In Grand Company

~ Release by Duke Ellington (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Jumpin’ at the Woodside
alto saxophone:
Johnny Hodges (on 1961-07-06), Russell Procope (on 1961-07-06) and Marshall Royal (on 1961-07-06)
baritone saxophone:
Harry Carney (on 1961-07-06) and Charlie Fowlkes (baritone saxophonist) (on 1961-07-06)
clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1961-07-06)
double bass:
Aaron Bell (jazz double bassist) (on 1961-07-06) and Eddie Jones (US jazz double bassist) (from 1961-07-06 until 1961-07-07)
drums (drum set):
Sonny Payne (on 1961-07-06)
flute:
Frank Wess (on 1961-07-06)
guitar:
Freddie Green (on 1961-07-06)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-07-06)
reeds:
Russell Procope (on 1961-07-06) and Frank Wess (on 1961-07-06)
solo piano:
Count Basie (pianist) (on 1961-07-06)
solo tenor saxophone:
Frank Foster (saxophonist) (on 1961-07-06) and Paul Gonsalves (on 1961-07-06)
tenor saxophone:
Budd Johnson (on 1961-07-06) and Frank Wess (on 1961-07-06)
trombone:
Lou Blackburn (on 1961-07-06), Lawrence Brown (jazz trombonist) (on 1961-07-06), Henry Coker (jazz trombonist) (on 1961-07-06), Quentin Jackson (on 1961-07-06) and Benny Powell (jazz trombonist) (on 1961-07-06)
trumpet:
William “Cat” Anderson (on 1961-07-06), Sonny Cohn (on 1961-07-06), Willie Cook (US jazz trumpeter) (on 1961-07-06), Andrew “Fats” Ford (trumpeter) (on 1961-07-06), Lennie Johnson (trumpet) (on 1961-07-06), Thad Jones (American jazz trumpeter) (on 1961-07-06), Ed Mullens (on 1961-07-06), Ray Nance (on 1961-07-06) and Snooky Young (on 1961-07-06)
valve trombone:
Juan Tizol (on 1961-07-06)
violin:
Ray Nance (on 1961-07-06)
orchestra:
The Count Basie Orchestra (on 1961-07-06) and The Duke Ellington Orchestra (led by Mercer Ellington) (on 1961-07-06)
recording of:
Jumpin’ at the Woodside (original instrumental) (on 1961-07-06)
composer:
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
recording of:
Jumpin’ at the Woodside (with lyrics by Jon Hendricks)
lyricist:
Jon Hendricks (in 1957)
composer:
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), WC Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
version of:
Jumpin’ at the Woodside (original instrumental)
Count Basie with Duke Ellington & His Orchestra13:08
2It Don’t Mean a Thing (If It Ain’t Got That Swing)
recording engineer:
Ray Hall (engineer) (on 1961-04-03)
producer:
Bob Thiele (producer & songwriter)
clarinet:
Barney Bigard (on 1961-04-03)
double bass:
Mort Herbert (on 1961-04-03)
drums (drum set):
Danny Barcelona (on 1961-04-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-04-03)
trombone:
Trummy Young (on 1961-04-03)
trumpet:
Louis Armstrong (on 1961-04-03)
vocals:
Louis Armstrong (on 1961-04-03)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1961-04-03)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1961-04-03)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
Louis Armstrong & Duke Ellington43:59
3I Ain’t Got Nothin’ but the Blues
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Johnny Hodges (on 1957-06-25)
baritone saxophone:
Harry Carney (on 1957-06-25)
double bass:
Jimmy Woode (on 1957-06-25)
drums (drum set):
Sam Woodyard (on 1957-06-25)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-06-25)
reeds:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1957-06-25) and Russell Procope (on 1957-06-25)
tenor saxophone:
Paul Gonsalves (on 1957-06-25)
trombone:
Quentin Jackson (on 1957-06-25), John Sanders (US jazz trombonist) (on 1957-06-25) and Britt Woodman (on 1957-06-25)
trumpet:
William “Cat” Anderson (on 1957-06-25), Willie Cook (US jazz trumpeter) (on 1957-06-25) and Clark Terry (American swing trumpeter) (on 1957-06-25)
trumpet and violin:
Ray Nance (on 1957-06-25)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1957-06-25)
performer:
Duke Ellington and His Orchestra (on 1957-06-25)
cover recording of:
I Ain’t Got Nothin’ but the Blues (on 1957-06-25)
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937)
publisher:
Ricki Music and Tempo Music Co.
