Perpetual Motion

~ Veröffentlichung von Béla Fleck (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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Copyright: ℗ 2001 SONY BMG MUSIC ENTERTAINMENT

Anmerkung zuletzt geändert am 2025-11-19 00:12 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1Keyboard Sonata in C major (K. 159, L. 104)
recording engineer:
Richard Battaglia und Robert Battaglia
Produzent(in):
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
Banjo:
Béla Fleck
Gast-Mandoline:
Chris Thile
arranger:
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
aufgenommen bei:
Sanctuary Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (in 2001)
recording of:
Sonata in C major, K 159, L 104 "La caccia": Allegro
Komponist(in):
Domenico Scarlatti (composer)
Teil von:
Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (Nummer: 104) und Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (Nummer: 159)
2:15
2Two-Part Invention No. 13 (BWV 784)
recording engineer:
Jim Janik und Todd Whitelock (engineer)
Produzent(in):
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
Banjo:
Béla Fleck
Gast-Marimba:
Evelyn Glennie (percussionist)
arranger:
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
aufgenommen bei:
Avatar Recording Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 2001-03-25 bis 2001-03-27)
recording of:
Inventio Nr. 13 a-Moll, BWV 784 (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Inventio Nr. 13 a-Moll, BWV 784
1:33
3Doctor Gradus Ad Parnassum From Children's Corner
recording engineer:
Jim Janik und Todd Whitelock (engineer)
Produzent(in):
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
Banjo:
Béla Fleck
Gast-Cello:
Gary Hoffman (Canadian cellist)
Gast-Geige / Violine:
Joshua Bell (violinist)
arranger:
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
aufgenommen bei:
Avatar Recording Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 2001-03-25 bis 2001-03-27)
recording of:
Children’s Corner, L. 113: I. Doctor Gradus ad Parnassum (original piano version)
Komponist(in):
Claude Debussy (French composer) (von 1906 bis 1908-07)
Teil von:
Children’s Corner, L. 113, CD 119 (original piano version)
2:27
4Mazurkas, Op. 59: No. 3 in F-sharp minor
recording engineer:
Jake Jackson (recording engineer) und Steve Orchard (producer and engineer)
Produzent(in):
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
Banjo:
Béla Fleck
Gast-Gitarre:
John Williams (classical guitarist)
arranger:
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
aufgenommen bei:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 2001-01-29)
recording of:
Mazurkas, op. 59: No. 3 in F‐sharp minor. Vivace
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer)
Teil von:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 88)
Teil von:
Mazurkas, op. 59
3:39
5Prélude From Partita No. 3 for Solo Violin (BWV 1006)
recording engineer:
Richard Battaglia und Robert Battaglia
Produzent(in):
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
Banjo:
Béla Fleck
arranger:
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
aufgenommen bei:
Sanctuary Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (in 2001)
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: I. Preludio
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
Teil von:
Violin Partita No. 3 in E major, BWV 1006.1/1006
3:46
6Etude in C-sharp minor, Op. 10, No. 4
recording engineer:
Jim Janik und Todd Whitelock (engineer)
Produzent(in):
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
Banjo:
Béla Fleck
Gast-Geige / Violine:
Joshua Bell (violinist)
arranger:
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
aufgenommen bei:
Avatar Recording Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 2001-03-25 bis 2001-03-27)
recording of:
Mazurka no. 1 in F‐sharp minor, op. 6 no. 1
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer)
Teil von:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 51)
Teil von:
Mazurkas, op. 6
2:17
7Mazurka in F-sharp minor, Op. 6, No. 1
recording engineer:
Jim Janik und Todd Whitelock (engineer)
Produzent(in):
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
Banjo:
Béla Fleck
Gast-Geige / Violine:
Joshua Bell (violinist)
arranger:
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
