Grandi Voci: Mirella Freni

~ Release by Mirella Freni (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1La bohème: “Si, mi chiamano Mimì”
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini5:26
2La bohème: “Donde lieta usci”
soprano vocals:
Mirella Freni (soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini3:30
3Guglielmo Tell: “S'allontanano alfine” … “Selva opaca”
soprano vocals:
Mirella Freni (soprano)
recording of:
Guglielmo Tell: Atto II, scena 2. “Selva opaca, deserta brughiera”
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto II
Gioachino Rossini9:09
4Falstaff: “Sul fil d'un soffio etesio”
choir vocals:
Coro del Teatro di San Carlo di Napoli (Chorus of the Teatro di San Carlo) (on 1962-12-01)
soprano vocals [Nannetta]:
Mirella Freni (soprano) (on 1962-12-01)
orchestra:
Orchestra del Teatro di San Carlo (Orchestra of the Teatro di San Carlo) (on 1962-12-01)
conductor:
Mario Rossi (Italian conductor) (on 1962-12-01)
recorded at:
Teatro di San Carlo in Napoli (Naples), Napoli, Campania, Italy (on 1962-12-01)
live recording of:
Falstaff: Atto III, scena 2. “Sul fil d'un soffio etesio” (Nannetta, Fate) (on 1962-12-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto III
Giuseppe Verdi3:59
5Pagliacci: “Qual fiamma avea nel guardo” … “Stridono lassù”
soprano vocals:
Mirella Freni (soprano)
recording of:
Pagliacci: Atto I. “Qual fiamma avea nel guardo!” (Nedda)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo5:15
6Tosca: “Vissi d'arte”
soprano vocals [Tosca]:
Mirella Freni (soprano) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:19
7Mefistofele: “'L'altra notte in fondo al mare”
soprano vocals:
Mirella Freni (soprano)
recording of:
Mefistofele: Atto III. “L’altra notte in fondo al mare” (Margherita, Faust, Mefistofele)
composer and librettist:
Arrigo Boϊto (librettist, composer)
publisher:
G. Ricordi & Co. London (UK division) and G. Ricordi & Co. Milan (Italian publisher)
part of:
Mefistofele: Atto III
Arrigo Boito6:59
8Bianca e Fernando: “Ove son? Che m'avenne?”
soprano vocals:
Mirella Freni (soprano)
partial recording of:
Bianca e Gernando
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Domenico Gilardoni
premiered at:
Teatro di San Carlo in Napoli (Naples), Napoli, Campania, Italy (on 1826-05-30)
Vincenzo Bellini11:01
9Madame Butterfly: “Un bel dì”
recording engineer:
Jack Law (engineer) (on 1974-01-31), James Lock (James Locke, engineer) (on 1974-01-31) and Gordon Parry (engineer) (on 1974-01-31)
assistant producer:
Michael Woolcock (producer)
producer:
Christopher Raeburn (producer)
soprano vocals [Butterfly]:
Mirella Freni (soprano) (on 1974-01-31)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (on 1974-01-31)
conductor:
Herbert von Karajan (conductor) (on 1974-01-31)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (on 1974-01-31)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (on 1974-01-31)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:40
10Madame Butterfly: “Come una mosca prigioniera …”
soprano vocals:
Mirella Freni (soprano)
recording of:
Madama Butterfly: Atto III. “Come una mosca prigioniera” (Suzuki, Butterfly)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini8:38
11Ninnananna di Modigliana
soprano vocals:
Mirella Freni (soprano)
recording of:
Ninnananna di Modigliana
composer:
Francesco Balilla Pratella
Francesco Balilla Pratella3:10
12Ninnananna romagnola
soprano vocals:
Mirella Freni (soprano)
recording of:
Ninnananna romagnola
composer:
Francesco Balilla Pratella
Francesco Balilla Pratella4:26

Credits