Ella Fitzgerald with the Duke Ellington Orchestra4:41
4The Minor Goes Muggin’
recorded in:
New York, New York, United States (on 1945-05-14)
alto saxophone:
Gus Bivona (on 1945-05-14), Bruce Branson (on 1945-05-14) and Sid Cooper (flute & clarinet player) (on 1945-05-14)
baritone saxophone:
Bruce Branson (on 1945-05-14)
cello [2 cellos], harp, viola [2 violas] and violin [14 violins]:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1945-05-14)
clarinet and reeds:
Gus Bivona (on 1945-05-14)
double bass:
Bob Haggart (on 1945-05-14) and Sid Block (Jazz bassist, band leader) (on 1945-05-14)
drums (drum set):
Buddy Rich (on 1945-05-14)
guitar:
Bob Bain (guitarist) (on 1945-05-14)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1945-05-14)
tenor saxophone:
Babe Fresk (on 1945-05-14) and Vido Musso (on 1945-05-14)
trombone:
Tommy Dorsey (swing trombone player & band leader) (on 1945-05-14), Karl de Karske (on 1945-05-14), Dick Noel (trombone) (on 1945-05-14) and Tex Satterwhite (on 1945-05-14)
trumpet:
Gerry Goff (on 1945-05-14), Mickey Mangano (on 1945-05-14), George Seaberg (on 1945-05-14) and Charlie Shavers (on 1945-05-14)
tuba:
Joseph Park (on 1945-05-14)
arranger:
Sy Oliver (on 1945-05-14)
recording of:
The Minor Goes Muggin’ (on 1945-05-14)
composer:
Sy Oliver
Tommy Dorsey & His Orchestra with Duke Ellington3:02
5Pitter Panther Patter (take 2)
recorded in:
Chicago, Illinois, United States (on 1940-10-01)
double bass:
Jimmy Blanton (on 1940-10-01)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1940-10-01)
Duke Ellington & Jimmy Blanton3:02
6I Got It Bad (and That Ain’t Good)
recorded in:
New York, New York, United States (on 1956-01-27)
alto saxophone:
Otto Hardwick (on 1941-06-26) and Johnny Hodges (on 1941-06-26, on 1956-01-27)
alto saxophone and clarinet:
Russell Procope (on 1956-01-27)
baritone saxophone:
Harry Carney (on 1941-06-26, on 1956-01-27)
clarinet:
Barney Bigard (on 1941-06-26)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1956-01-27)
double bass:
Jimmy Woode (on 1956-01-27)
double bass [bass]:
Jimmy Blanton (on 1941-06-26)
drums (drum set):
Sonny Greer (on 1941-06-26) and Sam Woodyard (on 1956-01-27)
guitar:
Fred Guy (on 1941-06-26)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1941-06-26, on 1956-01-27)
tenor saxophone:
Ben Webster (on 1941-06-26) and Paul Gonsalves (on 1956-01-27)
trombone:
Lawrence Brown (jazz trombonist) (on 1941-06-26), Joe "Tricky Sam" Nanton (on 1941-06-26), Juan Tizol (on 1941-06-26), Quentin Jackson (on 1956-01-27) and Britt Woodman (on 1956-01-27)
trumpet:
Wallace Jones (on 1941-06-26), Rex Stewart (on 1941-06-26), Cootie Williams (on 1941-06-26, on 1956-01-27), William “Cat” Anderson (on 1956-01-27), Willie Cook (US jazz trumpeter) (on 1956-01-27) and Ray Nance (on 1956-01-27)
valve trombone:
John Sanders (US jazz trombonist) (on 1956-01-27)
lead vocals:
Rosemary Clooney (on 1956-01-27)
orchestra:
Duke Ellington and His Orchestra (on 1956-01-23)
recording of:
I Got It Bad (and That Ain’t Good) (on 1956-01-27)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, volume I)
Rosemary Clooney with Duke Ellington & Company3:07
7U.M.M.G.