aufgenommen bei:
Avatar Recording Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 2001-03-25 bis 2001-03-27)
recording of:
Mazurka no. 1 in F‐sharp minor, op. 6 no. 1
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer)
Teil von:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 51)
Teil von:
Mazurkas, op. 6
2:19
8Three-Part Invention (Sinfonia) No. 10 (BWV 796)
recording engineer:
Richard Battaglia und Robert Battaglia
Produzent(in):
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
Banjo:
Béla Fleck
Gast-Kontrabass:
Edgar Meyer (contemporary bassist and composer)
Gast-Mandoline:
Chris Thile
arranger:
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
aufgenommen bei:
Sanctuary Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (in 2001)
recording of:
Sinfonia Nr. 10 G-Dur, BWV 796 (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Sinfonia Nr. 10 G-Dur, BWV 796
0:58
9Melody in E-flat
recording engineer:
Richard Battaglia und Robert Battaglia
Produzent(in):
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
Banjo:
Béla Fleck
Gast-Klavier:
Edgar Meyer (contemporary bassist and composer)
arranger:
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
aufgenommen bei:
Peacock Gardens Studio in Nashville, Tennessee, Vereinigte Staaten (in 2001)
recording of:
Souvenir d’un lieu cher for Violin and Piano, op. 42: III. Mélodie
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1878-03 bis 1878-05)
Teil von:
Souvenir d’un lieu cher for Violin and Piano, op. 42
3:09
10Presto in G minor I After Bach From Five Studies for Piano Arrangement of J.S. Bach: Finale From Solo Violin Sonata (BWV 1001)
recording engineer:
Jim Janik und Todd Whitelock (engineer)
Produzent(in):
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
Banjo:
Béla Fleck
Gast-Marimba:
Evelyn Glennie (percussionist)
arranger:
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
aufgenommen bei:
Avatar Recording Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 2001-03-25 bis 2001-03-27)
recording of:
Presto in G minor I after Bach
Komponist(in):
Johannes Brahms (German composer)
1:42
11Prélude From Suite for Unaccompanied Cello No. 1 (BWV 1007)
recording engineer:
Richard Battaglia und Robert Battaglia
Produzent(in):
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
Banjo:
Béla Fleck
arranger:
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
aufgenommen bei:
Sanctuary Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (in 2001)
recording of:
Suite no. 1 G-Dur, BWV 1007: I. Prélude (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude)
Teil von:
Suite no. 1 in G major, BWV 1007 (catch-all for arrangements)
2:14
12Three-Part Invention (Sinfonia) No. 15 (BWV 801)
recording engineer:
Jim Janik und Todd Whitelock (engineer)
Produzent(in):
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
Banjo:
Béla Fleck
Gast-Geige / Violine:
Joshua Bell (violinist)
Gast-Marimba:
Evelyn Glennie (percussionist)
arranger:
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
aufgenommen bei:
Avatar Recording Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 2001-03-25 bis 2001-03-27)
recording of:
Sinfonia Nr. 15 h-Moll, BWV 801 (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Sinfonia Nr. 15 h-Moll, BWV 801
1:12
13Moto Perpetuo, Op. 11, No. 2
recording engineer:
Richard Battaglia und Robert Battaglia
Produzent(in):
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
Banjo:
Béla Fleck
Gast-Klavier:
Edgar Meyer (contemporary bassist and composer)
arranger:
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
aufgenommen bei:
Peacock Gardens Studio in Nashville, Tennessee, Vereinigte Staaten (in 2001)
recording of:
Moto perpetuo, op. 11, MS 72 (catch-all for arrangements)
Komponist(in):
Niccolò Paganini (Italian composer and violinist)
Arrangement von:
Allegro vivace a movimento perpetuo, op. 11, MS 72 (for violin and orchestra)
3:39
14Keyboard Sonata in D minor (K. 213, L. 108)
recording engineer:
Richard Battaglia und Robert Battaglia
Produzent(in):
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
Banjo:
Béla Fleck
Gast-Mandoline:
Chris Thile
arranger:
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
aufgenommen bei:
Sanctuary Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (in 2001)
recording of:
