Men Are Like Street Cars... Women Blues Singers 1928-1969

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1I Ain't in the Mood
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1951-10-09)
alto saxophone [alto sax]:
Riley Hampton (am 1951-10-09) und Porter Kilbert (am 1951-10-09)
baritone saxophone [baritone sax]:
Walter Leonard (jazz sax) (am 1951-10-09)
Gitarre:
Floyd Smith (30s/40s blues guitarist) (am 1951-10-09)
Klavier:
Horace Henderson (am 1951-10-09)
Kontrabass [bass]:
Arthur Edwards (double bassist) (am 1951-10-09)
Schlagzeug:
George Reid (jazz drummer) (am 1951-10-09)
Trompete:
Gail Brockman (Jazz trumpet player) (am 1951-10-09)
vocals:
Donna Hightower (jazz and traditional pop singer) (am 1951-10-09)
Donna Hightower3:06
2All Night Long
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-01-24)
alto saxophone [alto sax] und baritone saxophone [baritone sax]:
Freddie Simon (jazz sax) (am 1952-01-24)
Gitarre:
Chuch Norris (jazz guitarist) (am 1952-01-24)
Klavier:
Gerald Wiggins (am 1952-01-24)
Kontrabass [bass]:
Charlie Drayton (1930s-50s blues bassist) (am 1952-01-24)
Schlagzeug:
Chico Hamilton (am 1952-01-24)
Tenorsaxophon [tenor sax]:
Bumps Myers (am 1952-01-24)
Trompete:
John Anderson (US jazz trumpeter) (am 1952-01-24)
vocals:
Helen Humes (am 1952-01-24)
Helen Humes2:52
3Me and My Chauffeur Blues
Bass:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Gitarre:
Little Son Joe (am 1952-07-11) und Memphis Minnie (am 1952-07-11)
Mundharmonika:
Little Walter (blues performer and songwriter) (am 1952-07-11)
Schlagzeug:
Elgin Evans (am 1952-07-11)
vocals:
Memphis Minnie (am 1952-07-11)
recording of:
Me and My Chauffeur Blues
Verfasser(in):
Memphis Minnie
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Memphis Minnie2:54
4They Call Me Big Mama
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-08-13)
baritone saxophone [baritone sax]:
Fred Ford (baritone saxophonist) (am 1952-08-13)
Gitarre:
Pete Lewis (am 1952-08-13)
Klavier:
Devonia Williams (US R&B pianist/singer) (am 1952-08-13)
Kontrabass [bass]:
Albert Winston (R&B bassist) (am 1952-08-13)
Posaune:
George Washington (jazz trombonist) (am 1952-08-13)
Schlagzeug:
Leard Bell (R&B drummer) (am 1952-08-13)
Tenorsaxophon [tenor]:
James Von Streeter (am 1952-08-13)
Trompete:
Don Johnson (1950s' R&B trumpeter) (am 1952-08-13)
Vibraphon [vibes]:
Johnny Otis (am 1952-08-13)
vocals:
Big Mama Thornton (am 1952-08-13)
Big Mama Thornton2:06
5I'm Gonna Play the Honky Tonks
recorded in:
Houston, Texas, Vereinigte Staaten (in 1952)
Instrumente:
Bill Harvey’s Band (in 1952)
vocals:
Marie Adams (Blues singer associated with Johnny Otis) (in 1952)
Marie Adams2:45
6Please Don't Touch My Bowl
recorded in:
Houston, Texas, Vereinigte Staaten (in 1953)
Klavier:
Paul Monday (in 1953)
Kontrabass [bass]:
Ray Johnson (bass, blues) (in 1953)
Posaune:
Al Grey (trombone) (in 1953)
Schlagzeug:
Ellis Bartee (Jazz drummer) (in 1953)
Tenorsaxophon [tenor sax]:
Johnny Board (in 1953)
Trompete:
Joe Scott (40s–60s US blues artist) (in 1953)
vocals:
Gladys Hill (in 1953)
Gladys Hill2:51
7Hound Dog
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-08-13)
recording engineer und Mix:
Joel Moss
assistierende(r) Techniker(in):
Tom Hardisty (film score engineer), Brandon Harris (US engineer) und Sue McLean
Produzent(in):
Hummie Mann, Johnny Otis und Marc Shaiman (American score composer and lyricist)
Editing:
Curtis Roush
Gitarre:
Pete Lewis (am 1952-08-13)
Klavier:
Devonia Williams (US R&B pianist/singer) (am 1952-08-13)
Kontrabass [bass]:
Albert Winston (R&B bassist) (am 1952-08-13)
Schlagzeug:
Leard Bell (R&B drummer) (am 1952-08-13)
Vibraphon [vibes]:
Johnny Otis (am 1952-08-13)
vocals:
Big Mama Thornton (am 1952-08-13)
Orchester:
Johnny Otis & His Orchestra (am 1952-08-13)
conductor:
Artie Kane
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2006)
recording of:
Hound Dog (am 1952-08-13)
Texter:
Jerry Leiber (am 1952-08-12)
Komponist(in):
Mike Stoller (am 1952-08-12)
vorher zugeschrieben zu:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company und Williamson Music, Inc.