producer:
Irving Townsend
alto saxophone:
Johnny Hodges (from 1959-02-19 until 1959-02-25) and Russell Procope (from 1959-02-19 until 1959-02-25)
baritone saxophone:
Harry Carney (from 1959-02-19 until 1959-02-25)
bass:
Jimmy Woode (from 1959-02-19 until 1959-02-25)
drums (drum set):
Sam Woodyard (from 1959-02-19 until 1959-02-25)
percussion:
Chauncey Morehouse (from 1959-02-19 until 1959-02-25) and Bobby Rosengarden (from 1959-02-19 until 1959-02-25)
piano accordion:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1959-02-19 until 1959-02-25)
tenor saxophone:
Paul Gonsalves (from 1959-02-19 until 1959-02-25) and Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (from 1959-02-19 until 1959-02-25)
trombone:
Quentin Jackson (from 1959-02-19 until 1959-02-25), John Sanders (US jazz trombonist) (from 1959-02-19 until 1959-02-25) and Britt Woodman (from 1959-02-19 until 1959-02-25)
trumpet:
William “Cat” Anderson (from 1959-02-19 until 1959-02-25), Harold “Shorty” Baker (from 1959-02-19 until 1959-02-25), Andrew “Fats” Ford (trumpeter) (from 1959-02-19 until 1959-02-25), Ray Nance (from 1959-02-19 until 1959-02-25) and Clark Terry (American swing trumpeter) (from 1959-02-19 until 1959-02-25)
remixer:
Larry Keyes (engineer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1959-02-19 until 1959-02-25)
recording of:
Upper Manhattan Medical Group
composer:
Billy Strayhorn
part of:
The Real Book (compilation of jazz standards, volume I)
Duke Ellington featuring Dizzy Gillespie4:29
8Self Portrait (of the Bean)
recording engineer:
Rudy van Gelder (on 1962-08-18)
engineer:
Rudy van Gelder
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Johnny Hodges (on 1962-08-18)
baritone saxophone, baritone saxophone and bass clarinet and bass clarinet:
Harry Carney (on 1962-08-18)
bass and double bass:
Aaron Bell (jazz double bassist) (on 1962-08-18)
cornet and violin:
Ray Nance (on 1962-08-18)
drums (drum set) and membranophone:
Sam Woodyard (on 1962-08-18)
guitar:
Les Spann (on 1962-08-18)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1962-08-18)
tenor saxophone:
Coleman Hawkins (on 1962-08-18)
trombone:
Lawrence Brown (jazz trombonist) (on 1962-08-18)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-08-18)
recording of:
Self Portrait (of the Bean) (on 1962-08-18)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
Duke Ellington & Coleman Hawkins13:53
9Caravan
producer:
Alan Douglas (American record producer)
double bass:
Charles Mingus (on 1962-09-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1962-09-17)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1962-09-17)
phonographic copyright (℗) by:
United Artists Records, Inc. (not for release label use!)
recorded at:
Sound Makers in New York, New York, United States (on 1962-09-17)
instrumental cover recording of:
Caravan (on 1962-09-17)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
recording of:
Caravan
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
Duke Ellington14:12
10In a Sentimental Mood
recording engineer:
Rudy van Gelder (on 1962-09-26)
producer:
Bob Thiele (producer & songwriter) (on 1962-09-26)
double bass:
Aaron Bell (jazz double bassist) (on 1962-09-26)
drums (drum set):
Elvin Jones (jazz drummer) (on 1962-09-26)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1962-09-26)
tenor saxophone:
John Coltrane (on 1962-09-26)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1997)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-09-26)
instrumental recording of:
In a Sentimental Mood (on 1962-09-26)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
Duke Ellington & John Coltrane34:15
11Solitude
recording engineer:
Gerhard Lehner
producer:
Duke Ellington (US composer, pianist & jazz bandleader)
bass:
Johnny Gertze (bass, trumpet, guitar, saxophone) (on 1963-02-23)
drums (drum set):
Makaya Ntshoko (on 1963-02-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1963-02-23)
violin:
Svend Asmussen (on 1963-02-23)
vocals:
Sathima Bea Benjamin (on 1963-02-23)
recorded at:
Studio Hoche (Barclay) in Paris, Île-de-France, France (on 1963-02-23)
recording of:
(In My) Solitude (on 1963-02-23)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
Sathima Bea Benjamin3:31
12String Along With Strings
Duke Ellington6:27
13Do Nothin’ Till You Hear From Me
double bass:
Ray Brown (jazz bassist) (on 1972-12-05)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1972-12-05)
recording of:
Do Nothin’ Till You Hear From Me (on 1972-12-05)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
Duke Ellington & Ray Brown15:33
14Part IV (Come Sunday)
recorded in:
New York, New York, United States (on 1958-02-11)
producer:
Irving Townsend
alto saxophone:
Russell Procope and Bill Graham (US jazz saxophonist) (on 1958-02-11)
baritone saxophone:
Harry Carney (on 1958-02-11)
bass:
Jimmy Woode (on 1958-02-11)
clarinet:
Russell Procope and Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-02-11)
drums (drum set) [drums]:
Sam Woodyard (on 1958-02-11)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-02-11)
reeds:
Russell Procope
tenor saxophone:
Paul Gonsalves (on 1958-02-11)
trombone:
Quentin Jackson (on 1958-02-11) and Britt Woodman (on 1958-02-11)
trumpet:
Cat Anderson (on 1958-02-11), Harold Baker (on 1958-02-11) and Clark Terry (American swing trumpeter) (on 1958-02-11)
trumpet and violin:
Ray Nance (on 1958-02-11)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-02-11)
vocals:
Mahalia Jackson (on 1958-02-11)
recording of:
Come Sunday (1958 revision with lyrics) (on 1958-02-05)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Come Sunday (1958 revision with lyrics) (on 1958-02-11)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Come Sunday (1958 revision with lyrics) (in 1958-02)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington & Mahalia Jackson7:54
15Drawing Room Blues
recorded in:
New York, New York, United States (on 1946-01-10)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1946-01-10) and Billy Strayhorn (on 1946-01-10)
recording of:
Drawing Room Blues (on 1946-01-10)
composer:
Billy Strayhorn
Duke Ellington & Billy Strayhorn3:37