Sonata in D minor, K 213, L 108: Andante
Komponist(in):
Domenico Scarlatti (composer)
Teil von:
Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (Nummer: 108) und Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (Nummer: 213)
3:13
15Two-Part Invention No. 6 (BWV 777)
recording engineer:
Richard Battaglia und Robert Battaglia
Produzent(in):
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
Banjo:
Béla Fleck
Gast-Kontrabass:
Edgar Meyer (contemporary bassist and composer)
arranger:
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
aufgenommen bei:
Sanctuary Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (in 2001)
recording of:
Inventio Nr. 6 E-Dur, BWV 777 (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Inventio Nr. 6 E-Dur, BWV 777
2:28
16Adagio Sostenuto From Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2 "Moonlight"
recording engineer:
Jim Janik und Todd Whitelock (engineer)
Produzent(in):
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
Banjo:
Béla Fleck
Gast-Cello:
Gary Hoffman (Canadian cellist)
Gast-Kontrabass:
Edgar Meyer (contemporary bassist and composer)
arranger:
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
aufgenommen bei:
Avatar Recording Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (am 2001-02-12)
recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (catch-all for arrangements)
Komponist(in):
Ludwig van Beethoven (German composer)
Arrangement von:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (Sonate für Klavier Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondscheinsonate": I. Adagio sostenuto)
Teil von:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight” (catch-all for arrangements)
5:03
17Two-Part Invention No. 11 (BWV 782)
recording engineer:
Jim Janik und Todd Whitelock (engineer)
Produzent(in):
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
Banjo:
Béla Fleck
Gast-Marimba:
Evelyn Glennie (percussionist)
arranger:
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
aufgenommen bei:
Avatar Recording Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 2001-03-25 bis 2001-03-27)
recording of:
Inventio Nr. 11 g-Moll, BWV 782 (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Inventio Nr. 11 g-Moll, BWV 782
0:56
18Seven Variations on "God Save the King"
recording engineer:
Jake Jackson (recording engineer) und Steve Orchard (producer and engineer)
Produzent(in):
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
Banjo:
Béla Fleck
Gast-Gitarre:
John Williams (classical guitarist)
arranger:
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
aufgenommen bei:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 2001-01-29)
recording of:
7 Variations for Piano in C major on “God Save the King”, WoO 78
Komponist(in):
Ludwig van Beethoven (German composer) (von 1802 bis 1803)
Teil von:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (Nummer: Bia 368) und Kinsky catalogue (Beethoven WoO works) (Nummer: WoO 78)
basiert auf:
God Save the King (national anthem of several countries in the British Commonwealth)
9:03
19Three-Part Invention (Sinfonia) No. 7 (BWV 793)
recording engineer:
Jim Janik und Todd Whitelock (engineer)
Produzent(in):
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
Banjo:
Béla Fleck
Gast-Geige / Violine:
Joshua Bell (violinist)
Gast-Kontrabass:
Edgar Meyer (contemporary bassist and composer)
arranger:
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
aufgenommen bei:
Avatar Recording Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 2001-03-25 bis 2001-03-27)
recording of:
Sinfonia Nr. 7 e-Moll, BWV 793 (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Sinfonia Nr. 7 e-Moll, BWV 793
1:58
20Moto Perpetuo, Op. 11, No. 2
recording engineer:
Richard Battaglia und Robert Battaglia
Produzent(in):
Béla Fleck und Edgar Meyer (contemporary bassist and composer)
Banjo:
Béla Fleck
Gast-Gitarre:
Bryan Sutton
arranger:
Béla Fleck, Edgar Meyer (contemporary bassist and composer) und Bryan Sutton
aufgenommen bei:
Sanctuary Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (in 2001)
recording of:
Moto perpetuo, op. 11, MS 72 (catch-all for arrangements)
Komponist(in):
Niccolò Paganini (Italian composer and violinist)
Arrangement von:
Allegro vivace a movimento perpetuo, op. 11, MS 72 (for violin and orchestra)
2:39