Big Mama Thornton4.652:53
8I'm Gonna Latch On
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1953)
baritone saxophone [baritone sax]:
Fred Ford (baritone saxophonist) (in 1953)
Gitarre:
Pete Lewis (in 1953)
Klavier:
Devonia Williams (US R&B pianist/singer) (in 1953)
Kontrabass [bass]:
Albert Winston (R&B bassist) (in 1953)
Posaune:
George Washington (jazz trombonist) (in 1953)
Schlagzeug:
Leard Bell (R&B drummer) (in 1953)
Tenorsaxophon [tenor sax]:
James Von Streeter (in 1953)
vocals:
Marie Adams (Blues singer associated with Johnny Otis) (in 1953)
Marie Adams2:32
9Messin' Around With the Blues
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1953-06-16)
Instrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1953-06-16)
vocals:
Alberta Adams (am 1953-06-16)
Alberta Adams2:56
10Take a Chance on Me
recorded in:
Houston, Texas, Vereinigte Staaten (in 1953-10)
baritone saxophone:
Fred Ford (baritone saxophonist) (in 1953-10)
Klavier:
Devonia Williams (US R&B pianist/singer) (in 1953-10)
Kontrabass [bass]:
Albert Winston (R&B bassist) (in 1953-10)
Posaune:
George Washington (jazz trombonist) (in 1953-10)
Schlagzeug:
Leard Bell (R&B drummer) (in 1953-10)
Tenorsaxophon [tenor sax]:
James Von Streeter (in 1953-10)
Trompete:
Don Johnson (1950s' R&B trumpeter) (in 1953-10)
vocals:
Lovey Lewis (in 1953-10)
Lovey Lewis2:44
11Sit Back Down
recorded in:
New York, New York, Vereinigte Staaten (in 1954)
Instrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1954)
vocals:
Esther Phillips (Little Esther) (in 1954)
Esther Phillips2:24
12A Trumpet Blows Away the Blues
recorded in:
Houston, Texas, Vereinigte Staaten (in 1953)
Instrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1953)
Klavier:
Quinton Batiste (in 1953)
vocals:
Gwen Johnson (in 1953)
Gwen Johnson2:46
13Take Out Your False Teeth Daddy
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-17)
baritone saxophone [baritone sax]:
Paul Williams (US blues/jazz saxophonist) (am 1954-03-17)
Gitarre:
Mickey Baker (am 1954-03-17)
Klavier:
Freddie Johnson (pianist) (am 1954-03-17)
Kontrabass [bass]:
Steve Cooper (jazz bassist) (am 1954-03-17)
Tenorsaxophon [tenor sax]:
Noble "Thin Man" Watts (Noble “Thin Man” Watts) (am 1954-03-17)
Trompete:
Jimmy Brown (R&B trumpeter and singer James Earl Brown, 1926–2006) (am 1954-03-17)
vocals:
Margie Day (US R&B singer) (am 1954-03-17)
Margie Day2:24
14Miss You So
recorded in:
Nashville, Tennessee, Vereinigte Staaten (in 1957)
Instrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1957)
vocals:
Lillian Offitt (in 1957)
Lillian Offitt2:14
15If (I Could Be With You)
recorded in:
Houston, Texas, Vereinigte Staaten (in 1958)
Gitarre:
Johnny Copeland (in 1958)
Instrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1958)
vocals:
Lavelle White (in 1958)
Lavelle White2:41
16I Feel So Low
recorded in:
Crowley, Louisiana, Vereinigte Staaten (am 1959-06-29)
Instrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1959-06-29)
Hintergrundgesang:
The Songettes (am 1959-06-29)
vocals:
Katie Webster (Swamp Boogie Queen) (am 1959-06-29)
Katie Webster2:15
17I'm a Little Mixed Up
recorded in:
New York, New York, Vereinigte Staaten (in 1961)
Instrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1961)
vocals:
Betty James (in 1961)
recording of:
I’m a Little Mixed Up
Verfasser(in):
Betty James und Edward Johnson (US songwriter)
publisher:
Garnet Publishing Co. und Sunflower Music, Inc. (publisher)
Betty James2:51
18Something's Got a Hold on Me
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1961-12)
Bassgitarre [bass]:
