the Caribbean: Dead Man's Chest (2006 film soundtrack)
part of:
Pirates of the Caribbean: Dead Men Tell No Tales (2017 film soundtrack)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt3.251:30
2CD: Pirates of the Caribbean: Dead Man’s Chest
3CD: Pirates of the Caribbean: At World’s End
4CD: Pirates of the Caribbean: Remixed & Unreleased
5DVD-Video: Pirates of the Caribbean: Making of a Score