Reggie Boyd (US blues guitarist/bassist) (in 1961-12)
Gitarre:
Matt Murphy (US blues guitarist) (in 1961-12)
Klavier:
John Young (jazz pianist) (in 1961-12)
Schlagzeug:
Al Duncan (in 1961-12)
Hintergrundgesang [backing vocals]:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1961-12)
vocals:
Etta James (in 1961-12)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 40)
recording of:
Something’s Gotta Hold on Me (in 1961-12)
Verfasser(in):
Etta James, Leroy Kirkland und Pearl Woods (60s R&B)
Etta James42:51
19In the Basement, Part 1
recorded in:
Chicago, Illinois, Vereinigte Staaten
Produzent(in):
Billy Davis (r&b producer/songwriter/performer Roquel Davis)
Instrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1966-04)
vocals:
Sugar Pie DeSanto (in 1966-04) und Etta James (in 1966-04)
Interpret(in):
Sugar Pie DeSanto
recording of:
In the Basement
Verfasser(in):
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner und Carl Smith (US songwriter and producer active in Chicago)
publisher:
Chevis Publishing Corp.
Etta James & Sugar Pie DeSanto2:26
20Wang Dang Doodle
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1965-12-07)
Produzent(in):
Willie Dixon
Bass:
Jack Meyers (US blues bassist) (am 1965-12-07)
Gitarre:
Buddy Guy (am 1965-12-07) und Johnny "Twist" Williams (Side-man blues guitar player, Big Boy Spires associate) (am 1965-12-07)
Klavier:
Lafayette Leake (am 1965-12-07)
Saxophon [sax]:
Gene Barge (am 1965-12-07) und Donald Hankins (Saxophonist) (am 1965-12-07)
Schlagzeug:
Fred Below
Tenorsaxophon:
Gene Barge
Hintergrundgesang:
Willie Dixon (am 1965-12-07)
Sologesang:
Koko Taylor
vocals:
Koko Taylor (am 1965-12-07)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1995)
cover recording of:
Wang Dang Doodle (am 1965-12-07)
Texter:
Willie Dixon (in 1960-06)
Komponist(in):
Willie Dixon
publisher:
Bug Music Ltd. und Hoochie Coochie Music
Koko Taylor43:04
21Good to Me
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1967-06-06)
Bass:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1967-06-06)
Gitarre:
Jimmy Johnson (Chicago blues guitarist James Earl Thompson) (am 1967-06-06)
Horn [horns]:
The Muscle Shoals Horns (am 1967-06-06)
Instrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1967-06-06)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-06-06)
vocals:
Irma Thomas (am 1967-06-06)
cover recording of:
Good to Me
Verfasser(in):
Julius Green (In Group The Mad Lads) und Otis Redding
Irma Thomas2:36
2229 Ways
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1969-04-23)
Bass:
Jack Meyers (US blues bassist) (am 1969-04-23)
Gitarre:
Buddy Guy (am 1969-04-23) und Matt Murphy (US blues guitarist) (am 1969-04-23)
Klavier:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1969-04-23)
Mundharmonika:
Walter Horton (blues harmonica player) (am 1969-04-23)
Schlagzeug:
Fred Below (am 1969-04-23)
vocals:
Koko Taylor (am 1969-04-23)
Koko Taylor3:16
23Three O'Clock Blues
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1969)
Gitarre:
Albert Collins (US blues guitarist/vocalist/harmonica) (in 1969) und Ike Turner (in 1969)
Instrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1969)
Klavier:
Ike Turner (in 1969)
vocals:
Tina Turner
Ike & Tina Turner2:39

Nennungen

Veröffentlichung

art direction:Vartan (art direction)
Design/Illustrationen:Mike Fink
liner notes:Mary Katherine Aldin (in 1998-11)
Techniker(in):Steven Lasker
Produzent(in):Mary Katherine Aldin
Andy McKaie
remastering:Erick Labson
Zusammensteller:Mary Katherine Aldin
Discogs:https://www.discogs.com/release/10781726 [Info]
ASIN:US: B00000I0S9 [Info]